I recently snagged a VGEX 1960 Leaf Series 2 Sparky Anderson card, bringing me within two cards of a complete second series and full set. We all make fun of how old Sparky looks when he was, in fact, young. He’s 26 here and looks it (if you cover up the gray hair over his left ear).
The arrival of this card set me thinking about one of my favorite Sparky cards, leading off the 1966 Foremost Milk St. Petersburg Cardinals set. It’s a lovely issue of 20 cards, glossy 3 ½” X 5 ½” photos of the Florida State League Cards. A Class A ballclub rarely looked so good. (I don’t know how these were distributed. If you do, let me know in the comment section.)
It’s nice that Sparky can lead off the set, if paged alphabetically (and what other way would you arrange a non-numbered set?). Also of interest is Lenny Boyer, the seventh son of the Boyer baseball clan. Lenny spun his wheels in the minors from 1964-1970, never making the bigs. He does have that Boyer look, sort of a Ken and Clete mashup.
It’s important to me that everyone knows there was once a pitcher named Phil Knuckles. He put up a few decent years in the low minors, from 1965-71.
(Not sure why the Foremost logo is missing on Morgans’ card)
One of the joys of minor league sets is a peak at future major leaguers of note. Maybe Harry Parker isn’t of real note to many, but as a member of the 1973 NL Champ Mets pitching staff, he looms large for me. (Jerry Robertson never played for the Mets, but that didn’t stop Topps from giving him a 1971 cards of him in a Mets uniform, sort of.).
I have no tidbits of real interest about any of these guys. I welcome any stories, about these eight, or any other members of the team.
While the 1966 St. Pete Cards are mostly known, if not only known, for being an early stop in Sparky Anderson’s Hall of Fame managerial journey, they also are part of a forgotten bit of baseball history. That season, they played a 29-inning game versus the Miami Marlins, the longest game until eclipsed by the 1981 Pawtucket-Rochester 32 -inning classic. The latter featured Cal Ripken, Jr. and Wade Boggs, but if you want to read the exploits of “Sweet Pea” Davis, Archie Wade and Jim Williamson, there’s a fascinating story to behold.
On Election Day, I was looking for ways to occupy my mind. Luckily, I got a message from Yastrzemski Sports that the Spectrum Mets set I’d been looking for was in! I probably would’ve killed some time on Tuesday with cards anyway, but this was too perfect.
The anniversary set celebrating the 1969 Mets World Champs was issued in 1994 (though the three promos in the box are dated 1993) to commemorate the 25th Anniversary of the team of my youth. Here’s how the Standard Catalog describes it:
The 1969 Miracle Mets card set, produced by Spectrum Holdings Group of Birmingham, Mich., was part of what the company called “an integrated memorabilia program, with the 1969 Mets card set as the centerpiece.” The 70-card set measures the standard 2-1/2″ x 3-1/2″, with UV coating on both sides and gold foil on fronts. It was sold complete at $24.95, and limited to 25,000 sets. A reported 1,000 numbered sets were signed by all 25 living players, including Hall of Famer Tom Seaver and future Cooperstown resident Nolan Ryan.
I don’t know who Spectrum Holdings was, or what an “integrated memorabilia program’ means, but this set is nice. The box is sweet and simple, numbered to 25,000, a far cry from the 1 of 1s we see today. (I’ve got #19,980!).
The cards are reminiscent of 1956, though vertical, posed pictures in the foreground, action photos in the background (unlike 1956, the photos aren’t painted over). Glossy and crisp, quite beautiful.
Once the players are covered, there’s a wonderful series of season highlights, and post-season showcases, including the Mets win over the Braves. Good to see. Those games are often lost in the shuffle except to die-hard Mets fans.
There does seem to be some dispute over the number of signed sets. The Catalog says 1,000, but the promotional information says 750. I’d go with the latter. Thanks to the original owner saving peripheral material and folding it under the card tray, we’ve got some better factual material.
