Intel briefing on Canadian Goudey

WHat are these?

Show these two cards to most collectors, and they’ll identify them without hesitation.

1933 Goudey Rabbit Maranville and 1934 Goudey Lou Gehrig, right? In fact, both cards come from a single Canadian release known variously by the names V354, 1934 World Wide Gum, and 1934 Canadian Goudey.

“Aha, so Goudey just released their same cards in Canada, eh?”

Sort of, but it’s a bit more complicated than that. For a two-year stretch, Goudey did release their cards in Canada, but it was only some of their cards and not necessarily the ones you might have expected. This article seeks to explain the what, when, and why (or at least how) of two years of Canadian baseball cards that aren’t nearly as confusing or strange as they first appear.

1933 world wide gum

We’ll start with the first of the Canadian Goudey releases, the 1933 World Wide Gum set, designated as V353 by Jefferson Burdick in his American Card Catalog. As the two Babe Ruth cards below show, the World Wide Gum fronts (left) are indistinguishable from their U.S. Goudey (right) counterparts.

back differences

However, differences on the card backs are evident. On this particular card, the most prominent differences are the card number (80 in this set vs 144 in the U.S. set) and the footer, which shows World Wide Gum of Montreal as the distributor and Canada as where the printing took place. Additionally, each of the World Wide Gum card backs has two language variations: English only and French-English.

In addition to minor layout differences and a more crammed look, the French-English cards commonly omitted the final paragraph of the player bio as a space saving measure.

Side note: I have three possible theories for the language variations.

  1. French-English was “Plan A” but necessarily took longer than English-only. As such, early runs of English-only were produced to avoid delay.
  2. English was “Plan A” but poorly received by the market, leading to a second release in French-English.
  3. French-English was produced for areas with large francophone populations (Quebec, New Brunswick) while English was produced for predominantly anglophone areas.

If you know the answer (or have a different theory) let me know in the Comments. While I can’t produce any viable alternative theories, I can also offer reasons why I think each is incorrect! (I’ll avoid going down that rabbit hole here, but I’ll offer more info in the Comments section on request.)

checklist differences

Another major difference between the two sets is their size. The U.S. set included 239-240 cards, depending how you count the Lajoie card. Meanwhile the Canadian set was much smaller, including only 94 cards. On the off chance you’re wondering which 94, you came to the right place.

  • Cards 1-52 and 58-67 on the Canadian checklist align perfectly with the U.S. release, including numbering. For example, card #1 in both sets is Benny Bengough.
  • The other 32 cards, at least at first glance, appear to be more or less random, though we will later see they are not.

The chart below shows the correspondence between the Canadian and U.S. checklists.

A final mini-mystery, particularly if you know that Goudey cards of the era were printed on sheets of 24 cards each, is the unusual size of the Canadian set: 94 cards.

As it turns out, the size of the Canadian set and the apparent randomness to the second half of the checklist are both explained by various quirks of the U.S. set.

meanwhile back in the states…

As mentioned, Goudey printed its 1933 set on sheets of 24 cards each. However, the cards on the sheets were not numbered sequentially, instead jumping around and leaving gaps. A 2015 article written for PSA by Kevin Glew provides this summary of card numbers by sheet.

For example, here are Sheets 1, 2, 3, and 6 from the U.S. Goudey set…

…or if you prefer, a complete set of 1933 Canadian Goudey! Yes, all the “randomness” of the Canadian checklist is simply a reflection of the oddball numbering scheme used in the States. World Wide Gum simply took four of the first six U.S. sheets and renumbered the cards sequentially from 1 to 94.

For those of you who’ve already done the math, you’re a step ahead of me. Correct…there are 96 cards here, not 94. However, we can also look at the number of different cards. While there were no duplicates on the set’s first three sheets, the sixth sheet introduced extra cards for three different players: Babe Ruth, Jimmie Foxx, and Lou Gehrig.

I’ve marked up an image of the final Canadian sheet to demonstrate how the 96 cards became 94.

  • Babe Ruth’s two “full action” cards, double-printed as 144 in the U.S. set were both numbered as 80 in the Canadian set.
  • Jimmy Foxx was the star of the first U.S. series (sheet) as card 29, a number that was retained in the Canadian set as well. The Beast’s second card, identical to his first save numbering, was assigned 154 in the U.S. set and 85 in the Canadian set.
  • Lou Gehrig was the top player on the third U.S. sheet as card 92. His Sheet 6 duplicate is card 160 in the U.S. set. In the Canadian set both cards are given a single number, 55.

In summary then, the 94-card Canadian checklist is perfectly explained by its four source sheets from the U.S. set, the retention of Ruth DP, and the creation of a Gehrig DP. Armed with this information, we are ready for the 1934 edition, a set I believe is the strangest of the entire decade.

1934 World wide gum

As shown at he beginning of the article, this 96-card set colors very much outside the lines by merging cards from both the 1933 and 1934 U.S. sets.

The first 48 cards follow the 1933 U.S. design, and the final 48 cards follow the 1934 U.S. design, so we’ll look at each of these groupings separately.

the lower 48

Cards 1-48 on the 1934 Canadian Goudey checklist match up with the following 48 card numbers from the 1933 U.S. set: 53-57, 68-74, 80-91, 100-105, 115-120, and 130-141. While this grouping of numbers appears odd on the surface, you are now zero shocked to see a perfect match to U.S. Goudey sheets 4 and 5.

For those of you keeping score at home, that means Canadian gum chewers pocketing both the 1933 and 1934 World Wide Gum sets now had Canadian counterparts of every card from the first six sheets of the 1933 U.S. issue.

back differences

While the card fronts were a perfect match with the U.S. series, a number of expected differences could be found on the backs of the cards: reduced bios to make room for French translation, new card numbers, WWG/Montreal vs Goudey/Boston, etc., i.e., the same things we’d already seen the year before. Another key change, one that’s particularly helpful to collectors sorting their cards, is the “1934 Series” header.

My favorite changes, however, are not evident from the Frankhouse card, and show that the World Wide Gum set was not simply a lazy retread of its neighbor to the south. (This just in: Readers from Windsor, ONT, would like to remind you that their city is actually south of Boston!)

team updates

The very first card in the 1934 World Wide Gum set provides one of many team changes.

And lest you imagine such changes are few and far between, here is card #2. As the card front suggests, Morgan was with Cleveland in the 1933 set but the back of his 1934 Canadian card reflects his move to Boston, a transaction that occurred in October 1933.

Not owning this half-set nor even finding a complete run of 1-48 online, I am not able to provide a full catalog of team changes. (Other sources such as Trading Card Database are not yet reliable for this set.) As such, I will simply share two more examples to convey the idea that someone in Montreal (or Boston) was willing to go the extra kilometer (or mile) to keep things au courant (or current).

I particularly like this next example in that it involves two teams many collectors were not even aware had 1933/34 Goudey cards, the Milwaukee Brewers and Montreal Royals.

And my all-time favorite is this one. First, here is the 1933 Goudey version…nothing too unusual.

But what’s this? When I first saw it, I thought mission must have had an alternate meaning in French or that Friberg might have been Mormon and taking a break from baseball. It’s also hard not to think of the Blues Brothers movie: Friberg’s on a mission, a mission from Goudey!

As it turns out the answer is more Reds than Blues. Friberg had simply headed west to San Francisco to play for the Mission Reds of the Pacific Coast League. The story goes that one time Bernie was left out of the Mission lineup and a lone fan in the San Francisco crowd immediately began chanting “FREEEEEEEE-berg, play FREEE-berg, man!”

The upper 48

No decoder ring is needed to understand cards 49-96 in the Canadian set. They correspond exactly the first 48 cards in the 1934 U.S. set, just in a totally different order easy enough to confuse for random.

Look a little more closely and you’ll find in fact the first 24 Canadian cards are a shuffled version of U.S. cards 1-24 and the final 24 Canadian cards are a shuffled version of U.S. cards 25-48.

The sequencing looks even less random when you look at a 1934 Goudey uncut sheet or two. Here is how the first two sheets, 1-24 and 25-48, of the U.S. issue were numbered. I am happy to award a prize package to anyone who can find the pattern!

And here is how World Wide Gum numbered the same 48 cards. (No prize this time if you spot the pattern!)

