Thanks to the 189 of you who took our poll to determine the best Topps sets of the 1960s — or rather, the Topps sets that we collectively enjoy the most. As with the 1970s, every set was loved by someone, and all sets finished last in at least three surveys as well. So there is no true consensus. Which I think is a great result.
Chick here to read about the poll and to see images of each of the card sets (front and back). I am not going to repeat the images here.
What follows are our results, with my comments. The average score is computed as a 10 for a first place vote, 9 for a second, etc.
1. 1967 (7.05 average score, 47 first place votes)
It ended up being a two-set race for the title. Every time I checked the results over the weekend 1965 was winning, but when I closed the poll this morning I noticed the top 2 had switched.
This has always been my favorite Topps set of all time — I like my sets to be simple (not many design elements) yet to have distinct colors. And I love the backs as well — vertical seems more natural to me, and the missing stats columns (games and runs for batters) seemed dispensable for the extra text.
2. 1965 (6.90, 38)
I admit that it was not until recently that I realized how great this design is. A year ago I suggested to someone that it was Topps’ most “childish” design, which my friend thought I meant as a criticism. Anything but — Topps did best, in my opinion, when it appealed to kids first and foremost. Most kids would rather have cartoons than a player’s WAR value. That flapping pennant on the front is pure genius.
3. 1963 (6.12, 21)
This was the first result that surprised me, as I had this ranked fairly low. For me, its the second picture on the front which is generally out of focus and superfluous. But 21 people thought it it the best set of Topps’ best decade, an impressive result.
In 1963 Topps switched to a lighter card stock, ushering in the “glory days” of card backs. For eight wonderful years, Topps had a light and colorful back filled with statistics for the player’s entire career (and often his minor league years as well). In 1971, Topps literally embraced the dark side, ushering in two decades of card back mediocrity. So, bravo 1963.
4. 1966 (5.28, 7)
This is another set, like 1967, in which the player’s photo takes up maximum space on the front of the card. My favorite sets generally have wall-to-wall photo, so I was meant to love this set. And I do.
The color-coded team name going diagonally across the upper left made this the absolutely best set of sorting by team, as all right-thinking people do.
5. 1969 (5.26, 13)
This card set had its problems, the reasons for which I have documented elsewhere. However, those problems had nothing to do with the design — which is what we are supposed to be ranking here. The design, for someone in the minimalist school, is great. It has a big photo with child-like design elements laid atop, and it has a bright colorful back. The top 50 cards from this set are as good as the top 50 of any year.
I expect there is a strong correlation between the people who love the elegant 1957/1961/1967/1969, vs. the colorful 1958/1959/1972/1975.
6. 1961 (5.22, 10)
After three years of anti-photo experimentation, Topps went simple in 1961 with a very elegant set of cards. There are a lot of deliberate head shots here — cards where Topps obviously had tons of material on hand but showed the head and face anyway. Clemente, Aparicio, Kaline, Mays. Beautiful cards if you want to see what the players look like.
7. 1964 (5.04, 4)
Topps most “meh” set of the 1960s, reflected in the lowest number of first place votes. Two years ago I would have said, without thinking, that this was a much better set than 1965. Having recently spent a lot more time with the cards from this era I have now flipped completely on this.
One thing I absolutely love about this set should be mentioned. I am a set collector, but I organize my cards by team. I love the color-coded teams (all Red Sox have a team name in green, with a red bar at the bottom with name and position. Topps’s designs made the team name the primary color element for the rest of the decade, which, as I came aboard in the late 1960s, is probably what influenced me to sort my cards the way I do.
8. 1960 (4,91, 15)
A lot of people love this set, which surprised me considerably. For me, it combines some of my pet peeves — the dreaded secondary photo, the single-season stat lines on an otherwise nice card back. I am also anti-horizontal. It is not as bad as Topps using them for “some” of the cards (which it tried from 1971-74, and is doing again today).
I am actually slowly building this set at the moment, so what do I know?
9. 1968 (4.89, 21)
Talk about divisive: only two sets got more first-place votes, and only one set got more last place votes. Certainly a big set from my childhood, but I don’t have nearly the nostalgic draw for them as I do for 1967 or 1969. Another set that got crushed by the player boycott, and also by the Athletics move, and also whatever was going on the with the Astros.
10. 1962 (4.38, 9)
The two brown bordered sets ended up at the bottom. I kind of like the border myself, although the backs are terrible and the set is plagued with a lot of mediocre photos. In fact, Topps photography got better throughout the decade (pre-boycott), which makes 1966 and 1967 quite easily the best photos if you like bright uniforms under sunny cloudless skies.
So there you have it. What should strike you is that the best set had an average score of 7 (a fourth place vote) and the worst around 4 (a seventh place vote). So we are … conflicted.