I wouldn’t have paid $244.95 back then for a signed set, and I wouldn’t now. I did search for them on eBay and COMC, because I’d rather have an autographed Bobby Pfeil and/or Jack DiLauro card than a Seaver or Ryan. They’re pricey – $15-75 – though it doesn’t look like they actually sell for those prices. Strangely, it looks impossible to tell whether the signed cards offered are from the 750 sets issued, or regular cards signed later on. I don’t see any markings denoting “limited to 750” or something like that.
Regardless of where you sit politically, Election Night (and morning and, I’m guessing, the coming days) was stressful. It was soothing to look through the Spectrum Mets sets. Cards have kept me sane these last four years. Looks like I’ll need them to work hard for the next four!
Popcorn, cookies, hot dogs, ice cream, newspapers, potato chips, dog food (DOG FOOD!), chewing tobacco, chewing gum…you name it! Wait, did I forget the syrup?
Of course, it’s not just about quantity, else just about any year from the Junk Wax era would beat 1954 hands down. But unlike the macaroni, hardware, and toilet paper cards of the late eighties, these 1954 releases also happen to be fantastic sets! They also marked a turning point.
In that sense, 1954 was not only the greatest year to be a collector but also the end of a certain Golden Age of cards. For collectors interested in taking a closer look at this magical year, I’ve compiled a checklist of the Hall of Famers (and Minnie, who belongs!) featured in each of the multi-team sets, with a notes column capturing all single-team releases. (A more readable version is here, which you can also sort in ways other than most cards to least.)
As a window shopper who loves flipping through sets in Trading Card Database or just admiring the collections of others, there is no better year for me than 1954. On the other hand, as a player collectors whose focus includes Hank Aaron, Roy Campanella, and Jackie Robinson, I will confess to often cursing the fact that certain sets exist. Then again, I suppose I’m still more likely to get the two 1954 Campy cards on my want list before the Shohei Ohtani completists get anywhere near the 2722 cards Trading Card Database lists for him in 2018 alone!
How about you? What’s your pick for greatest year in baseball card history? And if you’re a player collector, is it a good thing or a bad thing when the want list is a mile long?
A couple years ago now, someone was running a Twitter sale and posted a batch of 1955 Bowmans. I hadn’t quite made the jump into pursuing Giants Bowman cards at the time but I looked at the batch anyway and one card jumped out at me that I had to have. So I responded to the tweet and the following conversation ensued.
“I’ll take the Bowman.”
“Which one? They’re all Bowmans.”
“The Bowman Bowman.”
The card that jumped out at me and the first 1955 Bowman I ever purchased was Roger Bowman’s Rookie Card. I knew nothing about him as a player* but the silliness of having a Bowman Bowman card was irresistible.
*I would discover that he was a former Giant but by the time his Rookie Card was printed his career was basically over.
And so a collection theme was born. I don’t have all of the cards in this post but they’re on my radar. Sometimes we collect our favorite teams. Sometimes we collect our favorite players. And sometimes we collect cards where the player name describes the card itself.
On the theme of the Bowman Bowman we’ll start with a pair of Johnson Johnstons. As a Giants fan the Johnston Cookies issues aren’t exactly relevant to my interests. But getting an Ernie or Ben Johnson card of those? That’s something I can feel completely fine about adding to my searchlist.
Sadly there aren’t a lot of guys whose names match the card manufacturers. Hank Gowdy, despite playing through the 1930s, never appears on a Goudey card. Score never made a Herb Score card.
Thankfully the Ted Williams company produced Ted Williams cards in its early 1990s sets and the Conlon Collection included a Jocko Conlan card as well. And to bring us back to where we started, Matthew Bowman gives us the modern version of the Bowman Bowman card.
But it’s not just card manufacturers where this checklist is relevant. Player names can match team names whether it’s Dave Philley as a Phillie or Johnny Podres on the Padres. Jose Cardenal almost got aced out since his time with the Cardinals corresponds to when Topps calls them the “Cards”* but his Kellogg’s card, with no team name on the front but Cardinals on the back, doesn’t do this.
*Cards cards are an honorary member of this collection.
Unfortunately guys like Daryl Boston and Reggie Cleveland never played for Boston or Cleveland respectively.