And here you were thinking the Canadian set was the random one!

Side note: Cards 1-48 in the Canadian set (i.e., the “lower 48” profiled earlier) worked in exactly the same way. While numbering on sheets 4 and 5 from the 1933 U.S. set was in no particular order, World Wide Gum re-numbered the cards on each sheet sequentially from left to right and top to bottom. For example, while these same cards were numbered 119, 116, 118, 117, 136, 132, etc., in the 1933 set, here is their numbering in 1934 World Wide Gum.

Back differences

By now you’re a pro at anticipating what differences the Canadian card backs will show versus their U.S. counterparts. You can check off your guesses against Heinie’s (ahem) backsides.

However, the 1934 U.S. series actually features two other styles of card backs.

  • Cards 1-24 match the Manush card already shown.
  • Cards 25-79 and 92-96, the remaining “Lou Gehrig says…” cards in the set, feature the first card back shown above.
  • Cards 80-91, the “Chuck Klein says…” cards, feature the second card back shown above.

Because the Canadian set doesn’t include U.S. cards 80-91 it’s not a surprise at all that no Canadian cards have the Klein back. Given the space saving measures already seen on the Canadian cards, the absence of the Gehrig signature might not surprise you either.

Nonetheless I do attach significance to another missing element: the line on U.S. cards 25-96 that reads “By arrangement with Christy Walsh.”

Christy Walsh was of course the super-agent of many of era’s biggest stars, among them Babe Ruth and Lou Gehrig. Walsh’s “arrangement” with Goudey is often cited as the main reason there are no Babe Ruth cards in the 1934 U.S. set.

Certainly it is possible that the Walsh tagline was omitted in Canada only to conserve space. On the other hand, legalese is often the last to go. My own hunch is that the Goudey/Walsh arrangement extended only to the United States and did not extend north of the border. In particular, I connect the absence of the Walsh tag line with the set’s checklist boasting this heavy hitter.

There he is, Babe Ruth, on a 1934 (and sort of) Goudey card! Meanwhile American collectors could only dream of such a card in their wildest mastication fantasies!

Odds and ends

For all the ink I’ve spent explaining the construction of the two Canadian Goudey sets, one question I’ve left alone is the why. Here are my best guesses to a few questions that remain outstanding.

  • Why did the 1933 set draw from Sheets 1, 2, 3, and 6 of the U.S. set vs some other set of sheets (e.g., 1-4)?
    In order to have a product on shelves in any timely manner, using low-numbered U.S. sheets was a necessity. In my own research I’ve come to believe that Sheets 1-3 and 5 were all ready to go even before the start of the 1933 season whereas the other six sheets were prepared in a series of later efforts. As such, the use of Sheets 1-3 is probably no surprise: they were available quickly. As for why the set then skipped to Sheet 6, I suspect it was for the star power. Boasting a Foxx, Gehrig, and three Ruth cards, this was the one to put out there if the clock was ticking and you wanted the most buck for your bang.
  • Why did the 1934 set use any 1933 cards at all?
    Again I’m going to go with time-to-market. Waiting on true 1934 Goudey cards and adding time for translation meant it would be a while before cards could hit shelves. Meanwhile here was a ready made supply of cards that needed only translation and (in some cases) team updates.
  • Why did the 1934 set switch in the middle to the 1934 Goudey cards?
    An auction house listing I read suggested the change was in response to criticism that the set was “behind the times.” I doubt this for two reasons. First, unless kids were in frequent correspondence with their American cousins, I’m not sure they would have noticed or complained much. Second, provided the 1934 U.S. cards were ready for us, why wouldn’t WWG want to use them? While modern collectors might frown at WWG putting out a set using two different card designs, bear in mind that Goudey (U.S.) did the exact same thing in 1933.

FURTHER READING

  • Matthew Glidden has a terrific write-up of World Wide Gum cards, going well beyond the 1933 and 1934 baseball sets. Among the highlights is his rock solid case that the 1936 issue (as catalogued) was in fact a 1936-37 issue.
  • Some very clean front/back scans of the 1934 World Wide Gum cards are here. The collector is pretty far from a complete set, but his images are among the better ones online.
  • My own gum-in-cheek article on the history of the Goudey Gum Company is here. Most Goudey company biographers skip the poisoning scandals. Not me.

The surprisingly long history of traded sets

Author’s note: My goal here isn’t to list EVERY set with Traded cards. In many cases, the set I highlight will stand in for similar issues across a number of years, before and after.

1981 Topps Traded

The first Traded set I became aware of as a young collector was in 1981. At the time the main excitement for me was that Fernando Valenzuela finally got an entire Topps card to himself. Of course, as the name suggested, it was also a chance to see players depicted on their new teams, such as this Dave Winfield card portraying him in a Yankees uniform.

Dozens of similar Traded or Update sets followed in the coming years, leaning considerably on the 1981 Topps Traded set as a model. However, 1981 was definitely not the beginning of the Traded card era.

1979 O-Pee-Chee/Burger King

My first encounter with O-Pee-Chee cards was in 1979. While most of the cards in the 1979 O-Pee-Chee set had fronts that–logo aside–looked exactly like their U.S. counterparts, every now and then an O-Pee-Chee required a double-take. Back here in the US, I was not yet familiar with the 1979 Topps Burger King issue, but they took things even a step further.

1979 Topps Bump Wills

Not really a traded card, but here is one that at least might have looked like one to collectors in 1979. Having been a young collector myself that year, I can definitely say Bump and hometown hero Steve Garvey were THE hot cards my friends and I wanted that year.

1970s Kellogg’s

The most fun Trades cards are ones where the player gets a genuinely new picture in his new uniform like the 1981 Topps Traded Dave Winfield. Next in line behind those are the ones where the team name on the card front changes, such as with the 1979 O-Pee-Chee Pete Rose. Distinctly less exciting but still intriguing are cards were a “Traded line” is added. We will see some sets where such a line makes the front of the card, but much more often we’ll see it as part of the small print on the back.

Here is Buddy Bell’s card from the 1979 set.

And here is Ken Reitz from the 1977 set.

In case it’s a tough read for your eyes, the second version of the Reitz back, at the very end of the bio, reads, “St. Louis brought Ken back in a trade.” The Bell card has a similar statement. Admittedly these cards are a bit bizarre in that the card backs already have the players on their new teams, even in the initial release. Because of that, one could make an argument that the second versions are less Traded cards than “updated bio” cards, but let’s not split hairs. However, you slice it two Reitz don’t make a wrong!

Similar cards can be found in the 1974, 1975, and 1976 Kellogg’s sets as well.

1977 Topps

Not really a Traded card but a great opportunity to feature a rare 1977 proof card of Reggie Jackson as an Oriole, alongside his Topps and Burger King cards of the same year.

1976 Topps Traded

This set features my favorite design ever in terms of highlighting the change of teams. Unlike the 1981 Topps Traded set, these cards were available in packs and are considered no more scarce than the standard cards from the 1976 Topps set. While the traded cards feature only a single Hall of Famer, this subset did give us one of the classic baseball cards of all time.

Side note: Along with Ernie Banks, Billy Williams, Lou Brock, Lee Smith, and Joe Carter, Oscar Gamble was “discovered” by the great John Jordan “Buck” O’Neil. Well done, Buck!

1975 Topps Hank Aaron

Collectors in 1975 were rewarded with two cards of the Home Run King, bookending the classic set as cards #1 and #660. Aaron’s base card depicts the Hammer as a Brewer, the team he would spend his 1975 and 1976 seasons with. Meanwhile, his ’74 Highlights (and NL All-Star) card thankfully portrays Aaron as a Brave.

1974 Topps – Washington, National League

The National League’s newest team, the San Diego Padres, wasn’t exactly making bank for ownership in San Diego, and it looked like practically a done deal that they would be moving to D.C. for the 1974 season. As the cardboard of record at the time, Topps was all over the expected move and made sure to reflect it on their initial printings of the 1974 set. Because there was no team name yet for the D.C. franchise-to-be, Topps simply went with “Nat’l Lea.” (Click here for a recent SABR Baseball Cards article on the subject.)

Of course these San Diego/Washington cards aren’t true Traded cards, but that’s not to say there weren’t any in the 1974 Topps set.

