Baseball cards of the Negro Leagues

There are many directions that one could go with this topic, two of which have already been well covered by SABR Baseball Cards authors and two of which would be very welcome here.

This article, however, will look at the first widely available baseball cards produced in the United States to showcase Negro Leaguers as Negro Leaguers. In other words, a card of Satchel Paige as a Cleveland Indian (1949 Bowman, 1949 Leaf) or St. Louis Brown (1953 Topps) would not qualify while a card of Satchel Paige as a Kansas City Monarch most definitely would. Should a working definition of “widely available” prove helpful, take it to mean there is nearly always at least one card from the set available on eBay.

Hall of Fame postcards (1971 to present)

I’ll leave it to readers individually to decide whether to count postcards as baseball cards. If you are in the “no” camp, feel free to skip this first entry. If you are in the “yes” camp then we’ll kick things off with the postcards issued and updated annually by the National Baseball Hall of Fame.

While one could quibble that more than half the text on the Paige card, first issued in July 1971, relates to his post-Negro Leagues career, I’ve chosen to count this postcard because A) Paige was selected by a special committee on the Negro Leagues, and B) he is not shown in an Indians, Browns, or Athletics uniform. The Gibson postcard, which carries no such ambiguity, was first issued in July 1972, as was a similar postcard of teammate Buck Leonard.

1974 Laughlin Old-Time Black Stars

Bob Laughlin, also known for several collaborations with Fleer, independently produced this 36-card set in 1974. At time of issue, Satchel Paige (1971), Josh Gibson (1972), and Buck Leonard (1972) were the only Hall of Famers in the set. (Cool Papa Bell was inducted in 1974 but after the set was released.) Now an impressive 22 of the 36 cards in the set depict Hall of Famers, with all 14 of the remaining presenting compelling cases for enshrinement.

1975-76 Great Plains Greats

Thanks to Ted Chastain in the reader comments for identifying this 42-card set. Per the Standard Catalog the cards were produced by the Great Plains Sports Collectors Association. Cards 1-24, which includes Cool Papa Bell, were produced in 1975 and sponsored by Sheraton Inns. Cards 25-42 were produced the following year and sponsored by Nu-Sash Corp.

1976 D&S Enterprises Cool Papa Bell

In 1976 John Douglas of D&S Enterprises issued a 13-card set in conjunction with and James “Cool Papa” Bell, who was the subject of the set.

Interestingly, one of the cards in the set is a “card of a card” featuring Bell’s 1974 Laughlin card, updated with facsimile autograph.

1976 Laughlin Indianapolis Clowns

A second Laughlin set of note is his 42-card 1976 Indianapolis Clowns issue, mostly coveted by collectors today for its card of a young Henry Aaron.

Other notables in the set include Satchel Paige, Oscar Charleston, and basketball legend Goose Tatum.

1976 Shakey’s Pizza

In 1975 pizza chain Shakey’s issued a small 18-card set of Hall of Famers, followed up in 1976 by a much larger set featuring all 157 members of the Hall (and a second Robin Roberts card) in order of their induction. The latter set therefore included several Negro League stars: Satchel Paige, Josh Gibson, Buck Leonard, Monte Irvin (New York Giants photo), Cool Papa Bell, Judy Johnson, and Oscar Charleston.

Not counting the Hall of Fame’s own postcards, which may or may not be regarded as baseball cards by some collectors, I believe this Shakey’s set is the very first to feature both “traditional” (i.e., white) major leaguers and Negro Leaguers on its checklist.

1978 Laughlin Long-Ago Black Stars

Four years after his initial Negro Leagues set, Laughlin produced a sequel, employing a similar design. Aside from a brand new checklist of 36 cards, the most evident updates were the replacement of “Old-Time” with “Long-Ago” and a greenish rather than brownish tint.

1978 Grand Slam

This 200-card set may have been produced with autographs in mind as (I believe) all 200 of the early baseball stars it featured were still living at the time the set was planned. While nearly one-fourth of the set featured current or future Hall of Famers, there was no shortage of lesser stars such as Bibb Falk and Ed Lopat. The set even included an outfielder with a lifetime OPS of .182.

More to the point, the set included cards of Negro Leaguers Buck Leonard, Judy Johnson, and Cool Papa Bell.

1980-87 SSPC Baseball Immortals

When initially issued in 1980, this SSPC set included all 173 Hall of Famers, i.e., the Shakey’s Pizza roster plus the 16 players inducted between 1977 and 1980. As such, it included the same Negro Leaguers as the Shakey’s set but also added Martin Dihigo (1977) and Pop Lloyd (1977).

Following the initial release, SSPC updated the checklist multiple times through 1987 to include the Hall’s more recent inductees. As such, cards of Negro Leaguers Rube Foster (1981) and Ray Dandridge (1987) were subsequently added to the set.

P.S. No, I don’t really know what’s happening on that Foster card, and don’t even get me started on the Josh Gibson!

1982 “TCMA” Baseball Superstars

Two different “Baseball Superstars” sets were produced in 1980 and 1982 that may or may not have been produced by TCMA. (Andrew Aronstein, son of TCMA co-founder Mike Aronstein, believes the cards were sold by TCMA but not produced by TCMA. The Standard Catalog notes the cards were probably produced by Card Collectors Closet in Springfield, MA.) The second of these sets included a lone Satchel Paige card on its 45-card multi-sport checklist.

1983 Sporting News 1933 All-Star Game 50th Anniversary

This 60-card set was released by Marketcom to celebrate the 50th anniversary of the first All-Star Game, and it’s first 48 cards featured the 32 players from the American and National League All-Star rosters plus various other players of the era such as Johnny Hodapp and Chick Fullis. Likely in recognition of the first East-West Game, also in 1933, the final dozen cards in the set consisted of Negro League greats selected by the Sporting News.

These same twelve Negro Leaguers would be reappear in their own 1933 All-Star tribute set in 1988.

1983 ASA Bob Feller

ASA was a big name in the early 1980s when it came to single player tribute sets, with Bob Feller the subject of one of its 1983 offerings. Card 5 in the twelve-card set includes a cameo by future teammate Satchel Paige in his Kansas City Monarchs uniform.

Note that a “red parallel” of the card (and entire set) exists as well.

1983 Donruss Hall of Fame Heroes

In 1983, Donruss augmented its slate of Hobby offerings to include a 44-card “Hall of Fame Heroes” set. While the majority of the set featured National and American League stars, it was notable at the time for being the first “mainstream” card set to include Negro League legends.

Cool Papa Bell and Josh Gibson are the two unambiguous Negro Leaguers in the set, and I would further count Satchel Paige in spite of his St. Louis Browns uniform.

Collectors hoping to get even more of artist Dick Perez’s talents applied to the Negro Leagues would be in luck the following year.

1980-2001 Perez-Steele Postcards (sorted in this article as 1984)

Beginning in 1980, the Perez-Steele Galleries issued a set of 245 postcards over the course of 22 years. The first of the releases to include Negro Leaguers was Series Five in 1984, which included Josh Gibson, Buck Leonard, Cool Papa Bell, and Judy Johnson. (The same series also included Satchel Paige as a Cleveland Indian and Monte Irvin as a New York Giant.)

1984 Decathlon Negro League Baseball Stars

Apart from the copyright line, this set is identical to its far more plentiful reproduction in 1986 by Larry Fritsch.

Consisting of 119 cards, it would take nearly four decades for a set to provide more Negro Leagues firepower than this one.

1985 Decathlon Ultimate Baseball Card Set

Decathlon returned the following year with a 15-card set of baseball legends, highlighted by Josh Gibson.

In addition thirteen white players, the set also included a “second year” card of Moses Fleetwood Walker.

If the artwork looks familiar, it was done by Gerry Dvorak of 1953 Topps fame.

1986 Larry Fritsch Negro Leagues Baseball Stars

Here is the aforementioned reissue of Decathlon’s 1984 offering, still available from Larry Fritsch Cards. I believe you can also pick up a set in person at the Negro Leagues Baseball Museum gift shop.

1987 Dixon’s Negro Baseball Greats

Salute to historian, author, and Negro Leagues Baseball Museum co-founder Phil Dixon, whose 45-card set was the first ever set of baseball cards produced by an African American.

Phil also worked with the Ted Williams Card Company on its Negro Leagues subsets in 1993 and 1994.

1988 Hardee’s

In addition to Charles Conlon photographs of five white major leaguers, this six-card set also included a card of Cool Papa Bell.

Though the small print on the Bell’s card suggests a Conlon photograph, it should be noted that Charles Conlon passed away in 1945 while Bell did not become the manager of the Monarchs until 1948.

1988 Pittsburgh Negro League Stars

This 20-card set, highlighted on the SABR Baseball Cards blog in 2020, was given to fans by the Pittsburgh Pirates on September 10, 1988. Biographical information on the card backs comes from historian Rob Ruck.

Befitting a Pittsburgh-themed set, nearly all subjects are Crawfords or Grays, though there are some exceptions such as Monte Irvin.

1988 World Wide Sports 1933 Negro League All Stars

This 12-card set features the same twelve Negro Leaguers as the 1983 Marketcom set and also shares a common theme, that of the inaugural All-Star Game (or East-West Game). Additionally, many of the cards use identifcal source images apart from differences in cropping. However, this set is a standalone Negro Leagues set whereas the 1983 set included 48 players from the white major leagues.

1989 Historic Limited Edition Negro Leagues Postcards

This set of 12 postcards features the artwork of Susan Rini. Total production was 5000 sets.

1989 Sportflics

The 225-card set from Sportflics did not include any Negro Leaguers, focusing instead on contemporary players and prospects.

