One hundred years after the 1919 World Series, baseball
cards of the players involved in the Black Sox Scandal continue to attract
Beckett Media’s Mike Payne and Andy Broome compiled a
comprehensive list of every baseball card featuring one of the “Eight Men Out”
from their playing careers, ranging from about 1908 to 1920. The list was
printed in the August 2017 issue of Beckett Vintage Collector magazine
and reprinted in the SABR
Black Sox Scandal committee newsletter by permission.
Some of those cards, like Shoeless Joe Jackson’s 1914
Cracker Jack card, regularly sell for hundreds or even thousands of dollars at
online auctions. Others, like Fred McMullin’s only individual card — a 1915
Zeenut made when he was still in the minor leagues with the Los Angeles Angels
— are virtually impossible to find today.
“I still receive a number of requests for Black Sox cards
and material, but I suspect that many of these inquiries are from flippers,”
longtime vintage card dealer and SABR member Mark Macrae told Beckett. “The
highest demand has always been for Jackson. The toughest is McMullin. The most
plentiful, and the player that seems to hang around the longest in stock, is
By virtue of having the longest major-league career, Cicotte has more cards (70) of the 268 in Beckett’s list than any other Black Sox player. His cards range from a 1909 supplemental card published by the Boston Herald to a 1920 D327 card issued in packages of Holsum Bread.
Macrae says one of the most sought-after sets, and one of the least expensive for casual collectors, is the 1919-21 W514 strip card series that included seven of the eight Black Sox (all except McMullin). Beckett offers recommendations with the most “affordable” cards for each player and the W514s fit the bill for Buck Weaver, Happy Felsch, Lefty Williams, and Swede Risberg. For Cicotte, his T205 card issued in 1911 is relatively easy to find and sometimes sells for less than $100. Chick Gandil’s T206 card from 1910 — in the same set as the most valuable baseball card in the world, the iconic Honus Wagner card — is regarded as the Black Sox first baseman’s most affordable card, according to Beckett.
Most Shoeless Joe Jackson cards could hardly be considered
“affordable,” usually selling for anywhere between $1,000 and $500,000. Beckett
also includes a list of “dream” cards for each player, and Jackson’s list
includes two cards from early in his career, a 1909 E90-1 American Caramel card
and a 1910 T210-8 card, plus the well-known 1914 Cracker Jack card.
Beckett’s “dream” cards for the other players include:
Cicotte: 1914 Cracker Jack #94
Felsch: 1916 M101-4
Gandil: 1914 Cracker Jack #39
McMullin: 1917 White Sox Team Issue
Risberg: 1916 Zeenut (Vernon Tigers)
Weaver: 1911 Zeenut (San Francisco Seals)
Williams: 1915 Zeenut (Salt Lake Bees)
The only set that features all eight Black Sox players is the 1917 White Sox “Team Issue” cards, produced by Davis Printing Works in Chicago and sold as a complete boxed set by the team. The cards feature full-length, black-and-white photos of the players on a light background, with the player’s name and position underneath. Only one original set is known to exist, according to the late baseball card historian Bob Lemke, and it was last sold in 2001 for more than $50,000. (A reprint set was issued in 1992 by card dealer Greg Manning, who had bought the original cards a year earlier.)
Many of the cards in Beckett’s list are from the same
M101-4 and M101-5 sets issued in 1916, but they each feature different business
names on the back, from The Sporting News to the Weil Baking Company. Chicago-based
printer Felix Mendelsohn produced these sets of cards and took out an ad in The
Sporting News to sell space on the cardbacks to other businesses. TSN
began offering the cards with their own company information stamped on the back
later that summer. Six of the eight Black Sox (all except McMullin and
Williams) were included in the Mendelsohn card sets.
While a majority of these cards may remain out of reach
for even the most dedicated Black Sox collector, the list compiled by Beckett
should be a useful resource for years to come.
Author’s note: My goal here isn’t to list EVERY set with Traded cards. In many cases, the set I highlight will stand in for similar issues across a number of years, before and after.
1981 Topps Traded
The first Traded set I became aware of as a young collector was in 1981. At the time the main excitement for me was that Fernando Valenzuela finally got an entire Topps card to himself. Of course, as the name suggested, it was also a chance to see players depicted on their new teams, such as this Dave Winfield card portraying him in a Yankees uniform.
Dozens of similar Traded or Update sets followed in the coming years, leaning considerably on the 1981 Topps Traded set as a model. However, 1981 was definitely not the beginning of the Traded card era.
1979 O-Pee-Chee/Burger King
My first encounter with O-Pee-Chee cards was in 1979. While most of the cards in the 1979 O-Pee-Chee set had fronts that–logo aside–looked exactly like their U.S. counterparts, every now and then an O-Pee-Chee required a double-take. Back here in the US, I was not yet familiar with the 1979 Topps Burger King issue, but they took things even a step further.
1979 Topps Bump Wills
Not really a traded card, but here is one that at least might have looked like one to collectors in 1979. Having been a young collector myself that year, I can definitely say Bump and hometown hero Steve Garvey were THE hot cards my friends and I wanted that year.
The most fun Trades cards are ones where the player gets a genuinely new picture in his new uniform like the 1981 Topps Traded Dave Winfield. Next in line behind those are the ones where the team name on the card front changes, such as with the 1979 O-Pee-Chee Pete Rose. Distinctly less exciting but still intriguing are cards were a “Traded line” is added. We will see some sets where such a line makes the front of the card, but much more often we’ll see it as part of the small print on the back.
Here is Buddy Bell’s card from the 1979 set.
And here is Ken Reitz from the 1977 set.
In case it’s a tough read for your eyes, the second version of the Reitz back, at the very end of the bio, reads, “St. Louis brought Ken back in a trade.” The Bell card has a similar statement. Admittedly these cards are a bit bizarre in that the card backs already have the players on their new teams, even in the initial release. Because of that, one could make an argument that the second versions are less Traded cards than “updated bio” cards, but let’s not split hairs. However, you slice it two Reitz don’t make a wrong!
Similar cards can be found in the 1974, 1975, and 1976 Kellogg’s sets as well.
Not really a Traded card but a great opportunity to feature a rare 1977 proof card of Reggie Jackson as an Oriole, alongside his Topps and Burger King cards of the same year.
1976 Topps Traded
This set features my favorite design ever in terms of highlighting the change of teams. Unlike the 1981 Topps Traded set, these cards were available in packs and are considered no more scarce than the standard cards from the 1976 Topps set. While the traded cards feature only a single Hall of Famer, this subset did give us one of the classic baseball cards of all time.
Side note: Along with Ernie Banks, Billy Williams, Lou Brock, Lee Smith, and Joe Carter, Oscar Gamble was “discovered” by the great John Jordan “Buck” O’Neil. Well done, Buck!
1975 Topps Hank Aaron
Collectors in 1975 were rewarded with two cards of the Home Run King, bookending the classic set as cards #1 and #660. Aaron’s base card depicts the Hammer as a Brewer, the team he would spend his 1975 and 1976 seasons with. Meanwhile, his ’74 Highlights (and NL All-Star) card thankfully portrays Aaron as a Brave.
1974 Topps – Washington, National League
The National League’s newest team, the San Diego Padres, wasn’t exactly making bank for ownership in San Diego, and it looked like practically a done deal that they would be moving to D.C. for the 1974 season. As the cardboard of record at the time, Topps was all over the expected move and made sure to reflect it on their initial printings of the 1974 set. Because there was no team name yet for the D.C. franchise-to-be, Topps simply went with “Nat’l Lea.” (Click here for a recent SABR Baseball Cards article on the subject.)
Of course these San Diego/Washington cards aren’t true Traded cards, but that’s not to say there weren’t any in the 1974 Topps set.
1974 Topps Traded
This subset may have been the most direct precursor of the 1981 Topps Traded set. While cards from later printings were randomly inserted in packs, the subset could be purchased in full, assuming you threw down your $6 or so for the ENTIRE 1974 Topps factory set, traded cards included, available exclusively through J.C. Penney.
The Traded design is a bit of an eyesore, and the subset includes only two Hall of Famers, Marichal and Santo. For a bit more star power, we only need to look two years earlier.
1972 Topps Traded
As part of the high number series in 1972, Topps included seven cards to capture what the card backs described as “Baseball’s Biggest Trades.”
The star power is immense, though some collectors see this subset more as a case of what might have been. One of the seven trades featured was Nolan Ryan-for-Jim Fregosi. However, as the bigger name at the time, Topps put Fregosi rather than Ryan on the card.
Net54 member JollyElm also reminded me about another big miss from Topps here. Yes, of course I’m talking about the Charlie Williams trade that had the San Francisco Giants already making big plans for October. “Charlie who?” you ask. Fair enough. Perhaps you’re more familiar with the player the Giants gave up for Williams.
This next example is not a Traded card, but it is one of the most unique Update cards in hobby history. RIP to the Quiet Man, the Miracle Worker…the legendary Gil Hodges.
You might wonder if OPC gave its 1973 Clemente card a similar treatment. Nope. And if you’re wondering what other cards noted their subject’s recent demise, there’s a SABR blog post for that!
Though the first Topps/O-Pee-Chee baseball card partnership came in 1965, the 1971 O-Pee-Chee set was the first to feature Traded cards. (The 1971 set also includes two different Rusty Staub cards, which was something I just learned in my research for this article.) My article on the Black Aces is where I first stumbled across this 1971 Al Downing card.
Where the 1972 OPC Hodges and 1979 OPC Rose cards were precise about dates, this one just goes with “Recently…” Of course this was not just any trade. Three years later, still with the Dodgers, Downing would find himself participating in one of the greatest moments in baseball history.