1974 Topps Traded

This subset may have been the most direct precursor of the 1981 Topps Traded set. While cards from later printings were randomly inserted in packs, the subset could be purchased in full, assuming you threw down your $6 or so for the ENTIRE 1974 Topps factory set, traded cards included, available exclusively through J.C. Penney.

The Traded design is a bit of an eyesore, and the subset includes only two Hall of Famers, Marichal and Santo. For a bit more star power, we only need to look two years earlier.

1972 Topps Traded

As part of the high number series in 1972, Topps included seven cards to capture what the card backs described as “Baseball’s Biggest Trades.”

The star power is immense, though some collectors see this subset more as a case of what might have been. One of the seven trades featured was Nolan Ryan-for-Jim Fregosi. However, as the bigger name at the time, Topps put Fregosi rather than Ryan on the card.

Net54 member JollyElm also reminded me about another big miss from Topps here. Yes, of course I’m talking about the Charlie Williams trade that had the San Francisco Giants already making big plans for October. “Charlie who?” you ask. Fair enough. Perhaps you’re more familiar with the player the Giants gave up for Williams.

Topps took a pass on this one, but–as always–Gio at When Topps Had (Base) Balls is here to take care of us.

1972 O-Pee-Chee

This next example is not a Traded card, but it is one of the most unique Update cards in hobby history. RIP to the Quiet Man, the Miracle Worker…the legendary Gil Hodges.

You might wonder if OPC gave its 1973 Clemente card a similar treatment. Nope. And if you’re wondering what other cards noted their subject’s recent demise, there’s a SABR blog post for that!

1971 O-Pee-Chee

Though the first Topps/O-Pee-Chee baseball card partnership came in 1965, the 1971 O-Pee-Chee set was the first to feature Traded cards. (The 1971 set also includes two different Rusty Staub cards, which was something I just learned in my research for this article.) My article on the Black Aces is where I first stumbled across this 1971 Al Downing card.

Where the 1972 OPC Hodges and 1979 OPC Rose cards were precise about dates, this one just goes with “Recently…” Of course this was not just any trade. Three years later, still with the Dodgers, Downing would find himself participating in one of the greatest moments in baseball history.

1969 Topps

At first glance, these two cards appear to be a case of the Bump Wills error, only a decade earlier. After all, Donn Clendenon never played a single game with the Houston Astros, so why would he have a card with them? However, this is no Bump Wills error.  There is in fact a remarkable story here, echoing a mix of Jackie Robinson and Curt Flood. I’ll offer a short version of it below the cards.

Donn Clendenon played out the 1968 season with the Pittsburgh Pirates, which explains his uniform (sans airbrush) in the photos. However, at season’s end he was selected by the Expos in baseball’s expansion draft. Still, that was a good six months before these cards hit the shelves so there was time for a plot twist.

Three months after becoming an Expo, Montreal traded Clendenon, along with Jesus Alou, to the Astros for Rusty Staub. Based on the trade, Topps skipped Montreal altogether and led off their 1969 offering with Clendenon as an Astro. But alas, Clendenon refused to report to Houston, where several black players had experienced racism on the part of the team’s manager, instead threatening to retire and take a job with pen manufacturer Scripto. Ultimately the trade was reworked, Clendenon was able to remain an Expo, and he even got a raise and a new Topps card for his trouble.

1966-1967 Topps

Thanks to Net54 member JollyElm for providing information on this set and providing the occasion to feature Bob Uecker to boot. While the card fronts in these years gave no hints of being traded cards the backs indicated team changes in later printings. Here is an example from each year. In 1966, the only change is an added line at the end of the bio whereas 1967 has not only the added bio line but also update the team name just under the player name area.

Note that the corresponding OPC card backs follow the later (traded) versions of the Topps cards.

Topps League Leaders – 1960s and beyond

In August 2018 Net54 member Gr8Beldini posted a particularly devious trivia question. The subject was players whose Topps League Leaders cards depicted them on different teams than their base cards in the same set.

These 1966 Frank Robinson cards are among 11 instances where this occurred in the 1960s and 70s. If you can name the other 10, all I can say is you REALLY know your baseball cards!

1961-1963 Post Cereal

We’ll start with the 1962 and 1963 issues, which feature the now familiar Traded lines. Note however that there were no prior versions of these same cards minus the Traded line. Roberts is from the 1962 set, and McDaniel is from the 1963 set.

Post mixes it up a bit more in 1961 in that there were numerous variations between cereal box versions of the cards and mail-in order versions. The Billy Martin cereal box version (left) lacks a Traded line, but the mail-in version (right) indicates Martin was sold to Milwaukee in 1960.

BTW, thank you to Net54 member Skil55voy for pointing me to the Post Cereal variations.

1959 Topps

Thanks to Net54 member RobDerhak for this example, which follows (really, precedes) the examples from 1966-67 Topps. Note the last line of the bio on the second card back: “Traded to Washington in March 1959.” (You might also enjoy an unrelated UER on both backs. See if you can find it!)

1956 Big League Star Statues

A tip of the hat to Net54 member JLange who took us off the cardboard and into the a fantastic set of early statues, possible inspirations for the Hartland figures that would soon follow and an early ancestor of Starting Lineup. Doby’s original packaging puts him with his 1955 club (CLE), but later packaging shows his 1956 club (CHW).

1955 Bowman

You know those Traded lines that O-Pee-Chee seemed to invent in the 1970s, at least until we saw them from Topps on the card backs of their 1967, 1966, and 1959 sets? Well, guess who the real inventor was?

1954 Bowman

Bowman’s Traded line didn’t make its debut in the 1955 set, however. Here is the same thing happening with their 1954 issue.

Is this the first set to add a “traded line” to the front or back of a card? As it turns out, no. But before showing you the answer, we’ll take a quick detour to another early 1950s issue that included team variants.

1954 Red Man

George Kell began the 1954 season with the Red Sox but moved to the White Sox early in the season. As a result, Kell has two different cards in the 1954 Red Man set. There is no “traded line,” but the Red Man artists did a reasonably nice job updating Kell’s uniform, and the team name is also updated in the card’s header information.

Red Man followed the same approach in moving outfielder Sam Mele from the Orioles to the White Sox. Meanwhile, Dave Philley, who changed teams prior to the start of the season, enjoyed those same updates and a traded line.

1951 Topps Red Backs

Notice anything different about these two Gus Zernial cards?

Yep, not only does the Chicago “C” disappear off his cap, but the bio on the second card begins, “Traded to the Philadelphia A’s this year.” So there you have it. At least as far as Topps vs. Bowman goes, Topps was the first to bring us the Traded line. And unlike so many of the examples we’ve seen from 1954-1967, it’s even on the front of the card!

1947-1966 Exhibit Supply Company

If there’s anything certain about issuing a set over 20 years is that some players are going to change teams. As such, many of these players have cards showing them playing for than one team (or in the case of Brooklyn/L.A. Dodgers more than one city.) Take the case of Harvey Kuenn, who played with the Tigers from 1952-1959, spent 1960 in Cleveland, and then headed west to San Francisco in 1961.

The plain-capping approach used in the middle card might lead you to believe that the Exhibits card staff lacked the airbrushing technology made famous by Topps or the artistic wizardry you’ll soon see with the 1933 Eclipse Import set. However, their treatment of Alvin Dark’s journey from the Boston Braves (1946-1949) to the New York Giants (1950-1956) actually reveals some serious talent. (See how many differences you can spot; I get five.) I almost wish they just went with it for his Cubs (1958-1959) card instead of using a brand new shot, which somehow looks more fake to me than his Giants card.

1948 Blue Tint

In researching my Jackie Robinson post, I came across this set of cards from 1948. Among the variations in the set are the two cards of Leo the Lip, who began the year piloting the Dodgers but finished the year with their National League rivals. No need to take another picture, Leo, we’ll just black out the hat!

And if you’re wondering how many other players/managers appeared as Dodgers and Giants in the same set, we’ve got you covered!

1934-36 Diamond Stars

We’re going way back in time now to capture a Traded card sufficiently under the radar that even Trading Card Database doesn’t yet list it. (UPDATE: It does now, but PSA does not!) Its relative obscurity might lead you to believe it’s a common player, but in fact it’s Hall of Famer Al Simmons.

