Barajitas estadounidenses: Copa de Diversión

My eighth post featuring Spanish-language baseball cards released in the United States. Previous posts are:

  1. Introduction and 1978 Topps Zest
  2. 1993–2000 Pacific and Pacific Crown
  3. Other assorted Pacific cards and oddballs
  4. 1991 Kellogg’s Leyendas
  5. 1994 Topps and beyond
  6. Donruss Super Estrellas
  7. Bowman International

The past couple of seasons Minor League Baseball has been running a Copa de Diversión promotion which involves rebranding teams with Spanish nicknames and uniforms. My kids really wanted to go to a Trenton Trueno game and due to a rainout at one of the Kids Club games we were able to go while only having to pay for parking.

Anyway, while we went for the Trueno experience, it turned out that it was also a baseball card giveaway night. We each got perforated strips  of four cards (plus an advertisement) featuring four current Yankees who’d played for Trenton and who were also Latino—Andújar, Severino, and Sánchez are from the Dominican Republic while Torres is from Venezuela.

The cards are manufactured by Choice—the same company that makes Trenton’s Minor League team sets—and, aside from the perforations are legitimate cards rather than something that feels like a cheap digitally-printed sheet. The only problem is that the cards were designed with bleeds but whoever laid them out for perfing didn’t take that into account so the three center cards in the panel are closer to 2.625 inches wide.

Still it’s a fun little set with photos of the guys while they were at Trenton, nice Trueno logos, and some #PonleAcento action. I’m a bit confused at how Andújar got the accent and Sánchez did not though.

The back design is also nicely bilingual. The positions and vitals information are still English-only but the biographies allocate equal space to both languages. It does kind of feel like they were written in English and then translated semi-literally to Spanish but it’s a solid effort.

Since this set isn’t entered to Trading Card DB yet I have no idea how many other Minor League teams released cards as part of the Copa de Diversión. But it’s pretty cool and is a great recognition that not only is the game-day experience something that should be inclusive to Spanish-speaking fans, the merchandise and giveaways should also accessible to as many fans as possible.

A Trip Down Memory Lane (Field)

With SABR 49 about to unfold in beautiful San Diego, I offer a look at Padres’ cards from the Pacific Coast League era, which ends with the formation of the Major League Padres in 1969.

The original Hollywood Stars moved to San Diego in 1936. The city fathers constructed a wooden ballpark, Lane Field, near the train station on the water front.  From there, the team would move into the Mission Valley in 1958 to play at Westgate Park and, finally, San Diego Stadium in 1968.

According to PCL historian, collector and dealer Mark MacRae, the first set of Padres collectibles were team issued photos in 1947.  However, this set does not show up in the Standard Catalog of Vintage Baseball Cards.  This publicity photo of manager “Ripper” Collins from 1947 may be an example, but I’m by no means certain.

Two years later, Bowman issues a PCL set in the same format as their MLB cards.  The small, square cards were issued in packs with a total of 32 in the set.  The five Padres players are Xavier Rescigno (pictured), John Jensen, Pete Coscavart, Lee Handley and Tom Seats.  The cards were issued as reprint set in 1987 by the Card Collectors Company.  The reprints are distinguished by wider, white borders.

Bowman wasn’t the only company to issue PCL cards in 1949.  The Hage’s Dairy company begins a three- year run with a 107-card set-with at least 26 different Padres.  This initial set and the subsequent issues are filled with variation cards.  Some players have up to four different poses. They were distributed in boxes of popcorn at Lane Field.  Cards were added or removed when the rosters changed. The 1951 cards come in four different tones: sepia, blue, green and black-and-white.  This set includes Luke Easter, manager Bucky Harris and John Ritchey, who broke the PCL color barrier in 1948.

Incidentally, the Bowman cards used many of the same photographs as Hage’s.  For example, Bowman simply cropped this photo of John Jensen. 

Hage’s comes back in 1950 with a 122-card set that has at least 28 Padres. This time, all the cards are black-and-white. Also, Hage’s ice cream is advertised on the back.  This set has manager Jimmy Reese as well as two variations of Orestes “Minnie” Minoso.  Among other recognizable names are: Al Smith (famous for having beer poured on his head by fan in ’59 World Series), Harry “Suitcase” Simpson, and Tom Tresh’s dad, Mike.

In 1951, Hage’s produces a much reduced 54-card set, with all but 12 of them being Padres. The other cards are comprised of seven Cleveland Indians and five Hollywood Stars. They were printed in the following tints: blue, green, burgundy, gold, gray and sepia.  Harry Malmberg is an example of the many photo variations.  The two cards above are both from 1951.  Some familiar names in this set are Ray Boone, Luke Easter and “Sad” Sam Jones.

