I expect fellow author-collector Dylan has really started something with his post on the subject a couple weeks back. The topic is one just begging for the pen of each of our members, even as the idea of choosing “just four?!” often feels impossible.
1934-36 Diamond stars
I’ll lead off with a set that Dylan included on his Mt. Rushmore, the “Diamond Stars” issued by National Chicle from 1934-36. Like Dylan, it’s the look of the cards that hooks me in.
The color palette jumps off the cardboard like ink off a comic book page, but I am also a big fan of the baseball scenes depicted in so many of the card backgrounds. I’ve already written about these scenes coming more from the imaginations of the artists than real life, but for me that’s a feature, not a bug.
From a purely visual standpoint, Diamond Stars is my favorite set of the 1930s and perhaps my favorite set of all-time. Where it falls short with many collectors is in its player selection. Conspicuously absent from the set are Yankee greats Babe Ruth and Lou Gehrig. For the budget set collector, this is yet another bug-turned-feature.
If you’ve read a few of my pieces already, you also know I enjoy sets with some novelty and mystery. Diamond Stars definitely fits the bill, not only for its various quirks but also offers early instances (though by no means the earliest) of “Traded” cards.
If I had to choose one thing I dislike about this set, it’s the repetition of 12 players at the end of the set’s 108-card checklist. Particularly as these final cards are more scarce than the first 96, the duplication introduces disproportionate pain for set collectors forced to pay a premium for cards they already have.
Here is another set I’ve written about quite a bit and the set under whose shadow all other sets of the era reside.
While the set’s iconic status goes hand in hand with its trademark “Big League Chewing Gum” banner along so many of the card bottoms, my favorite cards come from the set’s final three releases (e.g., Morrissey, Root, and Herman above).
Where Diamond Stars lacked Ruth and Gehrig, Goudey brought these players on steroids, combining for six cards across the set’s 240-card checklist. Counting the Napoleon Lajoie card issued the following year, the set includes 66 cards of Hall of Famers and all but two players who competed in the season’s inaugural All-Star Game.
Were I to find fault with this set, it would be in a flaw common to all other baseball sets issued in the United States around this time. The set included players from the National League, American League, Pacific Coast League, International League, Southern Association, and American Association but no players from the Negro National League or other Black baseball leagues.
Kudos to my bud Scott Hodges who is filling some big holes in the 1933 Goudey set and others with his own digital card creations.
I’ve attempted similar in analog fashion though I’ve been less faithful to the history. Here is Buck Leonard on the Grays a year before he joined the team.
I will definitely treat the absence of Black stars as a bug, not a feature, but if there’s a silver lining it’s that there is no chance I could afford a 1933 Goudey Josh Gibson, and its absence from my collection would absolutely torment me daily.
1911 T205 Gold Borders
Like Dylan I had to include a tobacco set on my list. The T206 set, which initially did little for me, has grown on me immensely over the past couple years. Still, it would have to gain a lot more ground to surpass its gilded sequel.
The set features three different designs: one for National Leaguers, one for American Leaguers, and one for Minor Leaguers.
I absolutely love the NL and Minor League designs and am somewhat ho hum about the AL one, so I’m fortunate to be a Brooklyn collector.
As brilliant as the card fronts are, the T205 card backs are not to be ignored. While some feature brief biographies and one of several tobacco brands, others include…stats!
As with the two sets covered thus far, you will not find a single Black player in this set. You might suppose no card set from 1911 included Black athletes, but this was not the case. For example, here is Jack Johnson from the 1911 Turkey Red Cabinets (mostly baseball) set.
Once again then there is the knowledge in collecting T205 that you’re not collecting the very best players of the era. But again, did I mention I was a Brooklyn collector?!
Here’s where it always gets tough. I probably have ten or more sets I’m considering, but the rules are that I can only choose one. Though I love the cardboard of the 1930s (and earlier!) so much, my favorite era of baseball is the early 1950s. Though integration was slow, it was at least happening, and the mix of new talent and old talent was simply off the charts.
That said, the number of baseball card sets that managed to include all the top stars of the period was practically zero. Ted Williams, Joe DiMaggio, and Jackie Robinson in the same (playing era) set? Your choices are already fairly limited:
1947 Bond Bread
1948 Blue Tint
1950 All-Star Pinups
1950 R423 Strip Cards
1952 Berk Ross
Add Stan Musial and Bob Feller and the list shrinks further:
1947 Bond Bread
1950 R423 Strip Cards
1952 Berk Ross
Add Mantle and Mays and the list boils down to one: 1952 Berk Ross.
With a selection of players that also includes Roy Campanella, Yogi Berra, Larry Doby, Duke Snider, Monte Irvin, and an awesome Johnny Mize “in action” card, could this set be the winner?
As much as I love the checklist, the answer has to be no. Most of the images are too dark, too light, or too weird for my taste, and the simple design borders on the boring. Still, what could have been!
The key then is to find a set with beautiful cards and almost all these same players, and–if we add a few more years–Hank Aaron, Roberto Clemente, and Ernie Banks.
As much as it pains me to give up Joe DiMaggio and Stan Musial, it’s hard for me not to land on 1956 Topps. The beautiful portraits, the Kreindleresque action shots, and the awesome cartoon backs offer my favorite overall design of the Golden Age of Baseball, and the absence of Bowman meant nearly every active star was included in the set.
Unlike 1952 Berk Ross, with only 72 cards, 1956 Topps included 342 cards (counting un-numbered checklists), hence was large enough to assign a card to nearly everyone, not just a couple stars per team.
If I have any bitterness toward this set, it’s only the sour grapes of waiting way too long to collect it. If there’s a lesson here, it’s that sometimes to collect your Rushmore you need to…rush more! Luckily, I do have all 24 Brooklyn cards from the set, and hey, did I mention I’m a Brooklyn collector?
How about you? Which vintage (or modern!) sets make your Mt Rushmore? We look forward to your article!
As collectors we all have our favorite sets—the sets that stood out and caught our attention the second we laid our eyes on them. In this article I’m going to be discussing the four sets that are at the top of my list and form my personal Mount Rushmore of vintage baseball sets.
First up we have my all-time favorite set, 1933 DeLong gum cards. These cards never fail to amaze me. From the first time I laid my eyes on the set, I fell in love. This 24-card set featuring 15 Hall of Famers is brought to life by a bright and colorful background. The players appear to be larger than life as they stand or slide (i.e., Pepper Martin) on the diamond.
One very unique part about these cards is that the players are printed in black and white but certain parts of their uniforms like their hats, socks and jersey-lettering show some color. One more small detail that I’ve always loved is the much smaller ball players that appear behind the main player pictured on the card.
Going beyond the front of the card, the backs are also perfectly done, each card eloquently offering tips on fielding, throwing, hitting, running, etc., written by Austen Lake, a columnist for the Boston Transcript. Lake was no stranger to the game of baseball, having tried out for the Yankees before going overseas to serve in World War I.
The uniqueness of these cards, front and back, are what gives this set a slight edge over the next set that I will discuss.
1934-36 Diamond Stars
Second on my Mount Rushmore—my Thomas Jefferson—is the Diamond Stars set produced between 1934 through 1936. This entire set is nothing short of a work of art, the Salvador Dali of baseball cards, if you will. This set is truly one of a kind, it will catch your eye instantly, and will keep your attention the more you look through each and every card.
This set produced 108 beautiful cards, with the final twelve repeated players from earlier in the set. The first 96 cards are all unique in their own way. You can look through all 96 and you won’t find any card quite like another, which is what makes this set so fun.
This may be the only set where the background of the card, using its Art Deco style, can often be every bit as captivating as the player the card features. From the wide use of colors from purple, to red, to blue, to yellow, to green, this set was truly the first of its kind and maybe the last of its kind.
One of a few things this set has in common with the previously discussed 1933 DeLong set is that the backs of the cards are also written by Austen Lake, who again does an incredible job. Not only does Lake add tips on fielding, batting and pitching in this set but certain cards also feature a player bio.
Next up we have what can arguably be considered the most popular baseball set of all time. This set is massive, especially for its time, consisting of 524 cards including over 100 minor league ball players. Numerous players have multiple cards in the set, often a combination of portraits and “action shots”.
This set from start to finish is absolutely stunning. Every single card in this set could be blown up and hung in an art museum and would not look out of place in the slightest. Though the player images are incredibly well done, the backgrounds of the cards are what captivates me the most.
Not only do the bright blue skies suck you in, but the spectacular blend of orange and yellow skies truly capture the essence of a time period when the most honest form of work was working in mines, in a factory, or some sort of construction or road work, when smoke filled the sky in almost every city in America at the turn of the century.
Going beyond the front of the cards, another special feature of the set is the 16 different variations of the backs of the cards, from the simplicity of the Piedmont and Sweet Corporal backs to the more elegant and rare backs like Carolina Brights, Cycle Cigarettes, and my personal favorite, Polar Bear.
To wrap up my Mount Rushmore I’m going with an iconic set that features some truly iconic cards, most notably the legendary Mickey Mantle card, Eddie Mathews’ rookie card, and Willie Mays’ second year card.
It was a close call between this set and the 1953 Topps set that from the following year. I’m not sure there’s exactly a wrong answer between the two but I personally have always loved the 1952 set since I was first introduced to it.
This set does an incredible job of mixing simplicity with outstanding photography. The legendary stadiums that appear in the background of the cards and the various colors used as the backdrops for some of my personal favorites (Clem Labine, Roy Campanella, Bob Feller, Jackie Robinson, Johnny Sain) are nothing short of mesmerizing.
Going beyond the players on the card and the backgrounds, the star studded borders that go around the nameplate with the player’s facsimile autograph and the old time team logos add the perfect touch on the perfect set to summarize 1950’s baseball.
Though among most everyone’s candidates for the best first baseman in history, Jimmie Foxx—much like Honus Wagner two generations earlier—was a versatile player who could man various positions. (He ultimately took every position on the diamond besides second base and center field, including famously pitching—and pitching well—for the 1945 Phillies, as well as an earlier inning for the Red Sox.) Brought along gingerly by manager Connie Mack, Foxx was eased into the Philadelphia A’s lineup over several seasons. He originally reached the majors as a catcher, but with Mickey Cochrane claiming the position in his freshman season, Foxx had no future as Philly’s backstop. Tried variously in the outfield and the corner bases, Foxx did not become the Athletics regular first baseman until 1929. Not coincidentally, the A’s established themselves as the cream of baseball that season, leaving Babe Ruth’s mighty Yankees in the dust and cruising to a World Series championship.
With the arrival of Philadelphia’s quasi-dynasty of 1929–31 and Foxx’s subsequent eruption into Lou Gehrig’s near-equal as a devastating run producer, Jimmie was synonymous with first base throughout the 1930s.
Yet Foxx’s 1935 Diamond Stars card shows him as a catcher, despite the fact that he had not played an inning behind the plate since July 1928.
Having recently won back-to-back American League MVPs and now standing as one of the most famous and popular baseball players—not to mention first basemen—in the country, there seems to be no logical reason for National Chicle, the manufacturer of the Diamond Stars cards, to portray Foxx in his “long-lost” position.
Except that, for the first time in seven seasons, Jimmie donned baseball’s tools of ignorance, playing 26 of Philadelphia’s first 27 games behind the plate, before returning to first base. Mickey Cochrane had already traded in his white elephant for a tiger a season earlier and was busy player-managing Detroit to consecutive pennants, and Mack refused to put his trust in the A’s two other backstops when opening day arrived. In a strategy that could happen only in those quainter days, Mack moved Foxx back to catcher until he shelled out cash to the New York Giants for Paul Richards on May 25. (Richards was a short-term solution and did not even return to the majors until 1943; Mack ultimately solved his problem at catcher by bringing Frankie “Blimp” Hayes back to Philadelphia from the Washington organization, though Hayes was hardly a replacement for Mickey Cochrane.)
Anyway, National Chicle did not randomly or coincidentally depict Foxx as a catcher—the back of Jimmie’s card (spelled “Jimmy”) states that he had been “dividing his time between first base and catching…since Mickey Cochrane became manager of Detroit.”
This is flatly inaccurate (although to how much up-to-date and comprehensive statistics National Chicle availed itself certainly could be a factor): Cochrane had been traded to Detroit in December 1933, yet Jimmie never once played a game behind the plate in 1934 (though he unrelatedly did start nine game at the hot corner, for a total of 78 innings).