After three years with the Chicago White Sox, Bucketfoot Al joined the Detroit Tigers for the 1936 season. As a set that spanned three years, Diamond Stars was able to update its Simmons card to reflect the change. The cards appear similar if not identical at first glance. However, the Tigers card omits the Sox logo on Al’s jersey, and the card reverse updates Al’s team as well.

Another Hall of Famer with a similar treatment in the set is Heinie Manush. Some collectors are familiar with his “W on sleeve” and “no W on sleeve” variations. These in fact reflect his move from the Senators to the Red Sox. This set has so many team variations, most of which are beneath the radar of most collectors, that I wrote a whole article on the subject for my personal blog.

1933 Goudey

The 1933 Goudey set included some late-season releases, including a tenth series of 24 cards that included key players from the 1933 World Series. Even the most casual collectors know the Goudey set included more than one card of certain players–most notably four of the Bambino. What not all collectors realize is that the set includes a Traded card.

Hitting great Lefty O’Doul was originally depicted as a Brooklyn Dodger, the team he played with until mid-June of the 1933 season. However, when the final release of trading cards came out, Lefty had a new card with the World Champion New York Giants.

Of course, if Lefty’s .349 lifetime average isn’t high enough for you, there is an even better hitter with a traded card in the set. His move from the Cards to the Browns on July 26 prompted a brand new card highlighting not only his new team but his new “position” as well.

1933 Eclipse Import

Another hat tip to Net54 member JLange who offered up a set not even listed yet in the Trading Card Database. Also known as R337, this 24-card set may be where you’ll find one of the most unusual Babe Ruth cards as well as this priceless update. Not technically a Traded card since the player is with Cleveland on both cards (and was with the Tribe continuously from 1923 until midway through the 1935 season), but…well, first take a look for yourself, and then meet me on the other side!

Yes, that is the Philly mascot on Myatt’s uniform. After all, he played for Connie Mack’s squad back in…wait for it…1921! But no problem. Let’s just find someone with pretty neat handwriting to scribble Cleveland across the uni on our next go-round. Problem solved!

1927 Exhibits

My thanks to Net54 member Peter_Spaeth (whose worst card is 100x better than my best card!) for tipping me off to this set and allowing me to use his card of Old Pete. In a move that perhaps inspired future O-Pee-Chee sets, here is Grover Alexander, Cubs uniform and all, on the St. Louis Cardinals.

Other HOFers with mismatched teams and uniforms are Ty Cobb, Rogers Hornsby, and Tris Speaker. In case you haven’t guessed it already, if you want to see a ton of star power on a single checklist, you owe it to yourself to take a look at the HOFers in this set.

1914-1915 Cracker Jack

If you view the 1914 and 1915 Cracker Jack sets as two different sets (that happen to have a gigantic number of nearly identical cards), then there are no Traded cards. However, if you view the two releases as a single set, then there are numerous Traded cards. Among the players to appear on two different teams, the biggest star is unquestionably Nap Lajoie. who appears in 1914 with his namesake Cleveland Naps and in 1915 with the Philadelphia Athletics. In addition to the change in the team name at the bottom of the card, you can also see that “Cleveland” has been erased from his jersey.

Another notable jumper in this set is HOF pitcher Eddie Plank who has his 1914 card with the Philadelphia Athletics and his 1915 card with the St. Louis Terriers of the Federal League.

1911 T205

I will take any excuse to include cards from this set in a post, so I was thrilled when Net54 member Gonzo alerted me to the team variations in this set. Here are two players who were traded from the Boston Rustlers (who?) to the Chicago Cubs. David Shean went packing on February 25, 1911, and George “Peaches” Graham made his move a few months later on June 10.

Gonzo also notes that many of the images from the 1911 T205 set were reused, uniforms and all, for the 1914 T330-2 Piedmont Art Stamps set. (I will freely admit to never having heard of this issue.) One HOF jumper is double-play man Johnny Evers, whose picture has him on the Cubs but card has him on the Braves. There are also several players attached to Federal League teams though their images still show their NL/AL uniforms.

1911 S74 Silks

It was once again Net54 member Gonzo for the win with this great find! On the other end of the aforementioned “Peaches” Graham trade was Johnny Kling, depicted here in his Cubs uniform while his card sports the Boston Rustlers name and insignia.

1909-11 T206

Another multi-year set, the Monster includes a handful of team change variations. The Bill Dahlen card on the left shows Dahlen with his 1909 team, the Boston Braves. Though he would only play four games total over his final two seasons in 1910 and 1911, the cardmakers at the American Tobacco Company saw fit to update his card to show his new team, the Brooklyn Dodgers.

1887-90 Old Judge

If T206 isn’t old enough for you, then let’s go even farther back to the juggernaut of 19th century baseball card sets, N172, more commonly known as Old Judge. According to Trading Card Database, Hall of Fame pitcher Amos Rusie has cards with both the Indianapolis Hoosiers (1887) and the New York Giants (1889-90). I was unable to find what felt like a real NYG card of Rusie, but I did find one where a strip of paper reading “New York” had been glued over the area of the card that had previously said “Indianapolis.” My immediate thought was that a collector was the culprit behind this cut-and-paste job. But how funny would it be if this is how the Old Judge cardmakers did updates back then!

Epilogue

When I first stumbled across Traded cards, it was love at first sight. What a thrill to end up with two cards of a top star, and what better way to turn a common player into a conversation starter. To the extent baseball cards tell a story and document the game’s history, Traded cards hold a special role. Unfortunately, these cards have a dark side as well. At least in 1983 they did. If you ever doubted that 8 3/4 square inches of cardboard could rip a kid’s heart out, stomp it to bits, and then spit all over it, well…here you go.

Diamond Stars fails its background check

INTRODUCTION

I’m not shy about proclaiming National Chicle’s 1934-36 Diamond Stars as one of my favorite sets ever. The set’s bright colors and period backgrounds seem to hint at the Golden Age of comics just on the horizon (1938-1956), and the set is loaded with action in contrast to the more austere (mostly) portrait-centered design of its 1934 Goudey competition.

Much of the action was posed and, stylistic backgrounds aside, would fit right in with the Topps sets of 1957, 1967, or even 1977: baseball players pretending to do baseball things on baseball fields.

Other cards, however, took the action a step further and put the players right into the game.

Other cards fell short of in-game action but still managed to have interesting things going on in the background. (Click here for a fun Twitter thread on the Medwick card in particular.)

Perhaps inspired by the recent discovery of a Joe Jackson cameo in the T202 set, I liked to imagine that the batter in the distance behind Rick Ferrell wasn’t just anybody holding a bat!

And who says there’s no Lou Gehrig in the Diamond Stars set? Who’s that handsome fellow holding a bat behind the Crow?

And come to think of it, even the guy in the dugout looks familiar!😊

Unfortunately, a funny thing happens when you submit the Diamond Star cameos to a full background check. You come up empty!

SOURCE PHOTOS

Some readers may remember an earlier post that matched the 1933-34 Goudey cards with Charles Conlon source images. Such a massive undertaking was too ambitious for the couple hours I had today, but I did manage to compare 1934-36 Diamond Stars against the 65 premiums that make up the 1934 Butterfinger (R310) set.

I chose the Butterfinger set for three reasons:

  • The premiums used photographs, including authentic backgrounds.
  • The set was contemporary with Diamond Stars, hence included many of the same players.
  • The Butterfinger photos had known overlap with other card sets of the era. Here are other uses of the Dizzy Dean photo, for example.

Overall, the 108-card Diamond Stars set (of 96 different players) had 31 players in common with 1934 Butterfinger. Of these 31, there were 9 positive image matches and one other I’ll put in the “maybe but probably not” category.

positive matches

The Diamond Stars Blondy Ryan features what I imagine to be a hustling outfielder, charging in to back up the play. However, “imagine” is the key word here because really there’s noboby there!

Next up is Gus Suhr, who makes the grab at first base several steps ahead of the…wait a minute…I swear there was a runner there!

Next up is Jim Bottomley, throwing a ball around while imaginary teammates check out the bat selection.

The good news on this one is that Joe Vosmik didn’t really take such a half-hearted hack at a real pitch. He’s just smiling (okay, maybe not) for the camera.