However, each pack included one of 153 small inserts known as “The Unforgetables” and featuring a Hall of Famer.

Among the players included in this insert set were Josh Gibson, Pop Lloyd, Buck Leonard, Rube Foster, Martin Dihigo, Oscar Charleston, Cool Papa Bell, Satchel Paige, and Monte Irvin.

1990 Eclipse Stars of the Negro Leagues

I’ll finish the article with this attractive 36-card mini-box set from Eclipse, whose other offerings included the Iran-Contra Scandal, the Drug Wars, and the Savings and Loan Scandal.

The Negro Leagues set itself wasn’t scandal-free as it managed to confuse its two best players!

POSTSCRIPT

Counting the Hall of Fame postcards that began this article, we’ve now looked 20 years of Negro League baseball cards. Though the numbers of cards and sets may have been more than you imagined for this period from 1971-90, it’s fair to say that nearly all such sets might warrant the “oddball” label. Notably, we saw nothing at all from the biggest name in all of baseball cards, Topps.

The omission of Negro Leaguers by Topps could certainly be seen as a sign that Topps deemed these players unworthy of their precious cardboard. To an extent I buy the argument, but I’ll also counter with the fact that Topps operated “by the book” when it came to licensing, permissions, etc. I suspect many of the sets profiled in this article provided no financial compensation to the players or estates involved, meaning their honoring of the Negro Leagues may have been part celebration but also part exploitation. If so, perhaps Topps deserves kudos for not following suit.

Though I may have overlooked a card or set somewhere, I believe the first Topps Negro League cards appeared in 2001, most prominently as part of a “What Could Have Been” series.

Though unintentional, the set led off with a “what could have been” to top them all: Josh on the Kansas City Monarchs. Such would surely end all greatest team ever debates right here and now!

Cardboard Typos and Gripe-o’s—Part 2

For nearly 30 years, editing has brought home my bacon. It wasn’t my desired profession; I fell into it like an open manhole—and I’m still trying to climb my way out. The grammatical, punctuational, and syntactic boo-boos I fix have been mostly in the medical and pharmaceutical fields, but they’ve been pretty easy to spot in my spare time as well—which means, to a degree, on the backs, and sometimes fronts, of baseball cards.

Years ago, I began jotting down factual errors and spelling typos (punctuation issues and lack of hyphenation are so rampant that chronicling them would be a never-ending and pointless task). I do not keep abreast of baseball card commentary as vigilantly as I once did, so at least one of the following errors has been posted elsewhere, which means that others—maybe many—in this simple and hardly comprehensive multi-part list might also have been documented in that long interim.

Here, Part 2 continues this absolutely uncomprehensive, and extremely random, list of baseball card errors (see Part 1 here).

  • 1911 T201 Mecca Double Folder Lefty Leifield (backed with Mike Simon): Unlike other pitchers in the set, the stats for this talented Pirates southpaw feature batting and fielding records—Lefty’s pitching ledger for the previous season has been mysteriously replaced by his work with the glove. Yet it’s not even Lefty’s statistics. Card-mate and battery mate Mike Simon—whose statistics are completely absent under his own name—appears at first glance to have his statistics erroneously replacing Leifield’s field work (note the inclusion of passed balls). However, the lack of quality control on Mecca’s part is even more out of control than this: Beyond problematic typesetting, the statistics listed are wildly incongruent with Simon’s (as well as all other NL catchers’) performance in 1910—none more so than his alleged .536 fielding percentage—a number that couldn’t keep a catcher on a sandlot field. Just as egregious is his 64 passed balls. In actuality, Simon was not charged with either a single error or passed ball during the previous season. Who knows how these numbers were conjured—the lowest fielding percentage registered by any catcher in the majors in 1910 was .875, and after the rule changes of the 1890s, no catcher had let more than 27 balls past him since the turn of the century. If some supercentenarian is still manning the phones at Mecca Cigarettes, somebody should call to get the lowdown—pronto.
  • 1912 T207 Germany Schaefer: It’s common knowledge that Jim Delahanty’s T207 contains multiple misspellings of his surname (“Delehanty”) on the back (though the front is correct), but that spelling miscue also appears on the back of Germany Schaefer’s T207 (the two were swapped for each other, along with Red Killefer, in 1909, accounting for the mutual mentions). Schaefer’s bio also contains a more personal blunder, stating that, “Since arriving at the Capital he has played first, second, short and third….” However, the utilitarian Schaefer never took the field as a shortstop after his days in Detroit. As a macabre aside, Schaefer, a renowned baseball prankster, died of tuberculosis in the same New York village where Christy Mathewson succumbed to the disease six years later. (It may have even been the same sanatorium; I’m not certain.)
  • 1954 Topps Vern Law (#235): Vern’s “Year” line denotes that he spent the previous season “IN MILITARY SERVICE,” yet “IN” is missing the “I.” I’m not familiar with an Idaho accent, but perhaps Topps was writing in Vern’s native vernacular. (I’ve largely avoided minor points in these lists, but to spotlight Topps’ sloppiness, in the right-hand cartoon mentioning Bing Crosby, “Pirate’s” is incorrectly singular possessive; it doesn’t need an apostrophe at all, but if one is used, it should follow the “s” to be plural possessive. Misuse of the apostrophe is one of the most pervasive marks of ignorance found in print.)
  • 1933 Goudey Tony Lazzeri (#31): Goudey took “Poosh ‘Em Up”’s games played in 1932 and pooshed ‘em down, stating that he played 141 games—Lazzeri actually suited up for 142 games in 1932. Perhaps unfairly, his bio begins that “coming to the bat in his first world series with bases filled, struck out.” This is a necessarily incomplete, almost Twitter-like, reference to Lazzeri’s inning-ending whiff at the hands of Grover Cleveland Alexander in Game 7 of the 1926 World Series, of course. To be fair, it was actually the fourth time in the Series that Lazzeri came to the plate with the bases full. Twice, he delivered important sacrifice flies, including the eventual game-winning run in the top of the 10th in Game 5—without which the Series might never have gone to a seventh game and given baseball that gilded moment.  
  • 1933 Goudey Burleigh Grimes (#64): Burleigh’s bio declares that he “[b]roke into baseball in 1913 with Ottumwa in the Central Association.” With apologies to Radar O’Reilly, who was born right about the time that this card hit the shelves in his native Ottumwa, Burleigh was no rookie in 1913, having pitched in 9 games for the Class D Eau Claire Commissioners of the Minnesota-Wisconsin League in 1912. Had Radar been old enough to watch Ol’ Stubblebeard on the mound, he might have remarked, “Uh-oh, spitters!”
  • 1933 Goudey Earl Averill (#194): More inaccuracy than error—and much like Lefty Gomez’s cards mentioned in Part 1—virtually all of Earl Averill’s cards denote his birth year as 1903, whereas all official sources, including his headstone, report it as 1902.
  • 1949 Bowman Bob Lemon (#238): Bob was anything but a lemon as a pitcher, seven times reaching the 20-win circle and earning a place in the Hall of Fame; however, his cards are a strange and recurring saga of geographical ineptitude on the part of multiple manufacturers. Beginning with his rookie card, Bowman misspelled his birthplace of San Bernardino, California, as “San Bernadino.” (Incorporated in 1869, the city’s spelling had been officially established for 80 years by the time Bowman inked Lemon to a contract.) For most of Bowman’s existence, it repeated this error. One might attribute this to the same biographical information being used rotely over the next 6 years—except that Bowman got the spelling correct in 1951 and 1952, then inexplicably reverted to the original error for the remainder of its run. So, defying any semblance of logic, Bowman printed “Bernadino” in 1949 and 1950, changed correctly to “Bernardino” in 1951 and 1952, and then went back to its mistake in 1953, 1954, and 1955. If that weren’t bizarre enough, all three of Lemon’s Red Man Tobacco cards (1953-’55) also misspelled his birthplace as “Bernadino.” (I don’t know if Red Man, which had long been only a tobacco company, made some kind of deal with Bowman for its baseball information when deciding to issue its own cards—some of their bios read similarly in places—but blame would still fall on Red Man Tobacco for not at least proofreading its product.) In contrast, none of Topps’ cards that list a birthplace erred on this spelling, and Lemon’s 1954 Red Heart and Dan-Dee cards also are correct.
  • 1960 Leaf Jim Coates (#35): A double-dip for Jim. “Binghampton” is a misspelling. Hold the “p,” Leaf. A bigger blooper is that Leaf was under the impression that Coates had never pitched in the majors before 1959—his “Past Year” totals are identical to his “Lifetime” totals. However, Jim appeared in 2 games for the Pinstripes way back in 1956, making the majority of those lifetime statistics incorrect.
  • 1960 Leaf Al Spangler (#38): Al’s home is listed as “Maple Glenn, Pa.” Leaf apparently turned over a new leaf and gave Spangler’s home an extra “n”—the town is spelled Maple Glen. To my knowledge, it never went by “Glenn.”