Thus, the only factual or rational reason for Foxx to be shown as a catcher on this card is because it wasn’t created until after Foxx debuted in 1935 as Philadelphia’s backstop on April 17. And he certainly would have had to have played at least several games at catcher before anyone at National Chicle either noticed or decided that enough of a pattern had been established to warrant capturing Foxx in catcher’s gear. (Considering National Chicle was based in the Boston suburb of Cambridge, it could be significant that the Red Sox and A’s did not clash until April 29, possibly delaying awareness that Foxx was currently not a first baseman.)
Exactly when in 1935 this card hit candy store shelves is unknown (at least to me). Foxx’s pose suggests—if we give National Chicle the benefit of the doubt on the facts of Jimmie’s defensive play, if not the semantics of his bio on the card—that National Chicle prepared and released its cards well after opening day. However, playing a handful of games at catcher in the early days of 1935 hardly can be considered “dividing one’s time” between the two positions when it never once occurred during the entire 1934 season. Either this was an excessively liberal take on National Chicle’s part or the writer of the card’s text assumed that Foxx had been catching in 1934—which, even in those less-enlightened days, was easily provable as false, had anyone bothered to fact check.
So perhaps National Chicle was under the erroneous impression that Foxx had been working behind the plate in 1934—which would make when the card was designed moot.
And yet, Foxx is mentioned as a first baseman even on the back of Jim Bottomley’s card, which was issued in the same series—and thus at the same time—as Foxx’s card, making Foxx’s portrayal as a catcher all the more curious.
Regardless, one must question to a degree the philosophy of so readily abandoning Foxx’s well-established reputation as an MVP first baseman based, presumptively, on a handful of games at the outset of the new season. It’s difficult to imagine the bigwigs at National Chicle thought Foxx’s move to catcher would be permanent, especially with light-hitting rookie Alex Hooks filling in for Foxx at first base, followed by powerless, though able, outfielder Lou Finney.
Still, National Chicle deserves a modicum of kudos for staying on the ball enough to reflect this recent, albeit temporary, change in Foxx’s defensive status—something of a Depression Era version of “keeping it real” (though whether it was necessary is debatable). As well, National Chicle should be commended from an aesthetic standpoint not only for providing an intrinsically interesting card but for similarly reminding the public that a baseball player is defined more by his many innings in the field than by his far shorter involvement at bat—a fact that modern fans tend to forget, especially in the era of the designated hitter and the current clamor for its adoption by the National League.
But as for whether Jimmie Foxx’s 1935 Diamond Stars card represents National Chicle being cutting edge or operating on erroneous information will likely never be known.
Rather than imagine the Topps intern assigned to building the checklist simply whiffed on Joltin’ Joe (or that there even was a Topps intern with such a job!), I have to believe Topps simply lacked the rights to feature DiMaggio’s likeness on cardboard. A look at other postwar sets during and after DiMaggio’s career show his absence in 1961 was definitely the rule and not the exception.
1933-1941 (AKA “Prewar,” depending where you lived!)
During the early part of the Clipper’s career, while he was not in EVERY set, one can say he tended to appear in every major set you’d expect to see him in, and then some, including these two gems from the 1933-36 Zeenut set.
Knowing DiMaggio didn’t make his Yankee debut until 1936, it’s not a big surprise that he didn’t appear in the three major gum card releases of the mid-1930s: 1933 Goudey, 1934 Goudey, and 1934-36 Diamond Stars. That said, his appearance in 1933 Goudey wouldn’t have been completely out of the question since that set did include 15 minor leaguers, including a fellow Pacific Coast Leaguer, Pete Scott.
Meanwhile, the 1934 Goudey and 1934-36 Diamond Stars checklists did not include any minor leaguers, so there’s no reason DiMaggio would have even been up for consideration.
Now some of you may know about the 1937 Diamond Stars extension set and surmise that Joltin’ Joe might have cracked that checklist. Unfortunately, all that seems to have survived is a single sheet of 12 cards, which of course DiMaggio is not on. All we can say for sure then is that if National Chicle did have a Diamond Stars card planned it would have been a gem!
The two-year stretch from 1936-37 did see DiMaggio appear on several cards, now as a Yankee, though there is room for debate among the collecting orthodoxy as to which constitute his true rookie card. (Don’t ask me, I’d vote for his San Francisco Seals cards!)
These four from 1936 have the benefit of being a year earlier than the 1937 cards, hence score a few more rookie points for their date of issue. On the other hand, all are of the oversized premium variety, which not all collectors put in the same category as the smaller cardboard offerings that come from packs of gum or cigarettes.
In fact, DiMaggio did crack one (cataloged as) 1936 (but really 1936-37) set of gum cards, but the fact that the World Wide Gum were only issued in Canada gives pause to a good many of the Hobby’s arbiters of rookiehood. If nothing else, though, note the nickname on the back of the card. A bit harder to read but the bio would not pass muster today in its reference to Joe as “a giant Italian.”
One of DiMaggio’s most sought after cards, rookie or not, was another Canada-only release and came out the following year under the later-on-much-more-famous O-Pee-Chee name.
Back in the U.S., DiMaggio made it onto two cards in 1937, but as with the preceding year they were both of the larger premium variety. The Goudey offering (left) is not much (any?) different from its 1936 counterpart, while the Exhibits 4-in-1 is particularly notable in its pairing of the Yankee Clipper with Lou Gehrig. (Oh, and the other two guys are pretty good also.)
It is finally in 1938 that Joltin’ Joe receives his first ever, God honest American gum card as a Yankee, thanks to the 1938 Goudey “Heads Up” set. Like the other 23 players on the checklist, he in fact appears twice, once with a plain background (card #250) and once with a cartoon background (card #274).
Finally, DiMaggio and Gehrig make it onto another 4-in-1 of Yankee legends, this time swapping out Tony Lazzeri for Bill Dickey.
To this point, just about every card I’ve shown, save the 1938 Goudey pair, has some level of oddball status attached. This was not the case from 1939-41 when Gum, Inc., hit the scene with its three year run of major bubble gum releases under the Play Ball name. Though the term is perhaps overused, I’ll throw DiMaggio’s 1941 card out there as one of the truly iconic cards of the Hobby.
The Play Ball cards weren’t DiMaggio’s only cards from that three-year stretch. He could also be found in the 1939-46 Exhibits “Salutations” set, yet another oversized offering…
And the 1941 Double Play set, where he was paired with his outfield neighbor, Charley Keller.
If there’s a theme to all of this, beyond just the opportunity to post a lot of incredible cards, it’s that Joe DiMaggio was no stranger to cardboard during the prewar portion of his career. On the contrary, he was in just about every major set there was, and then some!
These next ten years take us to the end of the Yankee Clipper’s career while also leading us through the wartime era where not a lot of card sets were being produced. DiMaggio cards didn’t simply follow the dip in overall card production but practically disappeared altogether.
Joe’s first card, post-1941, comes from the 1943 M.P. & Company card, a somewhat “off the radar” almost certainly unlicensed set, something we’ll see quite a bit more of as we proceed through this section of the article. (Side note: This set is screaming out for one of you to solve the remaining 21% of a mystery.)
Two notable aspects of the card are Joe’s position, right field (!), and the fact that his recent hitting streak is not mentioned.
The latter of these notables is addressed five years later in the 1948 Swell “Sport Thrills” set, which also happens to be the first gum card set of baseball highlights and a possible inspiration for the 1959 and 1961 cards Topps put out under a similar name.
First off, I’ll show the back of the card, which is everything you might expect to see in a card featuring The Streak.
However, the front of the card is more than a bit disappointing to DiMaggio collectors for obvious reasons. “Where have you gone, Joe DiMaggio?” indeed!
What I read into this card is that Sport Thrills did not have permission from DiMaggio to use his likeness on the card. Yes, it’s possible the folks at Swell truly considered “stopping the streak” a greater achievement than the streak itself, but I kind of doubt it.
But then again, look who made it onto the set’s Ted Williams card, so who knows!
1948 was also the year that Gum, Inc., reappeared on the scene, beginning an eight-year stretch (1948-55) of baseball card sets under the Bowman name. the Bowman sets managed to include pretty much every big name of the era but one: Joe DiMaggio.
Personally I would have loved to see the Yankee Clipper in one of these early Bowman sets, but a “what if” we can consider as collectors is whether the rights to Joe D. would have left another Yankee centerfielder off the checklist in 1951.
You might not have expected any mention of Topps so soon, but it’s worth noting that Topps made its baseball debut not in 1952 or even 1951 but in 1948 with 19 of the 252 cards in its Magic Photos release featuring baseball players.
The first five cards pictured could lead you to believe the players were all retired greats, but in fact six of the cards in the set featured images of the 1948 World Champion Cleveland Indians. Well shoot, this was the one year from 1947-53 that the Yankee’s didn’t win the World Series! Crazy to think it, but perhaps if the Yankees and not the Indians had signed Paige and Doby, there would be a playing career Topps card of Joe DiMaggio!
One of the least known (in terms of origin, not familiarity) releases of the era was the 1948 Blue Tint set. DiMaggio has a card in the set but in what’s emerging as a common theme the card (and entire set!) are believed to be unlicensed.
Similar to the 1938 Goudey cards a decade earlier, the 1948 1949 Leaf set finally presents us with an unambiguously mainstream, all-American, picture-on-the-front, New York Yankees card of the Clipper. It even boasts #1 in what is one of the earliest examples of “hero numbering” in a baseball card set.
Astute collectors may now say, “A-ha! That’s why he wasn’t in Bowman. Leaf signed him first.” However, my own belief is that Leaf not only didn’t sign DiMaggio but didn’t sign anyone, making this card as well as the rest of the set unlicensed. (As always, I would love it if a reader with more information is able to confirm or correct this in the comments.)
The next same year M.P. & Company was back with what I wrote about last year as the laziest set ever, adding to our tally of unlicensed Clipper cards. I rather like the blue added to Joe’s uniform since the 1943 release, but I don’t love the bio remaining unchanged even six years later.
In 1951 Topps hit the shelves in earnest with five different baseball offerings, a number that now feels small but was huge for its time. Though DiMaggio had already achieved all-time great status, there was no reason to expect him in the Connie Mack’s All-Stars set, in which the most modern player was Lou Gehrig.
However, there was reason to expect DiMaggio in the Current All-Stars set, which featured 11 participants from the 1950 All-Star Game. While DiMaggio wouldn’t consider the contest among his career highlights, having gone 0-3 and grounded into a double play, his presence at Comiskey that day at least qualified him for this tough Topps release.
Two other closely related Topps issues from 1951 were the Red Backs and Blue Backs. Though nobody would confuse their checklists for the top 104 stars of the era, it seems reasonable to think Topps would have gone with DiMaggio if they could have.
The final Topps offering of 1951 is one that seemed almost assured to include DiMaggio but didn’t. Topps Teams featured complete team photos of every team on the checklist, but there was only one problem. The checklist did not include the Yankees!
We close out the 1942-1951 stretch with the 1951 Berk Ross set, one that did in fact include a Joe DiMaggio card. In fact, there were two cards if we count his two-player panel with Granny Hamner as separate.
While not a lot is known about these Berk Ross cards, the one thing most collectors believe is that these cards, much like the other DiMaggio cards of the era, were unlicensed.
As much as some collectors, then and now, would have loved to see a 1952 Topps card of the Yankee Clipper, we of course know he did not crack the set’s 407-card checklist, nor should he have been expected to. While “career capper” cards are the norm today, the tradition at Topps for many years was to focus its flagship set on the players expected to play in the current season.
DiMaggio did find himself with an unlicensed career capper in the 1952 follow-up from Berk Ross
Beyond 1952 we are clearly in post-career territory, meaning DiMaggio cards would mainly rely on three types of issues: all-time greats, highlights, and reprints.
Of course that’s if we’re talking about the cards themselves. Joltin’ Joe was in fact the frontman for the 1953 Bowman set, his likeness and endorsement appearing on the boxes and the wrappers.
Side note: Topps liked the idea enough to try their own version of this in 1954.
The first opportunity for a post-career DiMaggio card came from Topps in 1954. If you’re confused, the set I’m talking about isn’t the 1954 Topps baseball set of Hank Aaron RC fame but a 1954 Topps set that mainly consisted of cards like this.