Our next batter is Master Melvin, whose Diamond Stars card is actually quite faithful to the photo. (The same Ott image makes an appearance 0n one of his two 1933 Goudey cards as well.)

Ditto for Oscar Melillo, whose card transforms rather drab stadium scene into a vibrant cityscape but otherwise introduces no false action.

While many collectors prefer the purity of black and white photography over bright cartoons, the Butterfinger card of Paul Waner may pose a challenge to their orthodoxy. I can almost picture the scene on the field: “Hurry, take his picture before the elevator doors close!”

It’s fair to say Diamond Stars really made the most of what they had to work with here. (I’m not suggesting Diamond Stars used the Butterfingers as their source, but I am assuming the source photo for Waner is the tightly cropped image we see in the Butterfinger.) As a side note, I believe Waner’s is the only Diamond Stars card to show a uniform number for a cameo player, offering us the rare chance to see who it is! Let’s see, let’s see…#28 on the Pirates in the early 1930s was…nobody!

One of the more exciting matches in the sets is Yankees ace, Red Ruffing, who appears to be joined by Hall of Fame second baseman Tony Lazzeri. As you might have guessed though, it’s nobody at all.

At first glance you may wonder why I am calling this one a match. In truth, I almost missed it myself.

But take a look. All I did was adjust the size–not even any rotation required.

CLOSE BUT NO CIGAR…

The images of General Crowder from Diamond Stars and Butterfinger bear a strong resemblance, but there are hints that the Diamond Stars comes from a different photo. I’ll leave the clues for you to find unless anyone asks me in the Comments.

CONCLUSION

Upon review it is evident that the Diamond Stars artists simply improvised backgrounds, either to make cards more interesting or to give the illusion of game action. That said, this gimmick was hardly invented at National Chicle, as demonstrated by this 1933 Goudey card of Jimmy Dykes where the action is magically transported from outside the dugout to the batter’s box.

So no, Diamond Stars hardly invented the illusion of game action. However, seeing as the Goudey image has neither catcher nor umpire, I do think Diamond Stars improved considerably on the work of their main competitor, if not perfected the mirage. (Just don’t ask yourself how Lopez had time to toss his mask off in the tenth of a second it took the ball to spring off the bat.)

And besides, who hasn’t failed the occasional background check? It’s not like our national security is at stake here. Or is it? 😉

Want more?

Check out our earlier article here.

Dodger-Giant double agents

Author’s note: I originally planned this article in two parts, the first of which was published earlier in the week. I’ve since decided it works better combined into a single article, so here it is all in once place. J.A.S.

In the nearly 120 years of the great Dodger-Giant rivalry, more than 200 players have suited up for both sides, either as a player or manager, including 22 Hall of Famers. For most of these men it is an easy undertaking to find cards of them as Dodgers and as Giants.

Most often their Dodger and Giant cards come from different years or different sets, as in the case of the two Frank Robinson cards pictured, eleven years apart. However, it is sometimes possible to find these Dodger-Giant pairings within a single set.

When this happens, the player (or manager) achieves true “double agent” status, turns from hero to villain (or vice versa) among the team faithful, earns the double-takes of many a collector, and most importantly attains immortality with a spot in this article.

In the sections that follow, I will present a chronological list of the nearly two dozen Dodger-Giant double agents I could track down in my research. Please let me know in the comments if I missed anyone.

1903-04

Source: The Evening World (New York, New York), December 14, 1903

On December 12, 1903, the Brooklyn Superbas sent Bill Dahlen to New York for Charlie Babb and Jack Cronin. As a result, Dahlen can be found with both squads in the 1903-04 Breisch-Williams (E107) set and has the honor of being the first ever Dodger-Giant double agent.

1914-15

Here is one that really doesn’t count for several reasons but is interesting enough to include nonetheless. On August 31, 1915, the Brooklyn Robins claimed Hall of Fame hurler Rube Marquard off waivers following his release by the Giants. As such, Marquard has cards with both New York and Brooklyn in the Cracker Jack sets of 1914-15.

Rendering true double agent status doubtful, however, are (at least) three key details.

  • Most collectors consider the 1914 and 1915 Cracker Jack sets to be two separate sets, disqualifying Marquard as a true double agent.
  • Both cards show Marquard in his NYG uniform, which by itself isn’t a disqualification but still detracts from the visual contrast we deserve in our Dodger-Giant duos.
  • Finally, Marquard’s second card does not even place him with the right Brooklyn team. Instead, he is erroneously placed on the Brooklyn Tip Tops, the Federal League squad that shared a borough with the Robins/Dodgers National League team Marquard actually pitched for.

1933

On June 16, 1933, the Giants traded Sam Leslie to the Dodgers for Watty Clark and Lefty O’Doul. Clark had only a single 1933 Goudey card, which depicted him as a Dodger, while Leslie had no 1933 cards at all. O’Doul, on the other hand, had two cards in the Goudey set: one as a Dodger and one as a Giant.

The first card came early in the year as part of the set’s third sheet while his second card, along with those of numerous other Giants and Senators, was something of a bonus card as part of the set’s World Series (sheet 10) release.

1948

In July 1948 Brooklyn general manager Branch Rickey and New York owner Horace Stoneham came to an agreement that allowed Brooklyn manager Leo Durocher to take over the Giants. The 1948 R346 “Blue Tint” set noted the update and may well have inspired future Topps airbrushers with its treatment of Durocher’s cap.

1982

A part of my childhood was destroyed when Reggie Smith left the Dodgers and signed as a free agent with San Francisco on February 27, 1982. A giant (okay, pun intended) setback in my grieving process came when Topps pushed out its Traded set for the year and documented the move in cardboard. But alas, at least we still had Dusty!

As a side note, the Traded card presents an interesting blend of numbers for the man who formerly wore #8 with the Dodgers and would wear #14 with the Giants. His jersey shows him as #60 while his bat has a 30 on it, which I take to mean it belonged to teammate Chili Davis.

1984

No-o-o-o-o-o-o-o! They got Dusty too?! Sadly it was no April Fools joke when the Giants signed fan favorite Dusty Baker as a free agent on April 1, 1984, and this two Traded/Update sets were there to ratify the trauma.

1985

A rare trade between the Dodgers and Giants on December 11, 1985 produced two more double agents. The first was fan favorite Candy Maldonado, who like Baker before him made both the Topps and Fleer sets.

And on the back end of that same trade…

Oddly, neither Trevino nor Maldonado cracked the 660-card 1986 Donruss checklist despite the set including 21 different Giants and 24 different Dodgers. In Trevino’s case, he was San Francisco’s primary back-up catcher behind Bob Brenley played in 57 games. As for Maldonado, he played in 123 games, leading all reserve players and ranking eighth overall on the team.

1991

Fast forward to 1991 and the number of baseball card sets had reached absurd levels. Therefore, it should be no surprise that when free agent superstar Gary Carter signed with the Dodgers on March 26, 1991, he would set new records for cardboard double agency.

First here’s Topps.

Next up are the Kid’s two Fleer cards. Warning: Sunglasses may be required.

Upper Deck was of course also in the act by now.

And finally, Score put out two Carter cards as well, ridiculously similar to each other to the point of almost seeming impossible.

A similar octet of cards belonged to Brett Butler this same year, with Bugsy landing in Los Angeles via free agency on December 14, 1990.

1992

Dave Anderson signed with the Dodgers as a free agent on January 28, 1992, but this time only one company, Score, seemed to take notice.

1993

It was Fleer and only Fleer on the job when Todd Benzinger headed north to San Francisco as a free agent on January 13, 1993.

Meanwhile, Cory Snyder got three times the cardboard love when he took his talents to L.A. on December 5, 1992. Score Select was particularly ambitious, dropping Snyder out of an airplane for their photo shoot.

1994

On June 19, 1994, following his release from the Dodgers, the Giants signed Darryl Strawberry to a cup of coffee. Little used by both teams in 1994, Darryl hit double agent status with only a single cardmaker, Fleer.

1998

On December 8, 1997, infielder Jose Vizcaino signed with the Dodgers as a free agent after playing the regular season with the Giants. However, the baseball card production process was by this time so fast that nearly all of Vizcaino’s base cards already had him as a Dodger. As a result, his double agency was limited to the 1998 Fleer Tradition set only.