Rife with typos, Topps’ 1964 Giants subset contains more than its share. Among them:

  • 1964 Topps Giants Orlando Cepeda (#55): Cepeda is denoted as having laced 38 triples as a rookie in 1958. This is diamond hogwash. Did Topps think third-base coach Herman Franks waved a red cape every time Cepeda rounded first so that the Baby Bull came raging uncontrollably into third? Owen Wilson’s 36 triples in 1912 has never been bested, and, in fact, no player has legged out more than 26 ever since. Cepeda, of course, ripped 38 doubles, not 38 triples.
  • 1964 Topps Giants Billy Williams (#52): Topps really shortchanged Billy by stating that he clubbed “20 two-baggers” for the Ponca City Cubs in 1957. The sweet-swinging Williams swatted twice that many in pacing the Sooner State League in doubles.
  • 1964 Topps Giants Carl Yastrzemski (#48): In the right-hand column, Carl was cited to have “wrecked havoc” on opposing pitchers. This is a malaprop—the term is, of course, “wreaked havoc.” At least Topps spelled his surname correctly.
  • 1964 Topps Giants Harmon Killebrew (#38): Deceptive text, even if inadvertent, is a no-no to an editor, so I’m calling out Topps for Killer’s headline, KILLEBREW WINS 2ND HOMER CROWN. As evidenced early in his bio, “For the second consecutive season, the Minnesota Twins’ slugger was the American League home run champion.” This is certainly accurate, Harmon having claimed the crown in 1962 and ’63. However, the headline implies very strongly that these were his only two homer titles to that point—yet Killebrew had also topped the AL in 1959, meaning, of course, that he’d nabbed his third homer crown in 1963, not his second. If I didn’t call this out, I’d be negligent in my long-time occupation as an editor.

If the 1964 Topps Giants subset is something of an editor’s treasure trove, the 1960 and 1961 Fleer sets are a gold rush. Some of the most problematic assemblages of cards out there, they have often caused me to wonder if the company headquartered in my hometown ever employed a fact checker or proofreader. Many’s the time I fantasized about going back in time to be hired as Fleer’s text editor. With a primo job like that, how could a young Ann-Margret not date me?

  • 1960 Fleer Christy Mathewson (#2): Fleer failed to list that Christy also pitched for Cincinnati. Some may say “Big deal—he pitched only 1 game for the Reds.” Well, it was a big deal. That final game—a victory—ultimately allowed Mathewson to tie Grover Cleveland Alexander for most victories by a National League pitcher (even though his true victory total wasn’t discovered until many years after his death). Fleer rectified this oversight—sort of—in its 1961 set, stating that he pitched all of his games “except one” for New York, without specifying that other team. However, Fleer did picture Matty in a Cincinnati uniform—although neither is this definitely, because Christy was better known in red as Cincinnati’s manager for several seasons, which Fleer references.
  • 1960 Fleer Joe Medwick (#22): Fleer anointed Medwick with an RBI total of 1949—which, at that time, would have put Ducky fourth on the all-time list, a handful ahead of Ty Cobb. Now, Medwick was an excellent run producer and, in fact, stands as one of the few National Leaguers to top the Senior Circuit in RBI for 3 consecutive seasons, but the actual total of runs he drove across the plate was a far less robust 1383. Remarkably, Fleer repeated this huge blunder on Joe’s 1961 card (#61).
  • 1961 Fleer Rogers Hornsby (#43): The Rajah’s home run total is incorrectly listed as 302 (he hit 301); his triples total is also inaccurate: 168, though he actually hit 169. His hit total is correct, so I wonder, if among all of the other revisions to old-timers’ statistics, one of Hornsby’s round-trippers was downgraded to a three-base hit. (301 was, as long as I can recall, his established home run total, as can be seen on his 1976 Topps All-Time All-Star card—which is almost certainly from where I first learned the total.)
  • 1961 Fleer Ty Cobb (#14): One of the biggest statistical oversights I’ve seen occurs in Cobb’s bio, as Fleer denotes Ty as having led the AL six times in hitting. As any moderately informed baseball fan knows, Cobb snared an incredible 11 batting crowns (or 12, depending on which source you consult—the Hall of Fame still claims the latter). Regardless of which you consider the true count, Cobb’s run of double-digit batting crowns was, even then, long regarded as one of the most amazing feats in sports annals—and an inexcusable gaffe by Fleer, especially considering that his 1960 Fleer card denotes Cobb as capturing 12 batting titles.

  • 1961 Fleer Grover Cleveland Alexander (#2): Fleer goofs again, misspelling “immortal” in the opening line of Alex’s bio (and fails to include a period as well).
  • 1961 Fleer George Sisler (#78): George’s bio is almost cruelly ironic in its boast that he “played in six World Series.” Sisler, of course, is renowned among the game’s greats who never played in the Fall Classic. (George worked for Brooklyn and Pittsburgh as a scout and batting instructor in later years, but this certainly does not equate with playing in a World Series, and his attachment to pennant-winning teams in either of these capacities fell far short of six anyway.) How could such a false statement be written—and, worse, approved? Perhaps more than any other card in Fleer’s 1960 and ’61 sets, this colossal blunder indicates a shameful lack of commitment to its product and the consumer.

  • 1975 TCMA Red Russell: Typos among “quasi-professional” sets such as TCMA are plentiful. One example is from TCMA’s 1975 issue spotlighting the 1919 White Sox squad. Breaking in with the Southsiders in 1913, Russell crafted one of the best—and most overlooked—rookie seasons by a pitcher, winning 22 games for the 5th-place Sox. By 1919, his arm was gone, facing just 2 batters all season, in a June loss to Boston, which ended his pitching career at a fine 80-59 mark. Soon after this final appearance, Russell went to the Double-A Minneapolis Millers and reinvented himself as an outfielder. He returned to the majors in 1922 and put in a pair of partial seasons for the Pirates, thwacking 21 home runs in 511 at-bats. TCMA’s goof lay in labeling him “Red” Russell. Born in postbellum Mississippi and raised in Texas, he was well known as “Reb” Russell for his obvious Southern heritage. Even so, mild kudos to TCMA for including in the set the member who played least on the roster during the season (there are a few White Sox who played more than Russell yet were not included).
  • 1954 Red Heart Stan Musial: Stan’s bio claims that he has played in “9 All Star games as a Cardinal outfielder.” Through the end of the 1953 campaign, Musial had played in 10 All-Star Games. Yet even if this statement is taken literally—that is, counting his participation only as an outfielder, regardless of how silly it would be for Red Heart to ignore his other appearances in the Midsummer Classic—Musial had, to that time, participated once as a first baseman and once as a pinch-hitter, so the count strictly as an outfielder was 8—which still did not jibe with Red Heart’s claim. It’s also interesting to note that Red Heart, as late as 1954, referred to the Fall Classic as the “World’s Series”—an antiquated spelling that had essentially died out by the 1930s.

And just for good measure, I’m throwing in several hockey card errors:

  • 1957-58 Topps Jean Guy Gendron (#52): Between this entry and the following one, you will see that Gendron appears to have been the target of a systematic process of sloppiness and inconsistency, the likes of which the sports card industry has never seen. In the English bio of this, Gendron’s rookie card, Topps heretically refers to the Montreal club as the “Canadians.” Frankly, Topps should consider itself lucky that Montreal fans didn’t fly into a bleu, blanc, et rage, bus down to Brooklyn, and burn the plant to the ground. Despite being Gendron’s official rookie card, this also establishes a long and winding road of instability concerning his first name. Gendron’s first name appears to officially have been spelled with a hyphen, “Jean-Guy,” as evidenced by several official sources as well as the back of his true rookie card, the 1952 Juniors Blue Tint. Yet from 1957 to 1963, Topps always denoted him simply as Guy Gendron (although, as you can see, the reverse of his rookie card is “Jean G.” Gendron). He then became “Jean Guy” on his 1968 card (shown for a different reason in the following entry), was amended to “Jean-Guy” in 1969, then was stripped of the hyphen in 1970 and 1971, and enjoyed a restored hyphen for his final card, in 1972. (Gendron’s 1970 Dad’s Cookies card and 1970 Esso stamp also feature the hyphen.)

  • 1968 OPC Jean Guy Gendron (#185): The statistical record claims that Gendron was “Not in N.H.L.” during the 1967-68 season. Although the long-time NHL veteran had been dispatched to the AHL’s Quebec Aces in 1964 and remained there for 4 seasons, Gendron did suit up for 1 game with the phledgling Philadelphia Flyers—even picking up an assist—during his final year with Quebec. (Gendron would go on to play 4 seasons with the Orange and Black, becoming one of the team’s best forwards in its early years.) Furthermore, though not an outright error, Gendron’s bio begins that he, Andre Lacroix, and Simon Nolet “are counted heavily on this year by Coach Courtney.” This is a strange reference to Philadelphia’s inaugural head coach, Keith Allen, whose given name was Courtney. I’m inclined to believe that OPC mistook “Courtney” as his surname, because it’s difficult to believe that OPC was on an overly casual first-name basis with the little-known skipper of a barely established expansion club.

  • 1979 OPC J. Bob Kelly (#306): This is likely well known to all except the young’uns. Rather obviously—at least it should be—the player depicted is not J. Bob Kelly—better known in rinks as “Battleship” Kelly—but long-time Broad Street Bully, Bob “the Hound” Kelly. (The pictured Bob Kelly has his own OPC and Topps cards that year; J. Bob Kelly has no Topps counterpart.) As an aside (though not an error itself), OPC denotes that Kelly was “Now with Oilers”; however, Kelly’s last skate in the NHL occurred during the previous season’s quarterfinals as the New York Islanders swept Kelly’s Chicago Black Hawks. Battleship did split 4 games between the Cincinnati Stingers and the Houston Apollos of the Central Hockey League during the 1979-80 season, but he never played for Edmonton, despite the Oilers drafting Kelly from Chicago in the 1979 NHL Expansion Draft.
  • 1969-70 Topps (#59) and OPC (#59) Carl Brewer: Perhaps it’s something of an honor to be incorrect in two countries, as both Topps and OPC were in listing Carl’s home of Muskegon, Michigan, which is misspelled as “Muskegan” on both cards.  
  • 1971-72 OPC (#156) and 1972-73 OPC (#100) Rogatien Vachon: Errors north of the border get a little more complex with this pair of Rogie Vachon cards. Each errantly refers to Vachon as “Roggie”—the first card twice in the bio and the latter card in the cartoon. OPC then wised up and never again made this misspelling (the reverse of Topps/OPC 1978-79 cards, which feature the player’s autograph, confirm the spelling in Vachon’s own hand, as if confirmation were needed). OPC dropped the puck a second time on his 1972-73 card, botching Vachon’s first name as “Ragatien.” (Topps got the spelling right but featured the same erroneous cartoon.) A former coworker who is a cousin of Vachon responded to my request for Rogie’s comments on this with, “Jesus, Randy, I’m busy. Leave me alone!”