The 1954 Topps Scoop set captured 156 notable moments in our history, and four of them came from the world of baseball.
DiMaggio and his famous Streak would have been right at home in the set, but their absence was hardly conspicuous either given the primarily non-sports focus of the set.
The next opportunity for a DiMaggio card came in 1959 when Topps issued a ten-card Baseball Thrills subset as part of its main release. However, Topps focused all ten of the cards on current players.
The same year, Fleer issued its 80-card Ted Williams set. As the set’s name indicated, all the cards were of Ted Williams. At the same time, many of the cards included cameos of other players and personalities. As linked as the careers of Williams and DiMaggio were, a card of the pair would have fit the set perfectly.
The very next year, Fleer issued the first of its two “Baseball Greats” sets. The checklist boasted 78 retired greats and one active player (an eyesore of a Ted Williams card) but no Joe DiMaggio.
The checklist nearly doubled to 154 cards in 1961, leaving plenty of room for Joltin’ Joe. Of course, he was nowhere to be found.
Another player highlighting the history of the game in 1960 and 1961 was Nu-Cards. Their 1960 “Hi-Lites” set of 72 postcard sized cards was at the time the largest set of its kind ever issued. Two of the set’s cards featured DiMaggio, ending his decade-long exile from cardboard.
The 1961 Nu-Card “Scoops” set, one of my favorites, added 80 cards, now standard sized, but numbered as if the set were much larger. Again, DiMaggio makes the set twice.
As already mentioned, Topps was also back in 1961 with “Baseball Thrills,” but this time they departed from the 1959 version by including mostly retired stars. Still no Joe.
Nostalgia was evidently in the air in 1961 as yet another player entered the scene with an all-time greats offering. Golden Press produced a booklet of 33 cards that I rate among the best looking ever made.
I don’t know enough about the Nu-cards and Golden Press sets to know if DiMaggio’s image was used with his permission or if perhaps different rules might have applied when cards were issued in book form, as was the case with Golden Press. What I will say is that his absence from the biggies (Topps, Fleer), particularly on the 20th anniversary of the Streak, was more than just accidental.
This next ten-year stretch is one that was fairly thin on tribute cards, so there were few sets produced were a DiMaggio would have made sense.
The 1962 Topps set included its ten-card “Babe Ruth Special” subset, no doubt timed with the falling of Babe’s single-season home run record the year before. It was a fun set but not one that Joe DiMaggio would have belonged in.
DiMaggio did make an appearance in a 1967 set that might cause some collectors to say, “Hey, he finally got a Topps card!” The card came in the “Retirado” subset of the 1967 Venezuelan issue often referred to as Topps Venezuelan. However, the set was almost certainly not produced by Topps, and was more than likely a…you guessed it…unlicensed issue. (A future SABR Baseball Cards article will cover this topic in more detail.)
Bazooka issued an all-time greats set in 1969-70 that included small cards of baseball’s immortals and larger cards of baseball’s greatest achievements. In this case, DiMaggio might have fit either but ended up in neither.
Topps again featured amazing achievements in its 1971 “Greatest Moments” set. However, with all moments coming from current players, there would have been no place for Joe D.
As in the previous ten years it would be up to the smaller players to keep Joe DiMaggio’s cardboard legacy alive. One such player was Robert Laughlin, later affiliated with various Fleer sets of the 1970s. His cult classic World Series set (original version) from 1967 featured DiMaggio as the broom swinger of the 1939 Fall Classic.
With production of these Laughlin cards limited to 300 sets, collectors were forced to head to Oakland area Jack in the Box restaurants to feed their appetite for the Clipper, though it’s possible the younger burger eaters would have been even happier to land a different Yankee slugger.
The birth of TCMA in 1972 almost single-handedly accounted for the rapid spike in DiMaggio cards over the next decade, with Robert Laughlin and Shakey’s Pizza doing their part as well.
Two Robert Laughlin offerings that included DiMaggio were the 1972 “Great Feats” set and the 1974 “All-Star Games” set.
The “Great Feats” set, with mostly minor changes, became Fleer’s 1973 “Baseball’s Greatest Feats” set. One major change, however, was that DiMaggio’s card was dropped, almost certainly out of legal fears by Fleer.
TCMA’s first DiMaggio card was part of a beautiful set dedicated to the All-Time New York Yankee Team.
As were the Laughlin cards, TCMA cards were unlicensed and sold direct to hobbyists by mail order. Lawsuits would eventually hit TCMA, but at least for the time being they were able to issue cards of the Clipper with impunity. I can certainly see their “1930s League Leaders” card (left) from 1973 escaping the notice of Joe and his legal team, though was sufficiently under the radar, but I wonder if their 1973-74 “Autograph Series,” designed for signature by the players, might have been pushing things just a bit.
Among TCMA’s other DiMaggio offerings around this time were these postcards pairing the Yankee Clipper with other top-shelf Hall of Famers.
TCMA’s 1936-39 Yankees Dynasty set, issued in 1974, produced another two cards of Joe DiMaggio.
And if you couldn’t get enough DiMaggio/Williams cards, TCMA had your back in 1974 with its “1940s League Leaders” set.
I know a lot of collectors knock the unlicensed stuff, but I’m personally thrilled that TCMA was out there creating the cards that needed to be created. Topps had more than 20 years to figure out a way to pair Joe D. and Teddy Ballgame, and it never happened. This card needed to happen, and I’m glad it did.
We’ll take a quick intermission from TCMA cards to present a three-year run (1975-77) of DiMaggio cards from Shakey’s Pizza.
And now we’re back with more TCMA, this time a 1975 reboot of their All-Time Yankees set featuring all new photos.
Reprint cards and sets hit the hobby mainstream in 1977, including these two cards of DiMaggio, both originally from 1938. The first came from Bert Randolph Sugar’s book of “Dover Reprints” and the second came from Jim Rowe. (DiMaggio’s 1941 Play Ball card would come out as a Dover Reprint the following year.)
1977 was also the year that Renata Galasso began her 270-card magnum opus known alternately as “Decade Greats” and “Glossy Greats.” The first series of 45 cards, issued in 1977 in partnership with TCMA, assigned its very first card to Joe DiMaggio. (DiMaggio returned to the set in the 1984 Series 6 release.)
Evidently it was very much in vogue to lead off a set’s checklist with the Yankee Clipper as we see it happen two more times in 1979 TCMA issues, their 1953 Bowman-like “Stars of the 1950s” and their lesser known “Diamond Greats” set.
Before heading to 1980, I’ll just note that we’ve made it to 1979 with not a single Topps card of DiMaggio and possibly not a single licensed card from any company since either 1941 or 1948.
The Me Decade kicked off with a beautiful Perez-Steele postcard of the Clipper. Dick Perez was not yet associated with Donruss, but Dick would soon lend his artwork to multiple all-time greats sets produced by Donruss over the next few years. You can probably guess whether or not those sets would include Joe DiMaggio. (Interestingly, there was no DiMaggio in the 108 “Great Moments” postcards released by Perez-Steele from 1985-1997. Ditto for the 44-card Perez-Steele “Celebration” series in 1989.)
DiMaggio was in an 30-card unlicensed set of “Baseball Legends” produced by Cramer Sports Promotions, the company that would soon become Pacific Trading Cards.
While other card makers joined the party, TCMA was still king in the early 1980s when it came to the all-time greats. Their third go-round of an All-Time Yankees set presented collectors with an early version of a “rainbow” nearly 40 years after Goudey did the same.
This same year, TCMA also included DiMaggio in its “Baseball Immortals” issued under their SSPC brand.
These 1980 “Superstars” are sometimes listed as TCMA and sometimes listed under the Seckeli name. (Andrew Aronstein, son of TCMA co-founder Mike Aronstein, believes the cards were sold by TCMA but not produced by TCMA. The Standard Catalog notes the cards were probably produced by Card Collectors Closet in Springfield, MA.) The set included 45 cards in all and five of DiMaggio.
A second series of 45 cards followed in 1982, this time with some non-baseball cards in the checklist and only a single DiMaggio.
The same year, Baseball Card News put out a set of 20 cards, including two with DiMaggio, one solo and one alongside Bob Feller.
1982 also saw three more TCMA sets with DiMaggio cards. Baseball’s Greatest Hitters and Baseball’s Greatest Sluggers featured standard sized baseball cards, and “Stars of the 50s” featured larger postcard-sized cards.
The streak of (probably) unlicensed DiMaggio cards finally met its end following the release of one last (probably) unlicensed DiMaggio card from the Big League Collectibles “Diamond Classics” set.
Before presenting the licensed DiMaggio issue, we’ll take one quick detour to highlight a set DiMaggio should have been in but wasn’t. The 1983 Donruss “Hall of Fame Heroes”set of 44 cards presented a terrific opportunity for DiMaggio to make his “big three” debut. (Donruss continued to put out all-time greats sets in 1984 and 1985 but neither included Joe D.)
Instead, DiMaggio signed on with Authentic Sports Autographs (ASA) for a twelve-card, limited edition set consisting entirely of DiMaggio cards.
I suspect “The Joe DiMaggio Story” by ASA represented the first time the Yankee Clipper got paid for his likeness on a baseball card in 42 years.
Rather than continue set by set, I’ll refer readers to an article from Night Owl Cards on DiMaggio’s more modern issues (or lack thereof) and simply close with some highlights.
DiMaggio’s next appearance with a major baseball card maker, which for now I’ll define as holding an MLB/MLBPA license, came in 1986 as part of the Sportflics “Decade Greats” set.
I can’t say for certain, but I think this was the first DiMaggio card to come out of a pack since 1961’s Nu-Card Scoops set.
Contrast this with the 1985 Topps/Circle K “All-Time Home Run Kings” box set, where the Yankee Clipper was represented OBO (“on box only”). On the bright side for Lee May collectors, DiMaggio’s hard pass on the set is likely what got May in, since 33 cards was a much more typical number for sets than 34.
I hate to bill this next one as “major card maker,” but it fits the definition I offered earlier. So here it is, 1989 Starting Lineup Baseball Greats.
The next major card maker to score a deal with Joe was, well, Score, in 1992. Several different cards, most very nice looking, were inserts either in packs or factory sets. The relationship would migrate to Score’s Pinnacle brand in 1993.
DiMaggio finally made his Fleer debut in 1998, though it was in a somewhat unusual way. The card was part of Fleer’s tribute to the Sports Collectors Digest hobby publication and showed DiMaggio signing cards for Pinnacle in 1993. How many times do you see one brand of baseball cards featured on another?
It was only a matter of time before Upper Deck got into the DiMaggio derby, though it would have to be posthumously. The relationship would continue until more or less the baseball (mostly) death of the company in 2010.
And what about Topps? The “baseball card company of record” at long last issued its first Joe DiMaggio card in 2001 as part of the “Before There Was Topps” subset. (For all those Mantle collectors who regard the 1952 Topps as Mantle’s rookie due to its being his first Topps card, I present to you your DiMaggio rookie!)
Topps would really jump into the DiMaggio game in 2007 and to this day remains your most likely source for future DiMaggio cards, even if Topps does not have an agreement in place at the moment. Overall though, Topps produced baseball cards from 1948-2000, a span of 53 years, with no Joe DiMaggio. Topps didn’t quite match 56, who who the hell ever will?
So all of this was my really long way of saying that it makes sense there was no Streak card in the 1961 Topps Baseball Thrills subset. Too bad though, it would have been a helluva card!
Author’s note: My goal here isn’t to list EVERY set with Traded cards. In many cases, the set I highlight will stand in for similar issues across a number of years, before and after.
1981 Topps Traded
The first Traded set I became aware of as a young collector was in 1981. At the time the main excitement for me was that Fernando Valenzuela finally got an entire Topps card to himself. Of course, as the name suggested, it was also a chance to see players depicted on their new teams, such as this Dave Winfield card portraying him in a Yankees uniform.
Dozens of similar Traded or Update sets followed in the coming years, leaning considerably on the 1981 Topps Traded set as a model. However, 1981 was definitely not the beginning of the Traded card era.
1979 O-Pee-Chee/Burger King
My first encounter with O-Pee-Chee cards was in 1979. While most of the cards in the 1979 O-Pee-Chee set had fronts that–logo aside–looked exactly like their U.S. counterparts, every now and then an O-Pee-Chee required a double-take. Back here in the US, I was not yet familiar with the 1979 Topps Burger King issue, but they took things even a step further.