Like an ice cream bar left in the warm California sun, Hage’s Dairy cards melted away in 1952, leaving Globe Printing as the card producer for the Padres.  This 18-card, black-and-white set features manager Lefty O’Doul, coach Jimmy Reese, Memo Luna and Herb Gorman.  I’m not sure how the cards were distributed.

1952 is a big PCL card year-due to the introduction of the fabulous Mother’s Cookies set.  The 64-card set was distributed in packages of cookies on the West Coast.  Padres’ manager, Lefty O’Doul, has on a beautiful satin jacket in his photo.  Some of the recognizable players include Memo Luna, “Whitey” Wietlemann and “Red” Embree.

Mother’s Cookies returns with a 63-card set in 1954.  Of the seven Padres in the set, the most interesting is Tom Alston.  He would integrate the St. Louis Cardinals in 1954 after being purchased for $100,000. Unfortunately, mental illness ended his promising career in 1957. Also, Lefty O’Doul is back, and former MLB player Earl Rapp has a card.

I was unable to locate any evidence of Padres cards from 1953-60, but in 1961 the fantastic Union Oil set showed up at West Coast 76 stations. The sepia tone cards measure 3”X 4” and featured 12 Padres. Among the players available are: Herb Score, Harry “Suitcase” Simpson, Mike Hershberger and Dick Lines.

The Major League Padres arrive in 1969, but cards from the PCL era would emerge in retrospective sets. In 1974, PCL historian and fan, Ed Broder, self-produced a 253-card set, modeled after the Seattle Rainiers popcorn cards. He used players from 1957-58.  There are 31 Padres cards in the set, including future Seattle Pilot, Gary “Ding Dong” Bell, Bob Dipietro, and Jim “Mudcat” Grant.

Another retro set was produced by TCMA in 1975.  The 18-card set has PCL players from the mid-1950s, one of which is Padre Cal McLish. The cards are “tallboy” size-like early 1970s Topps basketball.

In recent years, the late Carl Aldana self-produced several Padres cards in the Mother’s Cookies format.  The players he chose are: Ted Williams, Luke Easter, Max West, Al Smith and Jack Graham.

Please let me know if there are other years that PCL Padres cards were produced or if you have a 1947 team issued photo. 

SABR convention goers will assemble at glitzy Petco Park for a Padres game against the Cardinals. Not too far away, a humbler structure once stood, Lane Field.  Though small and termite infested, it was “big time” to fans in a simpler era with limited entertainment options.

At the game, I plan to buy a box of popcorn to see if a Hage’s Dairy Memo Luna card was magically inserted amongst the kernels.

Gorging on cookies

At a recent card show, I purchased three Mother’s Cookies team sets from the ‘80s. As far as “give-away” cards go, Mother’s Cookies are near the top of the quality list.  The sharp photos on glossy stock combined with a simple design, featuring rounded corners, produces a very attractive card.  

The company produced team sets for the West Coast and Texas clubs during the ’80s and ’90s.  The 28-card team sets were primarily composed of players from the year of issue.  Sets, packed in envelopes, were given away at the stadium as promotions.  Fans received approximately 90% of a set. Each envelope contained several duplicates to trade with other fans to secure the missing two or three cards.  Additionally, an individual card from the local team was inserted into retail bags of cookies.

Mother’s Cookies used a different criterion for two of the sets I picked up at the show.  Both the ’86 Astros and the ’87 Athletics are All-Time, All-Star sets.  One card was produced for the All-Star representatives over the years.  In Houston’s case, it starts in ’62 with Dick “Turk” Farrell of the expansion Colt .45’s. Oakland kicks off with Bert Campaneris in 1968-the year they moved from Kansas City.

The Astros cards are unique and quite striking in appearance.  Each card is a colorfully painted portrait with stylized depictions. However, the artist* does an excellent job of making the players recognizable.  This is a great choice, since “photo realism” would have made the whole exercise superfluous.

(*Richard-with a last name beginning with W-is the artist signature.  I was unable to identify him.)

Houston’s colorful uniform history adds to the visual appeal.  Starting with the wonderful Colt .45’s uniform, you see a progression to the “starburst” Astros, the primary color switch to orange, and finally the famous “Tequila Sunrise.”

Although the A’s didn’t use painted portraits, their colorful uniform history is on full display. Plus, the set has most of the principal players from the ’71-’75 dynasty era.  The vest style uniforms give way to the polyester pullover jerseys and beltless pants in bold Kelly Green, California Gold and Wedding Gown White combinations.