First names can also match in this department. Like we’ve got Angel the Angel who sadly never pitched when the club called itself The Los Angeles Angels. There are plenty of other players named Angel on Baseball Reference but none appeared for the Angels.
Sticking with first names and moving to more thematic cards. We’ve got a Chase chase card and a Rookie Rookie Card. I went with Chase the batdog whose card is a short print in 2013 Topps Heritage Minors but there are also a few Chase Field cards that are numbered to various small numbers. Sadly, images of those are hard to come by.
The Rookie Rookie though I enjoy a lot. I usually hate the RC badge but in this case it really makes the card.
There are also a couple more thematic near misses. Cookie Lavagetto left the Oakland Oaks the year before Mothers Cookies started making its PCL sets in the 1950s and Cookie Rojas, despite managing for the Angels in the 1980s, was on the only West Coast team that did not get Mothers Cookies cards.
And finally, much to my dismay, the 1968 Topps Game Matty Alou Error Card does not contain an error. Although I do keep that card around as one of my favorite Error cards.
Any more suggestions? Please leave them in the comments!
A couple cards that came up in the comments the week after this posted.
First a Wally Post Post card which Tom Bowen suggested in the comments. Thanks Tom! And second a green tint* Pumpsie Green that I knew of an completely spaced on when I wrote this.
I’ve never been much of a believer in signs or fate. Sometimes, though, happy coincidences can lead to a feeling of slight disbelief and a raised eyebrow.
Over the past month, there have been a couple of events here in Pittsburgh that I was fortunate enough to attend, They commemorated the centennial of the founding of the Negro National League (NNL). It’s altogether fitting that institutions in the region mark the anniversary, as this area was home to two famous franchises in black (or any color) baseball history; the Pittsburgh Crawfords and Homestead Grays.
A few weeks ago, the mayor and some other folks gave short speeches at the City-County Building at the opening of a temporary Negro League display located there. Then, on Thursday, February 13th (100 years to the day that the NNL was founded), a panel including former Pittsburgh Pirates star Al Oliver and Josh Gibson’s great grandson Sean, spoke at the Heinz History Center about the leagues in general. The discussion was pretty free-form, covering the impact and influence on baseball that the players and owners had, as well as a wide range of other topics. It was here where the card collecting angle comes in to play.
One member of the panel, noted Black Baseball historian Rob Ruck, made mention of 1988, when the Pirates organization officially apologized for their role in baseball segregation. While I’d be loathe to truly praise them for this action (first of all, segregation, secondly, it took 40 years!), the club was one of the earliest, if not the first, to own up to the injustice.
That night’s ballgame included a pennant raising in honor of the 40th anniversary of the Homestead Grays’ 1948 Negro World Series victory. Ruck mentioned that, also that season (may have been the same night), the Pirates held a card set giveaway. The cards were printed in sheet form and showcased a number of images of famous Negro League characters. Professor Ruck had played a role in the set creation back then, providing info for the backs in the age long before Wikipedia and Ancestry.com were a few clicks or taps away.
Professor Ruck’s mention of the card set reminded me that I was at the giveaway game with my family, because, as I immediately mentioned to my buddy sitting next to me, I fondly remembered having that set. They were somewhere in the mix with my junk wax collection, conciously purged around the time when my parents moved a dozen or so years ago.
So, two days after the panel event, I visited my parents’ (current) place. No sooner did I walk into the house than my mom mentions, “I was cleaning and found some old cards for you.” As some of you may have foreseen in the amount of time since I finished the first sentence of this paragraph, laid out on the guest room dresser were three sets of 1988, Pirates team issued Negro League cards, uncut and neatly folded.
Somehow, they weren’t cast out along with my collection. Likely because they were stored elsewhere. My memory is limited, but I’m willing to guess that these belonged to my parents and sister, landing outside of my eight year old reach. Mine were probably systematically separated and made into standard card form. I’m not 100% positive, but they probably disappeared with those thousands of other cardboard sports ephemera of my youth years ago.
Having these appear again is both neat, and a little spooky. It’s as if a passing mention of the set caused the cards to materialize out of thin air. I’m excited to be able to add these into my collection (haven’t checked with the others in my family, but confident they’re not interested). It’s an ‘oddball’ collection of true historical interest, and a great group of early card examples of many of the biggest names that never had the chance to play in the majors.
