Who Am I? (And Where Have I Been?)

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It’s been three months since my last post, or 25 years in pandemic time. There are multiple reasons for that – general ennui, lack of ideas, absence of baseball itself. The truth of it is that my collecting interest is very much alive, but focused on mid-‘60’s football sets.

Sacrilege! Yes, I know, but those sets have short checklists and no real high dollar cards, so they’re easy to complete. Sort of easy. The absence of card shows is a problem right now. I need to go through tables full of commons to get to the finish line.

But all of this interest in getting nice Bobby Bell cards doesn’t mean I’ve avoided baseball cards. It only means I’m still working on sets I’ve already written about.

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Here’s my progress report:

  • I finished my 1963 Bazooka All-Time Greats with a graded Nap Lajoie, eventually to finds its way from COMC to Cooperstown. He will be freed from his plastic prison upon arrival.

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  • I also finished my hand cut 1975 Hostess by snagging a solid Billy Champion. I do need the Doug Rader variation (I’ve got all the other variations) and my Glenn Beckert is actually a hand cut Twinkie version (the remnant of the solid black bar on the back gives it away), but I’m calling this one done.

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  • I’m six cards from completing the 1961 Post set (one of each number. I’m not even trying for all the variations).
  • I’m seven away from a complete 1960 Leaf Series 2 set, after a big auction win of 20 cards in VG/VGEX condition. I recently got a pretty nice Jim Bunning (there’s a delicate balance between cost and condition on these), but there are still the biggies left – Sparky Anderson, Cepeda, and Flood.

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  • Totally stalled on 1933 Tattoo Orbit. I’m slightly more than halfway through, but I keep losing auctions. I think that shows my heart isn’t completely into it.

All this is by way of a reintroduction of sorts. Yeah, you know me, and I know you, but it’s been awhile and I want you to know I’m still here, still collecting, and with an itch to post again.

You’ll be hearing more from me, so stay tuned.

Gabby Gabby – Hey!

I’ve written about my pursuit of the 1936 Goudey Wide Pen Type 1 set a few times (the most detailed is here).  The Type 1 set (there are five types) has 120 cards and a weird, diverse checklist. When I last posted about them, a little over two years ago, I was getting close to the end. I had a good jump on this set. Somewhere along the way I had gotten 80 of them. On March 7, 2018, I was 11 shy of done.

It wasn’t easy finding those last cards. It seems that Yankees and Cubs are the hardest to find. I thought I’d find Bill Dickey and Earl Combs for $15-25 each, and I did. Each cost me $20.79, though in VG condition. That’s the lower end on what was shaping up to be a VG/EX to EX (and some EX/MT) set. Walters (not a Yankee or a Cub), Crosetti and Cavaretta set me back well more than the $5-10 per card I had counted on: $18.50, $16 and $22.29! Augie Galan, another of those defending NL Champ Cubbies, also was more costly than I expected – $17.50.

Last, and seemingly never appearing, was Gabby Harnett. I originally assumed he’d set me back $15-25, like Dickey and Combs, but man was I off. Was I destined to stay one card short of the set for years? That was a distinctly unpleasant possibility. Day after day my eBay search turned up nothing.

Well, there was one guy. He wants $249.99, for one in SGC 60 (EX). Why? It’s rare, he told me, it has “Litho in U.S.A.” in the bottom corner. I told him that all Type 1s have that (except the Lloyd Waner’s card, which comes with and without the tagline). Still, he said, it’s harder to come by. He’s right, but not $250 right.

I put out a request on Net54 and there was a guy who had one in VG for $60. It wasn’t a bad card, but not for that much and I still thought I could get it for $35ish.

Then, a couple of weeks ago, the little dot near my search title was on. There’s always a thrill of excitement that comes with that, immediately followed by crushing sadness when it’s either the wrong card or a ridiculous price. Not so this time. Greg Morris, one of the best eBay dealers, had one in VG/VGEX! He had another in VG/VGEX, though creased! Two possibilities and strategizing began.

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I wanted the uncreased one and hoped I could get it for $60. I wasn’t thrilled with that idea, but my stopgap was the Net54 card (assuming he still had it) and, at this point, I was tired of needing the card. In a last bit of desperation, I hiked my bid to $90. Why? Pure panic.