1979 Topps Bump Wills
Not really a traded card, but here is one that at least might have looked like one to collectors in 1979. Having been a young collector myself that year, I can definitely say Bump and hometown hero Steve Garvey were THE hot cards my friends and I wanted that year.
The most fun Trades cards are ones where the player gets a genuinely new picture in his new uniform like the 1981 Topps Traded Dave Winfield. Next in line behind those are the ones where the team name on the card front changes, such as with the 1979 O-Pee-Chee Pete Rose. Distinctly less exciting but still intriguing are cards were a “Traded line” is added. We will see some sets where such a line makes the front of the card, but much more often we’ll see it as part of the small print on the back.
Here is Buddy Bell’s card from the 1979 set.
And here is Ken Reitz from the 1977 set.
In case it’s a tough read for your eyes, the second version of the Reitz back, at the very end of the bio, reads, “St. Louis brought Ken back in a trade.” The Bell card has a similar statement. Admittedly these cards are a bit bizarre in that the card backs already have the players on their new teams, even in the initial release. Because of that, one could make an argument that the second versions are less Traded cards than “updated bio” cards, but let’s not split hairs. However, you slice it two Reitz don’t make a wrong!
Similar cards can be found in the 1974, 1975, and 1976 Kellogg’s sets as well.
Not really a Traded card but a great opportunity to feature a rare 1977 proof card of Reggie Jackson as an Oriole, alongside his Topps and Burger King cards of the same year.
1976 Topps Traded
This set features my favorite design ever in terms of highlighting the change of teams. Unlike the 1981 Topps Traded set, these cards were available in packs and are considered no more scarce than the standard cards from the 1976 Topps set. While the traded cards feature only a single Hall of Famer, this subset did give us one of the classic baseball cards of all time.
Side note: Along with Ernie Banks, Billy Williams, Lou Brock, Lee Smith, and Joe Carter, Oscar Gamble was “discovered” by the great John Jordan “Buck” O’Neil. Well done, Buck!
1975 Topps Hank Aaron
Collectors in 1975 were rewarded with two cards of the Home Run King, bookending the classic set as cards #1 and #660. Aaron’s base card depicts the Hammer as a Brewer, the team he would spend his 1975 and 1976 seasons with. Meanwhile, his ’74 Highlights (and NL All-Star) card thankfully portrays Aaron as a Brave.
1974 Topps – Washington, National League
The National League’s newest team, the San Diego Padres, wasn’t exactly making bank for ownership in San Diego, and it looked like practically a done deal that they would be moving to D.C. for the 1974 season. As the cardboard of record at the time, Topps was all over the expected move and made sure to reflect it on their initial printings of the 1974 set. Because there was no team name yet for the D.C. franchise-to-be, Topps simply went with “Nat’l Lea.” (Click here for a recent SABR Baseball Cards article on the subject.)
Of course these San Diego/Washington cards aren’t true Traded cards, but that’s not to say there weren’t any in the 1974 Topps set.
1974 Topps Traded
This subset may have been the most direct precursor of the 1981 Topps Traded set. While cards from later printings were randomly inserted in packs, the subset could be purchased in full, assuming you threw down your $6 or so for the ENTIRE 1974 Topps factory set, traded cards included, available exclusively through J.C. Penney.
The Traded design is a bit of an eyesore, and the subset includes only two Hall of Famers, Marichal and Santo. For a bit more star power, we only need to look two years earlier.
1972 Topps Traded
As part of the high number series in 1972, Topps included seven cards to capture what the card backs described as “Baseball’s Biggest Trades.”
The star power is immense, though some collectors see this subset more as a case of what might have been. One of the seven trades featured was Nolan Ryan-for-Jim Fregosi. However, as the bigger name at the time, Topps put Fregosi rather than Ryan on the card.
Net54 member JollyElm also reminded me about another big miss from Topps here. Yes, of course I’m talking about the Charlie Williams trade that had the San Francisco Giants already making big plans for October. “Charlie who?” you ask. Fair enough. Perhaps you’re more familiar with the player the Giants gave up for Williams.
This next example is not a Traded card, but it is one of the most unique Update cards in hobby history. RIP to the Quiet Man, the Miracle Worker…the legendary Gil Hodges.
You might wonder if OPC gave its 1973 Clemente card a similar treatment. Nope. And if you’re wondering what other cards noted their subject’s recent demise, there’s a SABR blog post for that!
Though the first Topps/O-Pee-Chee baseball card partnership came in 1965, the 1971 O-Pee-Chee set was the first to feature Traded cards. (The 1971 set also includes two different Rusty Staub cards, which was something I just learned in my research for this article.) My article on the Black Aces is where I first stumbled across this 1971 Al Downing card.
Where the 1972 OPC Hodges and 1979 OPC Rose cards were precise about dates, this one just goes with “Recently…” Of course this was not just any trade. Three years later, still with the Dodgers, Downing would find himself participating in one of the greatest moments in baseball history.
At first glance, these two cards appear to be a case of the Bump Wills error, only a decade earlier. After all, Donn Clendenon never played a single game with the Houston Astros, so why would he have a card with them? However, this is no Bump Wills error. There is in fact a remarkable story here, echoing a mix of Jackie Robinson and Curt Flood. I’ll offer a short version of it below the cards.
Donn Clendenon played out the 1968 season with the Pittsburgh Pirates, which explains his uniform (sans airbrush) in the photos. However, at season’s end he was selected by the Expos in baseball’s expansion draft. Still, that was a good six months before these cards hit the shelves so there was time for a plot twist.
Three months after becoming an Expo, Montreal traded Clendenon, along with Jesus Alou, to the Astros for Rusty Staub. Based on the trade, Topps skipped Montreal altogether and led off their 1969 offering with Clendenon as an Astro. But alas, Clendenon refused to report to Houston, where several black players had experienced racism on the part of the team’s manager, instead threatening to retire and take a job with pen manufacturer Scripto. Ultimately the trade was reworked, Clendenon was able to remain an Expo, and he even got a raise and a new Topps card for his trouble.
Thanks to Net54 member JollyElm for providing information on this set and providing the occasion to feature Bob Uecker to boot. While the card fronts in these years gave no hints of being traded cards the backs indicated team changes in later printings. Here is an example from each year. In 1966, the only change is an added line at the end of the bio whereas 1967 has not only the added bio line but also update the team name just under the player name area.
Note that the corresponding OPC card backs follow the later (traded) versions of the Topps cards.
Topps League Leaders – 1960s and beyond
In August 2018 Net54 member Gr8Beldini posted a particularly devious trivia question. The subject was players whose Topps League Leaders cards depicted them on different teams than their base cards in the same set.
These 1966 Frank Robinson cards are among 11 instances where this occurred in the 1960s and 70s. If you can name the other 10, all I can say is you REALLY know your baseball cards!
1961-1963 Post Cereal
We’ll start with the 1962 and 1963 issues, which feature the now familiar Traded lines. Note however that there were no prior versions of these same cards minus the Traded line. Roberts is from the 1962 set, and McDaniel is from the 1963 set.
Post mixes it up a bit more in 1961 in that there were numerous variations between cereal box versions of the cards and mail-in order versions. The Billy Martin cereal box version (left) lacks a Traded line, but the mail-in version (right) indicates Martin was sold to Milwaukee in 1960.
BTW, thank you to Net54 member Skil55voy for pointing me to the Post Cereal variations.
Thanks to Net54 member RobDerhak for this example, which follows (really, precedes) the examples from 1966-67 Topps. Note the last line of the bio on the second card back: “Traded to Washington in March 1959.” (You might also enjoy an unrelated UER on both backs. See if you can find it!)
1956 Big League Star Statues
A tip of the hat to Net54 member JLange who took us off the cardboard and into the a fantastic set of early statues, possible inspirations for the Hartland figures that would soon follow and an early ancestor of Starting Lineup. Doby’s original packaging puts him with his 1955 club (CLE), but later packaging shows his 1956 club (CHW).
You know those Traded lines that O-Pee-Chee seemed to invent in the 1970s, at least until we saw them from Topps on the card backs of their 1967, 1966, and 1959 sets? Well, guess who the real inventor was?
Bowman’s Traded line didn’t make its debut in the 1955 set, however. Here is the same thing happening with their 1954 issue.
Is this the first set to add a “traded line” to the front or back of a card? As it turns out, no. But before showing you the answer, we’ll take a quick detour to another early 1950s issue that included team variants.
1954 Red Man
George Kell began the 1954 season with the Red Sox but moved to the White Sox early in the season. As a result, Kell has two different cards in the 1954 Red Man set. There is no “traded line,” but the Red Man artists did a reasonably nice job updating Kell’s uniform, and the team name is also updated in the card’s header information.
Red Man followed the same approach in moving outfielder Sam Mele from the Orioles to the White Sox. Meanwhile, Dave Philley, who changed teams prior to the start of the season, enjoyed those same updates and a traded line.
1951 Topps Red Backs
Notice anything different about these two Gus Zernial cards?
Yep, not only does the Chicago “C” disappear off his cap, but the bio on the second card begins, “Traded to the Philadelphia A’s this year.” So there you have it. At least as far as Topps vs. Bowman goes, Topps was the first to bring us the Traded line. And unlike so many of the examples we’ve seen from 1954-1967, it’s even on the front of the card!
1947-1966 Exhibit Supply Company
If there’s anything certain about issuing a set over 20 years is that some players are going to change teams. As such, many of these players have cards showing them playing for than one team (or in the case of Brooklyn/L.A. Dodgers more than one city.) Take the case of Harvey Kuenn, who played with the Tigers from 1952-1959, spent 1960 in Cleveland, and then headed west to San Francisco in 1961.
The plain-capping approach used in the middle card might lead you to believe that the Exhibits card staff lacked the airbrushing technology made famous by Topps or the artistic wizardry you’ll soon see with the 1933 Eclipse Import set. However, their treatment of Alvin Dark’s journey from the Boston Braves (1946-1949) to the New York Giants (1950-1956) actually reveals some serious talent. (See how many differences you can spot; I get five.) I almost wish they just went with it for his Cubs (1958-1959) card instead of using a brand new shot, which somehow looks more fake to me than his Giants card.
1948 Blue Tint
In researching my Jackie Robinson post, I came across this set of cards from 1948. Among the variations in the set are the two cards of Leo the Lip, who began the year piloting the Dodgers but finished the year with their National League rivals. No need to take another picture, Leo, we’ll just black out the hat!
And if you’re wondering how many other players/managers appeared as Dodgers and Giants in the same set, we’ve got you covered!
1934-36 Diamond Stars
We’re going way back in time now to capture a Traded card sufficiently under the radar that even Trading Card Database doesn’t yet list it. (UPDATE: It does now, but PSA does not!) Its relative obscurity might lead you to believe it’s a common player, but in fact it’s Hall of Famer Al Simmons.
After three years with the Chicago White Sox, Bucketfoot Al joined the Detroit Tigers for the 1936 season. As a set that spanned three years, Diamond Stars was able to update its Simmons card to reflect the change. The cards appear similar if not identical at first glance. However, the Tigers card omits the Sox logo on Al’s jersey, and the card reverse updates Al’s team as well.
Another Hall of Famer with a similar treatment in the set is Heinie Manush. Some collectors are familiar with his “W on sleeve” and “no W on sleeve” variations. These in fact reflect his move from the Senators to the Red Sox. This set has so many team variations, most of which are beneath the radar of most collectors, that I wrote a whole article on the subject for my personal blog.
The 1933 Goudey set included some late-season releases, including a tenth series of 24 cards that included key players from the 1933 World Series. Even the most casual collectors know the Goudey set included more than one card of certain players–most notably four of the Bambino. What not all collectors realize is that the set includes a Traded card.
Hitting great Lefty O’Doul was originally depicted as a Brooklyn Dodger, the team he played with until mid-June of the 1933 season. However, when the final release of trading cards came out, Lefty had a new card with the World Champion New York Giants.
Of course, if Lefty’s .349 lifetime average isn’t high enough for you, there is an even better hitter with a traded card in the set. His move from the Cards to the Browns on July 26 prompted a brand new card highlighting not only his new team but his new “position” as well.