Also, if anyone is looking for a set…you now know who has two duplicates.
In reaction to a post on the SABR Baseball Card Committee Facebook page, someone commented that Tommy Davis was depicted on a different team for seven years in a row starting in 1966. This is quite an “achievement,” and will be explored in detail. Tommy’s walkabout through the major leagues ran head long into the MLBPA boycott of Topps, resulting in the repeated use of the same image on his cards and inserts. But even before Tommy left the Dodgers, his image was often recycled. Let us now ogle some wonderful cardboard from a player for whom serious injury may have derailed a Hall of Fame-worthy career.
1960 marks Davis Topps debut featuring is a colorized version of Dodgers team issue from 1960 produced by concessionaire extraordinaire Danny Goodman.
Topps uses the same photo in 1961 but adds the fantastic Topps All-Star Rookie trophy image. Plus, Davis’ cropped head from the photo shows up on the 1961 Topps stamp.
But wait, there’s more! The head shot is used by Salada for the 1962 and 1963 coins.
Tommy has a spectacular 1962 season with a league leading .346 average and an amazing 153 RBI. Fittingly, the emerging star gets two cards in 1963, since Fleer burst on the scene as Topps short lived rival.
In my humble opinion, the 1964 Topps Giant is the best of all Davis’ cards. The “in action” pose, glasses, and jacket under the jersey add up to produce a beauty. Topps liked it too. Tommy’s cropped head is used on the All-Star version of the coin inserts in 1964.
In May of 1965, an awkward slide at second against the Giants resulted in Davis suffering a severely broken and dislocated ankle. His slow recovery dimmed his star status. Tommy was hobbled in field and on the base paths and his batting stroke suffered as well. Topps produces a card featuring Tommy’s profile in 1965. This unattractive shot was used again in 1966.
Tommy’s vagabond years starts in 1967 when the Dodgers decided to part ways and ship him to the Mets. This results in a classic, traded head shot. After one productive year at Shea, the Mets sent Davis packing to the White Sox for Tommy Agee and Al Weis. A different head shot graces his 1968 card but the 1967 is repurposed for the game insert (see top of article).
The odyssey continues in 1969 when the White Sox leave Tommy unprotected in the expansion draft, and he is selected by the Seattle Pilots. Tommy is arguably the Pilots’ best hitter, forever holding the RBI record with 63. As a big- name player on an expansion team, Topps offers up several Davis products. His base card uses the same picture as 1967, the stamp brings back the 1966 image and the Super test issue card recycles the 1968 image. Airbrushed Dodger photos show up on the Deckle Edge and Decal inserts.
In addition to Topps, 1969 and 1970 saw Milton Bradley produce game cards which used an image of Tommy from the 1968 White Sox team issue photos.
The Pilots dealt Tommy to Houston in August of 1969, which launches him on the next stage of his “Cook’s Tour.” The 1970 Astros card features an airbrushed cap and “nostril shot,” probably taken while with the Dodgers. His stay in Houston was short as the Astros sent Tommy on to Oakland who in turn sold him to the Cubs late in 1970. Finally, in 1971, Tommy has a photo wearing in the team’s uniform for the first time since 1966.
It goes without saying that Tommy’s windy city stint was more of a “blow over.” “The Drifter” catches a freight bound for Oakland during the 1971 season. This results in a nice base card and a classic “In Action” photo of Tommy holding Horace Clarke on first at Yankee Stadium in the 1972 set.
Though Tommy was productive in Oakland, a dispute with owner Charlie Finley results in his release in March of 1972. Tommy will re-sign with the Cubs in July and eventually be traded to the Orioles. Tommy’s release may have factored into Topps not issuing a Davis card in 1973. His streak of cards on different teams ends at seven years.
But fortune shines on Tommy in the form of the Designated Hitter being implemented in the American League in 1973. The mobility challenged Davis is inserted into the potent Orioles lineup in the DH role. Tommy will have a career renaissance, helping Baltimore to two East Division championships in 1973-74.