2000

On January 11, 2000, F.P. Santangelo signed with the Dodgers as a free agent. While very few companies even had a single card of the oft abbreviated Frank-Paul, Upper Deck came through with cards on both sides of the cardboard rivalry.

2003

The Giants signed Gold Glove centerfielder Marquis Grissom as a free agency on December 7, 2002, leading to a pair of Fleer Tradition cards based on Fleer’s sharp 1963 design.

Curiously, the Fleer Tradition Update cards (not just Grissom’s) omitted the city from team names. If there’s any story to it, let me know in the comments.

2006

On January 3, 2006, pitcher Brett Tomko signed a free agent deal with the Dodgers. If nothing else, the move gave Topps a chance to show off how far they’d come since their drunken airbrush days. Scary good if you ask me.

Tomko’s Dodger card above came from a Dodger-specific team set, but he also earned a card in the Topps Updates and Highlights set for good measure.

2007

When the Dodgers signed all-star right-hander Jason Schmidt on December 6, 2006, no two companies went the same route. First up, Fleer simply turned back the clock to the days of 1981 Donruss.

Meanwhile Topps ventured back to 1983 and the Fleer Joel Youngblood card or Eddie Murphy movie with this special insert…

…while also going full Tomko across their Pepsi and Opening Day releases.

Upper Deck came through with a nice pair of landscape Schmidt cards, though neither is a true Giants card since both go with Dodgers in the header.

Would I be remiss if I didn’t report that the first of the two Schmidt cards is also available in Gold, Predictor Green, and First Edition? Take your pick I guess!

2009

Brad Penny signed as a free agent with the Giants on August 31, 2009, following half a season with the Red Sox and a longer stint before that with L.A. This landed Penny cards on three teams in 2009, including double agent status with Topps Heritage.

2013

The final player (as of 2019) with a Dodger and Giant card from the same set is Brian Wilson, who signed as a free agent with the Dodgers mid-season on July 30, 2013. Lucky for you, Topps was there to document the before and after in pretty much every possible color!

analysis

On one hand, Dodger-Giant double agents reflect an oddball phenomenon of at best passing interest to fans of either of the two teams. However, their distinctly non-random occurrences over the years also point to important changes in the game and the hobby.

Just looking at the graph, it is possible to see all of the following:

  • Prevalence of multi-year issues in the early days of the hobby
  • Increased player movement with the advent of free agency
  • Introduction of Traded/Update sets
  • Increase in the number of companies issuing sets (1981-2008)
  • Reduction in the number of companies issuing sets (2009-present)

I will leave it to others to identify the cardboard double-agents of baseball’s other great rivalries (e.g., Yankees-Red Sox), but I’ll hazard a guess already that a graph of the data would look very much like mine.

Ten quirks of the 1934-36 Diamond Stars set

The 1934-36 Diamond Stars set from National Chicle is a personal favorite thanks to its bright colors, its creative backgrounds, and the overall personality of its artwork. It’s also a set that makes for interesting study due to a variety of quirks and even a possible mystery.

10. NO Ruth or Gehrig

Though the Diamond Stars checklist is stacked with Hall of Fame talent, the set does not include the era’s two biggest stars, Babe Ruth and Lou Gehrig. Other notable absences include Dizzy Dean and Chuck Klein. While the omissions detract from the set in the eyes of many collectors, they may prove a blessing in disguise to set collectors on more modest budgets.

The standard theory, which I subscribe to, on why these players are missing is that they were locked into contracts with Goudey and/or mega-agent Christy Walsh. However, Ron Rembert offers an alternate explanation in his article, “Idols and the 1934-36 Diamond Stars Set.”

9. AUSTEN LAKE BIOS

The back of each Diamond Stars card features a novel biographical format that doubles as a baseball instruction manual and scouting report tailored to the featured player. The byline on this content is Austen Lake of the Boston American.

1934-36 Diamond Stars Lefty Grove with Austen Lake bio

Lake himself has an interesting bio, having at one time tried out as a catcher with the Yankees, played football professionally, and rose to prominence as a war correspondent during World War II. Of course, some vintage collectors might know the name (and even most of the bio!) from another set of 1930s trading cards.

1933 DeLong Lefty Grove with Austen Lake bio

8. what year are the cards?

As the name suggests, the 1934-36 Diamond Stars were indeed released over a three year period. However, that is not to say that each of the cards was available all three years. More detail is provided in an excellent article Kevin Glew wrote for PSA, but a basic summary of the 108-card release is as follows.

  • 1934: Cards 1-24
  • 1935: Cards 1-84
  • 1936: Cards 2, 4, 5, 8, 9, 10, 12, 16, 22, 26, 30, 31, and 73-108

For example, this Luke Appling card (#95) would have only been available to collectors in 1936 whereas the Lefty Grove card (#1) shown earlier would have been available in 1934 or 1935. (As you’ll see in the next section, this isn’t 100% true, but we’ll call it “true for now.”)

7. what year are the cards…really?

For cards spanning more than one year, such as the Lefty Grove, a different version of the card was issued each year. The most telltale feature for distinguishing the variations is the line of stats at the bottom of each card back. If you scroll up a bit, you’ll see the Grove card that led off this article featured stats for 1933, hence was part of the 1934 series, whereas this Grove card features stats for 1934, hence was part of the 1935 series.

6. color change

Card backs featured green ink in 1934, blue ink in 1936, and a mix of the tw0—at least for cards 73-86—in 1935. As such, a set collector hoping to collect all possible variations would need three of each card from 73-86: a green 1935, a blue 1935, and a blue 1936.

5. other variations

Two well front variations in the set are the Hank Greenberg and Ernie Lombardi cards, originally misspelled as Hank Greenburg and Earnie Lombardi. Less known are five cards in the set where the player uniform changes due to a transaction between one series and another. I have a more comprehensive article on this subject here, but here are images of the five.

In other cases, such as with Johnny Vergez, card fronts stay the same but card backs note team changes.

4. more ambitious set planned?

Similar to the 1933 Goudey set, the bottom of each card back advertised a set of “240 major league players.” Despite that, the set included only 108 cards and only 96 different players.

One explanation for the smaller set is that player contracts with Goudey greatly reduced the number of players available. Another explanation is the 1937 bankruptcy of National Chicle. That said, at the established pace of only 32 new players (or 36 new cards) per year, it would have taken a good 7+ years to make it to 240.

3. DOUBLED dozen

While the first 96 cards in the checklist represent 96 distinct players, the final 12 cards in the set are all repeats. For example, Bill Dickey has card 11 (1934, 1935) and card 103 (1936) in the set. A possible explanation for the repeated twelve cards will come at the end of this article.

2. mystery uncut sheet

An uncut sheet of Diamond Stars was discovered in the 1980s by the family member of a former National Chicle printer. While other uncut Diamond Stars sheets are known to exist, what made this one particularly unique was that none of its 12 cards appear anywhere on the Diamond Stars checklist! (See Ryan Cracknell article for more info.)

In addition to blank-backed cards of Hall of Famers Goose Goslin and Lefty Gomez, the sheet also includes a particularly noteworthy card pairing Browns teammates Jim Bottomley and Rogers Hornsby.

Original artwork for the Bottomley/Hornsby card sold at auction in 2012, and good news…the owner is evidently actively entertaining offers!

In addition, the press photo, taken at 1936 Spring Training, that the artwork and card were based on has also made the rounds.

1. connection between uncut sheet and doubled dozen?

I have seen some speculation that the twelve repeated cards (97-108) on the Diamond Stars checklist might have taken the place of the twelve cards on this uncut and unreleased sheet. I have also seen the Bottomley/Hornsby card at its neighbors proposed as part of an unrealized 1937 extension to the original set.

As with most 80+ year old mysteries, any definitive answer is likely lost to history. At least some clues that suggest the sheet was produced along with the rest of the 1936 series are the cards for Jim Bottomley, Roger Cramer, and Gene Moore, all of which show teams they joined in early 1936, and Benny Frey, Rip Collins, Linus Frey, and Lon Warneke, still shown on teams they were no longer with in 1937.