Were the All Star FanFest Cards from 1994-2000 the Precursor for Topps Project 2020?

As a baseball card collector and enthusiast, I feel that I am living through the Renaissance era of baseball card art. My Twitter feed is filled daily with spectacular images of cards from many artists that are working with a variety of mediums to produce their own interpretations of what cards of past and present players should look like. A number of these artists are also using their artwork to support charitable causes.

There was certainly an undercurrent of fine baseball card artwork being produced long before 2020, but the Topps Project 2020 brought to the surface a tidal wave of beautiful cards from a wide variety of artists.

Was Project 2020 an original idea or was it a variation on a project from the Junk Wax era? A case can be made that Project 2020 can be linked back to the All Star FanFest Cards from 1994 to 2000.

The two projects are similar in that they have multiple artists and designers coming up with unique cards of a single player and they also share some common player subjects – Roberto Clemente (1994 – Pittsburgh FanFest), Nolan Ryan (1995 – Dallas FanFest), and Jackie Robinson (1997- Cleveland FanFest).

The other player subjects for the All Star FanFest sets were Steve Carlton (1996 – Philadelphia FanFest), Lou Brock (1998 – St. Louis FanFest), Carl Yastrzemski (1999 – Boston FanFest), and Henry Aaron (2000 – Atlanta FanFest).

Ray Schulte was responsible for the All Star FanFest cards from 1994 to 2000. At the time he was working as an event consultant for MLB Properties, and cajoled some of the major baseball card producers of the 90’s to design and distribute unique cards of an iconic player from the city that was hosting the All Star Game. To obtain the cards a fan had to redeem 5 pack wrappers of any baseball product of the manufacturer at their FanFest booth.

I was introduced to the cards when I attended the All Star FanFest event held at the Hynes Convention Center in Boston in 1999. I attended the event with my family and upon learning about the cards from a Fleer representative sent my two kids on a mission to purchase 5 packs of cards produced by each of the four manufacturers from dealers at the event so we could exchange the wrappers for the Carl Yastrzemski cards designed just for the 1999 FanFest.

Now let’s take a closer look at the All Star FanFest sets which feature players that overlap with the Topps 2020 Project.

1994 All Star FanFest Set – Roberto Clemente

1994 was the first year that FanFest cards were issued and with Pittsburgh hosting the All Star Game the player subject was Roberto Clemente. Topps, Fleer, Upper Deck, Donruss, and Pinnacle issued cards for the event.

Fleer and Topps decided not to mess with perfection and produced cards that were essentially reprints of Clemente’s 1955 Topps rookie card and his 1963 Fleer card with 1994 All Star logos. Upper Deck issued a metallic looking card of Clemente that contains career stats and accomplishments on the front. Upper Deck would utilize the “metallic look” design for player subjects for the next 6 years. As you would expect, an image of a Dick Perez painting of Clemente is on the front of the Donruss Diamond King card.

1995 All Star FanFest Set – Nolan Ryan

With the 1995 All Star Game being held in the home park of the Texas Rangers the logical choice for the player subject for the FanFest cards was Nolan Ryan who retired in 1993.

The 5 card manufacturers who designed cards for the 1994 All Star FanFest also produced cards for 1995 All Star FanFest event held in Dallas.

Topps produced a re-imagined 1967 Rookie card of by eliminating the Jerry Koosman photo and enlarging the Nolan Ryan image to fill the front of the card. In microscopic print, Nolan’s complete major league pitching record is on the back of the card. Steve Carlton got the same treatment a year later when Topps enlarged his airbrushed 1965 photo to produce a new version of his Rookie card. Fleer issued an Ultra Gold Medallion version of a Ryan card. Upper Deck continued with its metallic design for a Ryan card. The Pinnacle card featured a Nolan Ryan painting and Donruss produced a Tribute card.

Get out the magnifying glass. Back of Topps 1995 Nolan Ryan All Star FanFest card.

1997 All Star FanFest Set – Jackie Robinson

With the All Star Game 1997 marking the 50th year of his major league debut, Jackie Robinson was the correct selection for the player subject for the 1997 set.

Topps released a reprint of his 1952 card with a All Star logo on the front and his complete major league batting record on the back. Leaf distributed a reprint of Jackie’s 1948 “rookie” card with small All Star Game logo in the upper right-hand corner. Fleer choose a nice posed photo of Jackie looking like he is going to tag out the runner for its Ultra card. On the back of its Tribute card, Pinnacle included a great action shot of Robinson coming in head-first at home plate with the catcher about to make a tag. The photo leaves you wondering – Which way did the call go? Upper Deck once again used a metallic design for its Jackie Robinson FanFest card.

Other All Star FanFest Cards

1997 All Star FanFest Larry Doby Cards

Depending on your definition of a complete set, collectors should be aware that Fleer and Pinnacle released Larry Doby cards to coincide with the All Star game being held in Cleveland. Included below are photos of the Fleer Ultra card and the Pinnacle 3-D Denny’s card.

2000 Henry Aaron FanFest Error Card

For some reason Topps decided not to make a reprint of Aaron’s 1954 Rookie card part of the official 2000 All Star FanFest set. Instead, Topps designed a unique card that featured a spectacular color photo of Aaron in a posed batting stance. Topps did however print some of the 1954 Rookie reprints with an All Star Game logo. These Aaron Rookie reprints are considered “error” cards.

Costs

Almost all the All Star FanFest sets can be purchased for under $12 on eBay. The exception is the 1994 Roberto Clemente All Star FanFest set. Each manufacturer produced 15,000 cards for the event. Less than 10,000 of each card were distributed at FanFest. The rest of the cards were destroyed. A Clemente set will set you back about $60.

From the Negro League to MLB

3rd Inning

Before I get into the “3rd Inning”, I would like to thank everyone for the awesome comments, and taking the time to read the introductory post. I’m happy you all enjoyed, and staying on for the ride!

In the first post (1st Inning), I explained briefly how tough it was to locate some of the 86 players due to the fact that some had no MLB card (16 total). The “3rd Inning” will focus on my journey to find these players. Most of the cards and memorabilia from this post are not graded and/or authenticated yet, I’m currently in the process (maybe I’ll get them back from PSA sometime next year!).

Marshall Bridges 1978 TCMA “The 1960’s” Washington Senators / 1992 The Wiz New York Yankees “Yankees of the 60’s”. I could not find any graded card, memorabilia, or autographs of Marshall. I came across these two cards and decided to grab both. TCMA cards were pretty popular, and the Wiz card I hadn’t seen before doing my research. I did not know Bridges played for the Yankees, but he had a pretty good year for them in 1962 (8-4 3.14 era). He played in MLB for 7 seasons, with four different teams. Marshall pitched for the Memphis Red Sox in the Negro American League.

🐐fact: Bridges was shot in the leg by a 21 year-old married woman in a bar during Spring Training of 1963.

Robert Wilson 1990 Target Brooklyn Dodgers. Wilson had 5 at bats with the Dodgers in 1958, recorded one hit (as a pinch-hitter). Finding anything on Wilson was really tough due to his short stint in MLB. I did find a 1957 Montreal Royals autographed team ball, but it was way out of my price range. The Target card was issued as a “100th Anniversary”, and featured 1,095 players from all eras of the Dodgers franchise. Not the coolest one in the project, but there wasn’t much to choose from.

🐐fact: Wilson played on the 1947 Newark Eagles (53-42-1) with Monte Irvin, and Larry Doby. He batted .308 in 39 games.

Charlie Peete 1955-1956 Omaha Cardinals Team Photo. This guys stuff is super hard to find. I spent hours researching him. I love these old Minor League team photos, I really enjoy collecting them. Peete was a good lefty hitting outfielder. He played in the Negro Leagues for the Indianapolis Clowns. The Cardinals signed Peete in 1954. He tore up the Piedmont League batting .311 17 HR and was named to the All-Star team. In ’56 he led AAA batting .350 with 16 HR and 63 RBI for the Omaha Cardinals. Charlie had 52 at bats for St. Louis in ’56, the only year he would appear in MLB.

🐐fact: Peete had a very sad ending to his life. He passed away in the prime of his career, the very young age of 27. He was playing Winter ball in Venezuela when he and his family were killed in a plane crash.

Pat Scantlebury Original Type 1 Photo. Pat had me searching the web like a mad man! One day I received an eBay alert and there it was, a beautiful original photo of Scantlebury. It’s from 1951, around the time he was pitching for his native country of Panama in the 1951 Caribbean Series. It’s a wonderful candid shot of Pat. He appeared in only one MLB season, playing for the Reds in 1956 (Frank Robinson’s rookie year). Pat played for the New York Cubans of the Negro League from 1944-1948.

🐐fact: Scantlebury and Hall of Famer Rod Carew are the only two MLB players born in Gatun, Panama. Like many from that era, Pat took 8 years off his age before joining organized baseball. In 2012 he was elected into the Latino Baseball Hall of Fame.