1933 Eclipse Import
Another hat tip to Net54 member JLange who offered up a set not even listed yet in the Trading Card Database. Also known as R337, this 24-card set may be where you’ll find one of the most unusual Babe Ruth cards as well as this priceless update. Not technically a Traded card since the player is with Cleveland on both cards (and was with the Tribe continuously from 1923 until midway through the 1935 season), but…well, first take a look for yourself, and then meet me on the other side!
Yes, that is the Philly mascot on Myatt’s uniform. After all, he played for Connie Mack’s squad back in…wait for it…1921! But no problem. Let’s just find someone with pretty neat handwriting to scribble Cleveland across the uni on our next go-round. Problem solved!
My thanks to Net54 member Peter_Spaeth (whose worst card is 100x better than my best card!) for tipping me off to this set and allowing me to use his card of Old Pete. In a move that perhaps inspired future O-Pee-Chee sets, here is Grover Alexander, Cubs uniform and all, on the St. Louis Cardinals.
Other HOFers with mismatched teams and uniforms are Ty Cobb, Rogers Hornsby, and Tris Speaker. In case you haven’t guessed it already, if you want to see a ton of star power on a single checklist, you owe it to yourself to take a look at the HOFers in this set.
1914-1915 Cracker Jack
If you view the 1914 and 1915 Cracker Jack sets as two different sets (that happen to have a gigantic number of nearly identical cards), then there are no Traded cards. However, if you view the two releases as a single set, then there are numerous Traded cards. Among the players to appear on two different teams, the biggest star is unquestionably Nap Lajoie. who appears in 1914 with his namesake Cleveland Naps and in 1915 with the Philadelphia Athletics. In addition to the change in the team name at the bottom of the card, you can also see that “Cleveland” has been erased from his jersey.
Another notable jumper in this set is HOF pitcher Eddie Plank who has his 1914 card with the Philadelphia Athletics and his 1915 card with the St. Louis Terriers of the Federal League.
I will take any excuse to include cards from this set in a post, so I was thrilled when Net54 member Gonzo alerted me to the team variations in this set. Here are two players who were traded from the Boston Rustlers (who?) to the Chicago Cubs. David Shean went packing on February 25, 1911, and George “Peaches” Graham made his move a few months later on June 10.
Gonzo also notes that many of the images from the 1911 T205 set were reused, uniforms and all, for the 1914 T330-2 Piedmont Art Stamps set. (I will freely admit to never having heard of this issue.) One HOF jumper is double-play man Johnny Evers, whose picture has him on the Cubs but card has him on the Braves. There are also several players attached to Federal League teams though their images still show their NL/AL uniforms.
1911 S74 Silks
It was once again Net54 member Gonzo for the win with this great find! On the other end of the aforementioned “Peaches” Graham trade was Johnny Kling, depicted here in his Cubs uniform while his card sports the Boston Rustlers name and insignia.
Another multi-year set, the Monster includes a handful of team change variations. The Bill Dahlen card on the left shows Dahlen with his 1909 team, the Boston Braves. Though he would only play four games total over his final two seasons in 1910 and 1911, the cardmakers at the American Tobacco Company saw fit to update his card to show his new team, the Brooklyn Dodgers.
1887-90 Old Judge
If T206 isn’t old enough for you, then let’s go even farther back to the juggernaut of 19th century baseball card sets, N172, more commonly known as Old Judge. According to Trading Card Database, Hall of Fame pitcher Amos Rusie has cards with both the Indianapolis Hoosiers (1887) and the New York Giants (1889-90). I was unable to find what felt like a real NYG card of Rusie, but I did find one where a strip of paper reading “New York” had been glued over the area of the card that had previously said “Indianapolis.” My immediate thought was that a collector was the culprit behind this cut-and-paste job. But how funny would it be if this is how the Old Judge cardmakers did updates back then!
When I first stumbled across Traded cards, it was love at first sight. What a thrill to end up with two cards of a top star, and what better way to turn a common player into a conversation starter. To the extent baseball cards tell a story and document the game’s history, Traded cards hold a special role. Unfortunately, these cards have a dark side as well. At least in 1983 they did. If you ever doubted that 8 3/4 square inches of cardboard could rip a kid’s heart out, stomp it to bits, and then spit all over it, well…here you go.
I’m not shy about proclaiming National Chicle’s 1934-36 Diamond Stars as one of my favorite sets ever. The set’s bright colors and period backgrounds seem to hint at the Golden Age of comics just on the horizon (1938-1956), and the set is loaded with action in contrast to the more austere (mostly) portrait-centered design of its 1934 Goudey competition.
Much of the action was posed and, stylistic backgrounds aside, would fit right in with the Topps sets of 1957, 1967, or even 1977: baseball players pretending to do baseball things on baseball fields.
Other cards, however, took the action a step further and put the players right into the game.
Other cards fell short of in-game action but still managed to have interesting things going on in the background. (Click here for a fun Twitter thread on the Medwick card in particular.)
And who says there’s no Lou Gehrig in the Diamond Stars set? Who’s that handsome fellow holding a bat behind the Crow?
And come to think of it, even the guy in the dugout looks familiar!😊
Unfortunately, a funny thing happens when you submit the Diamond Star cameos to a full background check. You come up empty!
Some readers may remember an earlier post that matched the 1933-34 Goudey cards with Charles Conlon source images. Such a massive undertaking was too ambitious for the couple hours I had today, but I did manage to compare 1934-36 Diamond Stars against the 65 premiums that make up the 1934 Butterfinger (R310) set.
I chose the Butterfinger set for three reasons:
The premiums used photographs, including authentic backgrounds.
The set was contemporary with Diamond Stars, hence included many of the same players.
The Butterfinger photos had known overlap with other card sets of the era. Here are other uses of the Dizzy Dean photo, for example.
Overall, the 108-card Diamond Stars set (of 96 different players) had 31 players in common with 1934 Butterfinger. Of these 31, there were 9 positive image matches and one other I’ll put in the “maybe but probably not” category.
The Diamond Stars Blondy Ryan features what I imagine to be a hustling outfielder, charging in to back up the play. However, “imagine” is the key word here because really there’s noboby there!
Next up is Gus Suhr, who makes the grab at first base several steps ahead of the…wait a minute…I swear there was a runner there!
Next up is Jim Bottomley, throwing a ball around while imaginary teammates check out the bat selection.
The good news on this one is that Joe Vosmik didn’t really take such a half-hearted hack at a real pitch. He’s just smiling (okay, maybe not) for the camera.
Our next batter is Master Melvin, whose Diamond Stars card is actually quite faithful to the photo. (The same Ott image makes an appearance 0n one of his two 1933 Goudey cards as well.)
Ditto for Oscar Melillo, whose card transforms rather drab stadium scene into a vibrant cityscape but otherwise introduces no false action.
While many collectors prefer the purity of black and white photography over bright cartoons, the Butterfinger card of Paul Waner may pose a challenge to their orthodoxy. I can almost picture the scene on the field: “Hurry, take his picture before the elevator doors close!”
It’s fair to say Diamond Stars really made the most of what they had to work with here. (I’m not suggesting Diamond Stars used the Butterfingers as their source, but I am assuming the source photo for Waner is the tightly cropped image we see in the Butterfinger.) As a side note, I believe Waner’s is the only Diamond Stars card to show a uniform number for a cameo player, offering us the rare chance to see who it is! Let’s see, let’s see…#28 on the Pirates in the early 1930s was…nobody!
One of the more exciting matches in the sets is Yankees ace, Red Ruffing, who appears to be joined by Hall of Fame second baseman Tony Lazzeri. As you might have guessed though, it’s nobody at all.
At first glance you may wonder why I am calling this one a match. In truth, I almost missed it myself.
But take a look. All I did was adjust the size–not even any rotation required.
CLOSE BUT NO CIGAR…
The images of General Crowder from Diamond Stars and Butterfinger bear a strong resemblance, but there are hints that the Diamond Stars comes from a different photo. I’ll leave the clues for you to find unless anyone asks me in the Comments.
Upon review it is evident that the Diamond Stars artists simply improvised backgrounds, either to make cards more interesting or to give the illusion of game action. That said, this gimmick was hardly invented at National Chicle, as demonstrated by this 1933 Goudey card of Jimmy Dykes where the action is magically transported from outside the dugout to the batter’s box.
So no, Diamond Stars hardly invented the illusion of game action. However, seeing as the Goudey image has neither catcher nor umpire, I do think Diamond Stars improved considerably on the work of their main competitor, if not perfected the mirage. (Just don’t ask yourself how Lopez had time to toss his mask off in the tenth of a second it took the ball to spring off the bat.)
And besides, who hasn’t failed the occasional background check? It’s not like our national security is at stake here. Or is it? 😉
The 1934-36 Diamond Stars set from National Chicle is a personal favorite thanks to its bright colors, its creative backgrounds, and the overall personality of its artwork. It’s also a set that makes for interesting study due to a variety of quirks and even a possible mystery.
10. NO Ruth or Gehrig
Though the Diamond Stars checklist is stacked with Hall of Fame talent, the set does not include the era’s two biggest stars, Babe Ruth and Lou Gehrig. Other notable absences include Dizzy Dean and Chuck Klein. While the omissions detract from the set in the eyes of many collectors, they may prove a blessing in disguise to set collectors on more modest budgets.
The back of each Diamond Stars card features a novel biographical format that doubles as a baseball instruction manual and scouting report tailored to the featured player. The byline on this content is Austen Lake of the Boston American.
Lake himself has an interesting bio, having at one time tried out as a catcher with the Yankees, played football professionally, and rose to prominence as a war correspondent during World War II. Of course, some vintage collectors might know the name (and even most of the bio!) from another set of 1930s trading cards.
8. what year are the cards?
As the name suggests, the 1934-36 Diamond Stars were indeed released over a three year period. However, that is not to say that each of the cards was available all three years. More detail is provided in an excellent article Kevin Glew wrote for PSA, but a basic summary of the 108-card release is as follows.
For example, this Luke Appling card (#95) would have only been available to collectors in 1936 whereas the Lefty Grove card (#1) shown earlier would have been available in 1934 or 1935. (As you’ll see in the next section, this isn’t 100% true, but we’ll call it “true for now.”)
7. what year are the cards…really?
For cards spanning more than one year, such as the Lefty Grove, a different version of the card was issued each year. The most telltale feature for distinguishing the variations is the line of stats at the bottom of each card back. If you scroll up a bit, you’ll see the Grove card that led off this article featured stats for 1933, hence was part of the 1934 series, whereas this Grove card features stats for 1934, hence was part of the 1935 series.
6. color change
Card backs featured green ink in 1934, blue ink in 1936, and a mix of the tw0—at least for cards 73-86—in 1935. As such, a set collector hoping to collect all possible variations would need three of each card from 73-86: a green 1935, a blue 1935, and a blue 1936.
5. other variations
Two well front variations in the set are the Hank Greenberg and Ernie Lombardi cards, originally misspelled as Hank Greenburg and Earnie Lombardi. Less known are five cards in the set where the player uniform changes due to a transaction between one series and another. I have a more comprehensive article on this subject here, but here are images of the five.
In other cases, such as with Johnny Vergez, card fronts stay the same but card backs note team changes.
4. more ambitious set planned?
Similar to the 1933 Goudey set, the bottom of each card back advertised a set of “240 major league players.” Despite that, the set included only 108 cards and only 96 different players.
One explanation for the smaller set is that player contracts with Goudey greatly reduced the number of players available. Another explanation is the 1937 bankruptcy of National Chicle. That said, at the established pace of only 32 new players (or 36 new cards) per year, it would have taken a good 7+ years to make it to 240.
3. DOUBLED dozen
While the first 96 cards in the checklist represent 96 distinct players, the final 12 cards in the set are all repeats. For example, Bill Dickey has card 11 (1934, 1935) and card 103 (1936) in the set. A possible explanation for the repeated twelve cards will come at the end of this article.
2. mystery uncut sheet
An uncut sheet of Diamond Stars was discovered in the 1980s by the family member of a former National Chicle printer. While other uncut Diamond Stars sheets are known to exist, what made this one particularly unique was that none of its 12 cards appear anywhere on the Diamond Stars checklist! (See Ryan Cracknell article for more info.)
In addition to blank-backed cards of Hall of Famers Goose Goslin and Lefty Gomez, the sheet also includes a particularly noteworthy card pairing Browns teammates Jim Bottomley and Rogers Hornsby.