When I first saw this unreleased sheet, what jumped out at me were the zanier more geometric backgrounds versus the more traditional (but still colorful) stadium and cityscape backgrounds of the original 108 cards. Perhaps this mismatch prompted a National Chicle exec to kill the sheet and a panicking product manager to replace it with the fastest thing he could throw together: repeats of earlier cards.

BONUS KAWhi leonard tie-in

As Kawhi Leonard contemplates whether to remain in Toronto or join forces with LeBron and A.D. to form the greatest Big Three in NBA history, I thought I’d call out my favorite Cardboard Big Three ever. I defy you to top it, even if I spot you a Ruth and a Gehrig!

You want even more?

Still can’t get enough Diamond Stars? See our next Diamond Stars article, “Diamond Stars Fails Its Background Check.”

The Babe Ruth trade of 1933

I know the historians among you are already protesting. “But the Bambino was never traded!” Details, details. You’re thinking of the real world, but I’m talking about the cardboard world.

An extremely rare 1/0 Babe Ruth traded card

The year was 1933, and a fourteen-year-old chewing gum company, having tucked its poisoning scandals safely in the past, was making its first foray into the baseball card world. The effort would be an ambitious one, promising young chewers a 240-card series of baseball stars.

Reverse of 1933 Goudey card #1, Benny Bengough

This set, known as R319 or 1933 Goudey, was destined to become one of the most popular and iconic trading card sets of all time, to this day sharing headroom with 1909-11 T206, 1952 Topps, and (depending on your age) 1989 Upper Deck on our hobby’s Mt Rushmore of classic baseball card sets.

Artist’s representation of fictitious Baseball Card Mt Rushmore. Beware of slippery slopes!

Before we can get to the Babe Ruth trade, it’s necessary to understand that the Goudey set was produced as ten sheets of 24 cards each. An uncut example of the fifth sheet is shown below. It includes card 53, the first of four Babe Ruth cards that would appear in the set.

Sheet 5 of 1933 Goudey set, the first release to include a Babe Ruth card

Probably not, but perhaps you’ve just done the math and wondered how card 53 would have ended up on the fifth sheet, which ostensibly should have featured cards 97-120. In fact, the Goudey set used extensive skip numbering, instead filling the fifth sheet with card numbers 53-57, 68-74, and 80-91. (I also believe a second factor was at play and that this particular sheet was originally designed as the fourth sheet.)

Here is the state of the Goudey checklist following the release of the fifth sheet. Note the gaps from 97-99, 106-114, 121-129, and perhaps 142-144.

But now let’s talk about that sixth sheet in greater depth. In particular, we’ll focus on five cards from it for which early proof versions exist.

When you think of card 106 in the 1933 Goudey set, you most likely think of the famous Napoleon Lajoie card. What you may not know is that an early proof card of Leo Durocher first bore this card number before ultimately receiving card 147 in the set.

1933 Goudey #106, Napoleon Lajoie, issued in late 1934 to appease the completists

Likewise, four other cards from the sixth sheet have proof cards that are “misnumbered.”

  • Eddie Farrell #107 (released as 148)
  • Luke Sewell #123 (released as 163)
  • Al Spohrer #124 (released as 161)
  • Rube Walberg #128 (released as 145)

Returning to the set’s checklist, the proof (incorrect) numbers of each are shown in pink and the final (correct) numbers of each are shown in blue.

In all five cases, the numbers of the proof cards land within the checklist’s gaps whereas the final numbers assigned avoid the gaps entirely. Though it would require the discovery of many more proof cards to be certain, the numbering of the known proofs at least suggests that an early draft version of the sixth sheet might have filled all 24 gaps prior to renumbering.

Ir reality, the sixth sheet filled only two of the gaps, 143 and 144, while adding the next 21 consecutive numbers to 165.

If you’ve done the math again, you may be pondering how it is that a sheet of 24 cards might only check off 23 numbers. The answer is that the sixth sheet contains the only double-print of the set, Babe Ruth’s card 144, which can be found twice in the second row of the sheet. The sheet also includes Ruth’s red 149 card and the renumbered Farrell (148), Durocher (147), Walberg (145), Sewell (163), and Spohrer (161) cards.

Sheet 6 from 1933 Goudey set (numbering added) featuring double-printed Ruth 144

To the extent the five proof cards identified thus far hint at a draft version of this sheet with different numbers, a second even more intriguing question is natural: did the draft version include both Ruth 144 cards, or was a second one added in some later stage of production?

Thickening the plot and potentially answering that question is the existence of a sixth proof card.

Proof card of Jack Russell

Like the other five proofs, its number 121 fits perfectly within the theorized numbering of the original sixth sheet.

However, this particular card did not end up on the set’s sixth sheet. It was bumped to the next one and assigned card number 167.

Sheet 7 from 1933 Goudey set featuring Jack Russell’s card 167

What this suggests to me is that there were at least two significant changes made to the 1933 Goudey set’s sixth sheet prior to final production.

  • Cards were renumbered to continue the set’s skip counting scheme.
  • Jack Russell was bumped to make room for a second Ruth 144 card.

So while I may never own the 1933 Goudey Babe Ruth card I’ve coveted since I was nine, I may well own the player he was traded for, and isn’t that almost as good?! 😀 (Spoiler alert: No.)

The author with his 1933 Goudey consolation prize

So that’s the story I intended to tell when I began work on this article. Unfortunately, facts have a way of ruining a good story, and that’s exactly what happened as I chased down some last-minute research on the topic.

While I am unable to find a photo of the reverse, I trust the Robert Edwards Action catalog enough to add this Al Thomas card to the list of numbering variations. While the true Thomas card (pictured at right) carries number 169 in the Goudey set, the proof card (pictured at left) is numbered 127.

Proof card and standard card for Al Thomas. Note various minor differences in typesetting of name.

On one hand, a proof card numbered 127 fits squarely within the numbering range of the other proof cards.

On the other hand, like the Russell, it bounced to the seventh sheet of the set.

Had Thomas remained on the sixth sheet along with Durocher, Walberg, et. al., his proof card would have fit my original thesis to a tee. However, with that not being the case, we are left with two possible conclusions.

  • The whole theory was rubbish to begin with
  • The theory was mostly right except that TWO Ruth cards were added at the end!

I find this second alternative the more attractive one, largely for self-serving reasons, but also because it begs the question: Which two?

I’ll close with a few quick notes on the proof cards discussed in this article.

  • While the most evident differences between the proofs and their standard issues are the card numbers on the back, there are also differences on the fronts of the cards. The typesetting of the player name is a frequent difference. For example, the proof version of Al Thomas almost looks like ALTHOMAS (one word) while the standard version separates his first and last name with a period (AL. THOMAS) and crashes into his hat.
  • While there is some mystery surrounding the precise timing of these proofs, a strong clue comes from the Durocher card. Because his proof has him with the Cardinals, a trade that occurred May 7, 1933, it is clear his proof card was produced after that date.
  • Thus far each of the proof cards identified with the possible exception of the Durocher is a 1/1, at least as far as known copies are concerned.
  • According to hobby lore, most or all of the proofs came from a single partial sheet obtained by hobby pioneer Woody Gelman directly from a source at Goudey. (An alternative explanation has been put forth with respect to the Durocher, claiming it was instead created by hobbyists post-1933 as a means of helping collectors complete their sets.)

Author’s note: If you are aware of other 1933 Goudey proofs with numbers that differed from their final printing, please let me know. Following the line of thought in this article, I imagine there might have been 20+ originally.

Super Asymmetry meets Play Ball

Author’s note: I suspect what I’m presenting here must have been obvious to the collectors of the day. However, any record of it seems to have gone unpublished. I am hopeful that I am sharing something new and interesting to our readership, but feel free to let me know in the comments if this is more “knew” than “new!”

My previous Cardboard Crosswalk examined the 1941 Play Ball set’s connections to its 1940 predecessor. As I researched and wrote the piece, it was only a passing thought that the 1939 debut offering would contribute anything essential to the story, so I was happy to save the 10+ hours of work any deeper look would provide. It certainly didn’t occur to me that the connection between the 1939 and 1940 set might be the single most unusual and interesting connection between any two baseball card sets ever produced.

Here, then, is the story of an incredible secret, perfectly hidden in the one place nobody would ever think to look: in plain sight.