Roberto Vargas Autographed Photo. This is a beautiful photo of Vargas as a member of the 1955 Milwaukee Braves (His only year in MLB). Vargas was a right-handed pitcher, he played in the Negro Leagues for the Chicago American Giants, and the Memphis Red Sox.

🐐fact: Vargas was one of the first group of Puerto Rican ball players who appeared in MLB. His first appearance was April 17, 1955, the same day Roberto Clemente made his with the Pirates.

William Greason Signed Photo & Letter. What’s really cool about this one is I purchased the signed photo from an estate sale. The gentleman’s son who sold it to me, said his Dad would write letters to people he respected and looked up to. Mr. Greason was kind enough to send a signed photo back. I was able to acquire the original letter he sent, as well as the stamped envelope William sent to him from his Birmingham area residence. As you can see on the photo he signed it, “Rev”, Bill as most call him is a Baptist minister. He served our great country, in World War II. 66th Supply Platoon, an all-black unit, and took part in the Battle of Iwo Jima. After the war he played in the Negro Leagues for the Birmingham Black Barons, where he was a teammate of Willie Mays. Greason played one year in MLB with the 1954 Cardinals.

🐐fact: Mr. Greason is a living legend, and an American hero. I believe he’s the oldest living player from the Negro Leagues. He turned 96 last September!

Connie Johnson PSA Authenticated Autographed Index Cards. I wanted to mix in some autographs with the collection so I went this route for Johnson. Connie was a 6’ 4” right-handed pitcher. He pitched 3 years with the White Sox and 3 with the Orioles. He finished his MLB career with a respectable 40-39 record to go along with a 3.44 era. Johnson played for the Kansas City Monarchs at the age of 17. Won back to back Negro League World Series titles with the Monarchs playing with the great Satchel Paige.

🐐fact: “The most I made in a year playing baseball was $15,000. Players today make more in one day than I made in my entire career. But, I wouldn’t change a thing. We had a good time. We had a ball.” – Connie Johnson

Sam Hairston, Ray Neil, Jim Cohen 1991 Retort Negro League Legends PSA Authenticated Autograph. Sam was a tough one to come by. He only played in 7 MLB games, in 1951 with the White Sox. When I came across the card I bought it immediately. The original photo was from the 1948 East-West Classic, standing in the middle of his two Indianapolis Clowns teammates, Ray Neil, and hard-throwing pitcher Jim “Fireball” Cohen. Hairston played for the Birmingham Black Barons before being traded to the Clowns. Sam had an extensive career in the minors, hitting .304 for his career. After his playing career, we went on to the have a successful career as a pro scout.

🐐fact: Sam was a patriarch of a three-generation big-league family. His son, Jerry Hairston Sr. had a 14-year career in MLB. and Jerry’s son, Jerry Jr. played 16 years. When you count John Hairston, and then Scott, that’s 5 players from one family playing in MLB. What an amazing family of ballplayers!

Luis Marquez 1983 Fritsch – 1953 Boston/Milwaukee Braves. Luis was a tough find. I had to go with the ’83 30th anniversary set. It’s a pretty cool set with some good players marking 30 years from when the Braves moved from Boston. The set features Hall of Famers, Eddie Matthews, and Warren Spahn. Luis was born in Aguadilla, Puerto Rico. He played 68 games in MLB, for the Braves, Cubs, and Pirates. He spent his early years in the Negro League with the New York Black Yankees, Baltimore Elite Giants, and the Homestead Grays.

🐐fact: Marquez was a speedy outfielder, who could hit, run, and possessed a strong arm in the field. He is the only Puerto Rican with batting titles in the Negro League, Puerto Rican baseball, and Organized baseball (AAA).

Willard Brown 2020 Dreams Fulfilled Negro Leagues Legends. I searched high and far for anything regarding Mr. Brown. I came across a reprint team photo of the 1947 St. Louis Browns team, but that didn’t do it for me since I wanted to have original content of each player. Brown played only one year in MLB (1947), at the age of 32 he had 67 plate appearances for the Browns. Since there wasn’t much out there I went with a card from the “Dreams Fulfilled” set. Graig Kreindler is a phenomenal artist who paints baseball players like I’ve never seen anyone before. His paintings of Negro League players are in the Negro Leagues Baseball Museum in Kansas City. Graig did the original art for this set, so being that I know Graig and appreciate his work, I thought having a card from this set would be super cool.

🐐fact: Brown was inducted into the Baseball Hall of Fame in 2006. The great Buck O’Neil called him, “The most natural ballplayer I ever saw”. Josh Gibson named him, “Home Run Brown”. A speedy outfielder, Brown hit over .340 for the Kansas City Monarchs in 1942 and 1943. The next two years he served our country in World War II. He was among those 5,000 ships that crossed the English Channel during the D-Day Invasion of 1944.

James “Buster” “Buzz” Clarkson 1986 Fritsch Negro League Stars / 1951 Milwaukee Brewers Player Panel Card. Clarkson didn’t make it to MLB until he was 37 years of age. Played in 14 games, as an infielder and pinch-hitter for the Boston Braves in 1952. He started professional baseball with the Pittsburgh Crawfords of the Negro Leagues at 23 years old, and finished his career with the Des Moines Bruins of the Western League at 41. Clarkson was another one that had me searching and searching, actually I’m still searching. That is what makes this project very unique, I’m always down a rabbit hole looking for more.

🐐fact: Clarkson was well known during his time playing in Puerto Rico. He won a few Caribbean Series championships with the well-known Santurce Crabbers. As a member of the Crabbers, he played alongside two future legends, Willie Mays, and Roberto Clemente.

Milt Smith 2000 Fred Hutchinson Cancer Research (1957 Cardinals) and 1956 PCL Seattle Rainers Team Photo. Milt Smith was also a tough find. He played in MLB season for only one year, 1955 with the Reds (36 games). He did have an extensive Minor League career which lasted 10 years with various organizations. He broke into professional baseball with the Philadelphia Stars of the Negro Leagues. The Rainers team photo is an original and pretty rare, this one is black and white, but most of the time these old Minor League team photos are bright with colors, laid out with awesome fonts, and classic uniforms, the older the better!

🐐fact: Milt had his best Minor League season in 1955 with the PCL San Diego Padres hitting .338, prompting his call-up by the Cincinnati Reds.

Vibert “Webbo” Clarke 1957 Minneapolis Millers Program and 1947 Cleveland Buckeyes Negro League Retort Card (1992). Mr. Clarke was a Panamanian born left-handed pitcher who appeared in 7 games for the Washington Senators in 1955. He spent time with Cleveland Buckeyes and the Memphis Red Sox of the Negro Leagues. He was only 18 years of age when he made his first appearance with the Buckeyes. I did a lot of research on Clarke, and found the the Minneapolis Millers program on eBay. It’s in really good condition, and shows him on the roster page (even though they spelled his name “Vibret” incorrectly. On the Buckeyes card, Clarke is pictured in the second row, first on the left.

🐐fact: During his time with the 1957 Minneapolis Millers, he was a teammate of a then 19 year-old phenom named Orlando Cepeda (see program).

Sandy Amoros 8×10 1955 World Series Autographed Photo (COA). I chose this wonderful photo because of the significance of such an amazing play in World Series history. The Amoros catch on a Yogi Berra fly ball in Game 7 of the 1955 World Series helped secure the Brooklyn Dodgers a championship over the rival Yankees. Amoros had just come into the game to replace Junior Gilliam, who moved to second base to take Don Zimmer’s spot after he was pinch-hit for. Sandy was a lefty, so if a righty was playing LF, that ball falls in. Amoros made a play that would never be forgotten in baseball history, he fired that ball into Pee Wee Reese who doubled off McDougald at 1B.

🐐fact: Amoros was born in Cuba, he stood 5’ 7” and blessed with superior speed. He had a solid MLB career, 7 years with the Dodgers, and one with the Tigers. Sandy played for the New York Cubans of the Negro Leagues. He was elected to the Cuban Baseball Hall of Fame in 1978.

Hank Aaron 1975 Topps (’74 Highlights) PSA 6. I purchased this card a week before the great Henry Aaron passed away. I wanted to use this card for my project because of the significance of breaking Babe Ruth’s HR record. Notice the card number is #1, Hank will always be number one in my HR record book. Hank started his professional career in the Negro Leagues with the Indianapolis Clowns. 18 years-old, scrawny, and hitting cross-handed back then (yes, cross-handed!!). In 1952 he led the Negro American League in average, a decent .467. Hank went on to accomplish nothing but greatness, on and off the field. We’ll miss you Hank!

🐐fact: “The only man I idolize more than myself.” – Muhammed Ali on Hank Aaron.

Well thats all for now folks, I hope you enjoyed the “3rd Inning”. We’re headed to the 5th, see you soon!

Collecting Glenn Burke

I spent last weekend reading the new Andrew Maraniss book “Singled Out,” which tells the story of Dodgers/Athletics outfielder Glenn Burke (SABR bio forthcoming). Of course, Burke was much more than the player suggested by his stat line, as the book’s cover reminds us. He is of historical and cultural importance for two firsts, one of which has become ubiquitous in the sport and another that remains largely invisible.

I won’t use this space to retell Burke’s story, though I will offer that Andrew’s book does an excellent job adding detail and humanity to what many fans might know only at the level of a basic plotline. Rather, I’ll focus on collecting.

I’m probably like many of you in that the more I learn about a particular player the more I want to add some of their cards to my collection. (I’ve avoided Jane Leavy’s outstanding Babe Ruth book thus far for just this reason!) What then are the “must have” Glenn Burke cards and collectibles out there?