At first glance, these two cards appear to be a case of the Bump Wills error, only a decade earlier. After all, Donn Clendenon never played a single game with the Houston Astros, so why would he have a card with them? However, this is no Bump Wills error. There is in fact a remarkable story here, echoing a mix of Jackie Robinson and Curt Flood. I’ll offer a short version of it below the cards.
Donn Clendenon played out the 1968 season with the Pittsburgh Pirates, which explains his uniform (sans airbrush) in the photos. However, at season’s end he was selected by the Expos in baseball’s expansion draft. Still, that was a good six months before these cards hit the shelves so there was time for a plot twist.
Three months after becoming an Expo, Montreal traded Clendenon, along with Jesus Alou, to the Astros for Rusty Staub. Based on the trade, Topps skipped Montreal altogether and led off their 1969 offering with Clendenon as an Astro. But alas, Clendenon refused to report to Houston, where several black players had experienced racism on the part of the team’s manager, instead threatening to retire and take a job with pen manufacturer Scripto. Ultimately the trade was reworked, Clendenon was able to remain an Expo, and he even got a raise and a new Topps card for his trouble.
Thanks to Net54 member JollyElm for providing information on this set and providing the occasion to feature Bob Uecker to boot. While the card fronts in these years gave no hints of being traded cards the backs indicated team changes in later printings. Here is an example from each year. In 1966, the only change is an added line at the end of the bio whereas 1967 has not only the added bio line but also update the team name just under the player name area.
Note that the corresponding OPC card backs follow the later (traded) versions of the Topps cards.
Topps League Leaders – 1960s and beyond
In August 2018 Net54 member Gr8Beldini posted a particularly devious trivia question. The subject was players whose Topps League Leaders cards depicted them on different teams than their base cards in the same set.
These 1966 Frank Robinson cards are among 11 instances where this occurred in the 1960s and 70s. If you can name the other 10, all I can say is you REALLY know your baseball cards!
1961-1963 Post Cereal
We’ll start with the 1962 and 1963 issues, which feature the now familiar Traded lines. Note however that there were no prior versions of these same cards minus the Traded line. Roberts is from the 1962 set, and McDaniel is from the 1963 set.
Post mixes it up a bit more in 1961 in that there were numerous variations between cereal box versions of the cards and mail-in order versions. The Billy Martin cereal box version (left) lacks a Traded line, but the mail-in version (right) indicates Martin was sold to Milwaukee in 1960.
BTW, thank you to Net54 member Skil55voy for pointing me to the Post Cereal variations.
Thanks to Net54 member RobDerhak for this example, which follows (really, precedes) the examples from 1966-67 Topps. Note the last line of the bio on the second card back: “Traded to Washington in March 1959.” (You might also enjoy an unrelated UER on both backs. See if you can find it!)
1956 Big League Star Statues
A tip of the hat to Net54 member JLange who took us off the cardboard and into the a fantastic set of early statues, possible inspirations for the Hartland figures that would soon follow and an early ancestor of Starting Lineup. Doby’s original packaging puts him with his 1955 club (CLE), but later packaging shows his 1956 club (CHW).
You know those Traded lines that O-Pee-Chee seemed to invent in the 1970s, at least until we saw them from Topps on the card backs of their 1967, 1966, and 1959 sets? Well, guess who the real inventor was?
Bowman’s Traded line didn’t make its debut in the 1955 set, however. Here is the same thing happening with their 1954 issue.
Is this the first set to add a “traded line” to the front or back of a card? As it turns out, no. But before showing you the answer, we’ll take a quick detour to another early 1950s issue that included team variants.
1954 Red Man
George Kell began the 1954 season with the Red Sox but moved to the White Sox early in the season. As a result, Kell has two different cards in the 1954 Red Man set. There is no “traded line,” but the Red Man artists did a reasonably nice job updating Kell’s uniform, and the team name is also updated in the card’s header information.
Red Man followed the same approach in moving outfielder Sam Mele from the Orioles to the White Sox. Meanwhile, Dave Philley, who changed teams prior to the start of the season, enjoyed those same updates and a traded line.
1951 Topps Red Backs
Notice anything different about these two Gus Zernial cards?
Yep, not only does the Chicago “C” disappear off his cap, but the bio on the second card begins, “Traded to the Philadelphia A’s this year.” So there you have it. At least as far as Topps vs. Bowman goes, Topps was the first to bring us the Traded line. And unlike so many of the examples we’ve seen from 1954-1967, it’s even on the front of the card!
1947-1966 Exhibit Supply Company
If there’s anything certain about issuing a set over 20 years is that some players are going to change teams. As such, many of these players have cards showing them playing for than one team (or in the case of Brooklyn/L.A. Dodgers more than one city.) Take the case of Harvey Kuenn, who played with the Tigers from 1952-1959, spent 1960 in Cleveland, and then headed west to San Francisco in 1961.
The plain-capping approach used in the middle card might lead you to believe that the Exhibits card staff lacked the airbrushing technology made famous by Topps or the artistic wizardry you’ll soon see with the 1933 Eclipse Import set. However, their treatment of Alvin Dark’s journey from the Boston Braves (1946-1949) to the New York Giants (1950-1956) actually reveals some serious talent. (See how many differences you can spot; I get five.) I almost wish they just went with it for his Cubs (1958-1959) card instead of using a brand new shot, which somehow looks more fake to me than his Giants card.
1948 Blue Tint
In researching my Jackie Robinson post, I came across this set of cards from 1948. Among the variations in the set are the two cards of Leo the Lip, who began the year piloting the Dodgers but finished the year with their National League rivals. No need to take another picture, Leo, we’ll just black out the hat!
And if you’re wondering how many other players/managers appeared as Dodgers and Giants in the same set, we’ve got you covered!
1934-36 Diamond Stars
We’re going way back in time now to capture a Traded card sufficiently under the radar that even Trading Card Database doesn’t yet list it. (UPDATE: It does now, but PSA does not!) Its relative obscurity might lead you to believe it’s a common player, but in fact it’s Hall of Famer Al Simmons.
After three years with the Chicago White Sox, Bucketfoot Al joined the Detroit Tigers for the 1936 season. As a set that spanned three years, Diamond Stars was able to update its Simmons card to reflect the change. The cards appear similar if not identical at first glance. However, the Tigers card omits the Sox logo on Al’s jersey, and the card reverse updates Al’s team as well.
Another Hall of Famer with a similar treatment in the set is Heinie Manush. Some collectors are familiar with his “W on sleeve” and “no W on sleeve” variations. These in fact reflect his move from the Senators to the Red Sox. This set has so many team variations, most of which are beneath the radar of most collectors, that I wrote a whole article on the subject for my personal blog.
The 1933 Goudey set included some late-season releases, including a tenth series of 24 cards that included key players from the 1933 World Series. Even the most casual collectors know the Goudey set included more than one card of certain players–most notably four of the Bambino. What not all collectors realize is that the set includes a Traded card.
Hitting great Lefty O’Doul was originally depicted as a Brooklyn Dodger, the team he played with until mid-June of the 1933 season. However, when the final release of trading cards came out, Lefty had a new card with the World Champion New York Giants.
Of course, if Lefty’s .349 lifetime average isn’t high enough for you, there is an even better hitter with a traded card in the set. His move from the Cards to the Browns on July 26 prompted a brand new card highlighting not only his new team but his new “position” as well.
1933 Eclipse Import
Another hat tip to Net54 member JLange who offered up a set not even listed yet in the Trading Card Database. Also known as R337, this 24-card set may be where you’ll find one of the most unusual Babe Ruth cards as well as this priceless update. Not technically a Traded card since the player is with Cleveland on both cards (and was with the Tribe continuously from 1923 until midway through the 1935 season), but…well, first take a look for yourself, and then meet me on the other side!
Yes, that is the Philly mascot on Myatt’s uniform. After all, he played for Connie Mack’s squad back in…wait for it…1921! But no problem. Let’s just find someone with pretty neat handwriting to scribble Cleveland across the uni on our next go-round. Problem solved!
My thanks to Net54 member Peter_Spaeth (whose worst card is 100x better than my best card!) for tipping me off to this set and allowing me to use his card of Old Pete. In a move that perhaps inspired future O-Pee-Chee sets, here is Grover Alexander, Cubs uniform and all, on the St. Louis Cardinals.
Other HOFers with mismatched teams and uniforms are Ty Cobb, Rogers Hornsby, and Tris Speaker. In case you haven’t guessed it already, if you want to see a ton of star power on a single checklist, you owe it to yourself to take a look at the HOFers in this set.
1914-1915 Cracker Jack
If you view the 1914 and 1915 Cracker Jack sets as two different sets (that happen to have a gigantic number of nearly identical cards), then there are no Traded cards. However, if you view the two releases as a single set, then there are numerous Traded cards. Among the players to appear on two different teams, the biggest star is unquestionably Nap Lajoie. who appears in 1914 with his namesake Cleveland Naps and in 1915 with the Philadelphia Athletics. In addition to the change in the team name at the bottom of the card, you can also see that “Cleveland” has been erased from his jersey.
Another notable jumper in this set is HOF pitcher Eddie Plank who has his 1914 card with the Philadelphia Athletics and his 1915 card with the St. Louis Terriers of the Federal League.
I will take any excuse to include cards from this set in a post, so I was thrilled when Net54 member Gonzo alerted me to the team variations in this set. Here are two players who were traded from the Boston Rustlers (who?) to the Chicago Cubs. David Shean went packing on February 25, 1911, and George “Peaches” Graham made his move a few months later on June 10.
Gonzo also notes that many of the images from the 1911 T205 set were reused, uniforms and all, for the 1914 T330-2 Piedmont Art Stamps set. (I will freely admit to never having heard of this issue.) One HOF jumper is double-play man Johnny Evers, whose picture has him on the Cubs but card has him on the Braves. There are also several players attached to Federal League teams though their images still show their NL/AL uniforms.
