Author’s Note: The SABR Baseball Cards blog is pleased to introduce new SABR member Donna Muscarella, whose interests in baseball, the Negro Leagues, and photography led her to produce a Hinchliffe Stadium baseball card set.
What led to your interest in Hinchliffe Stadium?
I visited the Negro Leagues Baseball Museum during a baseball-themed vacation in 2016. The experience left me feeling a range of emotions—from anger to awe and much in between—but mostly, it left me with a desire to learn more about the Negro Leagues players, owners, and teams.
When the Tip Your Cap campaign associated with the Negro Leagues’ 100th Anniversary started in June 2020, I wanted to have Topps do a small run of twenty custom baseball cards for me. Initially, I planned for the cards to depict me tipping my cap in tribute to the Negro Leagues. That’s a pretty dull card on its own, so I started thinking about places that would complement the theme. With local venues closed, and my feeling uncomfortable traveling during a pandemic, every idea I had about location seemed like nothing more than a pipe dream. I scrapped the plan.
In addition to limited or no access to venues of all kinds, 2020 also brought limited or no access to modern baseball cards (at least, not at prices I felt were reasonable, Project 2020 aside). The lack of product led me to think about other hobby options, and I became enamored with the thought of building a collection of postcards depicting stadiums in which Negro Leagues baseball had been played. The first step in that process was to compose a list of ballparks. Imagine my surprise and jubilation when I discovered that a dedicated Negro Leagues ballpark—not a Major League stadium rented to a Negro League team—was still standing a little more than ten miles from my house!
What made you decide to turn your Hinchliffe photos into a baseball card set?
Once I learned about Hinchliffe, the plan for my Tip Your Cap tribute card was on again. A bigger plan snapped into focus the second Hinchliffe came into sight. There in front of me was a beautiful Larry Doby mural painted on the stadium wall. My vision was to pose in front of the stadium gate, but as soon as I saw the Doby mural, I knew it was the perfect spot for my Tip Your Cap photo. I felt compelled to get that stadium gate onto a card, though. And if I was going to do a card featuring the gate, then why not a small set of cards showcasing Hinchliffe? As I began to walk around the stadium with goosebumps growing on top of goosebumps, I knew it had to be.
Though the write-ups are brief, I learned a lot from the backs of your cards. How much was it a goal of yours to educate collectors?
The idea for the cards was born out of a desire to pay personal tribute to the Negro Leagues during its centennial year and to inspire others to learn more about the Negro Leagues. I was moved by the thought that maybe, just maybe, each person that read the cards might be moved to not only do some research on their own, but also to invite someone else to explore all that the history of the Negro Leagues has to offer. You know, kind of like that shampoo commercial from the 1980s: “I told two friends and they told two friends and so on and so on and…”
The backs of your cards pay homage to 1933 Goudey. What made you choose that style for your card backs?
I thought it would be fun to incorporate some aspects of vintage cards into this set. After all, it showcases a venue that opened to the public in the early 1930s. I chose to model the card backs after the 1933 Goudeys because Hinchliffe Stadium hosted the Colored World Series in 1933. And the rounded font on the card fronts, while not exactly the same, is meant to be reminiscent of the Goudey font. The uncoated front and back surfaces are another vintage attribute I chose.
How did you decide how many cards to include and which cards/pictures to include in your set?
I wanted the card images to tell a story, to give a small sense of what it might have been like to visit Hinchliffe on a game day. The images chosen and the corresponding size of the set grew organically from the elements of the ballpark I was able to photograph from outside the gates that would support that journey.
How did you decide how many sets to make?
Being that I’m a first-time custom-card creator, I wanted to keep the print run small. Fifty was the minimum amount I could order using the card stock I chose, so I went with it. Should there be enough interest in my work, I would consider a larger edition for other sets.
You mentioned that you live very close to Hinchliffe. Do you see yourself traveling someday to other historic baseball sites to take pictures and/or make trading cards?
Absolutely! Incorporating baseball into vacations is a tradition that my parents started, and as a fourth-generation baseball fan, I’ve taken it one step further by building many of my travel plans around baseball. My discovery of Hinchliffe has made me want to incorporate even more exploration of baseball history into my travels.