Owing to the brevity of Glenn’s MLB career, he has only two Topps cards from his playing days, one with the Dodgers and one with the A’s.

For some collectors, that right there would be the end of the line. Others might add Burke’s 1979 O-Pee-Chee card, whose front differs from the Topps issue only by the company logo featured on the baseball.

As a huge fan of all things Aronstein (even his kid!), I also consider the 1978 SSPC Glenn Burke a must-have. (Unlike the 1976 SSPC set, these cards were only found as “All Star Gallery” magazine inserts and appear a bit less plentiful.)

Andrew’s book devotes quite a bit of time to Glenn’s journey through the minors, including one heckuva brawl that broke out between Glenn’s Waterbury Dodgers and the Quebec Carnavals. What better way to memorialize the incident, in which Glenn played a starring role, than with Glenn’s 1975 TCMA “pre-rookie” card?

Counting the OPC, we’re now up to five cards in all, or just over half a plastic sheet. To expand our card collecting further, we’ll need to look at Burke’s post-career cardboard.

Thanks to the tour de force known as the 1990 Target Dodgers set (more than 1000 cards in all!), we can add this card to our Burke page.

While other collectors might add it to their lists, I’m neither compulsive nor completist enough to bother with Burke’s 2016 Topps “Buyback,” which is simply his 1979 Topps card stamped with a red 65th anniversary emblem.

Beyond these catalogued releases, Mike Noren included Burke in his 2020 Gummy Arts set. The card fills a gap in Burke’s Topps run by utilizing the 1977 flagship design and furthermore memorializes Burke’s place in “high five” history (though readers of Andrew’s book will recognize that its image is not the first Burke/Baker high five).

I, myself, have added to the world of Glenn Burke collectibles, sending my own “card art” to fellow Burke fans.

Perhaps we will even see one of the Topps Project70 artists produce a Glenn Burke card before set’s end. Definitely at least a few of the artists are pretty big Dodger fans.

Either way, the universe of Glenn Burke baseball cards remains extremely limited at present. On the other hand, why stop at cards? There were three other items I ran across in Andrew’s book that I believe are worthwhile items for Burke collectors.

The first is this Dodger yearbook from 1981, whose cover features a Baker/
Garvey high five in place of Burke/Baker but nonetheless speaks to the rapid spread and ascension of the high five across the sporting world, if not society at large.

Another collectible in magazine form is the October 1982 “Inside Sports” that featured Burke’s coming out story, “The Double Life of a Gay Dodger.”

A final Burke collectible is one I never would have known about if not for Andrew’s book. As a nine-year-old kid in 1961, Glenn sang backup on the Limeliters album “Through Children’s Eyes,” released by RCA Victor in 1962. I wouldn’t be my life, but I believe Burke is the first kid in the row second from the top.

At the moment, give or take autographs that could potentially adorn all but the most recent of these items and excluding truly unique items, I’ll call this the almost full set of Glenn Burke collectibles.

A final category I find intriguing and perhaps undervalued is ticket stubs, in which case the following items would likely be of greatest interest.

  • MLB debut – April 9, 1976 Dodgers at Giants
  • First high five (and first MLB HR) – October 2, 1977 Astros at Dodgers
  • Pride Night feat. ceremonial first pitch from brother Sydney Burke – June 17, 2015 Padres at A’s

It also wouldn’t surprise me to see the Dodgers, A’s, or the Bobblehead Hall of Fame issue a Glenn Burke bobblehead one of these days. And in the meantime, there’s always Patrick’s Custom Painting, who fashioned this Starting Lineup figure for “Hall of Very Good” podcast co-host Lou Olsen and has applied his talents to bobbleheads as well.

New member honors Hinchliffe with card set

Author’s Note: The SABR Baseball Cards blog is pleased to introduce new SABR member Donna Muscarella, whose interests in baseball, the Negro Leagues, and photography led her to produce a Hinchliffe Stadium baseball card set.

What led to your interest in Hinchliffe Stadium?

I visited the Negro Leagues Baseball Museum during a baseball-themed vacation in 2016.  The experience left me feeling a range of emotions—from anger to awe and much in between—but mostly, it left me with a desire to learn more about the Negro Leagues players, owners, and teams.

When the Tip Your Cap campaign associated with the Negro Leagues’ 100th Anniversary started in June 2020, I wanted to have Topps do a small run of twenty custom baseball cards for me.  Initially, I planned for the cards to depict me tipping my cap in tribute to the Negro Leagues.  That’s a pretty dull card on its own, so I started thinking about places that would complement the theme.  With local venues closed, and my feeling uncomfortable traveling during a pandemic, every idea I had about location seemed like nothing more than a pipe dream.  I scrapped the plan.

In addition to limited or no access to venues of all kinds, 2020 also brought limited or no access to modern baseball cards (at least, not at prices I felt were reasonable, Project 2020 aside).  The lack of product led me to think about other hobby options, and I became enamored with the thought of building a collection of postcards depicting stadiums in which Negro Leagues baseball had been played.  The first step in that process was to compose a list of ballparks.  Imagine my surprise and jubilation when I discovered that a dedicated Negro Leagues ballpark—not a Major League stadium rented to a Negro League team—was still standing a little more than ten miles from my house!

What made you decide to turn your Hinchliffe photos into a baseball card set?

Once I learned about Hinchliffe, the plan for my Tip Your Cap tribute card was on again.  A bigger plan snapped into focus the second Hinchliffe came into sight.  There in front of me was a beautiful Larry Doby mural painted on the stadium wall.  My vision was to pose in front of the stadium gate, but as soon as I saw the Doby mural, I knew it was the perfect spot for my Tip Your Cap photo.  I felt compelled to get that stadium gate onto a card, though.  And if I was going to do a card featuring the gate, then why not a small set of cards showcasing Hinchliffe?  As I began to walk around the stadium with goosebumps growing on top of goosebumps, I knew it had to be.

Though the write-ups are brief, I learned a lot from the backs of your cards. How much was it a goal of yours to educate collectors?

The idea for the cards was born out of a desire to pay personal tribute to the Negro Leagues during its centennial year and to inspire others to learn more about the Negro Leagues.  I was moved by the thought that maybe, just maybe, each person that read the cards might be moved to not only do some research on their own, but also to invite someone else to explore all that the history of the Negro Leagues has to offer.  You know, kind of like that shampoo commercial from the 1980s:  “I told two friends and they told two friends and so on and so on and…”

The backs of your cards pay homage to 1933 Goudey. What made you choose that style for your card backs?

I thought it would be fun to incorporate some aspects of vintage cards into this set. After all, it showcases a venue that opened to the public in the early 1930s. I chose to model the card backs after the 1933 Goudeys because Hinchliffe Stadium hosted the Colored World Series in 1933. And the rounded font on the card fronts, while not exactly the same, is meant to be reminiscent of the Goudey font. The uncoated front and back surfaces are another vintage attribute I chose.

How did you decide how many cards to include and which cards/pictures to include in your set?

I wanted the card images to tell a story, to give a small sense of what it might have been like to visit Hinchliffe on a game day. The images chosen and the corresponding size of the set grew organically from the elements of the ballpark I was able to photograph from outside the gates that would support that journey.

How did you decide how many sets to make?

Being that I’m a first-time custom-card creator, I wanted to keep the print run small. Fifty was the minimum amount I could order using the card stock I chose, so I went with it. Should there be enough interest in my work, I would consider a larger edition for other sets.

You mentioned that you live very close to Hinchliffe. Do you see yourself traveling someday to other historic baseball sites to take pictures and/or make trading cards?

Absolutely!  Incorporating baseball into vacations is a tradition that my parents started, and as a fourth-generation baseball fan, I’ve taken it one step further by building many of my travel plans around baseball.  My discovery of Hinchliffe has made me want to incorporate even more exploration of baseball history into my travels.

I can walk down an ordinary New York City street or stroll through a nearby park and want to take photos left and right, but put me in the midst of baseball history with my camera and I’m like a kid in a candy store. It’s a pretty safe bet that more historic baseball sites will be visited and captured through my camera lens.

This Hinchliffe trading card project has been invigorating, and I hope to repeat that feeling by creating and releasing more card sets.

Aside from stadiums or places, what other baseball-themed card sets you hope to make?

I would love to do a set or series of sets that incorporate some of my favorite images of players that I’ve captured over the years. But without licensing from at least the Major League Baseball Players’ Association (and Major and Minor League Baseball if I want to include team names and logos), I can’t release those images in bulk, or even in duplicate. I can, however, use those images in one-of-one pieces of art. I have some ideas for combining my photos of players and stadiums with baseball cards to create unique artwork and plan to begin experimenting with them soon.

Nick Swisher photo by Donna Muscarella

My next planned project is a companion set to complement my original Hinchliffe cards.  The images included in the initial release were taken with a somewhat photojournalistic approach.  I wanted to convey the story of fans arriving to the ballpark (the gate on Card 1), purchasing tickets (the ticket windows on Card 2), heading to the seating bowl (the entry area on Card 3), and sitting down to watch the action (the stands on Card 4).  The anticipation contained in those moments are precious.

What I’ve found though, is that there is so much more to Hinchliffe!  I’ve begun capturing the character of the ballpark with more of an eye for detail.  For example, the sphere-topped flagpoles now sit bare against a blue sky—to think how majestic they looked when serving their purpose on a game day!  I don’t know what the final composition of the set will be, but plan for it to once again feature my photography and serve as a vehicle to share information about Hinchliffe and its relationship with the Negro Leagues.

Something that makes your set unique versus what I see from many other independent card producers is that you used photos you took yourself rather than found elsewhere. How long have you been a photographer and what got you started?