The A’s set is from just before the “Bash Brothers” era, but Jose Canseco shows up twice.  Also, there are cards from the lean years of the late ‘70s and the resurrection during the “Billy Ball” era.

At five dollars per set, I couldn’t go wrong even if the cards were less than stellar. So, I am very pleased with this purchase.  By the way, the third set I bought is the ’84 Padres.  This set is very colorful as well with the NL champion Padres sporting the “chili dog” accent colors on the home whites.

I am sufficiently inspired to collect more of these relatively inexpensive gems.  Of course, I have the complete Mariners run.

Feed Your Head with Ted

For those of us whose minds tend to gravitate toward the obscure and trivial, baseball cards can serve as a stimulate for this brain disorder. For example, the magic mushroom that sent me falling down the rabbit hole recently was a 1961 Seattle Rainiers’ popcorn card of Ted Schreiber.

I’ve had the card for several years, but recently purchased an off grade 8×10 glossy of the same photo as appears on the card. Curious to know more about Mr. Schreiber, I sought out online information on the infielder.  Of course, it didn’t take the “men from to chessboard to tell me where to go.”

Since I couldn’t “go ask Alice,” The SABR Bioproject was my destination.  Bioproject is an invaluable resource.  The forgotten and obscure players are given the same scholarly treatment as the all-time greats.  Mr. Rory Costello’s biography of Schreiber is well written and provides some surprising information.  After reading it, I felt like I was “given the call” to tell you about Mr. Schreiber, aided by a look at his few, but wonderful, cards. By the way, Topps never issued a card for him.

Though no “Red Queen” ever tried to “off” Schreiber’s head, he did make “off” from his Brooklyn home in the late 1950’s destined for Queens-where he donned the “red” of the St.John’s Redmen.  Ted played basketball for legendary coach Joe Lapchick and baseball for long-time coach, Jack Kaiser. Since my son graduated from St. John’s, I’ve developed an interest in the school’s sports history. This connection heightened my interest in Schreiber’s story.

Mr. Costello’s biography provided a great piece of trivia.  Ted hit two home runs at Ebbets Field in 1959. Turns out, St. John’s played three home games there against Manhattan College.

Schrieber’s exploits on the diamond for the Redmen drew the attention of scout Frank “Bots” Nakola.  If your “mind is moving low” and this name doesn’t ring a bell, he is the Red Sox scout who signed Yaz, Rico Petrocelli and Chuck Schilling out of the New York area. After a workout at Fenway Park, Ted signed with Boston.

In 1961 and 1962, Ted played in Seattle-the Red Sox AAA affiliate in the Pacific Coast League.  From 1954 to 1968, the Rainiers/Angels issued smallish, glossy cards in boxes of popcorn.  For reasons unknown, there are two variations of Schreiber cards in both 1961 and 1962. The 1961 “action” card misspelled Ted’s name.  If you want to know more about popcorn cards, here are links to my previous posts

During the off season, the Mets selected Schreiber in the Rule 5 draft. Since his route to Boston was blocked by second sacker, Chuck Schilling, this was a good break for Ted.  However, Ron Hunt won the starting job at second base for the Mets.  As a bench player Schreiber appeared in only 39 games, but he did take center stage in a piece of Mets history.

 On September 26, 1963, Ted pinch hit for his old St. John’s teammate, Larry Bearnath.  He promptly hit into a game ending double play, thus making the last out in the history of the Polo Grounds.  Though Topps never produced a card for Schreiber, there is a team issued photo from 1963.

Returning to the minors in 1964, Schreiber would never make back to the “show.”  His one year in the “bigs” secured a card in Larry Fritsch’s 1983 “One Year Wonders” set.  Also, Ted shows up in the 1966 Elder Postcards, 1976 SSPC set commemorating the ’63 Mets and in the 1971 “Wiz” Mets set.

Since “logic and proportion has fallen sloppy dead,” and you would rather hear “the White Knight talking backwards” than continue with me chasing rabbits, I will stop.  But remember what the Bobby “Doerr-mouse” said: “Feed your head” with Bioproject.

Segui’s Sequel or Ranew’s Renewal

The 2006 SABR convention in Seattle featured Jim Bouton as part of a lively Seattle Pilots panel.  Jim told a story about meeting his old Pilots teammate, Tommy Davis, years after the infamous ’69 season.  Jim revealed that Tommy looked at him, shook his head and said, “what a bunch of mutts.” 