I can walk down an ordinary New York City street or stroll through a nearby park and want to take photos left and right, but put me in the midst of baseball history with my camera and I’m like a kid in a candy store. It’s a pretty safe bet that more historic baseball sites will be visited and captured through my camera lens.
This Hinchliffe trading card project has been invigorating, and I hope to repeat that feeling by creating and releasing more card sets.
Aside from stadiums or places, what other baseball-themed card sets you hope to make?
I would love to do a set or series of sets that incorporate some of my favorite images of players that I’ve captured over the years. But without licensing from at least the Major League Baseball Players’ Association (and Major and Minor League Baseball if I want to include team names and logos), I can’t release those images in bulk, or even in duplicate. I can, however, use those images in one-of-one pieces of art. I have some ideas for combining my photos of players and stadiums with baseball cards to create unique artwork and plan to begin experimenting with them soon.
My next planned project is a companion set to complement my original Hinchliffe cards. The images included in the initial release were taken with a somewhat photojournalistic approach. I wanted to convey the story of fans arriving to the ballpark (the gate on Card 1), purchasing tickets (the ticket windows on Card 2), heading to the seating bowl (the entry area on Card 3), and sitting down to watch the action (the stands on Card 4). The anticipation contained in those moments are precious.
What I’ve found though, is that there is so much more to Hinchliffe! I’ve begun capturing the character of the ballpark with more of an eye for detail. For example, the sphere-topped flagpoles now sit bare against a blue sky—to think how majestic they looked when serving their purpose on a game day! I don’t know what the final composition of the set will be, but plan for it to once again feature my photography and serve as a vehicle to share information about Hinchliffe and its relationship with the Negro Leagues.
Something that makes your set unique versus what I see from many other independent card producers is that you used photos you took yourself rather than found elsewhere. How long have you been a photographer and what got you started?
My parents tell me I was inquisitive almost from birth, and I am also very sentimental. I believe my love of photography stems from a need to explore and a desire to preserve my discoveries. This idea of exploration can take on many forms—for instance, it may involve visiting a new place or examining a familiar subject with a new perspective. The possibilities are endless, especially with photography.
That said, I’ve enjoyed photography since I was a child. My first camera, a 110 point and shoot, was the bonus I received when opening a new savings account. There were other gift options available, but I wanted that camera! When we’d get photos developed from family vacations, it was always easy to tell which rolls were mine. All you had to do was look for the envelopes full of photos of clouds and flowers and animals and unusual takes on buildings or statues…
Do you have any photography tips for our readers interested in taking their own photos of stadiums or other baseball subjects?
- Experiment! Digital photography is extremely conducive to it. You can immediately see your captured image and decide if you like what the image conveys or if adjustments are needed. Play with different vantage points, different use of light and shadow, and different fields of view.
- Don’t be afraid to get lost in the details. Search for gems hidden in plain sight. It’s easy to be captivated by the sweeping expanse of a ballpark. There is tons of beauty there, and it is worthy of attention. But there also is beauty to be found in the details! Maybe it’s the scrollwork on the aisle seats or the way the sunset is glowing through the lighting panels mounted on top of the stadium or the way a small portion of the stadium’s exterior appears even more majestic when its backdrop is an azure blue sky.
- If photographing a stadium on game day, arrive early and go inside as soon as gates open. Take advantage of location and experience opportunities that may exist only in the first forty-five minutes or so after gates open.
- As for equipment, sure it’s nice to have a “fancy” camera. I shoot with a DSLR (currently Nikon D500) and a compact camera (currently Canon PowerShot SX730). But if your phone’s camera is the only camera you own, don’t let that stop you from photographic exploration. If you decide you like the photographic adventure enough to invest in a more advanced camera, do so when your financial means allow. Don’t feel like you need to buy the top of the line camera, or even a camera with interchangeable lenses (DSLR or mirrorless) right away.
What’s involved in turning your images and text into an actual baseball card? What parts were “DIY” and what parts did you use outside resources for?
