I was introduced to holograms by Desi Arnaz, Jr in 1983. Arnaz played Walter Nebicher, a nerdy police officer/computer whiz who craved more responsibility within the police department. In his spare time, Nebicher developed a powerful crime-fighting, helicopter-piloting, Tron-like-hologram hero he dubbed “Automan.” Unfortunately, Automan was canceled after only 12 episodes and I pretty much forgot about holograms until those marvels of dimensionality began to be incorporated into baseball card sets in the late 1980s.
On the other hand, lenticular cards had been a hobby staple since the 1970s. These plasticky “3-D” oddball issues were first introduced as a Topps test issue in 1968. Collectors most likely became aware of the 3-D technology, however when they found baseball cards in their Kellogg’s cereal boxes or discs on the bottom of 7-11 Slurpee cups. The Sportflics issue in 1986 introduced the lenticular card on a much grander scale, incorporating a headshot and a pair of action poses for individual players and cards featuring up to 12 different player photos. Regardless, the 3-D card has largely remained a novelty.
Whether a baseball card featured a holographic or lenticular element, the creator of that card was endeavoring to capture the action and movement of the game into a static format—what else could a collector ask for in a two-dimensional card? Many of these cards are downright magical.
Famous for its Grand Slam breakfast, Denny’s began producing a branded baseball card set with Upper Deck in 1991. That set featured a full bleed holographic image on the front and narrative statistical information on the reverse, along with—cleverly—the player’s career grand slam tally. One card was issued for each of the 26 Major League teams at the time. Denny’s followed a similar format in 1992 and 1993, the latter set growing to 28 cards with the addition of players from the Rockies and Marlins. These cards were given to patrons who ordered a Grand Slam breakfast.
In 1994, Denny’s and Upper Deck changed the format a bit and for the first time, the set included pitchers. The player’s grand slam tally was discontinued, perhaps because none of Jim Abbott, Kevin Appier and Cal Eldred had never hit a home run, let alone a grand slam. This year, the issue also included a special Reggie Jackson card that was reportedly distributed one to a location and was to be given away as a prize. This remains the rarest of any Denny’s issue.
The 1995 Denny’s set was the last for Upper Deck, the restaurant chain having partnered with Pinnacle for 1996. While the 1991-95 Upper Deck holographic issues simply added some shimmer and dimension to the card fronts, the 1996 set really brought home the bacon. Touted as “Full Motion Holograms,” these cards—when pivoted at just the right angle—actually depicted fluid action of a batter’s swing or pitcher’s windup. This issue also added a randomly inserted ten-card Grand Slam subset, with a parallel ten-card Grand Slam Artist’s Proof subset. The holographic image on the Grand Slam subset card was just a generic Grand Slam breakfast advertisement, ironically making the chase cards much less desirable than those in the base set.
Then, in 1997, the 24-hour diner chain turned the collecting world on its collective head. Not unlike the resplendent union of eggs and toast, a concept was hatched in which a single regulation-sized baseball card would include both lenticular and holographic elements. This intrepid design produced the most technologically ambitious baseball card ever—with roughly 71%* of the card’s real estate covered by special effects. The front of the card was oriented horizontally and featured crisp effects in front of or behind each subject. The back of the card contained biographical and career highlight information, along with a large holographic image of the player’s face. These cards were wrapped individually and were available for 59 cents to anyone who purchased an entrée and non-alcoholic beverage.
The set was comprised of 29 cards, one for each of the 28 Major League teams of the day, along with a special Jackie Robinson card in honor of 1997 having been the 50th anniversary of his having broken baseball’s color barrier. The Robinson card was based on Ernie Sisto’s depicting Robinson being tagged out at plate by the Pirates’ Clyde McCullough at Ebbets Field on May 2, 1951.
Oddly, Denny’s also produced a separately distributed card of Larry Doby, numbered “1 of 1.”** The Doby card was given out at the All-Star Game Fan Fest and National Sports Collectors Convention, both of which were held in Cleveland that year. [Additionally, there is anecdotal evidence that the Doby card was also available at Cleveland-area Denny’s locations, but this has not necessarily been substantiated.] As you may know, Doby broke the color barrier in the AL, playing his initial game for the Indians on July 5, 1947.
The 1997 Denny’s cards are fun to handle not only because of the movement and special effects on both sides, but also because a good number include other identifiable individuals. For example, John Jaha appears to be holding Wade Boggs on at first. The Sammy Sosa card has Jose Hernandez positioned oddly as Sosa appears to be mid home run trot. It appears that Jeff Bagwell is depicted on Tim Salmon’s card, Hal Morris appears on Derek Jeter’s card, Kirt Manwaring is seen on Andruw Jones’s card, and Jim Thome makes a baserunning appearance on Bagwell’s card, the only dual Hall of Famer entry in the lot.
Interestingly, Cubs catcher Scott Servais appears on two cards, those of Ray Lankford and Gary Sheffield. The Sheffield card is particularly interesting because the visible Wrigley Field bunting probably dates that photograph as having been taken during the Cubs opening series against the Marlins in 1997, not long before the set would have been finalized for manufacture.
