Today’s card collectors are familiar with the bonus cards, posters, coins and other products that are inserted in blaster, hobby and retail boxes. Autographed cards, relics and “buy backs” are common examples.
In 2010, Topps inserted Manufactured Commemorative Patches in “blaster” boxes. The cards feature all-time greats accompanied by patches for All-Star games or World Series in which the player was a participant. A few cards feature contemporary players with patches matching those wore on players’ uniforms.
The cards consist of a small player photo placed to the side with an embroidered patch in the center, filling most of the space. The cards are extra thick to accommodate the patch. There are 100 different cards, with the first 50 distributed in “blaster” boxes for series one of the base set. The second series base set contains the last 50. An additional 50 cards were issued in the Update “blaster” boxes.
There is an ersatz nature to some of the patches, which might raise the hackles of some curmudgeonly purists. Since official logos were not issued for World Series and All-Star games until at least the 1970s, Topps had to create the patch-but not necessarily from “whole cloth.” Fortunately, they used the press pins issued at the time as the models. Thus, most of the logos are accurate to the event.
Dizzy Dean’s card is beautiful example of the use of the press pin design. As you can see, the patch is derived from Cardinals press pin issued at Sportsman’s Park at the 1934 World Series but with the word “press” removed. The card back shows a printed version of the patch logo
The 1948 World Series logo is unique in that “Chief Wahoo” is facing forward, as seen on this Larry Doby card. Once again, the emblem closely matches the press pin.
One of my favorites is the Juan Marichal card featuring the 1968 All-Star patch. Held in the Astrodome, the game was broadcast for the first time in prime time. This is the first All-Star game I remember watching on TV.
The Bob Gibson card is confusing at first since it features the Twins logo on the patch. However, this is a faithful reproduction of the 1965 All-Star game press pin.
I am drawn to the design of the 1972 All-Star patch on Carlton Fisk’s card. The Braves’ simple feather logo-which was worn as a sleeve design on their uniforms-is especially eye catching.
There are a few patches that were created without historical artifacts as inspiration. The Jimmie Foxx card has an inaugural All-Star game patch of modern origin. Nonetheless, the designer uses Art Deco elements to match those of the 1933 World’s Fair, to create a decent period piece.
An example of a contemporary players’ cards in the set are Mariano Rivera and Justin Morneau. The patches commemorate the opening and closing of ball parks. These are replicas of sleeve patches.
In 2011, Topps continue with the patch theme, but this time went with vintage team logos. Most of the cards have modern players paired with past team logos. A few old timers are thrown in as well. I have a few of these, including-of course-Ichiro with a Pilots logo. I like these as well but not as much as 2010.
Of course, Topps can’t leave well enough alone, and produced inserts in 2010 with cap logo patches and vintage players. Subsequent sets have also featured patch themed inserts and bonus cards.
In closing, I will break the hearts of Red Sox fans by showing the 1967 World Series patch with Orlando Cepeda and mend the organ with a 1915 Tris Speaker. Suddenly, I’m hearing a James Taylor song.