1911 S74 Silks
It was once again Net54 member Gonzo for the win with this great find! On the other end of the aforementioned “Peaches” Graham trade was Johnny Kling, depicted here in his Cubs uniform while his card sports the Boston Rustlers name and insignia.
Another multi-year set, the Monster includes a handful of team change variations. The Bill Dahlen card on the left shows Dahlen with his 1909 team, the Boston Braves. Though he would only play four games total over his final two seasons in 1910 and 1911, the cardmakers at the American Tobacco Company saw fit to update his card to show his new team, the Brooklyn Dodgers.
1887-90 Old Judge
If T206 isn’t old enough for you, then let’s go even farther back to the juggernaut of 19th century baseball card sets, N172, more commonly known as Old Judge. According to Trading Card Database, Hall of Fame pitcher Amos Rusie has cards with both the Indianapolis Hoosiers (1887) and the New York Giants (1889-90). I was unable to find what felt like a real NYG card of Rusie, but I did find one where a strip of paper reading “New York” had been glued over the area of the card that had previously said “Indianapolis.” My immediate thought was that a collector was the culprit behind this cut-and-paste job. But how funny would it be if this is how the Old Judge cardmakers did updates back then!
When I first stumbled across Traded cards, it was love at first sight. What a thrill to end up with two cards of a top star, and what better way to turn a common player into a conversation starter. To the extent baseball cards tell a story and document the game’s history, Traded cards hold a special role. Unfortunately, these cards have a dark side as well. At least in 1983 they did. If you ever doubted that 8 3/4 square inches of cardboard could rip a kid’s heart out, stomp it to bits, and then spit all over it, well…here you go.
I’m not shy about proclaiming National Chicle’s 1934-36 Diamond Stars as one of my favorite sets ever. The set’s bright colors and period backgrounds seem to hint at the Golden Age of comics just on the horizon (1938-1956), and the set is loaded with action in contrast to the more austere (mostly) portrait-centered design of its 1934 Goudey competition.
Much of the action was posed and, stylistic backgrounds aside, would fit right in with the Topps sets of 1957, 1967, or even 1977: baseball players pretending to do baseball things on baseball fields.
Other cards, however, took the action a step further and put the players right into the game.
Other cards fell short of in-game action but still managed to have interesting things going on in the background. (Click here for a fun Twitter thread on the Medwick card in particular.)
And who says there’s no Lou Gehrig in the Diamond Stars set? Who’s that handsome fellow holding a bat behind the Crow?
And come to think of it, even the guy in the dugout looks familiar!😊
Unfortunately, a funny thing happens when you submit the Diamond Star cameos to a full background check. You come up empty!
Some readers may remember an earlier post that matched the 1933-34 Goudey cards with Charles Conlon source images. Such a massive undertaking was too ambitious for the couple hours I had today, but I did manage to compare 1934-36 Diamond Stars against the 65 premiums that make up the 1934 Butterfinger (R310) set.
I chose the Butterfinger set for three reasons:
The premiums used photographs, including authentic backgrounds.
The set was contemporary with Diamond Stars, hence included many of the same players.
The Butterfinger photos had known overlap with other card sets of the era. Here are other uses of the Dizzy Dean photo, for example.
Overall, the 108-card Diamond Stars set (of 96 different players) had 31 players in common with 1934 Butterfinger. Of these 31, there were 9 positive image matches and one other I’ll put in the “maybe but probably not” category.
The Diamond Stars Blondy Ryan features what I imagine to be a hustling outfielder, charging in to back up the play. However, “imagine” is the key word here because really there’s noboby there!
Next up is Gus Suhr, who makes the grab at first base several steps ahead of the…wait a minute…I swear there was a runner there!
Next up is Jim Bottomley, throwing a ball around while imaginary teammates check out the bat selection.
The good news on this one is that Joe Vosmik didn’t really take such a half-hearted hack at a real pitch. He’s just smiling (okay, maybe not) for the camera.
Our next batter is Master Melvin, whose Diamond Stars card is actually quite faithful to the photo. (The same Ott image makes an appearance 0n one of his two 1933 Goudey cards as well.)
Ditto for Oscar Melillo, whose card transforms rather drab stadium scene into a vibrant cityscape but otherwise introduces no false action.
While many collectors prefer the purity of black and white photography over bright cartoons, the Butterfinger card of Paul Waner may pose a challenge to their orthodoxy. I can almost picture the scene on the field: “Hurry, take his picture before the elevator doors close!”
It’s fair to say Diamond Stars really made the most of what they had to work with here. (I’m not suggesting Diamond Stars used the Butterfingers as their source, but I am assuming the source photo for Waner is the tightly cropped image we see in the Butterfinger.) As a side note, I believe Waner’s is the only Diamond Stars card to show a uniform number for a cameo player, offering us the rare chance to see who it is! Let’s see, let’s see…#28 on the Pirates in the early 1930s was…nobody!
One of the more exciting matches in the sets is Yankees ace, Red Ruffing, who appears to be joined by Hall of Fame second baseman Tony Lazzeri. As you might have guessed though, it’s nobody at all.
At first glance you may wonder why I am calling this one a match. In truth, I almost missed it myself.
But take a look. All I did was adjust the size–not even any rotation required.
CLOSE BUT NO CIGAR…
The images of General Crowder from Diamond Stars and Butterfinger bear a strong resemblance, but there are hints that the Diamond Stars comes from a different photo. I’ll leave the clues for you to find unless anyone asks me in the Comments.
Upon review it is evident that the Diamond Stars artists simply improvised backgrounds, either to make cards more interesting or to give the illusion of game action. That said, this gimmick was hardly invented at National Chicle, as demonstrated by this 1933 Goudey card of Jimmy Dykes where the action is magically transported from outside the dugout to the batter’s box.
So no, Diamond Stars hardly invented the illusion of game action. However, seeing as the Goudey image has neither catcher nor umpire, I do think Diamond Stars improved considerably on the work of their main competitor, if not perfected the mirage. (Just don’t ask yourself how Lopez had time to toss his mask off in the tenth of a second it took the ball to spring off the bat.)
And besides, who hasn’t failed the occasional background check? It’s not like our national security is at stake here. Or is it? 😉
Author’s note: I originally planned this article in two parts, the first of which was published earlier in the week. I’ve since decided it works better combined into a single article, so here it is all in once place. – J.A.S.
In the nearly 120 years of the great Dodger-Giant rivalry, more than 200 players have suited up for both sides, either as a player or manager, including 22 Hall of Famers. For most of these men it is an easy undertaking to find cards of them as Dodgers and as Giants.
Most often their Dodger and Giant cards come from different years or different sets, as in the case of the two Frank Robinson cards pictured, eleven years apart. However, it is sometimes possible to find these Dodger-Giant pairings within a single set.
When this happens, the player (or manager) achieves true “double agent” status, turns from hero to villain (or vice versa) among the team faithful, earns the double-takes of many a collector, and most importantly attains immortality with a spot in this article.
In the sections that follow, I will present a chronological list of the nearly two dozen Dodger-Giant double agents I could track down in my research. Please let me know in the comments if I missed anyone.
On December 12, 1903, the Brooklyn Superbas sent Bill Dahlen to New York for Charlie Babb and Jack Cronin. As a result, Dahlen can be found with both squads in the 1903-04 Breisch-Williams (E107) set and has the honor of being the first ever Dodger-Giant double agent.
Here is one that really doesn’t count but is interesting enough to include nonetheless. On August 31, 1915, the Brooklyn Robins claimed Hall of Fame hurler Rube Marquard off waivers following his release by the Giants. Look close, however, and you’ll see Marquard’s 1915 card puts him with the other Brooklyn team, the Tip Tops of the Federal League!
I originally thought the fine folks at Cracker Jack had simply erred until Ralph Carhart helped explain things.
As Ralph noted, Rube’s “Tip Top flip flop” may offer us a clue to the Cracker Jack production calendar. I’ll further offer that the NYG still on Marquard’s uniform could signal that “the drama was playing out” after it was too late to change art but not too late to change type.
On June 16, 1933, the Giants traded Sam Leslie to the Dodgers for Watty Clark and Lefty O’Doul. Clark had only a single 1933 Goudey card, which depicted him as a Dodger, while Leslie had no 1933 cards at all. O’Doul, on the other hand, had two cards in the Goudey set: one as a Dodger and one as a Giant.
The first card came early in the year as part of the set’s third sheet while his second card, along with those of numerous other Giants and Senators, was something of a bonus card as part of the set’s World Series (sheet 10) release.
In July 1948 Brooklyn general manager Branch Rickey and New York owner Horace Stoneham came to an agreement that allowed Brooklyn manager Leo Durocher to take over the Giants. The 1948 R346 “Blue Tint” set noted the update and may well have inspired future Topps airbrushers with its treatment of Durocher’s cap.
A part of my childhood was destroyed when Reggie Smith left the Dodgers and signed as a free agent with San Francisco on February 27, 1982. A giant (okay, pun intended) setback in my grieving process came when Topps pushed out its Traded set for the year and documented the move in cardboard. But alas, at least we still had Dusty!
As a side note, the Traded card presents an interesting blend of numbers for the man who formerly wore #8 with the Dodgers and would wear #14 with the Giants. His jersey shows him as #60 while his bat has a 30 on it, which I take to mean it belonged to teammate Chili Davis.
No-o-o-o-o-o-o-o! They got Dusty too?! Sadly it was no April Fools joke when the Giants signed fan favorite Dusty Baker as a free agent on April 1, 1984, and this two Traded/Update sets were there to ratify the trauma.