Williams and DiMaggio

We’ll start the story with the two top cards in the 1939 set, shown here with their 1940 follow-ups.

Williams and Joe D.jpg

There is a nice asymmetry to the four cards. As Williams moves from an action pose to a portrait, DiMaggio does just the opposite.

For collectors undecided as to whether they prefer portraits vs action poses, it might seem fortuitous to end up with one of each. The secret of the sets, however, is that there is no happy accident here. This asymmetry is THE defining feature of the 1939-40 Play Ball sets! Let’s take a closer look.

Repeated players

The 1939 Play Ball set consists of 161 cards. (The cards are numbered to 162, but there is no card 126.) Of the 161 subjects featured in the set, 137 are repeated in the larger 240-card 1940 release.

As the graph below shows, these repeated players (red) came entirely from the first two-thirds of the set. Whereas most repeats from 1940 to 1941 reused photos, the opposite was true from 1939 to 1940. Of the 137 repeated subjects, only 11 (yellow) reused the previous year’s photos.

1940 art repeats

The other 126 (92%) used new photos. It is these 126 slots on the checklist that will be our main focus from this point forward.

Starting off 24 for 24

Here are the first six such cards on the 1940 checklist. (All are Yankees as the 1940 checklist was largely organized by team.) Beneath each card is its 1939 counterpart.

Batch 1rev

The three action poses from 1940 correspond to three portraits from 1939 and vice versa: Super Asymmetry nearly 80 years before Drs. Cooper and Fowler even proposed the idea on the Big Bang Theory!

Now let’s head to the next 6 cards: 7-11 and 13. And look at that! For every portrait in 1940 an action shot in 1939 and vice versa. Super Asymmetry again!

Batch 2

We’ll pause here, having examined the first 12 repeated players in the 1940 set, to consider the odds of such an outcome having happened by chance alone. While more complicated modeling leading to even lower probabilities is possible, the simplest and best case scenario would be (1/2)^12 = 1/4096 ≈ 0.00024.

And now, onto the next 6 cards: 14-19. Perhaps you’re not even surprised at this point. The probability of asymmetry through the first 18 cards? One in 262,144!

Batch 3.jpg

Now here are cards 20-25. The probability by chance now drops to around 1 in 17 million!

Batch 4

Definitely not random!

By now I hope I’ve convinced you that the swapping between portraits and action poses for each player is no accident but a very intentional design feature of the set. I imagine there are two ways this arrangement could have come about.

  1. The photographer, George Burke, could have provided Gum Inc with two images of each player: a portrait and an action pose. Once one was chosen for the 1939 set, the other then became the default photo for the 1940 set.
  2. Alternately, Gum Inc could have been more intentional by either drawing an opposite pose from some larger collection of player photos or asking Burke to provide the opposite of whatever he’d provided the year before.

Either one of these approaches seems to require more planning, consideration, and expense than anything I would have thought possible at the time. It’s really quite remarkable. (And if you are dying to know which of these explanations is more likely, read on till the end. I have a good guess till someone debunks it in the comments!)

Before continuing through the set, I’ll also pause to comment on the connection (so far) between Super Asymmetry and the 1941 set. Granted there were not many players who made the checklists of all three Play Ball sets, but let’s consider those who did (e.g,. Williams, DiMaggio). Gum Inc had already provided both a portrait and an action pose. Were they to provide another portrait of Teddy Ballgame, they’d be copying 1940, and were they to provide an action pose, they at least broadly be copying 1939. The strategy they had employed to make 1940 as different as possible from 1939 had led them to a no-win situation for 1941.

Rather than accept defeat and go with one or the other, Gum Inc pulled the first (and perhaps only!) Kobayashi Maru of the trading card world. By moving to color, they ensured the 1941 series would look completely different from either of its predecessors regardless of whether portraits or posed action was used.

Two dozen more for good measure

Here are the next 24 repeated players, along with their 1939 counterparts.

Batch 5

Batch 6

Batch 7

Batch 8.jpg

Once again, each 1940 card shows the opposite pose of its predecessor from 1939. We are now a perfect 48 for 48. Perhaps you can predict the ending at this point.

Not so fast…

As the 1940-1941 crosswalk showed, a set can start out one way and finish another way. Indeed we will not go 126 for 126, which is why we are dealing with only Super Asymmetry rather than Perfect Asymmetry!

Before looking at the cards themselves, I’ll present an updated 1940 Play Ball checklist with nine new shaded cells corresponding to the set’s asymmetry exceptions, i.e., cards where either the 1939 and 1940 photos were both portraits or both action poses.

1940 corrected grid.gif

The seven green cells

First up is Pete Appleton, card 128, who moves from the Senators to the White Sox. (All seven green cell card will involve team changes.) As a side note useful to Appleton supercollectors, Pete Appleton began his big league career as Pete Jablonowski, the name used on his 1933 Goudey and 1934 Canadian Goudey cards.

Appleton

Lynn “Line Drive” Nelson, card 135, moves from the Athletics to the Tigers, where he certainly lived up to his nickname. Though his at bats were limited as a pitcher, he parlayed his famously low launch angle into a .348 batting average.

Nelson

Beau Bell, card 138 and French for Beautiful Beautiful, moves from the Tigers to the Indians in his two portraits poses.

Bell.jpg

Joe Vosmik, card 144, moves from the Red Sox to the Dodgers, a transfer camouflaged by the matching hats but revealed by the differing jerseys.

Vosmik.jpg

Pinky Shoffner, card 149, moves from the Braves to the Reds just in time to win the pennant.

Shoffner

Ray Hayworth, card 155, changes sides in the Big Apple’s crosstown rivalry.

Hayworth.jpg

Finally, imminent batting champ Debs Garms, card 161 and a featured player in the 1940-41 crosswalk, moves from the Bees to the Pirates.

Garms2.jpg

Our analysis of the 1940 Play Ball set would be ready to tie a bow around if not for two inconvenient cards, highlighted in blue on our checklist.

The two blue cells

Cards 150 and 151 in the 1940 set belong to Cincinnati players Whitey Moore and Eddie Joost, whose stat line upon moving to the A’s makes it look like he might have!

Blue Guys.jpg

As often happens in the research I do, I have no explanation at all for why these two players had portraits in each set. Looking back at the checklist, I suppose it’s possible that whoever was responsible for cards 143-151 simply didn’t get the memo, and I suppose it’s also possible that Gum Inc simply had no action shots available. At any rate, two is not a big number.

Final thoughts

I speculated earlier as to the two most likely explanations for this near-perfect pairing of portraits and action poses. I am ready now to narrow this down to the first of the two.

Let’s assume that the photographer, George Burke, initially took a portrait and action shot of each of the players in the 1939 set, that Gum Inc simply slotted one for 1939 and the other for 1940 as needed.

The one place this approach would fail to provide for the 1940 release would be if a player changed teams. In these cases the leftover photos would no longer be current enough to use. As we have just seen, eight of the ten exceptions to portrait-action pairs occur with players who did exactly that.

The next clue actually came at the very start of this article. (I know it’s bad form to end a Super Asymmetry article with this kind of symmetry, but sometimes it just happens.)

Williams and Joe D2.jpg

Folks I know who are good at such things tell me these photos of the Splendid Splinter and Yankee Clipper were taken in 1939. (Among the “evidence” presented: “Williams didn’t smile for the camera after 1939.”) If so then it’s easy to imagine a similar story for the other 135 repeated players in the 1940 set.

However, this is a case where the how and the why are less notable than the what. The near-perfect pairing of portraits and action poses is the main headline here as such a connection between the 1939 and 1940 Play Ball sets is something unseen before or after in the long history of the hobby. That this pairing could go unnoticed (or at least unpublished) all this time makes it that much more remarkable.

Appendix for the die-hards

Early in the article I mentioned that 11 of the repeated players in the 1940 set did not get new photos. For completeness, I wanted to at least show them. The first two, Chuck Klein and Gene Moore, appeared in the 1941 set with colorized versions (and uniform updates) of their 1939-40 photos. The other nine players were not part of the 1941 set at all, hence any variety in their cards was limited to black/white vs sepia, slight differences in zoom, and an occasional tilt.

1940  to 1941 same pics.jpg