Original artwork for the Bottomley/Hornsby card sold at auction in 2012, and good news…the owner is evidently actively entertaining offers!
In addition, the press photo, taken at 1936 Spring Training, that the artwork and card were based on has also made the rounds.
1. connection between uncut sheet and doubled dozen?
I have seen some speculation that the twelve repeated cards (97-108) on the Diamond Stars checklist might have taken the place of the twelve cards on this uncut and unreleased sheet. I have also seen the Bottomley/Hornsby card at its neighbors proposed as part of an unrealized 1937 extension to the original set.
As with most 80+ year old mysteries, any definitive answer is likely lost to history. At least some clues that suggest the sheet was produced along with the rest of the 1936 series are the cards for Jim Bottomley, Roger Cramer, and Gene Moore, all of which show teams they joined in early 1936, and Benny Frey, Rip Collins, Linus Frey, and Lon Warneke, still shown on teams they were no longer with in 1937.
When I first saw this unreleased sheet, what jumped out at me were the zanier more geometric backgrounds versus the more traditional (but still colorful) stadium and cityscape backgrounds of the original 108 cards. Perhaps this mismatch prompted a National Chicle exec to kill the sheet and a panicking product manager to replace it with the fastest thing he could throw together: repeats of earlier cards.
BONUS KAWhi leonard tie-in
As Kawhi Leonard contemplates whether to remain in Toronto or join forces with LeBron and A.D. to form the greatest Big Three in NBA history, I thought I’d call out my favorite Cardboard Big Three ever. I defy you to top it, even if I spot you a Ruth and a Gehrig!
As a young collector, some of my least favorite pulls were manager cards. “What’s this OLD GUY doing in my pack?” Of course, now I’M the old guy. Thanks, universe!
It is then in a spirit of atonement and kinship that I am dedicating this post to half a century of manager cards in hopes of turning my fellow skipper rippers chipper and making geezer seizing pleasing again.
Yes, I bring you a post dedicated to the anti-heroes of the wax pack (the paunchiest pilots if you will) and drowning out the stroppy squawks of poppycocks and “Hobby pox!” with “Bobby Cox!!” and “Robby rocks!!” C’mon, America, let’s…well you get the idea!
Our 50 years of interest will run from 1933-1982. (I know that sounds like 49 years, but it really is 50. Trust me.) My goal in each case will be to highlight the evolution of the manager card genre across these sets or at least showcase some bit of trivia from the set that you might not have known, including an odd fact that makes Billy Martin and Joe Cronin cardboard cousins.
The 1933 Goudey set included 13 cards of 10 managers. The explanation for the uneven math is that Bill Terry had two cards, and Joe Cronin had three. The Rajah also had two cards in the set, but he is only the manager on his second one.
By including managers in the set, Goudey was not necessarily breaking any new ground. Particularly with the prevalence of player-managers in baseball’s early days, I imagine that most of the major sets before 1933 included at least some managers. In addition, another non-innovation of the Goudey set was using the same card design for managers and non-managers alike. To break free of that mold, we will need to wait nearly three decades.
Collectors not intimately familiar with the Goudey set might be surprised to know it includes cards for the managers of the Milwaukee Brewers and Toronto Maple Leafs! “Hey, wait a minute! That last one can’t be right, can it?”
Dead serious. It really is Maple Leafs, not Maple Leaves.
I know at least a few of you are saying, “Yeah, yeah, yeah. Tell me something I DON’T know!” Not a problem. Here is some 1934 Goudey trivia I don’t expect too many people know. (Spoiler alert: I didn’t say it was interesting or important!)
Managers are identified three different ways on the card backs. The first, mainly used in the set’s earliest releases, was simply to identify the subject as a manager within the text of the bio. The second method, used only on one of the set’s three Joe Cronin cards, was to insert “Manager” just before the team name in the header area, and the third method, used in the set’s late releases, was to do similar but in all caps (i.e., MANAGER).
In contrast with at least the latter two of these approaches, none of the non-manager cards in the set identified position information in the header. I cut up a very nice Carl Hubbell card just so I could show you.
As for the 1934 Goudey set, nothing too exciting or different happened beyond a standardization of the “Manager” designation to all caps. Of course, standardization is a lot easier when a set has only three manager cards versus 13!
Another element of the 1934 Goudey set was one we’ll see repeated often in other “small checklist” sets: manager cards going solely to player-managers, in this case Grimm, Cochrane, and Terry.
1934-1936 Diamond Stars
The multi-year Diamond Stars release from National Chicle included a handful of managers but did not go to great lengths to identify them as such. In some cases (e.g., Mickey Cochrane), no indication is given at all. In other cases (e.g., Frankie Frisch), mention is made within the “Tips” section of the card back.
Not all of the managers were player-managers. Steve O’Neill, who succeeded Walter Johnson as manager of the Indians, had not played a major league game since 1928, and Bucky Harris, manager of the Senators, had not played since 1931. Lew Fonseca was also in a manager-only role by the time his card came out. However, he had played the season before, so his status was somewhere in the middle.
By far the most interesting manager card in the Diamond Stars set was the card that never was. This card, which would have been released in 1936 or early 1937, seems to predict the transfer of managerial duties from Rogers Hornsby to Jim Bottomley in July 1937.
I’ll note here that this card and the 11 others from its “lost sheet” are sometimes assumed to have represented cards 109-120 in the Diamond Stars set and as such reflect an extension of the 108-card set. I suspect it’s also possible these cards could have been 97-108 instead of the 12 cards the set ultimately ended up repeating on the checklist. (More on this in a future post.)
BONUS: 1936 Goudey Wide Pen Premiums
To keep things from getting too crazy, I initially decided to restrict my focus officially to major releases and unofficially to “baseball card size” releases. Still, I can’t exit the 1930s without acknowledging this Yankees manager card, which doubles as one of several rookie cards of Joltin’ Joe DiMaggio. To bring back the awful wordplay from the top of this post, I think we’d all be chipper Clipper-Skipper rippers today if we pulled this card from our stacks.
1938 Goudey “Heads Up”
With only 24 different subjects in the set, there are no manager cards in this set.
1939 Play Ball
There was one manager card among the 161 cards in Play Ball’s debut issue. In October 1938 Dodger shortstop Leo Durocher signed a contract to manage the club, succeeding Burleigh Grimes. His Play Ball card #6 in the set identifies his as “Playing Manager” in the card back’s header.
1940 Play Ball
The 1940 Play Ball release expanded the number of cards and the number of managers. Furthermore, it was no longer necessary to be a player-manager to crack the set.
The bad news, at least for the managers (and coaches) of the two pennant winners, is that they received no card front credit for their team’s success. While Yankees and Reds players (e.g., Wally Berger) all had small pennants on the front of the card, this honor did not apply to managers or coaches.
1941 Play Ball
The 1941 Play Ball set had a much shorter checklist, so only one manager made the cut and even then probably wouldn’t have if he wasn’t also one of the game’s top players.
The first Bowman issue only had 48 cards, none of them managers. Bowman expanded its offering to 240 cards the following year and–much like the 1941 Play Ball set–included only a single manager card of a very good shortstop.
The debut offering from Leaf looked much like 1949 Bowman as far as manager cards were concerned. Only Lou Boudreau, as player-manager, made the list. The header area of his card back bills Boudreau as a shortstop, but his bio area is quick to note his player-manager role. And of course this same set featured a very famous coach card.
The 1950 Bowman set was the first major release in a decade to include non-player managers. Non-player managers were repeated in 1951-1953 and 1955 as well. As with all the sets profiled so far, the manager cards followed the same design as the other cards in the set.
The 1951 grouping was notable in that it included what many collectors feel is the single ugliest baseball card of all time. Another notable aspect of the 1951 set was that it was the first major release of the period profiled (1933-1982) to include manager cards for every team (16, in this case). A final bit of trivia. Jackie Robinson appears on the Charlie Dressen manager card, or at least his name does.
The first five major baseball issues from Topps followed the traditions of Bowman and others in that the handful of managers included occupied the same card design as the players. If there is any novelty to be found, at least among the sets profiled in this post, the 1953 Topps set was the first to indicate “Manager” on the front of the card. (Much older examples pre-dating the scope of this post certainly exist, such as the 1915-1916 Sporting News (M104) Connie Mack card.)
Though managers were represented in these sets, they were not abundant. For example, the 1956 Topps set included only two managers: Mayo Smith and Walter Alston. Oddly, while the 1954 Topps set included four managers, it included 22 coaches across the 16 teams. Among them were three Hall of Famers: Billy Herman, Earle Combs, and Heinie Manush.
Topps took a year off from manager cards in 1957 but came back with two novel approaches the following year. A 1958 card honored the managers from the 1958 All-Star game while doubling as a checklist for cards 441-495 in the set.
Among the sets profiled in this post, this Stengel-Haney All-Star card was the first to adopt a different design than the standard player cards in the set. At the same time, it mimicked the design of its fellow all-star cards in the set, hence was not truly novel.
The same 1958 set also included two cards pairing managers with star players on their teams, including the great Frank Robinson (RIP).
1959 looked a lot like 1958, once again including managers in its all-star subset. This time, however, the skippers did not have to share the same card.
And once again, we have a manager-player combo card.
The 1960 Topps set was THE breakthrough set for manager cards. Not only did managers get their own unique card design but this was the first Topps set to include all 16 major league managers, assigning them consecutive card numbers from 212-227. (If you care to know, the manager cards were also alphabetized by last name.)
You may also recall that Giants skipper Bill Rigney shares a “Master and Mentor” combo card with Willie Mays. I’ll show it here along with an attempt at imagining what player cards in the set would have looked like had they followed the same design as the manager cards. For my money, it would have been the best card design of the decade!
The 1961 set more or less followed suit from 1960, again adopting a unique design for its managers. The cards below contrast the player cards and manager cards from the set.
Oddly, there are 17 manager cards in the set despite there being only 16 teams the prior season. “Expansion,” you say! And yes, there are manager cards for the Angels and Twins. But still, wouldn’t that have given the set 18 manager cards? I’ll give you a sec to guess the missing team. Form of a question, please.
Yes, it is the Cubbies! After a woeful 1960 season, 1961 marked the beginning of the College of Coaches for Chicago’s northsiders. While it led to a four-game improvement in the standings (though some baseball historians prefer to credit Billy Williams), the whole thing was just too damned complicated for Topps. Still, I think this gives custom card designers an open invitation to put together that Vedie Himsl-Harry Craft-El Tappe-Lou Klein quadruple-manager card that should have been. (Confession: I’d heard of exactly zero of these guys till five minutes ago.)
A tad more trivia on the set. If you’ve read Anson Whaley’s five-part series on the Black Sox Scandal, you know post-career cards of the banned eight players are a rarity until at least the 1970s. Aside from the 1940 Play Ball card of Shoeless Joe, the back of the 1961 Topps Cicotte pictured is the only cardboard I know that even mentions a single one of the “eight men out.”
Following an outburst of creativity, Topps reverted to assigning managers the same card design as players for the next 11 years. While so many other cards of the era sent a message that the world was coming to an end larger tumult dominated the era, the Topps manager cards provided an oasis of stability and calm. “Trust your leaders, kids. We got this.”
The two different Walt Alston pictures for 1968-1969 are a reminder that Marvin Miller represented players but not managers. (See Mark Armour’s SABR post if what I just typed means nothing to you.) Certainly there are player cards with two photos also, but the manager cards provide the most consistent example.
And since I can never write one of these posts and not feature the Splendid Splinter, here is where he makes his appearance on the page. (If you’re keeping score, Ted made only one fewer Topps set as a manager than as a player!)
The 1973-1974 sets brought Topps out of its manager card doldrums. The inclusion of coaches gave the manager cards a distinct design while also bringing back some great names from the past. Examples of Hall of Famer players who appeared on these cards as coaches included Ernie Banks, Warren Spahn, and Bill Mazeroski.
The 1974 Mets manager card of Yogi Berra marked a milestone in my own collecting career. I made my collecting debut at a school carnival in 1977 by purchasing a stack of 1974 Topps cards for 50 cents. Though I didn’t know who he was at the time, this Yogi Berra would be the first card of a Hall of Famer that I ever owned.
For the next three years, Topps merged what had previously been two distinct subsets: team cards and manager cards. It really wasn’t a bad look or a bad idea, but the timing was unfortunate.