A rare trade between the Dodgers and Giants on December 11, 1985 produced two more double agents. The first was fan favorite Candy Maldonado, who like Baker before him made both the Topps and Fleer sets.
And on the back end of that same trade…
Oddly, neither Trevino nor Maldonado cracked the 660-card 1986 Donruss checklist despite the set including 21 different Giants and 24 different Dodgers. In Trevino’s case, he was San Francisco’s primary back-up catcher behind Bob Brenley played in 57 games. As for Maldonado, he played in 123 games, leading all reserve players and ranking eighth overall on the team.
Fast forward to 1991 and the number of baseball card sets had reached absurd levels. Therefore, it should be no surprise that when free agent superstar Gary Carter signed with the Dodgers on March 26, 1991, he would set new records for cardboard double agency.
First here’s Topps.
Next up are the Kid’s two Fleer cards. Warning: Sunglasses may be required.
Upper Deck was of course also in the act by now.
And finally, Score put out two Carter cards as well, ridiculously similar to each other to the point of almost seeming impossible.
A similar octet of cards belonged to Brett Butler this same year, with Bugsy landing in Los Angeles via free agency on December 14, 1990.
Dave Anderson signed with the Dodgers as a free agent on January 28, 1992, but this time only one company, Score, seemed to take notice.
It was Fleer and only Fleer on the job when Todd Benzinger headed north to San Francisco as a free agent on January 13, 1993.
Meanwhile, Cory Snyder got three times the cardboard love when he took his talents to L.A. on December 5, 1992. Score Select was particularly ambitious, dropping Snyder out of an airplane for their photo shoot.
On June 19, 1994, following his release from the Dodgers, the Giants signed Darryl Strawberry to a cup of coffee. Little used by both teams in 1994, Darryl hit double agent status with only a single cardmaker, Fleer.
On December 8, 1997, infielder Jose Vizcaino signed with the Dodgers as a free agent after playing the regular season with the Giants. However, the baseball card production process was by this time so fast that nearly all of Vizcaino’s base cards already had him as a Dodger. As a result, his double agency was limited to the 1998 Fleer Tradition set only.
On January 11, 2000, F.P. Santangelo signed with the Dodgers as a free agent. While very few companies even had a single card of the oft abbreviated Frank-Paul, Upper Deck came through with cards on both sides of the cardboard rivalry.
The Giants signed Gold Glove centerfielder Marquis Grissom as a free agency on December 7, 2002, leading to a pair of Fleer Tradition cards based on Fleer’s sharp 1963 design.
Curiously, the Fleer Tradition Update cards (not just Grissom’s) omitted the city from team names. If there’s any story to it, let me know in the comments.
On January 3, 2006, pitcher Brett Tomko signed a free agent deal with the Dodgers. If nothing else, the move gave Topps a chance to show off how far they’d come since their drunken airbrush days. Scary good if you ask me.
Tomko’s Dodger card above came from a Dodger-specific team set, but he also earned a card in the Topps Updates and Highlights set for good measure.
When the Dodgers signed all-star right-hander Jason Schmidt on December 6, 2006, no two companies went the same route. First up, Fleer simply turned back the clock to the days of 1981 Donruss.
Meanwhile Topps ventured back to 1983 and the Fleer Joel Youngblood card or Eddie Murphy movie with this special insert…
…while also going full Tomko across their Pepsi and Opening Day releases.
Upper Deck came through with a nice pair of landscape Schmidt cards, though neither is a true Giants card since both go with Dodgers in the header.
Would I be remiss if I didn’t report that the first of the two Schmidt cards is also available in Gold, Predictor Green, and First Edition? Take your pick I guess!
Brad Penny signed as a free agent with the Giants on August 31, 2009, following half a season with the Red Sox and a longer stint before that with L.A. This landed Penny cards on three teams in 2009, including double agent status with Topps Heritage.
The final player (as of 2019) with a Dodger and Giant card from the same set is Brian Wilson, who signed as a free agent with the Dodgers mid-season on July 30, 2013. Lucky for you, Topps was there to document the before and after in pretty much every possible color!
On one hand, Dodger-Giant double agents reflect an oddball phenomenon of at best passing interest to fans of either of the two teams. However, their distinctly non-random occurrences over the years also point to important changes in the game and the hobby.
Just looking at the graph, it is possible to see all of the following:
Prevalence of multi-year issues in the early days of the hobby
Increased player movement with the advent of free agency
Introduction of Traded/Update sets
Increase in the number of companies issuing sets (1981-2008)
Reduction in the number of companies issuing sets (2009-present)
I will leave it to others to identify the cardboard double-agents of baseball’s other great rivalries (e.g., Yankees-Red Sox), but I’ll hazard a guess already that a graph of the data would look very much like mine.
Listen: Ichiro is the Guy Montag of George Sisler.
Like many students, I read Ray Bradbury’s dystopian classic, Fahrenheit 451, in middle school. Several of its ideas stuck with me for years afterward and I picked up a personal copy not long ago, to keep them fresh.
Near its climax, protagonist Guy Montag joins a clan of exiles who protect the written word from state-organized destruction. They memorize whole manuscripts as hedge against an American society locked in fiery struggle against its own texts. Guy’s recall of a portion of the Old Testament book of Ecclesiastes becomes his torch to carry.
Whatever your religious background, many SABR readers also know some Ecclesiastes, thanks to Pete Seeger’s adaptation of its third chapter into the 1960s folk-rock hit “Turn! Turn! Turn! (To Everything There is a Season),” intersecting with antiwar themes from Bradbury’s 1953 novel.
This cultureball matters to me now because of the link between Ichiro, one of our greatest 21st century players, and George Sisler, his parallel from a century ago.
I used to know just table scraps about the onomatopoeically “hot” Sisler. I rememberlots of other stuff, like how Dave Philley spent three years as a Phillie (1958-60) and Johnny Podres finished his career with the Padres (1969). Yet…diddly about “the greatest player in St. Louis Browns history.”
Sisler retired in 1930, explaining why I find him so unfindable. Despite writing about cards for years at the Number 5 Type Collection, almost all of my card research follows Goudey Gum’s 1933 baseball debut, making earlier players a crapshoot. Even my deep dive into a trivial question, “Who’s E.T. Cox and why’d he appear on a card in 1927?” stands out for what didn’t happen, not what did.
I give Ichiro full marks for breaking an 84-year-old record when he notched 262 hits in 2004. Yet hitting isn’t their sole connection. Let’s catch up with George, circa 1920.
Kids could buy this artful W514, trimmed from a strip of five, out of arcade vending machines during Sisler’s mammoth performance for an otherwise fair-t0-middling 1920 Browns squad.
.407 average, 1.082 OPS, 182 OPS+
MLB record-setting 257 hits, in 154 game era
49 doubles, 18 triples, 19 homers, 42 SB
Zero other seasons in MLB history include that balance of speed and power. None! Ichiro came close as a base runner, stealing 40+ bases five times, turning ground ball singles into scoring threats. As frosting to his power cake, George Sisler led the AL in steals four times.
Even if you drop stolen bases as criteria, just one other season in history, Lou Gehrig’s 1927, includes at least 49 doubles, 18 triples, and 19 homers. The Iron Horse, of course, enjoyed Murderers’ Row as “protection” for his spot in the lineup. St. Louis, however, depended on George’s stealing prowess just to get more guys in scoring position.
While pitching had moved to his back burner by 1920, George nonetheless closed out St. Louis’s final game on October 3 from the hill (box score), perhaps to help home fans enjoy one last bit of that remarkable year. Although he notched a .420 average two years later, OPS+ rates 1920 “better,” as Sisler hit fewer homers in 1922 (career stats).
Two of Sisler’s sons, Dick and Dave, went on to their own baseball careers. The former intersected with Ichiro’s future home as 1960 manager of the Pacific Coast League’s Seattle Rainiers.
While we’re visiting the past, let’s pretend we’re 12 years old again and snicker at how Dick Sisler appears on a Skinless Wiener trading card. (Players came one to a package.) Cross your legs and fire up the grill!
When Ichiro’s torrid pace projected to break the hits record in 2004, he also connected with still-living Dave Sisler, who enjoyed renewed interest in George’s past achievements and some of the Sisler family traveled to Seattle to see Ichiro break the record in person. (Topps mentioned that moment on Ichiro’s Season Highlights card.)
While I’m not surprised a guy with 3089 hits proved a student of hitting, it stands out that he’s a student of Sisler. Should this whole Internet thing burn to the ground, echoing the fiery urban chaos of Fahrenheit 451, I bet Ichiro can teach us plenty about George’s tools and talent.
A few months ago I attended the Frederick Ivor-Campbell 19th Century Conference at the Baseball Hall of Fame. The Fred is my favorite of all of the SABR conferences because of the intimacy, the subject, the location and the camaraderie. One of the presentations that weekend was entitled “The Birth of Baseball Cards.” The panel was moderated by MLB historian John Thorn and featured the SABR Baseball Card blog’s very own Jeff Katz, Hall of Fame curator Tom Shieber and author Peter Devereuax. Devereaux’s book, Game Faces, is an inside look at many of the early baseball cards that constitute the Benjamin K. Edwards Collection at the Library of Congress and served as a jumping off point for the panel. Game Faces should be on the reading list of everyone in this group.
Over the course of the panel the question was brought up of just what it is that defines a “card.” It is a question that is often addressed in the hobby; has, in fact, been addressed in this blog by Mr. Katz. It is also a question with no definitive answers, although Shieber, who was one of the driving forces behind the Hall’s new permanent baseball card exhibit entitled “Shoebox Treasures,” listed a few personal criteria. To be clear, Tom does not espouse to be the final voice on this subject, but much of what he said rang true to me. To him, the item in question should be: intended as a collectible, part of a set, directly related to baseball, and there should be a “cardyness” about it. That last one is admittedly vague, though for most of the folks reading this, the idea is likely akin to the old adage coined by Supreme Court Justice Potter Stewart about pornography. We know it when we see it.