If I didn’t get the card at $90, then all bets were off for the creased one. I’d go as high as I needed to.

Like all (or at least most) panics, it was pointless. The auction popped to $49.80 a few days before the end, and it stayed there. (The creased one went for $15.50). Here’s Gabby in his new home.

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So that’s the end of the story, and a pretty happy one. No more gloomin’ over an unfinished set.

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Take Comfort

These are strange times indeed. As we all withdraw from social interaction, at least in the near term, and find ourselves at home more often (though I’m home a lot!), there is some solace for those who have stuff – books, movies, and, for all of us present, cards.

 

For all we talk about cards in this space – what to collect, what we need, what we regret, what we envy – the true nature of this collecting business is the chords it strikes within us. There’s a nostalgia, for sure, a somewhat false recapturing of a youth that from today’s vantage point seems unblemished by trouble (though it really wasn’t at the time). There’s also the joy of having, and looking, at these totems that, at the very core, are created to make us happy.

I was once told that “things don’t love you back,” and, while that’s true, it also isn’t. The things we love reflect a kind of love back to us. There’s an emotion that is tangibly true when we look at cards. It’s real and not to be dismissed.

 

There’ll be times in the coming weeks that’ll result in many of us feeling lonesome. I saw a Doctor on TV last night warning that there’s a cost to isolation and we should all make sure to stay in touch, somehow.

Take some comfort in your cards. That’s what they’re there for.

Be safe, healthy and well.

 

Just When I Thought I Was Out, They Pull Me Back In!

One of my personal favorite sets, from the relatively barren late ‘70’s when there wasn’t a ton of product, was the 1977 Padres team issued set of schedule cards. It’s a weird little set of a bad little team, 49 cards total.

Of those cards, 40 have schedules on the back and a line “One in A Series of 40 Player Photos.”

Some greats:

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Some not so greats:

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One had, what for me will always be the DP combo of the future:

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The other 9 had blank backs:

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Weird that in a 1977 issue, there’s a McCovey card (he was already back on the Giants by way of the A’s) and a Washington card (that franchise move a dead issue by ’77).

A nice group of cards, filed away, complete, at least until I stumbled on this post a few years ago – https://clydes-stalecards.blogspot.com/2013/07/1977-san-diego-padres-schedule-cards.html  *

It turned out that I only had slightly more than half the set, what are referred to as Type 1 (those 40 cards) and Type 3 (the blank backs). Of course, the Type 2s are harder to come by.

Type 2s also total 40 cards, with the same info as Type 1s on the back, EXCEPT there’s no “One in A Series….” line. There are also two types of fonts used for the fronts, a thin player name and a bold one.  It’s also got a slew of players not contained in either of the other types (Miller and Norman are thin font, Beckert is thick font):

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And this guy (who looks suspiciously like Rollie Fingers!):

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While all of this seems haphazard, there’s a good (though bad) reason for the confusion. Andy Strasberg, former head of PR and VP for the Padres can explain:

I created the set with each card having a Padres sepia photo on the front and a calendar of promotional game dates on the reverse. A few different cards were given away for free for each home game at Padres program stands.

Unfortunately the credibility of the cards flew out the window when a couple of local collectors replicated the format with different photos and flooded the collectors market to undermine the validity of the true Padres team issue card set.

The team issued cards are the Type 1s. All other types are ripoffs of Strasberg’s original idea.

Frustrating to find out about, and, seemingly an impossible group to find, I set out on a mission to find the Type 2 subset. Not a very exhaustive mission; I created an eBay search. Last week, after years, it finally happened! A full Type 2 set was listed, not marked as such, but the pics showed that to be the case. I was the only bidder. There were even some doubles, which I’ll list.

It’s a strange feeling, to know for sure that you’ve got every card, only to find out you’ve been mistaken for over 40 years. Thankfully, it’s not the biggest mistake I’ve made since 1977 and one that was relatively painless to fix.

*NOTE: Clyde’s post states the Jones/Kuhn card isn’t a blank back, but the one I have is. Not sure if that means there are two versions, but I doubt it.

What To Do?

From the mid-80’s to the early ’90’s, Baseball Cards magazine had an early version of what we now know of as, and mostly love, “Custom Cards.” (Trading Card Database has them here).