The first year of the shrunken manager, 1975, happened to be the year that Frank Robinson broke Major League Baseball’s other color barrier. Though the Indians team card that year still made my list of the top ten cards of the decade (for this reason) and Robinson’s main card in the set gives him at least cartoon credit as skipper, I feel like Topps missed a great opportunity to give Robinson’s feat its proper due. One approach would have been to change “Des. Hitter” to “Mgr-DH” on his main card; the other would have been to hang on to full-size manager cards just one more year.
Of course, these 1975 cards weren’t the very first to portray Frank Robinson as manager. That honor (I think) belongs to Robinson’s 1972 Puerto Rican Winter League sticker.
We finally arrive at the set that I can speak about with the unimpeachable authority of an obsessive eight-year-old. This was the year I really got going as a card collector. It was also the year Topps introduced its most innovative design ever for manager cards.
While the “As Player, As Manager” dual photo approach was a novel one, I should mention that it wasn’t completely new. It’s a bit of cheating since he was a player-manager at the time, but the 1954 Topps Phil Cavaretta could be considered the prototype.
The efficiency consultants were back at Topps for these three seasons and urged the combining of team cards and manager cards once again.
1981-1982 Donruss and Fleer
While Topps had relegated managers to a tiny box in the upper right hand corner of the team card in 1981, Donruss and Fleer took a page out of the 1962-1972 Topps (or almost everybody, 1933-1956) playbook and used the standard player design for their sets’ managers, just one more way that 1981 Donruss put the vintage back into modern.
Donruss came back with more of the same in 1982 while Fleer took the year off. (In fact, Fleer would never again include manager cards in their sets, aside from the “tiny manager in the corner of a team card” approach they borrowed from Topps for 1984.)
Remember I started this post by stating how much I hated pulling “old guys” from packs when I was a kid. Well, Topps finally listened in 1982! Perhaps feeling the heat from Fleer and Donruss, the once and future monopolist set out to give us kids what we wanted: 792 cards of young guys…oh, and Phil Niekro too.
Team cards were also a casualty of this “voice of the customer” movement, but let’s face it…we far preferred extra cards of Claudell Washington and Rick Mahler, right?
BONUS: 1983 Topps and Donruss
Just in case anyone was feeling ripped off with the whole 1933-1982 thing, or just needed some more Frank Robinson in their lives, here’s a quick look at the manager cards from 1983.
Topps needlessly tweaked their player card design but was again back to giving managers their own card for the first time in more than a decade. Donruss, meanwhile, followed their 1982 approach (as they did with nearly all things that year) and gave manager cards the same treatment as player cards.
As noted, Fleer abandoned manager cards following their 1981 debut, but we’ll count our blessings here. It may well be that had Fleer dedicated 26 of their 660 cards in 1983 to managers, they–like Topps and Donruss–would have whiffed on what was ultimately the year’s hottest card, at least until the Topps Traded set came out.
While we’re on the subject of 1983 Topps Traded…(pauses to admire Darryl card, takes deep breath, okay thanks)…did you know this was the first Topps Traded set to include managers? You’d have to be some sort of Keith Olbermann-Christoper Kamka hybrid to name all the managers in the traded set without cheating, so I’ll help you out. If you were imagining just one or two, boy were you off!
First here are the guys they replaced.
And finally, here are the Traded Set Seven!
In the introduction to this post I mentioned a pair of cardboard cousins. Ignoring minor releases, errors, and variants, these two men bookend of our half century as the only two men from 1933-1983 to have two different manager cards in the same set and design. So there you have it: cardboard cousins!
And yes, I know the two Billy Martin cards weren’t strictly from the same set, but cut an old guy some slack here. Respect your elders, cardboard or otherwise!
If you bought packs in 1981 try to remember the first thing about 1981 Donruss that jumped out at you. The paper thin stock? The occasional typo? The cards sticking together? This mismatched uniforms and team names?
Okay, come to think of it those were all salient features of the debut baseball set from Donruss. Still, the one I was hoping you’d say is the multiple cards of can’t-miss Hall of Famers like Pete Rose!
As a young collector I’d certainly seen multiple cards of the same player before. The Topps Record Breakers and 1972 Topps “In Action” cards were prime examples. However, what distinguished the Donruss cards was that nearly all of the extras looked just like the base cards, at least from the front.
As I learned more about collecting, thanks to some local shows and my first Sport Americana price guide, I began to realize the Donruss extras had ancestors in the hobby. What follows here are the sets I learned about in the order I learned about them.
There are numerous examples in the 1933 set, particularly given the 18 repeated players on the set’s final “World Series” sheet. However, the first one I encountered was the most famous of them all: cards 53, 144, 149, and 181 of the Sultan of Swat.
It would have been around that same time that I also learned of the two Lou Gehrig cards (37, 61) in Goudey’s 1934 follow-up release.
My eleven-year-old self resolved almost immediately to eventually owning each of these Ruth and Gehrig cards. (Spoiler alert: 38 years later I’m still at zero.) In the meantime, the multiple cards of Rose, Yaz, Stargell, and others from my 1981 Donruss shoebox would have to do.
Ever since I got my 1976 Topps “All-Time All-Star” Ted Williams, I decided he was my favorite retired player. As I flipped through my price guide looking for older Ted Williams cards I might be able to afford, I at first thought I found a typo. How could the Splendid Splinter be the first card and the last card in the 1954 Topps set?
There was no internet, and I certainly had no friends with either of these cards. I was simply left to wonder. Were there really two cards? Did they look the same or different? It took visiting a card show to finally learn the answer. Cardboard gold.
It was much later that I learned Topps had been unable to make cards of the Kid in their 1951-1953 offerings. As such, his Topps debut in 1954 was long overdue and something to be celebrated. Perhaps that’s how he ended up bookending the set on both sides. Or maybe it’s just that he was Ted Freaking Williams.
The tobacco areas of the Sport Americana were a bit intimidating to me as a kid. I recall parenthetical notes next to some of the names (e.g., “bat on shoulder”), but the checklist was dizzying enough that the notes went in one eye and out the other. Again it took a card show for me to see that these cards were my great-grandfather’s Donruss.
1887 Old Judge
Fast forward about ten years, and I received a gigantic book for my birthday with pictures of thousands of really old cards. It was here that I first learned about “Old Judge” cards, including the fact that some players had more than one card.
As an aside, that second Radbourn card looks more like a crime scene from Clue than an action pose, but okay.
“1971 OPC? That was unexpected,” you may be saying to yourself. Wouldn’t the OPC cards match the 1971 Topps set, which had no duplicate players at all? I thought the same thing too until I ran across this pair.
The card on the left, number 289 in the set, is known to high-end collectors as “Staub, bat on shoulder” while the card on the right, number 560, is known as “Staub, bat off shoulder.”
More for convenience than accuracy, I’ll lump various “Exhibits” issues under a single umbrella. Perhaps because these cards were issued across more than four decades and seemingly included zillions of players, it seemed unremarkable to me initially that the same player might have multiple cards in these sets. I’d known this fact for years, but it wasn’t until I reached the “gosh, what am I missing” part of this post that I made the connection between these cards and their Donruss descendants.
As an aside, I just love that second one of the Splinter. As Anson Whaley notes on his Pre-War Cards site, these sets provide some of the most affordable vintage cards of top-shelf Hall of Famers. On my office wall side-by-side right now are Exhibit cards of Williams and DiMaggio that I paid about $25 apiece for. Along with these Life magazines from 1939 and 1941, the cards really hold the room together.
It’s at this point in the post when I have nothing left in my own head and have to rev up the research engines. Time thumbing through the cards “gallery” of great players is never a waste of time, whether or not I find what I’m looking for, but here is a great pair I ran across in my review of Stan the Man.
A quick look at the set checklist indicates that not just Musial but all thirty subjects in the series had both a portrait and an action shot. Can you imagine if Donruss had done the same in 1981? Consider the boldness of crashing the baseball card world as an utter newcomer and not just competing with Topps but unleashing a 1,100+ card behemoth of a set with multiple cards of every single player!
No joke! Many was the day I pulled two Cliff Johnson cards from the same pack, but unfortunately they were the same Cliff Johnson cards. This portrait-action pair, on the other hand, would have taking the situation from blown penny to blown mind!
1922 American Caramel (E121)
Similar to 1952 Wheaties this is another set that features multiple cards of numerous players, such as this Max Carey pair.
I got a bit of a laugh from Trading Card Database when I saw the names given to each of the variations. The first card, not surprisingly, is referred to to “batting.” The second card is referred to as…so okay, back in high school I was getting ready to take the SAT. I wasn’t much of a reader back then, and I knew the test would include a lot of words I didn’t know. A few evenings before my testing date, I set out to memorize the entire dictionary. Naturally, this proved to be a bigger job than I could really tackle so I finally gave up after the word “akimbo.”
I only once in my life after that–and definitely not on my SAT–encountered the word in print, and I took pride in not having to look it up. And then this morning, more than 30 years after memorizing the dictionary from aardvark to akimbo, here is is again.
If you don’t know the word perhaps you can guess it from the card: it simply means hands on hips. And for any young readers preparing for their own SATs, nothing helps you remember a word more than having a mnemonic, so here you go: Mutombo akimbo.
But back to our main topic…
1941 Double Play
A tip of the hat from Red Sox collector extraordinaire Mark Hoyle for sharing this one with me. The 1941 Double Play set includes 150 cards (or 75 if you didn’t rip the pairs apart). Most of the images are portraits, but the set includes 10 (or 20) action shots that provide extra cards in the set for many of the game’s top stars such as Burgess Whitehead–okay, Mel Ott.
But yes, Whitehead does have two cards as well.
Thanks again to Mark Hoyle for this one! As this 192-card set was issued over three years, I suspect but don’t know for certain that the repeated players in the set were released at different times. As the two Gehringer cards below show, there are also small differences between the earlier and later cards including where the card number is located and how wide the cards are.
1934-1936 Diamond Stars
I’ll close with one of my favorite sets ever. Perhaps because I never managed to own more than 6-7 cards from this set, I never paid any attention to an oddity of its checklist. The last dozen cards, numbered 97-108, are all repeats of earlier cards in the set. Here is a listing of the players and their card numbers.
And here is an example of the cards themselves.
The card fronts appear to be identical, while the backs differ in not only the card numbering but also the ink color and the stat line. In particular, the first Dickey card provides his batting average for 1934 and the second provides his average from 1935. (Read this post if you’re interested in more significant variations.)
Aside from my Dwight Gooden collection, my collection tops out at 1993. However, as I see other collectors show off the more modern stuff, it’s clear that extra cards of star players are practically a fixture in today’s hobby.
As the examples in this post illustrate, 1981 Donruss was by no means the first set to include extra base cards of star players. However, we can definitely credit Donruss with being the first major modern set to re-introduce this great feature into the hobby. And you thought the only thing that stuck from that set was its cards to each other!
Author’s note: I’d love it if you used the Comments area to plug other pre-1981 sets with extra base cards of the big stars. Some categories I’m intentionally ignoring are errors/variations/updates, single player sets (e.g., 1959 Fleer Ted Williams), team issues, and sets focused more on events than players (e.g., 1961 Nu-Card Baseball Scoops). Thanks, Jason
The first Topps World Series card I pulled from a pack was bittersweet. On one hand it was Reggie, the biggest star in the game; on the other hand, it memorialized his merciless dismantling, five homers and all, of my hometown Dodgers. Though I wasn’t yet enough of a fan in 1977 to have watched the Series, I remember the gloominess and despair that took over the faces of my classmates. Tears were shed.
Most collectors already know that 1978 was just one of many years that Topps included a postseason subset. For a complete catalog from 1958-1981, see this excellent post from Adam Hughes of Wax Pack Gods.
My goal here is to connect these Topps World Series cards to their long ancestry across the hobby’s history. Rather than jump straight in to the years before 1958, I’ll set the table by beginning at 1960, the year of the first true Topps World Series subset.
Though Topps would include single cards connected to the World Series in each of the prior years, the 1960 release marked the first year of an actual multi-card subset. The subset spanned cards 385-391, including the only Maury Wills card Topps would issue before 1967.
There was no World Series subset in the 1959 Topps issue. However, the Hank Aaron card in its “Baseball Thrills” subset was dedicated to the Hammer’s game 4 home run and overall awesome performance in the 1957 Fall Classic.