This panel was the highlight of the weekend for me, not just
because it was dedicated to one of my favorite subjects, but more so because I
have wrestled recently with this very question. As I mentioned in my last post,
in my quest to complete a collection of the rookie cards of every Cuban who has
appeared in a major league game, I have had to stretch certain
standardly-accepted definitions, beginning with the idea of a what constitutes a
“rookie card.” In the interest of finding at least one card for every player, I
have had to not only step outside of some of the accepted definitions within
the hobby, but I have been confronted numerous times with the issue of whether
or not an item I am looking at even counts as a “card.”
Such is the case with the 1943 set issued by the Havana-based, cracker, candy and chocolate manufacturer, La Ambrosia. As with major league baseball, the arrival of World War II created a vacuum of talent in the Cuban professional league. The league had already been struggling financially since the political upheaval of the overthrow of President Gerardo Machado, in the early 1930s. When the war began, it stemmed the flow of top-tier American talent, the quality of play suffered, and the league found itself at a low point. The silver lining of this nadir was the maturation of the Cuban amateur leagues.
With no minor league system in place, Cuban clubs would find
their promising young talent on the sugarmill teams that dotted the countryside.
Similar to the American company teams that would produce exciting local
baseball that filled the void before the advent of radio and television broadcasts,
the sugarmill teams were a loose collection of business-based semi-pro clubs.
One of those clubs was sponsored by La Ambrosia, and would feature the likes of
such luminaries as future Cuban batting champ Claro Duany and Orestes “Minnie”
The candy giant capitalized on their sponsorship of the club by publishing a set of 240 images that were released as “stamps.” Collectors were encouraged to get all of the stamps and then stick them inside an album, similar to the more ubiquitous Cuban release issued by Caramelo Deportivo during the 1945/46 and 1946/47 seasons. Printed on thin paper that most closely resembles magazine stock, the La Ambrosia stamps featured the largest single published collection of Cuban amateurs that I have found.
Unlike the Deportivos, in which the images are black and white and often grainy, the La Ambrosias are in color. They have the distinctive look of the tones being both vibrant and muted, as though the photos had been tinted with watercolors. The images look especially bright when mounted on the yellowed pages of their original album. It is those albums which resulted in the Deportivos and the La Ambrosias sharing another unfortunate trait. There are few remaining of either issue that do not have serious flaws, including backs that were damaged by adhesives.
For many, including the auction houses that sell these sets, the descriptions of these issues have evolved from “stamps” to “cards.” They certainly fit with Shieber’s first three criteria. But what about “cardyness?” They are not published on what we think of as a card stock. But does that matter? What is that quintessential piece that makes a card a card? Does an item need ALL of Shieber’s (self-proclaimed arbitrary) criteria? Are three sufficient? What about two? Or one?
The “cards” I have included in the collection for the Aragóns, Ángel and his son Jack, are a perfect example of this latter question. Their short major league careers, as well as the fact that they played during war years (Ángel appeared in 32 games with the Yankees during World War I and Jack’s lone major league appearance was in 1941), led to neither of them having what would be thought of, traditionally, as a card. I have not even had any luck by expanding my search to include cards that portray them in foreign leagues, although Jack’s extensive minor league career gives me hope that I may discover him in an obscure set someday. At the moment, though, they just don’t seem to exist.
However, while trolling through ebay, I came across a seller
who was offering images of both Ángel and Jack. He had come into possession of
a number of old periodicals, including a 1914 Spalding Guide and a 1949
publication called, “Historia del Base Ball Profesional de Cuba,” written by
Raul Diez Muro. The seller, scissors in hand, cut up both periodicals into a series
of head shots for the players that appeared in the two collections. The Spalding
Guide offered a number of publicity photos of minor league players, including Ángel.
Jack appeared in the book by Muro.
I have decided to include these hand cut bits of newsprint in lieu of “cards” because there aren’t any other options for these players and they do have the advantage of originally being printed concurrent with the player’s career. They pass virtually none of Shieber’s criteria. While the publications themselves could be considered collectible, they certainly became less desirable after the scissors were taken to them. The subjects are definitely baseball related, but they are not part of an intended set, nor do they feel very “cardy” to me. I have blurred the line considerably in the interest of completing my checklist.
I am now at the point where I need to decide if, since I have expanded my definitions for the Aragóns, do I do the same with the remaining Cubans who were never issued a card? Are pictures cut from newspapers enough to check that box, especially if I hold true to the criteria of the images being published during their careers? I know it’s my set, and I can do with it as I damn well please, but I’m not a fan of cheating. I suppose the best answer would be for me to wait to make a similar discovery of a player who is cardless, and decide when I see the actual item. Because, like Stewart’s porn, I believe I’ll know it when I see it.
Author’s note: I thought some of you might be interested in seeing the collection as it develops. I have created a flickr album that you can access here. The cards appear in the album not by the year in which they were issued, but rather in the order in which the player made their major league debut. Thus, even though the card for Esteban Bellán wasn’t produced until 2014, he is the first one in the set.
When I first traveled to Cuba in 2015, I had hoped to bring home some cards of the stars I would be seeing while I was on my baseball tour. Still naive about the differences between Cuban baseball and the major leagues, I believed that there would be such a thing. I knew the stadium amenities weren’t going to be luxurious (they weren’t) and the food at the park was bound to be lousy (it often was, though the pulled pork sliders I bought outside of Estadio 26 de Julio in Aretmisa remain vividly delicious in my memory). Still, surely an enterprising soul, or the government, had managed to publish a few sets of baseball cards. I was quickly corrected by none other than fellow traveler and Cuban baseball expert Peter Bjarkman. He informed me there were no modern cards in Cuba. There was one set published in 1994 which included pre-MLB cards for the Hernández brothers, Liván and Orlando. The one before that was sold in the 1950s.
I had never given much thought of what it would be like to be a youthful fan
who could not regularly experience baseball cards. I loved the cards long
before I truly loved the game. In the days before the internet and daily
airings on team-owned networks, they were my most direct connection. I thrilled
with each new pack and the treasures I found inside.
That same passion, this time on the faces of a gaggle of Cuban children, was on display whenever a member of our group pulled out a pack of Topps at one of the five Serie Nacional contests I attended. They would swarm, a collective that would consume any gleaming picture of a hero-in-action they could get their hands on. Bonus points if it was Yasiel Puig or Aroldis Chapman. At one point I pulled out a business card to give to a local sportswriter and a child’s eager hands immediately reached out to me. Just the image of a baseball on my card was enough to ignite their imaginations.
All of this got me thinking about the Cuban stars of the past, and whether they had baseball cards. I had learned that generations of Serie Nacional heroes have never had one. But, what about the hundreds of Cubans who played in the major leagues? Surely many of them must have cards. I first considered starting a collection of all of the cards featuring Cuban-born players. I quickly realized that a complete collection of Cubans was going to necessitate far too much energy and money pursuing just José Canseco. There are roughly 3000 distinct cards of the tainted slugger. I decided that maybe the best way to approach this new whim would be to just get the rookie cards. The set would become relatively finite and definitely more achievable.
Many of them have rookie cards, but certainly not all. Some never had a card issued at all, at least none that my current research has revealed. Others have cards, but not ones that modern collectors consider “rookies.” Cards from a player’s minor league days do not qualify. Neither do cards from foreign leagues, such as the pre-revolution Cuban Winter League.
Such is the case of the Acosta brothers, José and Merito. The two appeared
on Clark Griffith’s Cuban-laden Washington Senators of the 1910s and 20s.
However, neither made enough of a mark to appear on a card during World War I
and the lean years of the hobby that followed. Cards were produced in smaller
sets, thus players like Merito, who appeared in 180 games in the outfield over
five seasons, and José, who pitched in 55 games over three years, often fell
through the cracks.
However, while playing for the 1923/24 Marianao squad of the Cuban League, they both appeared in a set that was issued in their homeland by Billiken. Like their American counterpart, these cards could be found in packs of cigarettes. In addition to Cubans, they also featured American Negro League legends like Oscar Charleston and Andy Cooper. Per the definitions set by modern collectors, these do not qualify as “rookie cards.” I decided that because so many of the pre-revolution members of the fraternity fell into this category, I was expanding my criteria to include first-known cards, as well.
As of this writing, there have been 208 Cuban-born men who have played or managed in the majors. So far, and research is ongoing, there appear to be 194 cards in the set I have designed. I had four at the outset, just by culling from my own collection: a 1990 issue of Tony Fossas, a 1989 Orestes Destrade, a 1987 Rafael Palmeiro and, from a pack bought in the interest of the project, a 2015 Jorge Soler. All of them happened to be Topps. There are numerous other publishers in this set, including Bowman, Upper Deck and Fleer. Going back before World War II, there are Zeenuts, T207s, an E135, and multiple cards from the candy manufacturer Caramelo Deportivo.
The day after I finished the first draft of the checklist for the set, I
paid a visit to a comic book store in New Paltz, New York. My ex-wife and I
meet there sometimes when we exchange our daughter. B is a fan of comics and I
like to encourage my kid to become a nerd, just like her old man. While not a
large shop, the collection is extensive and a fan of the genre is certain to
What it does not have, however, is very many baseball cards for sale. The
two collectibles will often appear together at small retail shops like this,
though such stores usually lean more heavily in one direction. No one would
ever think of this place as a local card shop. But, it does sell packs of the
current sets and that day had about 50 individual cards up for grabs. Of those
singles, the inventory was split between medium value cards of current players,
a sprinkling of stars from 1970s, 80s and 90s, and a few lesser known players
from the 60s.