The card fronts are also interesting to study for the differing ways in which motion was added and whether the perspective of that motion was in the foreground, background, or both. The majority of the cards depict the main subject as a solid, two-dimensional figure. Several cards, however, animate a portion of the player’s body, such as Mo Vaughn’s glove, Mike Piazza’s arm, and Frank Thomas’s left hand gripping a baseball to autograph.
Unfortunately, all this technology came at a price. While information regarding the cost to produce each of these cards has eluded the author, these cards could not have been inexpensive to produce and Denny’s ambition may have been the reason for the demise of their baseball card promotions. Alas, the 1997 set was the last that Denny’s would distribute.
Even now, Denny’s sets and singles are readily available and relatively inexpensive. The ambitious 1997 set is the pinnacle of baseball card fun, even more so than Automan ever was.
*I say that “roughly 71%” because the hologram features a slight rounded contour of a baseball, not a straight line. I am not going to do any math that requires me to calculate the area of an arc section.
**Denny’s having chosen to celebrate Jackie Robinson and Larry Doby may have been an effort to help rehabilitate their corporation reputation on the heels of paying $54.4 million to settle a class-action racial discrimination lawsuit.
Jeff Leeds, “Denny’s Restaurants Settle Bias Suits for $54 Million: Civil rights: Blacks complained of discrimination at the chain. Case marks new push for Justice Department,” Los Angeles Times, May 25, 1994.
Dwight Chapin, Greg Smith, “Highland Mint strikes gold in memorabilia market,” The Marion Star (Marion, Ohio), August 31, 1997.
Author’s note: My goal here isn’t to list EVERY set with Traded cards. In many cases, the set I highlight will stand in for similar issues across a number of years, before and after.
1981 Topps Traded
The first Traded set I became aware of as a young collector was in 1981. At the time the main excitement for me was that Fernando Valenzuela finally got an entire Topps card to himself. Of course, as the name suggested, it was also a chance to see players depicted on their new teams, such as this Dave Winfield card portraying him in a Yankees uniform.
Dozens of similar Traded or Update sets followed in the coming years, leaning considerably on the 1981 Topps Traded set as a model. However, 1981 was definitely not the beginning of the Traded card era.
1979 O-Pee-Chee/Burger King
My first encounter with O-Pee-Chee cards was in 1979. While most of the cards in the 1979 O-Pee-Chee set had fronts that–logo aside–looked exactly like their U.S. counterparts, every now and then an O-Pee-Chee required a double-take. Back here in the US, I was not yet familiar with the 1979 Topps Burger King issue, but they took things even a step further.
1979 Topps Bump Wills
Not really a traded card, but here is one that at least might have looked like one to collectors in 1979. Having been a young collector myself that year, I can definitely say Bump and hometown hero Steve Garvey were THE hot cards my friends and I wanted that year.
The most fun Trades cards are ones where the player gets a genuinely new picture in his new uniform like the 1981 Topps Traded Dave Winfield. Next in line behind those are the ones where the team name on the card front changes, such as with the 1979 O-Pee-Chee Pete Rose. Distinctly less exciting but still intriguing are cards were a “Traded line” is added. We will see some sets where such a line makes the front of the card, but much more often we’ll see it as part of the small print on the back.
Here is Buddy Bell’s card from the 1979 set.
And here is Ken Reitz from the 1977 set.
In case it’s a tough read for your eyes, the second version of the Reitz back, at the very end of the bio, reads, “St. Louis brought Ken back in a trade.” The Bell card has a similar statement. Admittedly these cards are a bit bizarre in that the card backs already have the players on their new teams, even in the initial release. Because of that, one could make an argument that the second versions are less Traded cards than “updated bio” cards, but let’s not split hairs. However, you slice it two Reitz don’t make a wrong!
Similar cards can be found in the 1974, 1975, and 1976 Kellogg’s sets as well.
Not really a Traded card but a great opportunity to feature a rare 1977 proof card of Reggie Jackson as an Oriole, alongside his Topps and Burger King cards of the same year.
1976 Topps Traded
This set features my favorite design ever in terms of highlighting the change of teams. Unlike the 1981 Topps Traded set, these cards were available in packs and are considered no more scarce than the standard cards from the 1976 Topps set. While the traded cards feature only a single Hall of Famer, this subset did give us one of the classic baseball cards of all time.
Side note: Along with Ernie Banks, Billy Williams, Lou Brock, Lee Smith, and Joe Carter, Oscar Gamble was “discovered” by the great John Jordan “Buck” O’Neil. Well done, Buck!
1975 Topps Hank Aaron
Collectors in 1975 were rewarded with two cards of the Home Run King, bookending the classic set as cards #1 and #660. Aaron’s base card depicts the Hammer as a Brewer, the team he would spend his 1975 and 1976 seasons with. Meanwhile, his ’74 Highlights (and NL All-Star) card thankfully portrays Aaron as a Brave.
1974 Topps – Washington, National League
The National League’s newest team, the San Diego Padres, wasn’t exactly making bank for ownership in San Diego, and it looked like practically a done deal that they would be moving to D.C. for the 1974 season. As the cardboard of record at the time, Topps was all over the expected move and made sure to reflect it on their initial printings of the 1974 set. Because there was no team name yet for the D.C. franchise-to-be, Topps simply went with “Nat’l Lea.” (Click here for a recent SABR Baseball Cards article on the subject.)