As we consider the ancestry of the World Series subsets, this card presents us with two “mutations” from the classic subsets that would follow.
It is the only postseason card in the set (and in fact from an entirely different subset)
It does not feature the prior year’s Fall Classic, instead reaching two seasons back.
As we go further back in time, most of the cards we look at will share these or other departures from the classic Topps World Series subsets of later decades. As usual, were we not to bend the rules a bit, there would be very little article to write!
1959 Fleer Ted Williams
I have featured this set in every one of my prehistory articles to date with the exception of Traded Cards. (And who the hell would even think of trading Ted Williams, right?) Sadly, it is impossible to tell the story of the Splendid Splinter without bringing up the heartbreak of the 1946 World Series, memorialized by card 31 in the set.
As an aside, the 1959 Fleer Ted Williams set comes across largely as a (justified) hagiography of the greatest freaking hitter who ever lived. It is odd then that their “Sox Lose the Series” card makes no mention of the fact that Williams played the series injured and instead attributes the Kid’s disappointing performance to a slump.
It is the Hammer once again in the 1958 Topps set, and this time he brought a friend. Okay, a foe! (As an aside, it would be fun to trace the use of the word “foe” on baseball cards over the years. We used to see it a lot more, and I worry we are lesser today for its absence.)
Oddly the card’s reverse makes no reference to the World Series but simply finds (quite easily) nice things to say about each of the featured players.
1948 Topps Magic Photos
Though off the radar (and out of the price range) of casual collectors, the very first Topps baseball cards came four years before the iconic 1952 set. The majority of the set’s baseball checklist was devoted to all-time greats such as Ruth, Cobb, and Wagner. However, 5 of the 19 cards were dedicated to the 1948 World Champion Cleveland Indians. These cards are light on detail, but the two cards known as “Cleveland Indians 4-1” and “Cleveland Indians 4-3” reference games 2 and 7 respectively.
1948 Swell “Sport Thrills”
Sorry, Dodger fans. Here comes another heart breaker. Mickey Owen’s dropped third strike from the 1941 Fall Classic was one of eight cards in this 20-card set to feature World Series highlights.
The Sport Thrills set wasn’t the only baseball set that Swell issued in 1948. They also issued a 28-card “Babe Ruth Story” set to go along with the movie of the same name. While the Bambino did appear on some of the cards, he was more often portrayed by William Bendix, the actor who starred in the film. Card 15 features Babe Ruth’s (okay, William Bendix’s) “called shot” home run from the 1932 World Series.
1940 Play Ball
For a brief stretch from 1939-1941 Play Ball cards sat atop the cardboard universe. The 1940 Play Ball release is known mostly for the cardboard return of Shoeless Joe. A less ballyhooed aspect of the set was the pennant flags adorning the cards of the Yankees and Reds players. (Oddly, the managers and coaches received no such decoration.)
Unlike the majority of the cards discussed so far, these “Pennant” cards also doubled as the main (only) card of each player in the set. An interesting comparison will be the 1933 Goudey set, where this is true for some but not all of the players.
1936 R312 National Chicle Pastels
My favorite thing about writing these articles is discovering cards I didn’t know about originally. In this case, the prize goes to these beautiful premiums from National Chicle. The full set contains 50 unnumbered cards with significant star power, including (arguably) a Joe DiMaggio rookie card. There are also a large number of multi-player cards, such as this one of Arky Vaughan receiving playing tips from the great Honus Wagner.
Most relevant to our topic, however, are several cards that explicitly reference the 1935 World Series between the Tigers and the Cubs.
First, here is Gabby Hartnett after his World Series home run in game 4.
Next, here is Schoolboy Rowe drawing a crowd, even in enemy territory. No wonder they call it the “Friendly Confines!”
And finally, although Tommy Bridges pitched the Tigers to a 4-3 complete game victory in the clincher, here is Alvin Crowder looking very much like he just won it all for the Tigers. In fact, the “General” is shown here following his own complete game to take game 4.
Finally, there are four other cards, a disproportionate number for the set, that include multiple Cubs or Tigers. The photo sleuths among us might let me know if these photos are from the World Series or just “random” shots from during the season.
1936 R313 National Chicle Fine Pen Premiums
Collectors had choices when it came to the 1935 Fall Classic. Among the 120 cards included in this 1936 release was at least one World Series card, #120, showing the throw from Lon Warneke to Phil Cavaretta arriving ahead of Goose Goslin.
As with R312, there are also some multi-player cards that may or may not be connected to the World Series. Card 116, showcasing the “Fence Busters” on the Chicago squad, is one of a few examples.
1934 Gold Medal Foods (R313A)
First a tip of the hat to Net54 member PowderedH2O for alerting me to these cards.
The parent company of Wheaties, Minneapolis-based Gold Medal Foods, issued a set of postcard-sized cards to commemorate the 1934 World Series between the Detroit Tigers and the “Gas House Gang” St. Louis Cardinals.
The “Standard Catalog” lists only 12 players while PSA lists 19 while indicating the set has 22. This suggests to me there may yet to be cards discovered here, either to the delight or chagrin of Hank Greenberg supercollectors.
Forgive Goudey for its numbering antics, but sure enough cards 107-114, 121-127, and 232-240 were created specifically to highlight the participants in the 1933 World Series. Those not as familiar with the set might wonder if 1933 was a typo. After all, this is 83 BTN (before “Topps Now”) we’re talking about. “Are you sure you don’t mean THIS World Series?”
Sure enough, the folks at Goudey were hard at work in late 1933 pushing out the tenth and final release of their iconic baseball debut. The sheet featured twelve participants from each of the pennant winners (New York Giants, Washington Senators) and even included records and results from the Series, as evidenced by this card of Master Melvin.
Something important to consider in assessing the place of these cards in our prehistory is that they weren’t merely cards issued late enough in the season to include tidbits about the Series in the bios. Rather, they reflected an explicit World Series issue, and a 24-card one at that! Quite remarkable really.
As a final note, nine of the Giants and nine of the Senators already had “base” cards in the set, meaning the World Series cards could be thought of as dedicated postseason extras for these 18 players. However, for six of the players, the World Series card reflected their only representation in the set.
1928 Fro-Joy Ice Cream Babe Ruth
Among the six cards in this 1928 set entirely devoted to Babe Ruth is this one, highlighting the first of his two home runs in the 1927 World Series against the Pirates.
1919-1920 Cincinnati Reds postcards
Black Sox Scandal completists will want to collect this 24-card set of postcards featuring players from the 1919 World Champion Cincinnati Reds team. There are two variations of each card. Later printings include the caption “World’s Champions” whereas early printings include only “Champions of National League.”
As an aside, Anson Whaley of Pre-War Cards just published an excellent five-part series on the baseball card legacy of the Black Sox Scandal. Part one is here.
1921 Koesters Bread (D383)
Hat tip to Net54 member brianp-beme for this one. This 52-card set uses the same card fronts as the 1921 American Caramel (E121) set but has different backs and restricts its checklist to only Yankees and Giants, the two participants in the first Subway Series.
If you have a minute, you may want to look at the fantastic card of Hall of Fame hurler Waite Hoyt.
1912 Technical Book Publishing postcards
Not for the budget collector, but these postcards were sold at the World Series itself and doubled as scorecards on the back. The card on the left shows the Boston Americans, and the one on the right shows the New York Giants.
1911 Philadelphia Athletics (E104-I and D359)
I’ll take some liberty here and merge what pre-war collectors would normally regard as two or three different sets. Certainly they will look more alike than different to the casual collector. In each case, I am a huge fan of the World Champions designator.
The first card, Frank “Home Run Baker,” comes from the 1910 E104-I (sometimes seen as E104-1) Nadja Caramels issue. Variations abound, including cards without the “World’s Champions 1910” banner. The next two cards, Charles “Chief” Bender and Harry Davis, could be construed as Baker cards as well, in that they come from the 1910 D359 Rochester Baking and Williams Baking issues respectively.
For any of the card displayers or binder folks out there, I have to imagine the variety of background colors would make these cards look incredible arranged as a group.
1910 Tip Top Bread Pittsburgh Pirates
It’s funny how life works sometimes. Just as I’d reached the end of my personal knowledge, augmented by the easier digital searches available to me, I did what I always do: reach for my Standard Catalog of Vintage Baseball Cards. But this time I didn’t even have to open it. Here was the 1910 Tip Top Bread Honus Wagner right on the cover, with the caption “WAGNER, World’s Champions.”
Indeed, this was a 25-card set honoring the 1909 World Champion Pirates team that bested Cobb’s Tigers four games to three. Here is team president Barney Dreyfuss from the same series.
1910 American Caramel Pirates (E90-2)
This tough regional release of American Caramel focused exclusively on the 1909 World Champion Pirates team. Unlike the Tip Top set of the same year, the cards themselves do not refer to the championship. (Hat tip to Net 54 member steve B for this one!)
1907 Geo. W. Hull Chicago White Sox postcards
These 16 postcards honor the 1907 World Champion Chicago White Sox, as noted by the “World’s Champions” caption below the player name. You might imagine the “Every One A Pennant Winner” title above the lines of hanging white stockings is another standard feature of the postcards in this set. However, that is just one of many titles used. Others include “A String of World Beaters” and “A String of Game Fish — No Bull Heads,” whatever that means!
1905-06 Lincoln Publishing Am. League Champs
The Philadelphia Athletics lost the 1905 World Series to the New York Giants, but they did not come up empty on the cardboard side of the ledger. All 20 postcards in this set were devoted to the American League champs and featured the achievement prominently in the card design.
1902-1911 Sporting Life Team Composites (W601)
For ten years, Sporting Life offered readers the chance to be individual team cards or the complete set as a bound volume. In addition to these very large poster-cards (13″ x 14″), postcard-size team composites were also offered some years. Pennant winners and World Series winners were specially noted below the team name.
Readers may be puzzled by the “1904 National League Champions” marker here since the Pirates finished the 1904 season in fourth place, 19 games behind the Giants. One thing to note is that the “National League” portion of the marker simply indicates the Pirates were a National League team. This can be seen by comparing the Pirates composite against others in the series. Finally, the “Champions” portion of the marker should be read as “defending champs,” which is how the 1904 Pirates began their season, fresh off the first ever World Series of the modern era.
At this point you might imagine we’re done. You can’t get much earlier than the first World Series, right? Not so fast…if you’ve read my other posts you know I love to go WAY back, even if it means bending the rules a bit, kind of like how a biologist might spend 58 minutes of the lecture talking about man’s descent from apes and the final 2 connecting us to amoebas or something.
1888 H.D. Smith and Company (formerly known as Scrapp’s Tobacco) die-cuts
Some recent detective work has added to our knowledge of this ridiculously old set and its origins. At first, you might just see too old-time ballplayers with caps you wished you owned.
However, these aren’t just any players, though that had been my first guess. Thanks to the 1976 SSPC reboot, I now know these are the participants from the 1887 World Series between the St. Louis Browns and Detroit Wolverines! Here is a look at one of the 1976 cards. Kudos to SSPC for their work on this beautiful reissue, which admittedly is almost harder to track down than the 1888 original!
1887 Tomlinson Studio Cabinets
If 1888 just isn’t old enough for you, you may be in luck. Even the “Standard Catalog” is stumped in terms of the reach of this set and the extent of the checklist, but here is at least one.
1887 Old Judge Browns Champions
And for those of you saying, “Hey, was that even a baseball card?” I’ve got an even better one for you! (Hat tip to Net54 member Gonzo for this one.)
It is at this point in the tour that the bus finally runs out of gas. As always though, I hope the result is an appreciation of some older cards you might not have known about and further reinforcement of the adage that “what’s new is old,” at least when it comes to the baseball card “innovations” of our youth.
As always, additions and corrections are welcome.
Appendix – Ancestry Report
Something I’ve toyed with and was encouraged to dig into more deeply based on a reader comment is an “ancestry report” that evaluates each entry against the key traits of the standard Topps World Series subsets. I won’t belabor the coding scheme or column headers unless asked, other than to acknowledge that blue represents mutations that go beyond the Topps standard. (In this case, I used blue for cards that feature the current-year World Series rather than the prior year.)
Anyone wanting to play with the raw data can find it here. Let me know if it’s useful at all. If so, I can do similar for Record Breakers and other prehistory work I’ve done.