They’re great.

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I have a pretty solid run of the magazine, card inserts intact. (It would take some digging to pull them all out right now).

The question I have, for me, and for all of you, is what should I do with them? It would be a nice bit of weight loss to shed myself of the magazines and keep the cards.

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Checking eBay on this helps, sort of. There are graded gems mints that go for hundreds. Then there are magazines themselves that go for less. Really, though, I’m not even sure I’m looking to sell, but, if I decide to, I’m unclear what’s the best move, cards alone, or cards still in magazines.

So….help!

 

The Middle Ground Between Light and Shadow

I’m a sucker for 3-D cards. Not all (except when it comes to Kellogg’s), but most.  I have, in addition to Kellogg’s, a smattering of Sportflics, Topps inserts and other oddballs. Sometimes the effect works, usually through some weird angle – under an armpit, between a bat and a head. You’ve got to pick your spots.

The 1995 Topps DIII set, 59 cards featuring “infinite depth perception,” held great promise, but, like Everlasting Gobstoppers and The Neverending Story, only delivered the falsest of false advertising. The 59 cards, uber thick with heavy laminate, are a blurry mess with no discernible movement.

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I was going to post a video of the cards in motion, but there’s really no point. Unlike even the worst Sportflics cards, the DIIIs don’t budge.

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Still, I like them. They’re heavy to hold, and, though ineffective, kind of nice.

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The backs are a cube design, though Star Wars scrolls come to mind,

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and the checklist is firmly mid-1990’s, when Orlando Merced and Mike Piazza could make the same set of name players.

DIIIs are not as terrible as the pit of man’s fears, and they may not represent the summit of his knowledge, but you can get a set for around $15, which is a pretty nice zone.

 

My Favorite Common, Mor-a-les

My mother used to throw out my cards.

Trite, right? Here’s the twist: I let her. Every year, or maybe more sporadically than that, my mother would ask if I wanted my cards. I told her no. It’s crazy looking back at it.

That all ended for me at the close of 1971. What remained was a small stack, part of that year’s baseball set, and all of my football, basketball and hockey cards. I kept everything from that moment on.

As the ‘70’s wore on, and my local reputation was built on, or ruined by, my penchant for cards, friends would give me their collections as they grew out of them and I remained stuck. My 1971 baseball cards piled up, but, as they were not my originals and cared for as such, condition was a hodgepodge.

Rich Morales, #276 in the set, #1 in my heart, always stuck out as a reminder of the grief I suffered by not keeping my own cards and the joy I incurred by getting everyone else’s.

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What a wreck. If a card has anti-gloss, this is it. You can almost feel the texture by looking at it – rough, grainy, dirty, as if a card had driven over it multiple times. Creases, paper loss, a real PSA -7. The back is less gross, but not very nice.

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When I discovered a few years back that I was pretty close to finishing a 1971 set, I decided to complete it in somewhat consistent condition, somewhere between VG and EX. I got it done and am pretty pleased with it. All of a sudden, this Morales card was less comfortable in its surroundings. With some mixed feeling, I upgraded.

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In the past year I’ve completed my 1968-70 football sets. As I’ve done so, I’ve sold my crappy cards in bulk from those years. Weirdly, there’s a market for poor condition cards.

Those can go. In fact, so can my extra baseball cards of that era, and I’ve moved over 1,000 to a Facebook collector. Rich Morales is safe though. I’ll never get rid of him.

Inside the Donruss Studio

Innovative, interesting, often beautiful, Donruss Studio was a welcome new entry in 1991, a card set that relied on the personalities of the players.

Though I enjoyed Studio, I only have two complete sets. I had no idea how long lived the Studio concept was. It was a true survivor of the junk era, issued from 1991-98, then again from 2001-05, and once again from 2014-16.

I’m not going to go too deeply into this, only enough to show all the designs. When they’re great, they’re great. When they’re not, they’re interesting. That can’t be said for many other base sets that ran for so long.

1991 – 264 cards

1992 – 264 cards

The first set I completed.

 

1993 – 220 cards

1994 – 220 cards

1995 – 200 cards

Flashback to the 1980’s credit card sets.