My parents tell me I was inquisitive almost from birth, and I am also very sentimental.  I believe my love of photography stems from a need to explore and a desire to preserve my discoveries.  This idea of exploration can take on many forms—for instance, it may involve visiting a new place or examining a familiar subject with a new perspective.  The possibilities are endless, especially with photography.

That said, I’ve enjoyed photography since I was a child.  My first camera, a 110 point and shoot, was the bonus I received when opening a new savings account.  There were other gift options available, but I wanted that camera!  When we’d get photos developed from family vacations, it was always easy to tell which rolls were mine.  All you had to do was look for the envelopes full of photos of clouds and flowers and animals and unusual takes on buildings or statues…

Do you have any photography tips for our readers interested in taking their own photos of stadiums or other baseball subjects?

  • Experiment! Digital photography is extremely conducive to it. You can immediately see your captured image and decide if you like what the image conveys or if adjustments are needed. Play with different vantage points, different use of light and shadow, and different fields of view.
  • Don’t be afraid to get lost in the details. Search for gems hidden in plain sight. It’s easy to be captivated by the sweeping expanse of a ballpark. There is tons of beauty there, and it is worthy of attention. But there also is beauty to be found in the details! Maybe it’s the scrollwork on the aisle seats or the way the sunset is glowing through the lighting panels mounted on top of the stadium or the way a small portion of the stadium’s exterior appears even more majestic when its backdrop is an azure blue sky.
  • If photographing a stadium on game day, arrive early and go inside as soon as gates open. Take advantage of location and experience opportunities that may exist only in the first forty-five minutes or so after gates open.
  • As for equipment, sure it’s nice to have a “fancy” camera. I shoot with a DSLR (currently Nikon D500) and a compact camera (currently Canon PowerShot SX730). But if your phone’s camera is the only camera you own, don’t let that stop you from photographic exploration. If you decide you like the photographic adventure enough to invest in a more advanced camera, do so when your financial means allow. Don’t feel like you need to buy the top of the line camera, or even a camera with interchangeable lenses (DSLR or mirrorless) right away.

What’s involved in turning your images and text into an actual baseball card? What parts were “DIY” and what parts did you use outside resources for?

I designed and composed the cards myself. Aside from image selection, I started my design approach with the back of the cards. I was determined to pay homage to 1933 Goudeys, so I wasn’t starting from scratch with my design template. I needed to find fonts and colors that would evoke a Goudey feel. Since I was printing on white stock (to best preserve image colors), I needed to select not only a color for the lettering, but also a background color that would mimic 1933 cardboard. The most challenging part was fitting all of the information I wanted to include onto the tiny backs of those cards!

Donna’s cards alongside 1933 Goudey

For the card fronts, I used desktop publishing software to experiment with different design options and color schemes.  My experimentation ended when I found the combination that best complimented all of the images I had chosen and paired well with the flip-side design. Once the layout and content were finalized, I converted the “pages” to press-quality PDFs and gave them to a professional shop for printing.

Besides making your own cards, tell us about your favorite baseball cards, either from when you were a kid or present day.

Dave Winfield’s rookie card (1974 Topps #456) always comes to mind when I am asked about favorite cards.  My love of this card has nothing to do with the card’s design.  It is based solely on a personal experience involving the card.

One Saturday afternoon sometime in the 1980s, I answered the phone and was surprised to hear my dad’s voice on the other end. He and my mom were at the mall. Of course, back then, calls from public places were usually made using pay phones and weren’t made just to shoot the breeze—a call from a pay phone had a distinct purpose. I couldn’t imagine why my dad would be calling from the mall and hoped that everything was alright.

In a very excited voice, Dad told me that Dave Winfield was at the mall for a free (!) autograph signing for another 45 minutes. He told me to grab a Winfield card and get there fast. So I grabbed my Winfield rookie and headed to the mall while my parents held a place in line.

When we got to the front of the line, Mr. Winfield extended his hand to greet us. I shook his hand first and watched my hand and wrist disappear in his. After he shook hands with my parents, I thanked him for being there and told him I would be honored if he would please sign my copy of his rookie card. As I placed it in front of him, he said, “Are you sure you want me to sign this? It’s going to ruin the card.” I exuberantly responded, “No it won’t, and yes please!” He asked again, “You’re sure?” “Absolutely!” He proceeded to sign the card and handed it back to me. I was beaming.

As I was shaking his hand again and offering my gratitude, my dad said, “Oh no! I just realized what shirt you’re wearing.” Mr. Winfield said, “It’s perfect. It’s a Yankees shirt!” “Yes,” my father responded, “but she’s got someone else’s name and number on her back!” As my father put his hands on my shoulders to turn me around, I let out a mortified “Dad!” as only a teenager could. Mr. Winfield laughed. I explained that if I had taken the time to change my shirt, I might have missed meeting him and apologized for the unintentional disrespect I had shown. He was the perfect gentleman. And so Dave Winfield’s 1974 Topps card will always be special to me.

Don Mattingly’s Topps rookie and the 1971 Topps Thurman Munson are also favorites from my younger years (although the Munson predates the start of my collecting by a few years).

In terms of modern cards, I am a fan in general of Topps Allen & Ginter and Heritage, including Heritage Minors, as well as Topps ProDebut. Stadium Club is another favorite because it features such beautiful photography.

Donna’s collaboration with Topps artist Blake Jamieson

I’d be remiss if I didn’t include some of my favorite artist cards here. Josh Trout’s Jackie Robinson from 2020 Topps Gallery is a beauty, and Efdot’s Mariano Rivera and Blake Jamieson’s Don Mattingly from Project 2020 are also standouts.

I understand you just recently joined SABR. What prompted your decision, and what aspects of membership are you most excited about?

My first non-statistical exposure to SABR came via an event in the late 2000s at the Yogi Berra Museum and Learning Center. I recall fondly the sense of camaraderie amongst the panelists and gallery of attendees. So the first impression was a very good one. Fast-forwarding to 2020, I became more active on social media and found SABR’s contributions from both the master account and several committee accounts to be both interesting and informative.

I am most looking forward to meeting new people through SABR and participating in activities with fellow SABR members.  I am also excited about the tremendous amount of knowledge that sits with members of SABR and affording myself of opportunities to learn more about the greatest game ever:  baseball.

If our readers want to connect with you, what is the best way they can do that?

I’d love to hear from fellow baseball enthusiasts!  For longer inquiries or conversations, please email me at TheLensOfDonnaM@gmail.com.  I’m also on Twitter and Instagram:  @TheLensOfDonnaM.

Meet the Mets – 25 (Now 51) Years Later

On Election Day, I was looking for ways to occupy my mind. Luckily, I got a message from Yastrzemski Sports that the Spectrum Mets set I’d been looking for was in! I probably would’ve killed some time on Tuesday with cards anyway, but this was too perfect.

The anniversary set celebrating the 1969 Mets World Champs was issued in 1994 (though the three promos in the box are dated 1993) to commemorate the 25th Anniversary of the team of my youth. Here’s how the Standard Catalog describes it:

The 1969 Miracle Mets card set, produced by Spectrum Holdings Group of Birmingham, Mich., was part of what the company called “an integrated memorabilia program, with the 1969 Mets card set as the centerpiece.” The 70-card set measures the standard 2-1/2″ x 3-1/2″, with UV coating on both sides and gold foil on fronts. It was sold complete at $24.95, and limited to 25,000 sets. A reported 1,000 numbered sets were signed by all 25 living players, including Hall of Famer Tom Seaver and future Cooperstown resident Nolan Ryan.

I don’t know who Spectrum Holdings was, or what an “integrated memorabilia program’ means, but this set is nice. The box is sweet and simple, numbered to 25,000, a far cry from the 1 of 1s we see today. (I’ve got #19,980!).

The cards are reminiscent of 1956, though vertical, posed pictures in the foreground, action photos in the background (unlike 1956, the photos aren’t painted over). Glossy and crisp, quite beautiful.

Once the players are covered, there’s a wonderful series of season highlights, and post-season showcases, including the Mets win over the Braves. Good to see. Those games are often lost in the shuffle except to die-hard Mets fans.

There does seem to be some dispute over the number of signed sets. The Catalog says 1,000, but the promotional information says 750. I’d go with the latter. Thanks to the original owner saving peripheral material and folding it under the card tray, we’ve got some better factual material.

I wouldn’t have paid $244.95 back then for a signed set, and I wouldn’t now. I did search for them on eBay and COMC, because I’d rather have an autographed Bobby Pfeil and/or Jack DiLauro card than a Seaver or Ryan. They’re pricey – $15-75 – though it doesn’t look like they actually sell for those prices. Strangely, it looks impossible to tell whether the signed cards offered are from the 750 sets issued, or regular cards signed later on. I don’t see any markings denoting “limited to 750” or something like that.

Regardless of where you sit politically, Election Night (and morning and, I’m guessing, the coming days) was stressful. It was soothing to look through the Spectrum Mets sets. Cards have kept me sane these last four years. Looks like I’ll need them to work hard for the next four!

A Little Treasure Chest

Brace, Conlon, McWilliams, McCarthy. McCarthy? Most card collectors and hardcore baseball fans have heard of, or encountered, the photography of George Brace, Charles Conlon and Doug McWilliams. For some reason, J.D. McCarthy has slipped through the cracks.

He shouldn’t have. McCarthy, from near Detroit, was a top level photographer, clicking away product that players used as postcards to answer fan mail or promote their bowling alleys and pizza parlors (McCarthy entries are scattered throughout the Standard Catalog), and that Topps used on a freelance basis. McCarthy archives had made it through various hands, and the bottom of the collection ended up with Bob Lemke, formerly of Krause Publications and one-time editor of the Standard Catalog. He wrote about it here.

