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Edward Charles Ford, who passed away October 8 at the age of 91, was a Hall of Famer; World Series hero; Chairman of the Board; social companion of Mickey Mantle and Billy Martin; “Slick” to manager Casey Stengel. But to generations of Yankee fans he was simply, “Whitey.”

From the moment Ford joined the World Champion New York Yankees in midseason 1950, he was a trailblazer. He won his first 9 decisions and steadied a rotation that featured Allie Reynolds, Vic Raschi, Ed Lopat and Tommy Byrne en route to a World Series victory over the Philadelphia Phillies and their “Whiz Kids.”

A legendary competitor, the crafty lefty was the ace of the great Yankees dynasties of the 1950s and 1960s. According to the Baseball Hall of Fame website, Ford was the team’s Game 1 starter in every World Series from 1955-1958, becoming the first pitcher in history to start four consecutive Game 1s. Ford repeated the feat again from 1961-1964.

A 10x All-Star, Ford led the league in wins three times, twice in earned run average and won a Cy Young Award in 1961. With a record of 236 -106, he owns the highest winning percentage (.690) in history.

As he lived in October, it stands to reason that Ford set numerous World Series pitching records, including consecutive scoreless innings (33 2⁄3), wins (10), losses (8) games started (22), innings pitched (146) and strikeouts (94). He was a six-time World Series champion and a World Series MVP recipient in 1961.

When it came to baseball cards, Ford was equally iconic. After his exploits of 1950, the Bowman Gum Company honored the rookie by designating him card No. 1 in its 1951 Bowman baseball card set – the same set that features the rookie card of Mickey Mantle.

Ford, however, would miss the next two full seasons by fulfilling his military obligations as noted by the back of Ford’s 1953 Bowman Color baseball card.

“The return of Whitey from Uncle Sam’s service to the Yankee mound staff is looked upon by delight from everybody to the President down to the bat boy. He’s a great young pitcher, and if can pitch as he did before he left for his service hitch, he’ll be a tremendous help to the Yanks in their quest for a fifth straight pennant.”
1953 Bowman Whitey Ford card back

However, Ford didn’t miss a beat on his return to the majors. Winning 18, 16, 18 and 19 games in his next four seasons.

It was the mid-1950s and Ford was enjoying himself and the New York City nightlife with Yankee teammates Mantle and Billy Martin – a trio that earned the nickname, “The Three Musketeers.”

Bill Pennington, author of “Billy Martin: Baseball’s Flawed Genius” wrote that one of the Musketeers (Martin) was painted as a ringleader; taking most of the blame when things went wrong. The claim was refuted by Ford himself in the book.

“I don’t know why Billy always got labeled the instigator, which wasn’t at all true,” Ford said. “Mickey just had that innocent, country-boy look and I was quiet about a lot of things in public. But Billy didn’t care about appearances and he had that mischievous grin, so people just thought he was stirring us up all the time. It wasn’t really the case. We got into plenty of trouble on our own.”

Trouble like the infamous Copacabana incident in 1957 when several Yankees, including Mantle, Ford, and Martin as well as Hank Bauer and Johnny Kucks, were involved in an early morning altercation at the famed New York City nightclub.

The next morning’s headlines in the New York papers were scandalous at the time: “It Wasn’t A No-Hitter” screamed a headline in the New York Journal-American. Soon after, Yankee brass banished “ringleader” Martin, who was traded to Kansas City.

Nonetheless, the Yankees would continue their pennant-winning ways with Ford leading the way into the World Series– except the one time he didn’t.

In 1960, as the Yankees were preparing to play the Pittsburgh Pirates, Stengel surprised many by opting to start journeyman Art Ditmar in Game 1 in favor of Ford, who was already a dominant post-season performer. Skipping Ford in Game 1 meant the lefty would be unable to pitch three times if the series went the distance. The move backfired horribly. Not only did Ford pitch brilliantly – hurling two shutouts in Games 3 and 6 – but the Pirates jumped on Ditmar each time he pitched in the series. In fact, Ditmar never made it out of the second inning in either start. The Pirates won the series in seven games. The decision was heavily criticized and cost Stengel his job as Yankee manager.

Meanwhile, Ford would win the Cy Young Award the following year in that magical 1961 season and go on to pitch well into the 1960s, even as those Yankees teams began to falter as their stars like Mantle began to age.

Interestingly, Ford lost his last four World Series starts – Game 5 against the 1962 Giants, Games 1 and 4 (opposing Sandy Koufax each time) against the 1963 Dodgers, and Game 1 versus the 1964 Cardinals.

Ford was enshrined in Baseball’s Hall of Fame in 1974, five years before I started following baseball. Very quickly, however, I came to understand Ford’s place in Yankee history – mostly through my baseball card collection as well as his appearances at Yankees’ Old Timer’s Day. As is customary with the event, the greatest players are honored with getting introduced last. And when you’re talking New York Yankees, that’s quite a pecking order: Berra, Mantle and DiMaggio.