Of course these San Diego/Washington cards aren’t true Traded cards, but that’s not to say there weren’t any in the 1974 Topps set.
1974 Topps Traded
This subset may have been the most direct precursor of the 1981 Topps Traded set. While cards from later printings were randomly inserted in packs, the subset could be purchased in full, assuming you threw down your $6 or so for the ENTIRE 1974 Topps factory set, traded cards included, available exclusively through J.C. Penney.
The Traded design is a bit of an eyesore, and the subset includes only two Hall of Famers, Marichal and Santo. For a bit more star power, we only need to look two years earlier.
1972 Topps Traded
As part of the high number series in 1972, Topps included seven cards to capture what the card backs described as “Baseball’s Biggest Trades.”
The star power is immense, though some collectors see this subset more as a case of what might have been. One of the seven trades featured was Nolan Ryan-for-Jim Fregosi. However, as the bigger name at the time, Topps put Fregosi rather than Ryan on the card.
Net54 member JollyElm also reminded me about another big miss from Topps here. Yes, of course I’m talking about the Charlie Williams trade that had the San Francisco Giants already making big plans for October. “Charlie who?” you ask. Fair enough. Perhaps you’re more familiar with the player the Giants gave up for Williams.
This next example is not a Traded card, but it is one of the most unique Update cards in hobby history. RIP to the Quiet Man, the Miracle Worker…the legendary Gil Hodges.
You might wonder if OPC gave its 1973 Clemente card a similar treatment. Nope. And if you’re wondering what other cards noted their subject’s recent demise, there’s a SABR blog post for that!
Though the first Topps/O-Pee-Chee baseball card partnership came in 1965, the 1971 O-Pee-Chee set was the first to feature Traded cards. (The 1971 set also includes two different Rusty Staub cards, which was something I just learned in my research for this article.) My article on the Black Aces is where I first stumbled across this 1971 Al Downing card.
Where the 1972 OPC Hodges and 1979 OPC Rose cards were precise about dates, this one just goes with “Recently…” Of course this was not just any trade. Three years later, still with the Dodgers, Downing would find himself participating in one of the greatest moments in baseball history.
At first glance, these two cards appear to be a case of the Bump Wills error, only a decade earlier. After all, Donn Clendenon never played a single game with the Houston Astros, so why would he have a card with them? However, this is no Bump Wills error. There is in fact a remarkable story here, echoing a mix of Jackie Robinson and Curt Flood. I’ll offer a short version of it below the cards.
Donn Clendenon played out the 1968 season with the Pittsburgh Pirates, which explains his uniform (sans airbrush) in the photos. However, at season’s end he was selected by the Expos in baseball’s expansion draft. Still, that was a good six months before these cards hit the shelves so there was time for a plot twist.
Three months after becoming an Expo, Montreal traded Clendenon, along with Jesus Alou, to the Astros for Rusty Staub. Based on the trade, Topps skipped Montreal altogether and led off their 1969 offering with Clendenon as an Astro. But alas, Clendenon refused to report to Houston, where several black players had experienced racism on the part of the team’s manager, instead threatening to retire and take a job with pen manufacturer Scripto. Ultimately the trade was reworked, Clendenon was able to remain an Expo, and he even got a raise and a new Topps card for his trouble.
Thanks to Net54 member JollyElm for providing information on this set and providing the occasion to feature Bob Uecker to boot. While the card fronts in these years gave no hints of being traded cards the backs indicated team changes in later printings. Here is an example from each year. In 1966, the only change is an added line at the end of the bio whereas 1967 has not only the added bio line but also update the team name just under the player name area.
Note that the corresponding OPC card backs follow the later (traded) versions of the Topps cards.
Topps League Leaders – 1960s and beyond
In August 2018 Net54 member Gr8Beldini posted a particularly devious trivia question. The subject was players whose Topps League Leaders cards depicted them on different teams than their base cards in the same set.
These 1966 Frank Robinson cards are among 11 instances where this occurred in the 1960s and 70s. If you can name the other 10, all I can say is you REALLY know your baseball cards!
1961-1963 Post Cereal
We’ll start with the 1962 and 1963 issues, which feature the now familiar Traded lines. Note however that there were no prior versions of these same cards minus the Traded line. Roberts is from the 1962 set, and McDaniel is from the 1963 set.
Post mixes it up a bit more in 1961 in that there were numerous variations between cereal box versions of the cards and mail-in order versions. The Billy Martin cereal box version (left) lacks a Traded line, but the mail-in version (right) indicates Martin was sold to Milwaukee in 1960.
BTW, thank you to Net54 member Skil55voy for pointing me to the Post Cereal variations.
Thanks to Net54 member RobDerhak for this example, which follows (really, precedes) the examples from 1966-67 Topps. Note the last line of the bio on the second card back: “Traded to Washington in March 1959.” (You might also enjoy an unrelated UER on both backs. See if you can find it!)
1956 Big League Star Statues
A tip of the hat to Net54 member JLange who took us off the cardboard and into the a fantastic set of early statues, possible inspirations for the Hartland figures that would soon follow and an early ancestor of Starting Lineup. Doby’s original packaging puts him with his 1955 club (CLE), but later packaging shows his 1956 club (CHW).