One of those latter cards was from the Topps 1965 set, number 201. Minnesota Twins rookie stars César Tovar and Sandy Valdespino share the honors. Tovar, a native of Venezuela, had a fine twelve-year career with the Twins, Phillies, Rangers, A’s and Yankees. He finished in the top twenty-five in MVP voting every year from 1967-1971 and led the league in doubles and triples in 1970. The Trading Card Database has identified 56 unique cards manufactured for Tovar.
Hilario “Sandy” Valdespino lasted for seven seasons with the Twins, Braves, Astros, Pilots, Brewers and Royals. He did not share the same success as his card-mate, though he did get eleven at bats in the 1965 World Series, contributing a double and a run. Valdespino was born in San Jose de las Lajas in Mayabeque and became the 106th Cuban to appear in the majors when he made his debut on April 12, 1965. Number 201 is his official rookie card, one of only nineteen different identified cards of the outfielder ever produced.
The odds of finding that card, in that place, just days
after I decided to pursue this quest, cannot be calculated. It was a divine
intervention, a gift sent by the baseball gods in the form of a fifty-year-old
piece of cardboard.
Today I have 115 of the cards from the set. The latest pickup, a W514 of Dolf Luque, is a real beauty. The corners are a little rounded and there are some minor markings on the surface, but it is crease free and remarkably sturdy for something that was printed a century ago. Luque, the first Cuban superstar, is an underappreciated name from yesteryear and a personal favorite. Finally acquiring his card inspired me to tell this story.
As always, the final cards of this set are the most
challenging and, of course, the most expensive. It is also a set that is always
expanding. Despite the recent short-sighted pronouncements of the current
presidential administration, Cubans will continue to find a way to travel those
ninety miles to American shores to play the game. Last year, six more made
their major league debut. Three of them have rookie cards, so far, and the
recent call up by the Yankees of Nestor Cortes, Jr., who had a
less-than-impressive debut with Baltimore last March, increases the chances of
him getting one at some point this season. When he does, I’ll be there.
If you bought packs in 1981 try to remember the first thing about 1981 Donruss that jumped out at you. The paper thin stock? The occasional typo? The cards sticking together? This mismatched uniforms and team names?
Okay, come to think of it those were all salient features of the debut baseball set from Donruss. Still, the one I was hoping you’d say is the multiple cards of can’t-miss Hall of Famers like Pete Rose!
As a young collector I’d certainly seen multiple cards of the same player before. The Topps Record Breakers and 1972 Topps “In Action” cards were prime examples. However, what distinguished the Donruss cards was that nearly all of the extras looked just like the base cards, at least from the front.
As I learned more about collecting, thanks to some local shows and my first Sport Americana price guide, I began to realize the Donruss extras had ancestors in the hobby. What follows here are the sets I learned about in the order I learned about them.
There are numerous examples in the 1933 set, particularly given the 18 repeated players on the set’s final “World Series” sheet. However, the first one I encountered was the most famous of them all: cards 53, 144, 149, and 181 of the Sultan of Swat.
It would have been around that same time that I also learned of the two Lou Gehrig cards (37, 61) in Goudey’s 1934 follow-up release.
My eleven-year-old self resolved almost immediately to eventually owning each of these Ruth and Gehrig cards. (Spoiler alert: 38 years later I’m still at zero.) In the meantime, the multiple cards of Rose, Yaz, Stargell, and others from my 1981 Donruss shoebox would have to do.
Ever since I got my 1976 Topps “All-Time All-Star” Ted Williams, I decided he was my favorite retired player. As I flipped through my price guide looking for older Ted Williams cards I might be able to afford, I at first thought I found a typo. How could the Splendid Splinter be the first card and the last card in the 1954 Topps set?
There was no internet, and I certainly had no friends with either of these cards. I was simply left to wonder. Were there really two cards? Did they look the same or different? It took visiting a card show to finally learn the answer. Cardboard gold.
It was much later that I learned Topps had been unable to make cards of the Kid in their 1951-1953 offerings. As such, his Topps debut in 1954 was long overdue and something to be celebrated. Perhaps that’s how he ended up bookending the set on both sides. Or maybe it’s just that he was Ted Freaking Williams.
The tobacco areas of the Sport Americana were a bit intimidating to me as a kid. I recall parenthetical notes next to some of the names (e.g., “bat on shoulder”), but the checklist was dizzying enough that the notes went in one eye and out the other. Again it took a card show for me to see that these cards were my great-grandfather’s Donruss.
1887 Old Judge
Fast forward about ten years, and I received a gigantic book for my birthday with pictures of thousands of really old cards. It was here that I first learned about “Old Judge” cards, including the fact that some players had more than one card.
As an aside, that second Radbourn card looks more like a crime scene from Clue than an action pose, but okay.
“1971 OPC? That was unexpected,” you may be saying to yourself. Wouldn’t the OPC cards match the 1971 Topps set, which had no duplicate players at all? I thought the same thing too until I ran across this pair.
The card on the left, number 289 in the set, is known to high-end collectors as “Staub, bat on shoulder” while the card on the right, number 560, is known as “Staub, bat off shoulder.”
More for convenience than accuracy, I’ll lump various “Exhibits” issues under a single umbrella. Perhaps because these cards were issued across more than four decades and seemingly included zillions of players, it seemed unremarkable to me initially that the same player might have multiple cards in these sets. I’d known this fact for years, but it wasn’t until I reached the “gosh, what am I missing” part of this post that I made the connection between these cards and their Donruss descendants.
As an aside, I just love that second one of the Splinter. As Anson Whaley notes on his Pre-War Cards site, these sets provide some of the most affordable vintage cards of top-shelf Hall of Famers. On my office wall side-by-side right now are Exhibit cards of Williams and DiMaggio that I paid about $25 apiece for. Along with these Life magazines from 1939 and 1941, the cards really hold the room together.
It’s at this point in the post when I have nothing left in my own head and have to rev up the research engines. Time thumbing through the cards “gallery” of great players is never a waste of time, whether or not I find what I’m looking for, but here is a great pair I ran across in my review of Stan the Man.
A quick look at the set checklist indicates that not just Musial but all thirty subjects in the series had both a portrait and an action shot. Can you imagine if Donruss had done the same in 1981? Consider the boldness of crashing the baseball card world as an utter newcomer and not just competing with Topps but unleashing a 1,100+ card behemoth of a set with multiple cards of every single player!
No joke! Many was the day I pulled two Cliff Johnson cards from the same pack, but unfortunately they were the same Cliff Johnson cards. This portrait-action pair, on the other hand, would have taking the situation from blown penny to blown mind!
1922 American Caramel (E121)
Similar to 1952 Wheaties this is another set that features multiple cards of numerous players, such as this Max Carey pair.
I got a bit of a laugh from Trading Card Database when I saw the names given to each of the variations. The first card, not surprisingly, is referred to to “batting.” The second card is referred to as…so okay, back in high school I was getting ready to take the SAT. I wasn’t much of a reader back then, and I knew the test would include a lot of words I didn’t know. A few evenings before my testing date, I set out to memorize the entire dictionary. Naturally, this proved to be a bigger job than I could really tackle so I finally gave up after the word “akimbo.”
I only once in my life after that–and definitely not on my SAT–encountered the word in print, and I took pride in not having to look it up. And then this morning, more than 30 years after memorizing the dictionary from aardvark to akimbo, here is is again.
If you don’t know the word perhaps you can guess it from the card: it simply means hands on hips. And for any young readers preparing for their own SATs, nothing helps you remember a word more than having a mnemonic, so here you go: Mutombo akimbo.
But back to our main topic…
1941 Double Play
A tip of the hat from Red Sox collector extraordinaire Mark Hoyle for sharing this one with me. The 1941 Double Play set includes 150 cards (or 75 if you didn’t rip the pairs apart). Most of the images are portraits, but the set includes 10 (or 20) action shots that provide extra cards in the set for many of the game’s top stars such as Burgess Whitehead–okay, Mel Ott.
But yes, Whitehead does have two cards as well.
Thanks again to Mark Hoyle for this one! As this 192-card set was issued over three years, I suspect but don’t know for certain that the repeated players in the set were released at different times. As the two Gehringer cards below show, there are also small differences between the earlier and later cards including where the card number is located and how wide the cards are.
1934-1936 Diamond Stars
I’ll close with one of my favorite sets ever. Perhaps because I never managed to own more than 6-7 cards from this set, I never paid any attention to an oddity of its checklist. The last dozen cards, numbered 97-108, are all repeats of earlier cards in the set. Here is a listing of the players and their card numbers.
And here is an example of the cards themselves.
The card fronts appear to be identical, while the backs differ in not only the card numbering but also the ink color and the stat line. In particular, the first Dickey card provides his batting average for 1934 and the second provides his average from 1935. (Read this post if you’re interested in more significant variations.)
Aside from my Dwight Gooden collection, my collection tops out at 1993. However, as I see other collectors show off the more modern stuff, it’s clear that extra cards of star players are practically a fixture in today’s hobby.
As the examples in this post illustrate, 1981 Donruss was by no means the first set to include extra base cards of star players. However, we can definitely credit Donruss with being the first major modern set to re-introduce this great feature into the hobby. And you thought the only thing that stuck from that set was its cards to each other!