Years later with legends like Mantle and DiMaggio no longer around, it was time for Ford to receive the honors and accolades.

In 2010 – the last time I attended an Old Timer’s Day at Yankee Stadium – I paid strict attention to the moment when Ford and Berra were introduced. Understanding that this might be the last I would ever see them, I fixated only on them. I stood silently and took in their every movement, smile and wave as they rode in from the centerfield gate in a tricked-out golf cart (complete with Yankee pinstripes). “Remember this moment. That’s Yogi and Whitey.”

When I visit Yankee Stadium with my sons, we dutifully pay a visit to Monument Park and read the plaques of the legends. Like Whitey Ford.

Rest in peace.

The 1953 Bowman Color baseball card set is one of the most beautiful issues ever produced. The issue was the first major set to use actual color photographs.

The cards, which measure 2-½” × 3-¾”, feature vivid four-color photographs unspoiled by facsimile autographs, logos, positions, and even player names. As such, the release has been celebrated by collectors by its uncluttered design. However, that’s not all the 1953 Bowman Color set represents. Did you know the following?

10. The return of dual-player combo cards

Did you know that #93 Billy Martin/Phil Rizzuto and #44 Hank Bauer/Yogi Berra/Mickey Mantle marked the return of multi-player cards, which hadn’t been part of a major release since the Old Judge cards of the 19th century (unless you count 1948 Swell Sport Thrills cards or the 1912 Hassan Triple Folders, which had one player on each end and an action scene, often multiplayer, in the middle.

Another notable exception was an extension of the 1934-36 National Chicle Diamond Stars in 1937. Although that set was never completed, one of the cards included would have been a multiplayer card featuring Rogers Hornsby and Jim Bottomley.

9. No expense spared

The Bowman Card company went to great lengths to put out a great looking product. In fact, the company nearly went bankrupt from production expenses. Using top-notch photographers from the New York Times, Life and other big-time New York media outlets, no expenses were spared. Although the finished product sizzled, the financial impacts of using color photography put a strain on the company.

8. New York state of mind

Hiring New York-based shutterflies only made more sense when you consider that most of the ballplayers were photographed in the two area ballparks: The Polo Grounds, located in Manhattan, and Yankee Stadium, located across the Harlem River, in Bronx.

As both venues no longer exist, the set represents an enduring window to a bygone era of flannel uniforms, sharp spikes and bulky gloves. The best examples being card #7 Harry Chiti and #96 Sal Maglie at the Polo Grounds and card #105 Eddie Joost at Yankee Stadium. [Fun Fact: Like the Statue of Liberty, the Yankee Stadium frieze was made of copper, and when exposed to the elements the metal turns green.]

7. Spring fling

Not all the player photos in the set were taken at Polo Grounds or Yankee Stadium, however. Some were taken during Spring Training, including the Dodgers ballpark in Vero Beach. Card #114 of Bob Feller is emblematic of the rush to get the cards ready for release.

6. Pee Wee

One of the spring training photos, #33 Pee Wee Reese, is one of the most famous cards of all-time.

The photo depicts Reese, suspended in air, trying to complete a double play. A subject of great debate among collectors is the identity of the player sliding underneath. Was it a coach, Bobby Morgan, or Gil Hodges? Whoever the baserunner, the debate lives on.

5. Small-ish set

At 160 cards, the 1953 Bowman set is smaller than many of Bowman’s issues of the era. However, a 90-card black and white set was issued the same year. Therefore, when taken together, Bowman issued 250 cards during 1953, a standard sized offering for the time.

4. Defending champs

Look closely at Billy Martin, card #118, and Allie Reynolds, card #68.

The patch adorning their sleeve celebrates the 50th Anniversary of the legendary team. The set also celebrates the dynastic Yankees at the height of their powers. Alas, in 1953, the Yankees were nearing the end of their five-year reign as defending World Series champions.

3. Stars, but not everyone

With Mickey Mantle, Stan Musial, Warren Spahn and Bob Feller, 1953 Bowman Color does not lack star power. However, 1953 Bowman is missing Ted Williams, who was off flying combat missions in Korea, and Willie Mays, who was under contract with Topps.

2. Stats

The set was also Bowman’s first issues with player statistics on card backs. It is widely speculated that Bowman (left) copied the idea from Topps (right), which had put statistics in its debut issue.

1. Bowman’s answer

Nearly 65 years later, it can get lost that the iconic 1953 set was the company’s response to Topps’ equally iconic release the year before. Both sets are remarkable in their own right – plenty of innovation and star power in each of these releases. It’s not often that two iconic sets come off production lines within such a short time. However, that’s precisely what happened in the early 1950s.