This is an apt description of the expansion teams prior to the free agency era.  The new clubs were an assortment of veterans past their prime, players with marginal skills or unproven rookies. I have identified eight players who had the misfortune of playing on two different first-year expansion teams.  Here are their “cardboard” stories.6

The first man to experience this dubious “double play” was pitcher Hal Woodeshick.  The new Washington Senators acquired Hal from the old Senators (Minnesota Twins) in the expansion draft prior to the ’61 campaign. His tenure in DC was short lived, as the Senators sold him to the Tigers during the ’61 season. Subsequently, “Suitcase Hal” was sold to the new Colt .45’s in the winter of ’61. All this coming and going must have induced a sense of paranoia in Hal, as these two photos clearly document.6

Any Seattle baseball fan worth his or her salt knows that Diego Segui pitched for both the Pilots and Mariners.  Diego was the most effective hurler for the ill-fated ‘69 Pilots and the opening day starter for the Mariners.  The eight-year gap between Seattle appearances saw the erosion of Segui’s skills.  He posted an 0-7 record and was released at the conclusion of the season.

I have always been intrigued by Diego’s ’77 card.  Why is he wearing a Red Sox batting helmet-since the AL used the DH and Diego was a relief pitcher?6

Merritt Ranew is another Pilot with a resume that included two first-year expansion team stints.  The ’62 Houston Colt ‘45’s drafted the young receiver from the Braves.  His ’62 rookie card is an airbrushed gem. Despite Topps’ assertion on the back that Merritt “can’t miss,” most of his career was spent in the minors.  Topps didn’t produce a card for him in ’69, his last season in the majors.  The ‘83 Renata Galasso Pilots retrospective set does include Merritt.  The back of the card states that Ranew was the only Pilot who played on two first year expansion clubs.  This is incorrect.6

Ranew had a teammate that played on both the ’62 Colt ‘45s and the Pilots: George Brunet.  The “flaky” lefthander was drafted from the Braves by Houston.  Topps didn’t produce a ’62 card for George, but he does have a ’63.  Brunet joined the Pilots in July after his release from the Angels. No Pilots card was ever produced.  Very few images exist of George as a Pilot.  Here is a custom card-using a poorly colorized publicity still-of the happy-go-lucky, “underwear-averse” journeyman. 6

The beloved and inept ’62 Mets picked up catcher Chris Cannizzaro from St. Louis in the expansion draft.  He shuttled between AAA and the majors for most of the ‘60s before resurfacing with he infant San Diego Padres in ’69, after a trade with Pittsburgh. Cannizzaro became the starting catcher and was Padres’ lone All-Star representative.  Topps issued a card of Chris on the Pirates in 69, thus ’70 is his first on the San Diego.6

Chris’ ’62 Mets teammate, Galen Cisco, found himself on the roster of the ‘newbie” Royals in ‘69.  Galen’s ’62 card has him on the Red Sox, since he was purchased by the Mets late in the season.  However, he does get a New York card in ’63.

Perhaps the best player of this unique group is Ron Fairly.  The steady-if not spectacular-Fairly was dealt by the Dodgers to Montreal for Maury Wills in June of ’69.  Expos’ fans had to wait until ’70 to collect his card on Montreal.  Ron continued a successful career in the ‘70s, eventually ending up in ’76 with the A’s.  In the off season, Fairly was traded to the Blue Jays, but not before Topps issued a ’77 card depicting him on Oakland.  With the ’77 expansion Blue Jays, Ron had an excellent season as the DH.  He served as Toronto’s first all-star selection and got a Blue Jays’ card in ‘78.  9

The only duel expansionist I can identify for the last wave of expansion in the ‘90s is Scott Aldred.  The lefty pitched in five games for the ’93 Rockies and made 48 appearances for the ’98 Devil Rays.  Apparently, Scott didn’t receive a ’98 or ’99 card.  So, this team generated photo serves as proof that he did toil in the “Trop.”

I would be remiss if I didn’t mention a player who almost joined this group of vagabonds. Jeff Katz’s (@SplitSeason1981) old insurance man, Marv Staehle, was in spring training with the Pilots.  He was sent to AAA Vancouver and later traded to the Expos. Marv played in six games for Montreal in ’69.

20 years have past since the last expansion.  It is safe to say that this exclusive club will remain as is, until MLB once again expands at least twice within a ten-year span.

If you unearth another player who saw action for two first-year expansion clubs, let me know.  It is entirely possible I missed some unfortunate soul.

Finally Having It My Way

The ‘70’s were a wasteland for cards. There simply wasn’t a lot of product, especially not compared to the flood soon to come. (Après moi le deluge indeed!) So when Burger King issued Yankees cards in 1977, it was a big deal, such a big deal for me that I didn’t have the set. Not only didn’t I have the set, but I didn’t have a single card.