Author’s note: I’d love it if you used the Comments area to plug other pre-1981 sets with extra base cards of the big stars. Some categories I’m intentionally ignoring are errors/variations/updates, single player sets (e.g., 1959 Fleer Ted Williams), team issues, and sets focused more on events than players (e.g., 1961 Nu-Card Baseball Scoops). Thanks, Jason
The first Topps World Series card I pulled from a pack was bittersweet. On one hand it was Reggie, the biggest star in the game; on the other hand, it memorialized his merciless dismantling, five homers and all, of my hometown Dodgers. Though I wasn’t yet enough of a fan in 1977 to have watched the Series, I remember the gloominess and despair that took over the faces of my classmates. Tears were shed.
Most collectors already know that 1978 was just one of many years that Topps included a postseason subset. For a complete catalog from 1958-1981, see this excellent post from Adam Hughes of Wax Pack Gods.
My goal here is to connect these Topps World Series cards to their long ancestry across the hobby’s history. Rather than jump straight in to the years before 1958, I’ll set the table by beginning at 1960, the year of the first true Topps World Series subset.
Though Topps would include single cards connected to the World Series in each of the prior years, the 1960 release marked the first year of an actual multi-card subset. The subset spanned cards 385-391, including the only Maury Wills card Topps would issue before 1967.
There was no World Series subset in the 1959 Topps issue. However, the Hank Aaron card in its “Baseball Thrills” subset was dedicated to the Hammer’s game 4 home run and overall awesome performance in the 1957 Fall Classic.
As we consider the ancestry of the World Series subsets, this card presents us with two “mutations” from the classic subsets that would follow.
It is the only postseason card in the set (and in fact from an entirely different subset)
It does not feature the prior year’s Fall Classic, instead reaching two seasons back.
As we go further back in time, most of the cards we look at will share these or other departures from the classic Topps World Series subsets of later decades. As usual, were we not to bend the rules a bit, there would be very little article to write!
1959 Fleer Ted Williams
I have featured this set in every one of my prehistory articles to date with the exception of Traded Cards. (And who the hell would even think of trading Ted Williams, right?) Sadly, it is impossible to tell the story of the Splendid Splinter without bringing up the heartbreak of the 1946 World Series, memorialized by card 31 in the set.
As an aside, the 1959 Fleer Ted Williams set comes across largely as a (justified) hagiography of the greatest freaking hitter who ever lived. It is odd then that their “Sox Lose the Series” card makes no mention of the fact that Williams played the series injured and instead attributes the Kid’s disappointing performance to a slump.
It is the Hammer once again in the 1958 Topps set, and this time he brought a friend. Okay, a foe! (As an aside, it would be fun to trace the use of the word “foe” on baseball cards over the years. We used to see it a lot more, and I worry we are lesser today for its absence.)
Oddly the card’s reverse makes no reference to the World Series but simply finds (quite easily) nice things to say about each of the featured players.
1948 Topps Magic Photos
Though off the radar (and out of the price range) of casual collectors, the very first Topps baseball cards came four years before the iconic 1952 set. The majority of the set’s baseball checklist was devoted to all-time greats such as Ruth, Cobb, and Wagner. However, 5 of the 19 cards were dedicated to the 1948 World Champion Cleveland Indians. These cards are light on detail, but the two cards known as “Cleveland Indians 4-1” and “Cleveland Indians 4-3” reference games 2 and 7 respectively.
1948 Swell “Sport Thrills”
Sorry, Dodger fans. Here comes another heart breaker. Mickey Owen’s dropped third strike from the 1941 Fall Classic was one of eight cards in this 20-card set to feature World Series highlights.
The Sport Thrills set wasn’t the only baseball set that Swell issued in 1948. They also issued a 28-card “Babe Ruth Story” set to go along with the movie of the same name. While the Bambino did appear on some of the cards, he was more often portrayed by William Bendix, the actor who starred in the film. Card 15 features Babe Ruth’s (okay, William Bendix’s) “called shot” home run from the 1932 World Series.
1940 Play Ball
For a brief stretch from 1939-1941 Play Ball cards sat atop the cardboard universe. The 1940 Play Ball release is known mostly for the cardboard return of Shoeless Joe. A less ballyhooed aspect of the set was the pennant flags adorning the cards of the Yankees and Reds players. (Oddly, the managers and coaches received no such decoration.)
Unlike the majority of the cards discussed so far, these “Pennant” cards also doubled as the main (only) card of each player in the set. An interesting comparison will be the 1933 Goudey set, where this is true for some but not all of the players.
1936 R312 National Chicle Pastels
My favorite thing about writing these articles is discovering cards I didn’t know about originally. In this case, the prize goes to these beautiful premiums from National Chicle. The full set contains 50 unnumbered cards with significant star power, including (arguably) a Joe DiMaggio rookie card. There are also a large number of multi-player cards, such as this one of Arky Vaughan receiving playing tips from the great Honus Wagner.
Most relevant to our topic, however, are several cards that explicitly reference the 1935 World Series between the Tigers and the Cubs.
First, here is Gabby Hartnett after his World Series home run in game 4.
Next, here is Schoolboy Rowe drawing a crowd, even in enemy territory. No wonder they call it the “Friendly Confines!”
And finally, although Tommy Bridges pitched the Tigers to a 4-3 complete game victory in the clincher, here is Alvin Crowder looking very much like he just won it all for the Tigers. In fact, the “General” is shown here following his own complete game to take game 4.
Finally, there are four other cards, a disproportionate number for the set, that include multiple Cubs or Tigers. The photo sleuths among us might let me know if these photos are from the World Series or just “random” shots from during the season.
1936 R313 National Chicle Fine Pen Premiums
Collectors had choices when it came to the 1935 Fall Classic. Among the 120 cards included in this 1936 release was at least one World Series card, #120, showing the throw from Lon Warneke to Phil Cavaretta arriving ahead of Goose Goslin.
As with R312, there are also some multi-player cards that may or may not be connected to the World Series. Card 116, showcasing the “Fence Busters” on the Chicago squad, is one of a few examples.
1934 Gold Medal Foods (R313A)
First a tip of the hat to Net54 member PowderedH2O for alerting me to these cards.
The parent company of Wheaties, Minneapolis-based Gold Medal Foods, issued a set of postcard-sized cards to commemorate the 1934 World Series between the Detroit Tigers and the “Gas House Gang” St. Louis Cardinals.
The “Standard Catalog” lists only 12 players while PSA lists 19 while indicating the set has 22. This suggests to me there may yet to be cards discovered here, either to the delight or chagrin of Hank Greenberg supercollectors.
Forgive Goudey for its numbering antics, but sure enough cards 107-114, 121-127, and 232-240 were created specifically to highlight the participants in the 1933 World Series. Those not as familiar with the set might wonder if 1933 was a typo. After all, this is 83 BTN (before “Topps Now”) we’re talking about. “Are you sure you don’t mean THIS World Series?”
Sure enough, the folks at Goudey were hard at work in late 1933 pushing out the tenth and final release of their iconic baseball debut. The sheet featured twelve participants from each of the pennant winners (New York Giants, Washington Senators) and even included records and results from the Series, as evidenced by this card of Master Melvin.
Something important to consider in assessing the place of these cards in our prehistory is that they weren’t merely cards issued late enough in the season to include tidbits about the Series in the bios. Rather, they reflected an explicit World Series issue, and a 24-card one at that! Quite remarkable really.
As a final note, nine of the Giants and nine of the Senators already had “base” cards in the set, meaning the World Series cards could be thought of as dedicated postseason extras for these 18 players. However, for six of the players, the World Series card reflected their only representation in the set.
1928 Fro-Joy Ice Cream Babe Ruth
Among the six cards in this 1928 set entirely devoted to Babe Ruth is this one, highlighting the first of his two home runs in the 1927 World Series against the Pirates.
1919-1920 Cincinnati Reds postcards
Black Sox Scandal completists will want to collect this 24-card set of postcards featuring players from the 1919 World Champion Cincinnati Reds team. There are two variations of each card. Later printings include the caption “World’s Champions” whereas early printings include only “Champions of National League.”
As an aside, Anson Whaley of Pre-War Cards just published an excellent five-part series on the baseball card legacy of the Black Sox Scandal. Part one is here.
1921 Koesters Bread (D383)
Hat tip to Net54 member brianp-beme for this one. This 52-card set uses the same card fronts as the 1921 American Caramel (E121) set but has different backs and restricts its checklist to only Yankees and Giants, the two participants in the first Subway Series.
If you have a minute, you may want to look at the fantastic card of Hall of Fame hurler Waite Hoyt.
1912 Technical Book Publishing postcards
Not for the budget collector, but these postcards were sold at the World Series itself and doubled as scorecards on the back. The card on the left shows the Boston Americans, and the one on the right shows the New York Giants.
1911 Philadelphia Athletics (E104-I and D359)
I’ll take some liberty here and merge what pre-war collectors would normally regard as two or three different sets. Certainly they will look more alike than different to the casual collector. In each case, I am a huge fan of the World Champions designator.
The first card, Frank “Home Run Baker,” comes from the 1910 E104-I (sometimes seen as E104-1) Nadja Caramels issue. Variations abound, including cards without the “World’s Champions 1910” banner. The next two cards, Charles “Chief” Bender and Harry Davis, could be construed as Baker cards as well, in that they come from the 1910 D359 Rochester Baking and Williams Baking issues respectively.
For any of the card displayers or binder folks out there, I have to imagine the variety of background colors would make these cards look incredible arranged as a group.
1910 Tip Top Bread Pittsburgh Pirates
It’s funny how life works sometimes. Just as I’d reached the end of my personal knowledge, augmented by the easier digital searches available to me, I did what I always do: reach for my Standard Catalog of Vintage Baseball Cards. But this time I didn’t even have to open it. Here was the 1910 Tip Top Bread Honus Wagner right on the cover, with the caption “WAGNER, World’s Champions.”