1996 – 150 cards

Indicative of the card boom and bust, in five years the set was halved.

1997 – 165 cards

1998 – 220 cards

Last year of the first run, and a sizeable increase in the base set. Once of the offshoots was a 36 card set of 8 X 10s. I bought a box of those.

2001 – 200 cards

Back from hiatus, more border, less picture.

2002 – 275 cards

2003 – 211 cards

This set is absolutely beautiful.

2004 – 270 cards

2005 – 300 cards

Back to the original set length, and a farewell to the Donruss’ MLB license.

By 2014, Donruss was a throwback name, not even a real issue, and the Studio sets were small subset, 10-20 cards per year. In some ways the lack of license doesn’t hurt the core mission of Studio, to capture the faces of the game. Still, these look like hell.

2014

2015

2016

There are many inserts over the years, some quite good, like the Heritage subset than ran from 1991-94. (Here’s Straw from 1992)

Writing this is making me want more of these sets. You too? See you at eBay.

These Ain’t The First Rodeo Cards

When my first book, The Kansas City A’s and the Wrong Half of the Yankees, came out in 2007, I wasn’t as focused on getting book-related cards as I would be for Split Season 1981. In all fairness, it was easy pickings to find sets from 1981 that I didn’t have – Topps Foldouts, Scratch-offs, Coca-Cola, Stickers, Giant Photo Cards, Drake’s, Squirt, Kellogg’s. (Here’s the post).  Not as easy for the A’s book.

As I often do, I found myself at Baseball Nostalgia in Cooperstown and came across a 1955 Rodeo Meats reprint set, a 1976 issue. Affordable ($4) and filled with guys I had been researching and writing about. The back of the header card explains the originals better than I can:

It’s not that exciting a set, but fun to have:

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The backs are plain and informative:

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But, hold on:

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HarmlessWhoppingBluetickcoonhound-mobile

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The originals are in glorious ’50’s color!

The 1955 set, coinciding with the A’s arrival from Philadelphia, has 38 different players with one error – Bobby Shantz’, one spelled “Schantz,” the other “Shantz.” There are players with two backgrounds – Cloyd Boyer (blue and pink), Joe DeMaestri (pea and light greens), Arnie Portocarrero (pink and yellow), Bill Renna (dark and light pinks), Wilmer Shantz (orange and purple. Why couldn’t they get those Shantz brothers done correctly?), Elmer Valo (yellow and purple) and Bill Wilson (yellow and purple). All in all there are 47 cards.

The 1956 set was reduced to 13 cards. The backs are different too. Here’s a 1955 back, featuring a scrapbook offer):

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And 1956:

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If you’re thinking that these are real beauties and that you’d like to pick a few up, beware! They are super pricey. As a result, I’ll settle for my black and whites.

Disappointing, sure, but not as disappointing as being a KC A’s fan and watching them trade all your favorite players to the Yankees, or, worse, parking them until New York called them back.

Intrigued? Read the book.

 

ATM Cards? Who Needs ’Em!

Paul Simon tells the story about how pissed off Joe DiMaggio was at him about “Mrs. Robinson.” Simon says he’d heard that Joltin’ Joe was bothered by the song, maybe even to the point of legal action.

“What I don’t understand,” DiMag said, “is why you ask where I’ve gone? I haven’t gone anywhere.”

Maybe it was that sense of being forgotten, if even symbolically that pushed Joe into hawking product. Nationally, in 1973, The Yankee Clipper became Mr. Coffee.

Locally, the year before, DiMaggio started doing TV for the Bowery Savings Bank in New York City.

Smartly, the Bowery issued a baseball card, just one. Simple front, 1971 Topps knockoff design (in pink!) on the back.

I’d always wanted this card, never got it, forgot about it, but was jolted (yup, I’m using that word) back in time when I saw it at a show last year. Since then I’ve been looking for it. It’s not too hard to find, but the prices run from a reasonable $10ish to unreasonable factors of 10.

At the big Shriner’s Show this past weekend, I was going through a stack of 1955 Bowman Football, and, immediately after paying, saw a scattered stack of cards. There it was! And for $5!

The 1972 DiMaggio Bowery card has always been my favorite bank card. And, while it doesn’t get money, it didn’t take much either.