Why? I can’t quite figure that one out. I was collecting seriously, and in 1978 and 1979, I finished complete BK Yankees sets with doubles to spare. The 1977 cards passed me by and I don’t understand it to this day.

Some background info (from the Standard Catalog):

The first Topps-produced set for Burger King restaurants was issued in the New York area, featuring the A.L. champion Yankees. Twenty-two players plus an unnumbered checklist were issued at the beginning of the promotion with card #23 (Lou Piniella) being added to the set later. The “New York Post” reported production of the first 22 player cards at about 170,000 of each. The Piniella card was issued in limited quantities. Cards are 2-1/2″ x 3-1/2″ and have fronts identical to the regular 1977 Topps set except for numbers 2, 6, 7, 13, 14, 15, 17, 20 and 21. These cards feature different poses or major picture-cropping variations. It should be noted that very minor cropping variations between the regular Topps sets and the Burger King issues exist throughout the years the sets were produced.

Here are the variations, regular Topps on the left, Burger King on the right.

No All-Star banner. Burger King is an egalitarian enterprise.

Better cap, same puzzled look.

Nice to see Torrez in an airbrushed Yankee cap, but he’s still stuck in the Coliseum. Updated card, though not a better one.

NEVER play without a cup!

Bucky gets two great cards in ’77.

No point in the difference in cropping. The Topps card is nicer, with more of the new stadium in view.

The Topps issue for Reggie that year is one of the worst cards for a marquee player. The Burger King card remedies that, and shows Jax looking a bit nervous in NY. Airbrushed Reggie seems more cocky.

You’d think The Toy Cannon would be happier moving from the Braves to the Yankees. Doesn’t seem like it.

Good cards, same backdrop. Key detail – Yankees don’t choke up!

#23 of a 22 card set.

At the time, the story about the Piniella card was that George Steinbrenner, always used to having things his way, was incensed that Lou, a personal favorite and Tampa native, was passed over in the initial run. Besides the typical Boss tirade, it is odd. Piniella was certainly more important to the team at the time than Paul Blair or Jimmy Wynn.

I bring this set up because my 40+ years of drought has ended. I picked up a beautiful set this week, with Piniella. It makes me very happy to have them in hand after all these years.

 

Augmented Reality and the Baseball Card

T-Mobile AR package

On a recent visit to the newly-christened T-Mobile Park, home of the Seattle Mariners, game-day hosts passed out packs of baseball cards.  Only, these cards were unlike anything that we may have seen before.  T-Mobile, flexing their technology muscle, has worked to create augmented reality (AR) baseball cards.  The packaging text tells you to download the T-Mobile Tech Experience app, then you are to scan the cards (there are three in the pack) with the app and see the card come to life through this augmented reality technology.

Moose

The first card is the Mariner Moose, the hometown nine’s venerable mascot.  The card depicts the Moose with one hoof (!) in the air, and the other facing the camera.  Under the AR scan, the Moose is dancing around in what appears to be a several second video, akin to something out of the Harry Potter world.  The reverse side features a rather nice biography of the Moose, describing his origins.

TMP

The second card depicts a night time scene of T-Mobile Park overlooking Edgar Martinez Drive facing north, with the roof open.  Under the AR scan, we are treated to a several second fireworks display, with the phrase, “WELCOME TO T-MOBILE PARK” superimposed on the fireworks display.  The reverse side of the card gives you a bit of information on the ballpark, but mainly indicates some to the T-Mobile features fans will experience.

Truck.jpg

The third and final card shows what must be a T-Mobile fan truck, where according to the back of the card, you are supposed to visit and use a barcode and scan yourself a chance to win a prize.  The Mariners beat the Boston Red Sox that day, so that was prize enough for me!

Anyway, I got a chance to see AR technology at an art museum last year, which was featured as part of the art exhibition and found it an interesting use of technology.  In doing some initial research on AR, I found a simply-put definition from HowStuffWorks.com: “Augmented reality is the blending of interactive digital elements – like dazzling visual overlays, buzzy haptic feedback, or other sensory projections – into our real-world environments.”

So, that is, when using this app (or AR glasses) you can scan something that is coded with AR to see an interactivity come to life.  It’s pretty cool stuff, especially when you start thinking about its applicability to real baseball cards.  Imagine using AR on your next set of Topps cards and see the images of the ballplayers come to life taking a swing, or throwing a pitch or catching a ball!   The possibilities for such use may be boundless.