You know those Traded lines that O-Pee-Chee seemed to invent in the 1970s, at least until we saw them from Topps on the card backs of their 1967, 1966, and 1959 sets? Well, guess who the real inventor was?
Bowman’s Traded line didn’t make its debut in the 1955 set, however. Here is the same thing happening with their 1954 issue.
Is this the first set to add a “traded line” to the front or back of a card? As it turns out, no. But before showing you the answer, we’ll take a quick detour to another early 1950s issue that included team variants.
1954 Red Man
George Kell began the 1954 season with the Red Sox but moved to the White Sox early in the season. As a result, Kell has two different cards in the 1954 Red Man set. There is no “traded line,” but the Red Man artists did a reasonably nice job updating Kell’s uniform, and the team name is also updated in the card’s header information.
Red Man followed the same approach in moving outfielder Sam Mele from the Orioles to the White Sox. Meanwhile, Dave Philley, who changed teams prior to the start of the season, enjoyed those same updates and a traded line.
1951 Topps Red Backs
Notice anything different about these two Gus Zernial cards?
Yep, not only does the Chicago “C” disappear off his cap, but the bio on the second card begins, “Traded to the Philadelphia A’s this year.” So there you have it. At least as far as Topps vs. Bowman goes, Topps was the first to bring us the Traded line. And unlike so many of the examples we’ve seen from 1954-1967, it’s even on the front of the card!
1947-1966 Exhibit Supply Company
If there’s anything certain about issuing a set over 20 years is that some players are going to change teams. As such, many of these players have cards showing them playing for than one team (or in the case of Brooklyn/L.A. Dodgers more than one city.) Take the case of Harvey Kuenn, who played with the Tigers from 1952-1959, spent 1960 in Cleveland, and then headed west to San Francisco in 1961.
The plain-capping approach used in the middle card might lead you to believe that the Exhibits card staff lacked the airbrushing technology made famous by Topps or the artistic wizardry you’ll soon see with the 1933 Eclipse Import set. However, their treatment of Alvin Dark’s journey from the Boston Braves (1946-1949) to the New York Giants (1950-1956) actually reveals some serious talent. (See how many differences you can spot; I get five.) I almost wish they just went with it for his Cubs (1958-1959) card instead of using a brand new shot, which somehow looks more fake to me than his Giants card.
1948 Blue Tint
In researching my Jackie Robinson post, I came across this set of cards from 1948. Among the variations in the set are the two cards of Leo the Lip, who began the year piloting the Dodgers but finished the year with their National League rivals. No need to take another picture, Leo, we’ll just black out the hat!
And if you’re wondering how many other players/managers appeared as Dodgers and Giants in the same set, we’ve got you covered!
1934-36 Diamond Stars
We’re going way back in time now to capture a Traded card sufficiently under the radar that even Trading Card Database doesn’t yet list it. (UPDATE: It does now, but PSA does not!) Its relative obscurity might lead you to believe it’s a common player, but in fact it’s Hall of Famer Al Simmons.
After three years with the Chicago White Sox, Bucketfoot Al joined the Detroit Tigers for the 1936 season. As a set that spanned three years, Diamond Stars was able to update its Simmons card to reflect the change. The cards appear similar if not identical at first glance. However, the Tigers card omits the Sox logo on Al’s jersey, and the card reverse updates Al’s team as well.
Another Hall of Famer with a similar treatment in the set is Heinie Manush. Some collectors are familiar with his “W on sleeve” and “no W on sleeve” variations. These in fact reflect his move from the Senators to the Red Sox. This set has so many team variations, most of which are beneath the radar of most collectors, that I wrote a whole article on the subject for my personal blog.
The 1933 Goudey set included some late-season releases, including a tenth series of 24 cards that included key players from the 1933 World Series. Even the most casual collectors know the Goudey set included more than one card of certain players–most notably four of the Bambino. What not all collectors realize is that the set includes a Traded card.
Hitting great Lefty O’Doul was originally depicted as a Brooklyn Dodger, the team he played with until mid-June of the 1933 season. However, when the final release of trading cards came out, Lefty had a new card with the World Champion New York Giants.
Of course, if Lefty’s .349 lifetime average isn’t high enough for you, there is an even better hitter with a traded card in the set. His move from the Cards to the Browns on July 26 prompted a brand new card highlighting not only his new team but his new “position” as well.
1933 Eclipse Import
Another hat tip to Net54 member JLange who offered up a set not even listed yet in the Trading Card Database. Also known as R337, this 24-card set may be where you’ll find one of the most unusual Babe Ruth cards as well as this priceless update. Not technically a Traded card since the player is with Cleveland on both cards (and was with the Tribe continuously from 1923 until midway through the 1935 season), but…well, first take a look for yourself, and then meet me on the other side!
Yes, that is the Philly mascot on Myatt’s uniform. After all, he played for Connie Mack’s squad back in…wait for it…1921! But no problem. Let’s just find someone with pretty neat handwriting to scribble Cleveland across the uni on our next go-round. Problem solved!
My thanks to Net54 member Peter_Spaeth (whose worst card is 100x better than my best card!) for tipping me off to this set and allowing me to use his card of Old Pete. In a move that perhaps inspired future O-Pee-Chee sets, here is Grover Alexander, Cubs uniform and all, on the St. Louis Cardinals.