The Orioles part ways after 1975. Tommy latches on with the Yankees, who release him at the end of spring training. The Angels sign him in July of 1976, but the nomadic Davis shuffles off to Kansas City in September- which is the team he is depicted on in his cardboard swan song as a player in 1977.
However, there is a career-capper of sorts found in the 1982 Donruss set. Tommy received a card, while serving as the Mariners’ batting coach.
Davis’ trek results in cards on 10 different teams, one more than Ken Brett, as I chronicled in a previous post.
If you know of another player with more teams, let us know. In any event: “Tommy Davis has been everywhere, man/He’s been everywhere, man/He’s crossed Chavez Ravine, man/He’s breathed the Seattle air, man/Baltimore crab cakes he’s eaten his share, man/Tommy’s been everywhere……”
I highly encourage everyone to read the SABR Bio Project Tommy Davis biography by Mark Stewart and Paul Hirsch.
One of my personal favorite sets, from the relatively barren late ‘70’s when there wasn’t a ton of product, was the 1977 Padres team issued set of schedule cards. It’s a weird little set of a bad little team, 49 cards total.
Of those cards, 40 have schedules on the back and a line “One in A Series of 40 Player Photos.”
Some not so greats:
One had, what for me will always be the DP combo of the future:
The other 9 had blank backs:
Weird that in a 1977 issue, there’s a McCovey card (he was already back on the Giants by way of the A’s) and a Washington card (that franchise move a dead issue by ’77).
It turned out that I only had slightly more than half the set, what are referred to as Type 1 (those 40 cards) and Type 3 (the blank backs). Of course, the Type 2s are harder to come by.
Type 2s also total 40 cards, with the same info as Type 1s on the back, EXCEPT there’s no “One in A Series….” line. There are also two types of fonts used for the fronts, a thin player name and a bold one. It’s also got a slew of players not contained in either of the other types (Miller and Norman are thin font, Beckert is thick font):
And this guy (who looks suspiciously like Rollie Fingers!):
While all of this seems haphazard, there’s a good (though bad) reason for the confusion. Andy Strasberg, former head of PR and VP for the Padres can explain:
I created the set with each card having a Padres sepia photo on the front and a calendar of promotional game dates on the reverse. A few different cards were given away for free for each home game at Padres program stands.
Unfortunately the credibility of the cards flew out the window when a couple of local collectors replicated the format with different photos and flooded the collectors market to undermine the validity of the true Padres team issue card set.
The team issued cards are the Type 1s. All other types are ripoffs of Strasberg’s original idea.
Frustrating to find out about, and, seemingly an impossible group to find, I set out on a mission to find the Type 2 subset. Not a very exhaustive mission; I created an eBay search. Last week, after years, it finally happened! A full Type 2 set was listed, not marked as such, but the pics showed that to be the case. I was the only bidder. There were even some doubles, which I’ll list.
It’s a strange feeling, to know for sure that you’ve got every card, only to find out you’ve been mistaken for over 40 years. Thankfully, it’s not the biggest mistake I’ve made since 1977 and one that was relatively painless to fix.
*NOTE: Clyde’s post states the Jones/Kuhn card isn’t a blank back, but the one I have is. Not sure if that means there are two versions, but I doubt it.
On Saturday, September 20, 1997 the Cubs held Ryne Sandberg Day in honor of the future Hall of Famer’s official—and this time permanent—retirement as a player. [You may recall he had walked away from the game following the 1994 season and did not play in 1995. Ryno returned to play in 1996 and 1997.] The Cubs produced a special commemorative program for the occasion that included “The Sandberg Collection” on the inside back cover—an eclectic mix of baseball cards representing each of the seasons he played in Chicago.
Sunday, September 21 was the Cubs’ final home game of the year and a merciful end to an abysmal season on Chicago’s north side. In the first inning, Sandberg put the Cubs up 1-0 with a ringing double off Phillies’ starter Curt Schilling. After he singled off Schilling in the fifth, Sandberg was lifted for a pinch runner. As he jogged off the playing surface at Wrigley Field for a final time, Ryno paused and tipped his helmet to the crowd. A raucous, goosebumps-inducing standing ovation followed. The Cubs went on to win the game 11-3.