I designed and composed the cards myself. Aside from image selection, I started my design approach with the back of the cards. I was determined to pay homage to 1933 Goudeys, so I wasn’t starting from scratch with my design template. I needed to find fonts and colors that would evoke a Goudey feel. Since I was printing on white stock (to best preserve image colors), I needed to select not only a color for the lettering, but also a background color that would mimic 1933 cardboard. The most challenging part was fitting all of the information I wanted to include onto the tiny backs of those cards!
For the card fronts, I used desktop publishing software to experiment with different design options and color schemes. My experimentation ended when I found the combination that best complimented all of the images I had chosen and paired well with the flip-side design. Once the layout and content were finalized, I converted the “pages” to press-quality PDFs and gave them to a professional shop for printing.
Besides making your own cards, tell us about your favorite baseball cards, either from when you were a kid or present day.
Dave Winfield’s rookie card (1974 Topps #456) always comes to mind when I am asked about favorite cards. My love of this card has nothing to do with the card’s design. It is based solely on a personal experience involving the card.
One Saturday afternoon sometime in the 1980s, I answered the phone and was surprised to hear my dad’s voice on the other end. He and my mom were at the mall. Of course, back then, calls from public places were usually made using pay phones and weren’t made just to shoot the breeze—a call from a pay phone had a distinct purpose. I couldn’t imagine why my dad would be calling from the mall and hoped that everything was alright.
In a very excited voice, Dad told me that Dave Winfield was at the mall for a free (!) autograph signing for another 45 minutes. He told me to grab a Winfield card and get there fast. So I grabbed my Winfield rookie and headed to the mall while my parents held a place in line.
When we got to the front of the line, Mr. Winfield extended his hand to greet us. I shook his hand first and watched my hand and wrist disappear in his. After he shook hands with my parents, I thanked him for being there and told him I would be honored if he would please sign my copy of his rookie card. As I placed it in front of him, he said, “Are you sure you want me to sign this? It’s going to ruin the card.” I exuberantly responded, “No it won’t, and yes please!” He asked again, “You’re sure?” “Absolutely!” He proceeded to sign the card and handed it back to me. I was beaming.
As I was shaking his hand again and offering my gratitude, my dad said, “Oh no! I just realized what shirt you’re wearing.” Mr. Winfield said, “It’s perfect. It’s a Yankees shirt!” “Yes,” my father responded, “but she’s got someone else’s name and number on her back!” As my father put his hands on my shoulders to turn me around, I let out a mortified “Dad!” as only a teenager could. Mr. Winfield laughed. I explained that if I had taken the time to change my shirt, I might have missed meeting him and apologized for the unintentional disrespect I had shown. He was the perfect gentleman. And so Dave Winfield’s 1974 Topps card will always be special to me.
Don Mattingly’s Topps rookie and the 1971 Topps Thurman Munson are also favorites from my younger years (although the Munson predates the start of my collecting by a few years).
In terms of modern cards, I am a fan in general of Topps Allen & Ginter and Heritage, including Heritage Minors, as well as Topps ProDebut. Stadium Club is another favorite because it features such beautiful photography.
I’d be remiss if I didn’t include some of my favorite artist cards here. Josh Trout’s Jackie Robinson from 2020 Topps Gallery is a beauty, and Efdot’s Mariano Rivera and Blake Jamieson’s Don Mattingly from Project 2020 are also standouts.
I understand you just recently joined SABR. What prompted your decision, and what aspects of membership are you most excited about?
My first non-statistical exposure to SABR came via an event in the late 2000s at the Yogi Berra Museum and Learning Center. I recall fondly the sense of camaraderie amongst the panelists and gallery of attendees. So the first impression was a very good one. Fast-forwarding to 2020, I became more active on social media and found SABR’s contributions from both the master account and several committee accounts to be both interesting and informative.
I am most looking forward to meeting new people through SABR and participating in activities with fellow SABR members. I am also excited about the tremendous amount of knowledge that sits with members of SABR and affording myself of opportunities to learn more about the greatest game ever: baseball.
If our readers want to connect with you, what is the best way they can do that?
I’d love to hear from fellow baseball enthusiasts! For longer inquiries or conversations, please email me at TheLensOfDonnaM@gmail.com. I’m also on Twitter and Instagram: @TheLensOfDonnaM.