Other HOFers with mismatched teams and uniforms are Ty Cobb, Rogers Hornsby, and Tris Speaker. In case you haven’t guessed it already, if you want to see a ton of star power on a single checklist, you owe it to yourself to take a look at the HOFers in this set.
1914-1915 Cracker Jack
If you view the 1914 and 1915 Cracker Jack sets as two different sets (that happen to have a gigantic number of nearly identical cards), then there are no Traded cards. However, if you view the two releases as a single set, then there are numerous Traded cards. Among the players to appear on two different teams, the biggest star is unquestionably Nap Lajoie. who appears in 1914 with his namesake Cleveland Naps and in 1915 with the Philadelphia Athletics. In addition to the change in the team name at the bottom of the card, you can also see that “Cleveland” has been erased from his jersey.
Another notable jumper in this set is HOF pitcher Eddie Plank who has his 1914 card with the Philadelphia Athletics and his 1915 card with the St. Louis Terriers of the Federal League.
I will take any excuse to include cards from this set in a post, so I was thrilled when Net54 member Gonzo alerted me to the team variations in this set. Here are two players who were traded from the Boston Rustlers (who?) to the Chicago Cubs. David Shean went packing on February 25, 1911, and George “Peaches” Graham made his move a few months later on June 10.
Gonzo also notes that many of the images from the 1911 T205 set were reused, uniforms and all, for the 1914 T330-2 Piedmont Art Stamps set. (I will freely admit to never having heard of this issue.) One HOF jumper is double-play man Johnny Evers, whose picture has him on the Cubs but card has him on the Braves. There are also several players attached to Federal League teams though their images still show their NL/AL uniforms.
1911 S74 Silks
It was once again Net54 member Gonzo for the win with this great find! On the other end of the aforementioned “Peaches” Graham trade was Johnny Kling, depicted here in his Cubs uniform while his card sports the Boston Rustlers name and insignia.
Another multi-year set, the Monster includes a handful of team change variations. The Bill Dahlen card on the left shows Dahlen with his 1909 team, the Boston Braves. Though he would only play four games total over his final two seasons in 1910 and 1911, the cardmakers at the American Tobacco Company saw fit to update his card to show his new team, the Brooklyn Dodgers.
1887-90 Old Judge
If T206 isn’t old enough for you, then let’s go even farther back to the juggernaut of 19th century baseball card sets, N172, more commonly known as Old Judge. According to Trading Card Database, Hall of Fame pitcher Amos Rusie has cards with both the Indianapolis Hoosiers (1887) and the New York Giants (1889-90). I was unable to find what felt like a real NYG card of Rusie, but I did find one where a strip of paper reading “New York” had been glued over the area of the card that had previously said “Indianapolis.” My immediate thought was that a collector was the culprit behind this cut-and-paste job. But how funny would it be if this is how the Old Judge cardmakers did updates back then!
When I first stumbled across Traded cards, it was love at first sight. What a thrill to end up with two cards of a top star, and what better way to turn a common player into a conversation starter. To the extent baseball cards tell a story and document the game’s history, Traded cards hold a special role. Unfortunately, these cards have a dark side as well. At least in 1983 they did. If you ever doubted that 8 3/4 square inches of cardboard could rip a kid’s heart out, stomp it to bits, and then spit all over it, well…here you go.
The ‘70’s were a wasteland for cards. There simply wasn’t a lot of product, especially not compared to the flood soon to come. (Après moi le deluge indeed!) So when Burger King issued Yankees cards in 1977, it was a big deal, such a big deal for me that I didn’t have the set. Not only didn’t I have the set, but I didn’t have a single card.
Why? I can’t quite figure that one out. I was collecting seriously, and in 1978 and 1979, I finished complete BK Yankees sets with doubles to spare. The 1977 cards passed me by and I don’t understand it to this day.
Some background info (from the Standard Catalog):
The first Topps-produced set for Burger King restaurants was issued in the New York area, featuring the A.L. champion Yankees. Twenty-two players plus an unnumbered checklist were issued at the beginning of the promotion with card #23 (Lou Piniella) being added to the set later. The “New York Post” reported production of the first 22 player cards at about 170,000 of each. The Piniella card was issued in limited quantities. Cards are 2-1/2″ x 3-1/2″ and have fronts identical to the regular 1977 Topps set except for numbers 2, 6, 7, 13, 14, 15, 17, 20 and 21. These cards feature different poses or major picture-cropping variations. It should be noted that very minor cropping variations between the regular Topps sets and the Burger King issues exist throughout the years the sets were produced.
Here are the variations, regular Topps on the left, Burger King on the right.
No All-Star banner. Burger King is an egalitarian enterprise.
Better cap, same puzzled look.
Nice to see Torrez in an airbrushed Yankee cap, but he’s still stuck in the Coliseum. Updated card, though not a better one.
NEVER play without a cup!
Bucky gets two great cards in ’77.
No point in the difference in cropping. The Topps card is nicer, with more of the new stadium in view.
The Topps issue for Reggie that year is one of the worst cards for a marquee player. The Burger King card remedies that, and shows Jax looking a bit nervous in NY. Airbrushed Reggie seems more cocky.