To mark the occasion of Ryne Sandberg’s final home game, the Cubs issued a single commemorative baseball card for the September 21 contest. Sponsored by LaSalle Bank, the card was produced in a standard 2½ x 3½ size, and included a list of career accomplishments on the back, along with Sandberg’s Major League and Cubs career statistics, up-to-date through September 14, 1997. (The slight discrepancies attributable to six plate appearances for the 1981 Phillies.)
Jim Thome (2007)
On September 16, 2007, White Sox DH Jim Thome appeared in his 2000th MLB game at U.S. Cellular Field. Thome broke a 7-7 tie in the bottom of the ninth inning by smacking his 500th career home run off of Angels twirler Dustin Moseley, becoming the 23rd member of the 500 home run club and the first ever to do so in walk-off fashion. The Sox won 9-7.
After Thome’s historic blast, ballpark ushers came down the aisles to hand out large (4 x 6) cards in celebration of accomplishment. I was not there for this game, but my neighbor was—and she knew I collected cards. She saved hers especially for me.
Fittingly, the man voted nicest player in baseball used the back of the card to thank the fans, endorsed with a large facsimile signature.
The White Sox later commemorated a pair of Thome blasts hit in 2008 with a bronze plaque—but not cards—highlighting the first two baseballs ever to reach the Fan Deck at the ballpark, hit on June 4 and September 30, the latter of which accounting for the only run scored in game 163 against the Twins, giving the White Sox the 2008 Central Division championship.
Throughout the years, team-produced card sets were staple giveaway items. These Sandberg and Thome cards, however, were one-offs specially commissioned by the Cubs and White Sox to celebrate a retirement and momentous career milestone, respectively.
No reliable information regarding the quantity of each card produced has been found, and because the cards were simply handed to fans in an unprotected state, the number of cards that survived in top condition is presumably limited. Further, because these cards do not really have an official name, searching for them on eBay or otherwise proves problematic.
What Other Cards Are Out There?
Are you aware of any other occasions on which teams issued similar one-off baseball cards to celebrate a single player’s retirement, accomplishment, or otherwise?
Author’s note: Before “biting” into part two of the Seattle Rainiers wiener cards series, I have new information about the Hygrade wieners cards in part one. The Standard Catalog of Vintage Baseball Cards stated that only 11 of the 22 cards have ever been cataloged. However, Seattle area collector Charles Kapner informed me that he has 13 different cards and knows of two more. Thus, it is possible that—as the back of each card states—there are really 22 different cards.
Three years after Hygrade wieners were first put on the rotating warmer at the local bowling alley and the cards tossed in the dumpster with the discarded Desenex aerosol cans, Henry House meat products included a new set of Seattle Rainiers cards in their wiener packages.
The 1960 Henry House set is comprised of 18 cards and have several similarities to the Hygrade version from 1957. For instance, the cards are printed with red ink and include a small player photo accompanied by a short biography. This time, though, the cards are vertically oriented and feature a detachable mail in coupon. Kids could send in two coupons plus 25 cents and receive a nifty Rainiers uniform patch.
The cards are “skip numbered” using the players’ uniform numbers. As with the Hygrade cards, the Henry House photos are the same ones found on the popcorn cards.
The 1960 Rainiers were affiliated with the Cincinnati Reds and managed by Dick Sisler. The roster was comprised mostly of veterans with some major league experience. A few prospects were sprinkled in as well. Some of the familiar names include Gordy Coleman, Erv Palica, Dave Stenhouse, Jerry Zimmerman, Ray Ripplemeyer, Charlie Beamon, and Hal Bevan.
Another veteran is Seattle University basketball and baseball legend Johnny O’Brien. The former Pirate and Brave finished up his career with Seattle in 1960.
Don Rudolph, former White Sox pitcher and manager of his exotic dancer wife, shows up in the set as well.
Remember, there is still one more installment to come in this “dog” of a series. Until the next post, I am off to the West Seattle Lanes to eat a Hygrade or Henry House wiener that has been rotating on the warmer for the last 60 years.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.