Bob makes the point that the collection went through multiple owners, and, by the time it got to him, had been picked over, the Hall of Famers and big stars had disappeared. Which leads me to this post.

Back in 1986, I was visiting Cooperstown and, of course, Baseball Nostalgia. The shop, co-owned by inaugural Burdick Award Winner Mike Aronstein, was in its old location, at what is now the batting range. I picked up my usual odds and ends, like the current San Francisco Giants yearbook, and this little gem. (I’d always been under the impression that Sports Design Products was an Aronstein company, but Andrew Aronstein assured me it was not.)

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I had never heard of McCarthy, and had no idea of what would be contained within this plastic box, but, man, what’s inside was a marvel then, and still is now. It’s a 24-card set, matte-finish (if not matte, non-glossy), with brilliant photos and a simple, 1969 Topps design. SDP clearly had some big plans for the superstar portraits of McCarthy, hoping to get on board the card boom. Seemingly those dreams were never realized.

Here’s the entirety of the set:

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An up close look at these two beauts:

(The backs have little to offer, but I know you “card back” guys care.)

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While still cheap in price, the McCarthy set is high in aesthetic value. Track one down.

The funnest dumb way to collect (almost) the whole set!

You may recall from an earlier post that I’m now collecting the 1961 Fleer “Baseball Greats” set. At the time I wrote the article I had maybe 30-40 of the 154 cards in the set. Now, just a month later, I am now at 140/154, just 14 cards short of the set. Awesome, right?

Set in progress with 1961 Dodgers pack insert from my neighbor

Ah, but did I mention I have over 100 doubles?! Here’s the thing. Rather than just buy the set (boring, and too big a hit all at once to the pocketbook) or buy only the singles I need, I’ve to this point focused almost entirely on “lots,” as in listings of 10-40 “random” cards at at time. (And just to avoid confusion with other meanings of the word, I’ll capitalize “Lot” from here on out.)

Early on that was a great way to go. For this particular set, I might find a Lot of 30 cards in VG-EX and pick it up at right around a dollar a card, i.e., even less than what collectors pay today for many of today’s brand new 2019 and 2020 offerings.

When my Lots arrived, good times ensued-

  • It was fun to thumb through the cards and see who I got. (Yes, I tried hard NOT to look at the listing details specifically so I could be surprised later.)
  • It was REALLY FUN to find cards I needed for my set, and early on this was most of the Lot.
  • It was REALLY FUN to occasionally come across a “high end” player (e.g., Lou Gehrig) I didn’t expect to see thrown into a Lot. (In today’s jargon, this would be known as a “hit,” and I would be expected to post a pic to social media with the caption “DiD I dO gOoD?”)

All told, buying Lots brought back all the fun of buying packs, which, sometimes we forget, is about the funnest thing in the world you can do with baseball cards. (No kidding, I have a group of guys I get together with each month (COVID-19 Update: on hold!), and we have a blast opening packs of junk wax, even packs we don’t care about at all. Most of the time we don’t even take the cards home.)

Last weekend’s loot (photo by Baseball Law Reporter)

Of course, all pack openers know what happens when you get closer and closer to completing your set. Doubles galore! Now back in the day, that meant spending 30 cents and ending up with 15 doubles. At the high-stakes poker table that is 1961 Fleer, it may mean spending $20 for 15 doubles and only a single common I need for my set. (By the way, the notion of a common Baseball Great is one of my favorite oxymorons, even if it fits this particular set to a tee.)

I’ll add here that the situation with ordinary packs or Lots is amplified with a set like 1961 Fleer that has a decidedly more scarce high number series. Unless you’re buying a specifically advertised “high number Lot” you almost certainly end up with somewhere between 95-100% low numbers. Still, I was determined not to give in and complete my set “the boring way,” which I’ll define here as any method that’s fast, cheap, or efficient. I was in this one for the fun of it, and any extra I was paying would simply be the “cost of fun.”

Fortunately, two things happened to me that helped me a lot (lowercase, ordinary meaning) with my set.

  • A collector got in touch with me and made a big trade.
  • Another collector got in touch with me and sold me his Babe Ruth.

In each case, there were no doubles involved, and in the case of the Ruth I got one of the cards that would never come my way buying low-cost Lots. I was now breaking my own rules right and left, but I was okay with it since trading and making deals with “real people” (vs. anonymous eBay sellers) is almost as fun as opening packs. Finally, with a Want List that’s now exclusively megastars and high numbers, buying more and more Lots seems like an exercise in total futility.

Most collectors I meet feel an internal tug of war between wanting to build their collections on a budget while also wanting to enjoy the chase. Giving in to the former generally means buying the set all at once (BORING!), while giving in to the latter generally means Lots and singles (EXPENSIVE!). (And singles get particularly expensive when each $3 card adds $3 in shipping.)

Ultimately, how you collect comes down to what your budget is and what value you put on the fun. For every collector the answer will be as unique as their fingerprints, but in general I would encourage all collectors to at least consider fun in the equation.

Too often as collectors, we forget about the fun side of the Hobby, worrying instead about whether or not we got a good deal or found the lowest price. In reality though, not knowing who you’re gonna get, getting one of the cards you really wanted, creating your Want List, making up dumb games with your doubles, having a Want List when someone asks you if you have a Want List, trading, checking things off, completing a sheet of nine in your binder, having a set you’re working on…often (and if we’re honest with ourselves…ALWAYS!) these things are more satisfying than actually having the set.

As such, if you pay a little extra to take the fun route, it’s maybe not so dumb after all; it might even be really smart. At the very, very worst, we’ll say it’s a fun dumb, which maybe–just maybe–is the best an adult blowing hard-earned cash on little cardboard baseball men can ever hope for. God knows I’ll take it!

Epilogue

Back to those hundred or so doubles. It’s not normally my thing, but I did manage to sell a small stack of them. More germane to this post, however, is that I found a way to turn them into tons of fun.

A fellow Chicago chapter member is having a baby soon, and he’d told me once he might get into this set. (I didn’t break it to him that he’d soon have zero time for hobbies, sleep, or anything else.) Well, boy did I have a blast printing fake wrappers off the internet and creating 1961 Fleer “repacks” as a dad-to-be gift for him.

Damn I wish I had a color printer!

Of course, now he’s the guy with almost all low numbers, hardly any big stars, and a bunch of doubles, but guess what…

He’s also the King of Fun when it comes to opening packs. Click here to see who he got in his first pack, and I bet you’ll learn something new about every single player!

Spontaneous regeneration

I’ve never been much of a believer in signs or fate. Sometimes, though, happy coincidences can lead to a feeling of slight disbelief and a raised eyebrow. 

Over the past month, there have been a couple of events here in Pittsburgh that I was fortunate enough to attend, They commemorated the centennial of the founding of the Negro National League (NNL). It’s altogether fitting that institutions in the region mark the anniversary, as this area was home to two famous franchises in black (or any color) baseball history; the Pittsburgh Crawfords and Homestead Grays.

A few weeks ago, the mayor and some other folks gave short speeches at the City-County Building at the opening of a temporary Negro League display located there. Then, on Thursday, February 13th (100 years to the day that the NNL was founded), a panel including former Pittsburgh Pirates star Al Oliver and Josh Gibson’s great grandson Sean, spoke at the Heinz History Center about the leagues in general. The discussion was pretty free-form, covering the impact and influence on baseball that the players and owners had, as well as a wide range of other topics. It was here where the card collecting angle comes in to play.

One member of the panel, noted Black Baseball historian Rob Ruck, made mention of 1988, when the Pirates organization officially apologized for their role in baseball segregation. While I’d be loathe to truly praise them for this action (first of all, segregation, secondly, it took 40 years!), the club was one of the earliest, if not the first, to own up to the injustice.

That night’s ballgame included a pennant raising in honor of the 40th anniversary of the Homestead Grays’ 1948 Negro World Series victory.  Ruck mentioned that, also that season (may have been the same night), the Pirates held a card set giveaway. The cards were printed in sheet form and showcased a number of images of famous Negro League characters. Professor Ruck had played a role in the set creation back then, providing info for the backs in the age long before Wikipedia and Ancestry.com were a few clicks or taps away.

Professor Ruck’s mention of the card set reminded me that I was at the giveaway game with my family, because, as I immediately mentioned to my buddy sitting next to me, I fondly remembered having that set. They were somewhere in the mix with my junk wax collection, conciously purged around the time when my parents moved a dozen or so years ago. 

So, two days after the panel event, I visited my parents’ (current) place. No sooner did I walk into the house than my mom mentions, “I was cleaning and found some old cards for you.” As some of you may have foreseen in the amount of time since I finished the first sentence of this paragraph, laid out on the guest room dresser were three sets of 1988, Pirates team issued Negro League cards, uncut and neatly folded. 

Somehow, they weren’t cast out along with my collection. Likely because they were stored elsewhere. My memory is limited, but I’m willing to guess that these belonged to my parents and sister, landing outside of my eight year old reach. Mine were probably systematically separated and made into standard card form. I’m not 100% positive, but they probably disappeared with those thousands of other cardboard sports ephemera of my youth years ago.

Having these appear again is both neat, and a little spooky. It’s as if a passing mention of the set caused the cards to materialize out of thin air. I’m excited to be able to add these into my collection (haven’t checked with the others in my family, but confident they’re not interested). It’s an ‘oddball’ collection of true historical interest, and a great group of early card examples of many of the biggest names that never had the chance to play in the majors.

Also, if anyone is looking for a set…you now know who has two duplicates.