You’d think The Toy Cannon would be happier moving from the Braves to the Yankees. Doesn’t seem like it.
Good cards, same backdrop. Key detail – Yankees don’t choke up!
#23 of a 22 card set.
At the time, the story about the Piniella card was that George Steinbrenner, always used to having things his way, was incensed that Lou, a personal favorite and Tampa native, was passed over in the initial run. Besides the typical Boss tirade, it is odd. Piniella was certainly more important to the team at the time than Paul Blair or Jimmy Wynn.
I bring this set up because my 40+ years of drought has ended. I picked up a beautiful set this week, with Piniella. It makes me very happy to have them in hand after all these years.
Now that I’m (mostly) past the flu, my thoughts turn back to food, and food issues. I’ve realized that, though I think I pursued every sort of card in the 1970’s, the reality is that, when it came to cards, what I ate, and how I ate it, was the leading indicator.
I’ve written about 1961 Post (though it predates me), 1970’s Kellogg’s 3-D (right in my wheelhouse) and, of course, Hostess, the pinnacle of my taste and card preferences. Here are five other issues of the ‘70’s, and how I approached them.
1971 Bazooka (but really all Bazooka)
All of the Bazooka cards, starting in 1959, are nice enough, but I never, never, collected them, even when my gum chewing days began (let’s guess 1967). Why? Because I we didn’t conceive of buying gum by the box! Gum was an impulse purchase, and impulse easily satisfied for a penny.
That being said, I used to see those full boxes of Bazooka at the supermarket and they were glorious. Imagine, and entire box of gum, at home! It was too much to process and I don’t recall asking for it.
1971 Milk Duds
I have never met a single child who had Milk Duds at the top of their candy list. Even in 1971, they seemed like the preferred candy of the 1940’s. I’ll assume adding cards to the back of nickel boxes was an attempt to entice kids away from better candy, but I can assure you that it didn’t work on me. I have never bought Milk Duds voluntarily. They end up always being part of a Halloween assortment bag, and I eat them when there’s no better alternative. To be fair, they are worlds better than Tootsie Rolls, which is the Devil’s candy.
Looking at them now, I find it hard to believe I never bought a single box, even if it meant tossing the candy and keeping the card.
1972-1975(?) Slurpee Cups
When we moved from Brooklyn to Long Island in December 1971, there were innumerable culture shocks. It felt like I time-traveled from 1971, long-haired and fringe-jacketed, to 1961, crew-cutted, Gentile, and mean. There were good things to come, some took time, others were immediate. 7-Eleven was immediate.
I’d never seen or heard of 7-Eleven before moving to the middle of Suffolk County, but it was a looming presence out there, and the Slurpee ruled. Not only were they the best icy drinks (Coca-Cola Slurpees are the pinnacle of man’s inventions), but Slurpees cups had baseball, football and basketball players, even Hall of Fame baseball cups (which portrayed players as old men. Weird.)
Not only did they let me pick the cup I wanted (thereby avoiding doubles), but they’d sell empty cups. Maybe they were a quarter? I ended up with towers of Slurpee cups.
1974-75 Sugar Daddy
Though not a baseball player to be found, these cards do tip their cap to the 1938 Goudey “Heads Up” cards. Both years have 25 card sets, with a mix of football, basketball and hockey. The ‘74’s are pretty simple looking; the ‘75’s have a shield as background and are commonly referred to as “All-Stars.”
In those two years, I ate 7 Sugar Daddys. I know this because that’s how many of the cards I have. Funny, I’ve grown to love Sugar Daddys, but, back then, they were only a slightly better option than Milk Duds.
1977-79 Burger King Yankees
All of the above deserve a main course. The BK Yankee cards were great. Most mirrored the regular issue Topps sets, but often there was a new picture of another Yankee free agent signing. Those cards made the sets extra special.
For some reason, I didn’t get any 1977s, but the 1978s and 1979s were plentiful and, if memory serves, you could get extra packs at checkout. Maybe they charged, maybe not. Either way, it was easy to put a set together. (And, there was even a poster in 1978!)
As a photography junkie I’ve long been fascinated with the way that three-dimensional imaging has paralleled the history of the medium from the early stereographs through the Viewmaster toys I grew up with (and which my son still played with in his preschool).
That baseball cards have multiple examples in these genre* is fantastic. But it’s the application of lenticular printing to baseball cards in the late 60s with the 1968 Topps 3D release followed by the run of Kelloggs cards starting in 1970 which is particularly awesome.
Between the Kelloggs 3D cards in the 1970s and 1980s Sportflics magic motion cards, I’ve found myself developing a specific weakness to lenticular baseball cards and their low-tech magic.
I’m not explicitly chasing sets of these but they’ll always turn my head and getting samples of all the different sets* is something I’m enjoying doing. I only have a couple samples of 1970s Kelloggs so far but each and every one is a joy to get and hold and look at.
*Well besides the 1968 Topps 3D sets which is just insanely expensive.
Most of the time I’m able to keep things in-line with my main collecting interests but this is not always the case. For example, last summer Topps released an On Demand 3D set. I normally ignore their on demand offerings since even the nice ones seem to only feature the same handful of teams and players. Plus they rely a ton on design reuse but usually do an even worse job of executing the old designs than Heritage does.