Indeed, this was a 25-card set honoring the 1909 World Champion Pirates team that bested Cobb’s Tigers four games to three. Here is team president Barney Dreyfuss from the same series.
1910 American Caramel Pirates (E90-2)
This tough regional release of American Caramel focused exclusively on the 1909 World Champion Pirates team. Unlike the Tip Top set of the same year, the cards themselves do not refer to the championship. (Hat tip to Net 54 member steve B for this one!)
1907 Geo. W. Hull Chicago White Sox postcards
These 16 postcards honor the 1907 World Champion Chicago White Sox, as noted by the “World’s Champions” caption below the player name. You might imagine the “Every One A Pennant Winner” title above the lines of hanging white stockings is another standard feature of the postcards in this set. However, that is just one of many titles used. Others include “A String of World Beaters” and “A String of Game Fish — No Bull Heads,” whatever that means!
1905-06 Lincoln Publishing Am. League Champs
The Philadelphia Athletics lost the 1905 World Series to the New York Giants, but they did not come up empty on the cardboard side of the ledger. All 20 postcards in this set were devoted to the American League champs and featured the achievement prominently in the card design.
1902-1911 Sporting Life Team Composites (W601)
For ten years, Sporting Life offered readers the chance to be individual team cards or the complete set as a bound volume. In addition to these very large poster-cards (13″ x 14″), postcard-size team composites were also offered some years. Pennant winners and World Series winners were specially noted below the team name.
Readers may be puzzled by the “1904 National League Champions” marker here since the Pirates finished the 1904 season in fourth place, 19 games behind the Giants. One thing to note is that the “National League” portion of the marker simply indicates the Pirates were a National League team. This can be seen by comparing the Pirates composite against others in the series. Finally, the “Champions” portion of the marker should be read as “defending champs,” which is how the 1904 Pirates began their season, fresh off the first ever World Series of the modern era.
At this point you might imagine we’re done. You can’t get much earlier than the first World Series, right? Not so fast…if you’ve read my other posts you know I love to go WAY back, even if it means bending the rules a bit, kind of like how a biologist might spend 58 minutes of the lecture talking about man’s descent from apes and the final 2 connecting us to amoebas or something.
1888 H.D. Smith and Company (formerly known as Scrapp’s Tobacco) die-cuts
Some recent detective work has added to our knowledge of this ridiculously old set and its origins. At first, you might just see too old-time ballplayers with caps you wished you owned.
However, these aren’t just any players, though that had been my first guess. Thanks to the 1976 SSPC reboot, I now know these are the participants from the 1887 World Series between the St. Louis Browns and Detroit Wolverines! Here is a look at one of the 1976 cards. Kudos to SSPC for their work on this beautiful reissue, which admittedly is almost harder to track down than the 1888 original!
1887 Tomlinson Studio Cabinets
If 1888 just isn’t old enough for you, you may be in luck. Even the “Standard Catalog” is stumped in terms of the reach of this set and the extent of the checklist, but here is at least one.
1887 Old Judge Browns Champions
And for those of you saying, “Hey, was that even a baseball card?” I’ve got an even better one for you! (Hat tip to Net54 member Gonzo for this one.)
It is at this point in the tour that the bus finally runs out of gas. As always though, I hope the result is an appreciation of some older cards you might not have known about and further reinforcement of the adage that “what’s new is old,” at least when it comes to the baseball card “innovations” of our youth.
As always, additions and corrections are welcome.
Appendix – Ancestry Report
Something I’ve toyed with and was encouraged to dig into more deeply based on a reader comment is an “ancestry report” that evaluates each entry against the key traits of the standard Topps World Series subsets. I won’t belabor the coding scheme or column headers unless asked, other than to acknowledge that blue represents mutations that go beyond the Topps standard. (In this case, I used blue for cards that feature the current-year World Series rather than the prior year.)
Anyone wanting to play with the raw data can find it here. Let me know if it’s useful at all. If so, I can do similar for Record Breakers and other prehistory work I’ve done.
Not all of us are lucky enough to get personalized batting tips from Jesse Barfield or have worked on our swing with these guys.
Fortunately, there is no shortage of cardboard we can turn to when our hitting falls below the Mendoza line. Here are a nice assortment of cards and sets to get you through your batting slump. And of course we begin with “the greatest [insert optional expletive] hitter who ever lived!”
1978 Post Cereal Steve Garvey Baseball Tips
What? You were expecting Ted Williams? No worries, we’ll get to him soon enough. But first the face of Dodger baseball in Los Angeles when I first fell in love with the game. Show me a single kid in L.A. who would have said no to Raisin Bran the year these box panels were out. There were twelve in all, with four addressing hitting. (Note to younger fans. Though they are no longer used at the Major League level, “bunting” and “hitting to the opposite field” used to be essential parts of the game.)
1962-1963 Sugardale Weiners
A regional food release spanning two years, the 1962 release included 19 players on the Indians or Pirates while the 1963 release included 31. Star power was not immense, but sometimes all it takes is one!
1959 Fleer Ted Williams
If only all you had to do was read the backs of four baseball cards to hit like the Splinter! Still, any advice from Teddy Ballgame is welcome. While the other 76 cards in the set provide information about Ted’s life and playing career, cards 71-74 provide advice for collectors to bring with them to the batter’s box.
1952 Coca Cola Playing Tips
This ten-player set hearkens back to the days when six packs came in cardboard carrying cases rather than the plastic rings now filling up our oceans. The front of each six-pack insert featured a player from a New York team (sorry, no Mantle), along with that team’s schedule, while the back featured tips to help aspiring ballplayers.
1939 Goudey Premiums
This 48-card set known as R303-A (or 24-card set known as R303-B) is the first of several 1930s sets to include batting tips. There is a simplicity to the instructions on the back of the Foxx card that almost makes you forget this is the hardest thing in all of sports.
Canadian collectors will also find these same cards and tips as part of the parallel 1939 World Wide Gum (V351) release.
1936 National Chicle Rabbit Maranville “How To”
In case hitting advice from the Beast is too daunting, this 1936 set provides a full array of baseball tips (including how to umpire!) all from a decidedly less intimidating player, Hall of Fame shortstop Rabbit Maranville. Card 11 (How to Bat) and card 13 (How to Bunt) address the offensive parts of the game.
The backs of Wheaties boxes during this period featured a multitude of designs across a number of different years and series. Really, any box of Wheaties will help a young hitter on nutrition alone, but Series 5 (1936), Series 6 (1937), and Series 12 (1939) would have provided an extra boost.
This 50-card set resides beneath the radar of many collectors; however, it is an outstanding set for aspiring ballplayers. Each card features one of baseball’s biggest stars sharing a “Major League Secret.” While the tip is alluded to on the card front, the card back supplies significant detail and makes it clear that the advice is directly from the player.
Modern fans of launch angle may cringe at the Frisch card until they learn he is instructing kids on the chop bunt. Then again, fans of launch angle probably aren’t fans of bunting either and may prefer simply to collect 49 of the 50 cards.
A final interesting tidbit about this set comes from the artist signature on the cards. This is the same Al Demaree who pitched from 1912 and 1919, winning 80 games (combined) for four different National League teams.
1934-1936 Diamond Stars
The mid-1930s were a magical year when it came to cardboard-based batting instruction. As part of the multi-year Diamond Stars release, Al Simmons and Joe Vosmik explain the importance of a good follow-through, Max Bishop warns against hitting bad balls (and has the .423 career OBP to prove it!), and Dixie Walker urges hitters to be relaxed at the plate–and that’s all from the first twelve cards in this 108-card set!
In case you struggle to picture all these players sending their tips to National Chicle, they were in fact written by Austen Lake, whose signature appears in the credits at the bottom of the card back. The level of detail in the tips is impressive, as illustrated by the Pie Traynor card’s advice on where to stand.
“…Study your needs and find the spot that best suits your style. Long armed boys should stand back farther than those with short arms, because of the difference in reach. In recent years, since free swinging from the end of the handle has become usual, major leaguers have tended to stand well in the rear of the box and back from the plate. Remember, the ball must cross some of the plate to be a strike. Hence stand where you can stretch your bat at arm’s length and cover the plate. Study “Pie” Traynor, Pirate manager for the correct batting style.”
I don’t want to typecast the anything-but-one-dimensional Austen Lake, but maybe you can guess what he contributed to the 1933 DeLong set. You guessed it…baseball tips! Here is some advice on batting stance courtesy of Mr. Lake and the set’s Al Simmons card.
1928 Fro-Joy Ice Cream
Card number 5 in this six-card set, no longer authenticated by PSA or SGC due to prevalent forgeries, provides collectors with an up-close look at how the Bambino gripped his bat. Just as Hack Wilson let us know in 1935, long-ball hitters do not choke up!
Though his career turned out just fine, it’s too bad a young Henry Aaron didn’t own this card as he was figuring out his own grip!
Is it true that at first you batted cross-handed, holding your left hand over your right on the bat handle?
Yes. One day, I batted that way during batting practice before a game in Buffalo, and the Braves had sent a scout to watch me. The scout walked over to me, told me to take my right hand and put it over my left. I did it and hit two home runs that day and I never looked back.
I always like to close with the really old stuff, so here goes. Hitting a baseball is a VERY difficult act to master. We can’t all be .400 hitters or even .100 hitters, but no matter. I think this Al Bridwell (of Merkle Boner fame) card offers the best advice of all. Find yourself a beautiful day and a nice patch of grass, play ball, and eat caramels! A bad day doing that is better than a good day doing just about anything else.
Author’s note: These same sets (exception Fro-Joy, Ted Williams) provide tips on other parts of the game as well: pitching, fielding, running, umping, and even setting up the field! I just chose batting so I could focus and cut down on distraction, another great batting tip by the way!