Lenticular 3D though? Of course I bought a pack. I wasn’t expecting to wait quite as long as I did but they finally arrived the week before Thanksgiving.
It was awesome. While it would’ve been nice to get some Giants I’m not even upset that I got Cutch as a Yankee. They look great in hand and I’m kind of regretting not buying more than one pack. The only disappointment (and it’s a small disappointment not a major critique) is that the action cards only show two frames of movement.
I haven’t had a ton of experience with lenticular 3D cards and the ones I do have are kind of fragile due to the all-to-common cracking issues caused by aging plastic and differing rates of expansion due to the way paper reacts to ambient humidity and temperature much more than plastic does. So this is the first time I’ve had a chance to take a really good look at them.
One obvious note to make compared to the older cards is that the current 3D cards depict action and the 3D effect works really well on pictures where the pose has considerable depth to it. I really like the Carlos Martinez for this reason and even in an animated gif it pops.
I hadn’t thought much about the physics of the lenticular effect before either but making these gifs made me realize that the lenses have to go up and down in order to create the stereo effect. While tilting the card is the only way to get the impression in a gif, the vertical lenses split the image into two. As a result, each eye sees a slightly different picture and your brain assembles the result in 3D.
Which means that I’m surprised and impressed that Topps printed horizontal cards in this set since that means they had to do two distinct print and finishing runs in order to accommodate the two designs.
Of course this also means that I’m a little confused by the choice to do action with vertical lenses since every other lenticular action card I have has horizontal lenses and has to be tilted up and down for the effect. From Sportflics to Topps Screenplays, they’re all animated with vertical movement. The current Topps action cards are the first lenticular action ones I’ve seen that get tilted left/right instead.
As I think about it, tilting up and down for action makes a lot of sense since you don’t want to confuse the eyes with combining two distinct action images into single still image. Which may be why the current action cards feature only two frames. Any more frames and your brain will try and combine adjacent frames into a 3D image instead of seeing things as action.
Note: that all the motion holograms I’ve see have been left/right tilt—suggesting that our eyes/brains process them differently than lenticular images. And I guess that makes sense too since holograms are 3D no matter what angle you view them at.
A recent National Pastime Museum article by Scott Ferkovich focused on the Kellogg 3-D sets, including the 15-card 1972 set of Hall-of-Famers who were voted (as Scott notes, in a less-than-representative way) the best at their positions. Scott wondered if this is the only card set that features just Hall-of-Famers. The answer is no, although in 1972, it likely was.
In 1976, the five Shakey’s Pizza Parlors in the Seattle area distributed a 160-card set (156 different images, three variation cards and an un-numbered coupon card) of every member of the Hall of Fame, as of that year — in order of induction. (Full disclosure: I have the top PSA-graded set of these cards on the registry.) The set was created in conjunction with the 1976 convention of the Washington State Sports Collectors Association. The cards were distributed at the convention and at the Shakey’s restaurants in 1976 into 1977.
To include every member, the set had to feature images of 19th century players as well as executives, umpires and Negro League stars. There just aren’t many cards in any sets of some of these guys. Supposedly, up to 2,000 prints of each card were produced. Perhaps two thirds are still around. Even so, the cards are relatively easy to find on eBay and aren’t expensive in excellent condition.
The cards are standard size and feature black-and-white images with a red, white and blue color scheme on the front. The backs are red and black on white and feature short bios and a few stats. For reasons that aren’t clear, the back of each card identifies the Hall-of-Famers by one of four designations: “Immortals,” “Greatest Players,” “All-Time Greats” or just “Hall of Fame.” You’d assume the non-players would be among “Baseball’s Immortals,” yet, for example, Morgan Bulkeley, the National League’s first president, and American League founder Ban Johnson are both identified among “Baseball’s Greatest Players.”
The cards with the different designations were distributed at different times, creating in effect four sub-sets: First series cards had the “Hall of Fame” designation, second series had “Greatest Players,” third had “Immortals,” and fourth had “All-Time Greats.” To add to the confusion, Hall-of-Famers from each of the four sub-sets were randomly distributed numerically in the overall set. The first five inductees, although numbered 1 through 5, have four different designations. None of that matters much to anybody collecting the set today.
The photographs for the cards were provided by late Chicago area photo seller Jim Rowe, according to The Baseball Hobbyist in Edmonds, Wash., a longtime card dealer that often features cards from this set. Rowe’s collection included many images taken by the Chicago-based photographers George Burke and George Brace.
I’m an East Coast guy, so I didn’t get any of these cards when they were issued. I came across this set about 10 years ago when I started trying to put together a collection of all the Hall of Famers, either with contemporary cards or from sets like the Shakey’s – or the ’60 and ’61-’62 Fleers or the TCMAs from the ’70s, for example. It’s a challenge, but that’s part of the fun of collecting. I don’t know if any sets similar to the ’76 Shakey’s have been produced since, but I’m not aware of any. Let me know if any of you know otherwise.
While baseball cards often depict action, I’ve become interested in the ones which try to depict moving action. In both 1959 and 1962 Topps released a couple of multiple-image cards which showed frame-by-frame action. Some of these were devoted to special plays like Mays’s catch in 1954 but a lot of them feel like their just trying to show action in an age where closely cropped action shots were impossible.
The 1959 Fleer Ted Williams set also has a number of these cards. I especially like the overhead angle on the batting shot but the 4-panel landscape card is also pretty cool.
Fleer did much the same again in 1985. This makes sense as there wasn’t any other way to do this and the only major difference between these and their counterparts 23 years earlier is in the quality and sharpness of the photos.* The Fleer cards however do make for interesting comparisons between different hitters and how they swing the bat.
*I’ve asked around on Twitter and the like and no one seems to remember anything similar except for the 1968 Bazooka box panels. Those panels, while relevant to the discussion, aren’t really the same thing.
In the late 1980s though Sportflics came on the scene. We’d had lenticular printing on cards before with the Topps 3D and Kelloggs All Stars which used the lenticular effect for three-dimensional purposes. And we’d had other oddballs like the mid-1980s 7/11 discs which used it to flip between multiple images.
Sportflics though realized that this kind of thing could reanimate the still images on the Fleer cards. The resulting three-frame animation of baseball action very quickly became one of my favorite things. Despite being always 🔽 in the Beckett hot list Sportflics was always 🔼 in my heart. I recently showed them to my kids and they thought they were super cool too.
It’s also worth noting that Sportflics realized that it could animate the text as well. One box of text on the card front could display twice as much information and give us a larger picture as a result.
In 1989 Upper Deck came around with some very-cool multiple exposure cards. These were crisper images than what you could see in Sportflics and there was something about the multiple images which told the story of a standard motion—typically pitching—in the way that Doc Edgerton’s photos dowhere the resulting layered images become their own beautiful thing.
Upper Deck had these for a lot of years and even played with the form a bit with their Deion Sanders card which took the action thing and turned it into a transformation.
By 1994 other brands had started doing similar multiple exposure cards. Donruss’s Spirit of the Game inserts in 1993 had a bunch of these and Topps flagship went the Upper Deck route and just used this effect on select base cards. Because of my age I tend to see all these as copying Upper Deck but it was also interesting to see the approach get more diverse in the different ways that the multiple exposures were layered.
At the same time Upper Deck launched there was also a product called Flipp Tipps which, while not exactly baseball cards, totally deserves to be mentioned here since they’re collectible flipbooks. Lots of frames and I like the concept of making them somewhat educational as a way of breaking down how Brett Butler bunts or Will Clark swings.
Sportflics meanwhile found its gimmick to be outdated in the mid-90s once motion holograms were invented. These showed up on Denny’s 1996 Pinnacle Holograms and have the benefit of many more frames to animate motion. Unfortunately they’re even harder to see than that Sportflics. The light has to be perfect and there’s no cue as to what direction you have to tilt the card.
Still, the Ozzie Smith backflip card beyond cool. Instead of being standard baseball action they’ve captured one of Ozzie’s trademarks. That this set also includes Hideo Nomo’s windup and Gary Sheffield’s menacing swing shows that the designers really thought about which players had distinctive movements which were worthy of motion capture.
Topps also released its own version of these with Stadium Club instavision in 1997. It’s a smaller hologram but much easier to see. These cards were about specific highlights instead of capturing a general sense of the player.
It’s also worth noting that in 1997 Topps also went back to lenticular motion with Screenplays. Unlike Sportflics these had 24 frames of animation. Unfortunately I don’t have one of these available to GIF.
The ultimate action card though has to go to 2000 Upper Deck Powerdeck. Rather than being a motion card this was a baseball-card-sized CD-ROM with effectively a miniature website on it when you inserted it into your computer. Anyway the YouTube video speaks for itself. It’s a neat idea though sadly one which is already obsolete and unviewable while the 1959 Topps Baseball Thrills cards are as interesting as ever.
I started going to card shows in 1973. There weren’t that many back then, two a year in Manhattan. I’d go with $100, saved up from a birthday or Hanukkah. That money had to be spent wisely and usually was. I stockpiled favorite players (Koufax, for one), bought the occasional Mantle or Mays, but my heart was always with complete sets, especially ones I’d never seen before. When I saw the 1974 McDonald’s Padres Discs in their plastic baseball holder, it was love at first sight.
Even if it didn’t contain a complete set of 15 Pads, the cheapo plastic baseball on its McDonald’s logoed stand would have been worth the price. It was the perfect marriage of Ray Kroc properties. Kroc, owner of both McDonald’s and the Padres, found perfect synergy in card form. The set is a ‘70’s baseball fans dream – Matty Alou, Nate Colbert, Bobby Tolan, etc. It’s got a beautiful card of Willie McCovey in his new Padres brown and yellow uni, a worthier picture of the original Big Mac than his heinously airbrushed 1974 Topps card. There’s also a Dave Winfield rookie card.
It was only recently that I came upon the original plastic holder and five player starter set. This type (with a run of 60,000) was given away on at Jack Murphy Stadium July 30, an 8-0 drubbing at the hands of the Dodgers. The cards were great (that’s adorable and terrible Enzo Hernandez in the front of my starter set), the team not so much. They’d lose 102 games.
The ’74 Padres McDonald’s Disc set is a quirky little thing, reasonably priced, and worthy of your time. Where else are you gonna find a Ronald McDonald card, in action no less? And it comes in its own unique container, just like a McDLT.