The first house that an old high school buddy and his wife owned was built in 1850. Adjacent to the house was a carriage house that had been converted into a garage. Shortly after moving into the house in 1979 it was apparent that some of the support beams in the carriage house needed to be replaced.
To get at the support beams the walls in the carriage house needed to come down. Much to the surprise of my friend, behind the sparse insulation and the horse-hair was a mishmash of early 1900s Americana that included advertising signs, newspapers, pins, and tobacco cards that were also being used as insulation.
Some of the historical artifacts were carted off to the dump along with the debris from the construction. Some items, like the “Modern Women Use Crisco Instead of Whale Blubber” sign, were tossed in 2012 due to mold build up. However, for some reason my friend decided to keep the tobacco cards and the pins that he found behind the walls.
The tobacco cards and pins remained tucked away in a drawer for over 40 years until last month when he posted a couple of group shots of the items on Facebook. In the post he asked – “Does anyone know if they are worth anything?”
I immediately called him and gave him some information about the cards, pricing guides, and grading services. I also emailed him links to online sources of information that included checklists.
It was impossible to determine which tobacco cards he had from the group shots, so I asked him to email me individual photos of the front and backs of each card.
From the photos I determined that he had T205, T206, and E91 baseball cards and T-218 Champions and Prize Fighters cards.
Behind the Walls Checklist
I have listed below the cards by set that my friend found behind the walls. I have also included the photos of the individual cards that my friend sent me organized by set.
My friend also saved some assorted pins that he found, including a President McKinley pin.
My friend and his wife sold the house in 1982. When I asked my friend if he had taken down all of the garage walls. He replied – “I am not sure. It might have been only two walls.” My follow up question was – “Did you take down any of the walls in the house?” He said – “No. We just wallpapered over the walls in the house.”
My buddy and I are now planning a road trip to see the current owners of his first house. We want to see if they would be interested in some free wall demolition work on the condition that we do a 3-way split on the proceeds of any T206 Honus Wagner cards that might be found during the wall removal process.
I’d been sitting on the idea of this article for a while, and I finally decided to “check it off” when I saw an exchange between fellow SABR Baseball Cards blogger Matt Prigge and prewar savant Anson Whaley (with a guest appearance by Jeff Smith) on the first numbered baseball cards.
Interesting question. The N48 cards are generally cited as being from 1886. These featured women as baseball players and since those are some of the earliest baseball card sets in general, I’m thinking those could be it. No guarantees. Just a guess. https://t.co/5uO0MlW67B
Today the idea of numbered cards goes hand in hand with that of a (contemporaneously published) checklist. However, that was not always the case. While numerous examples abound, one famous numbered set with no checklist was 1933 Goudey. Likewise, we will encounter sets that had checklists but no numbered cards. This article will not be exhaustive, so don’t use it as a checklist. Rather, it will just highlight some of the variety attached to what in my collecting heyday was considered the most boring card in the pack.
Had I written this article a year ago, I might have assumed erroneously that on-card checklists were a hobby dinosaur. After all, why waste a card in the set when it’s easy enough to post a checklist online? However, the lone pack of 2019 Topps update I bought last fall included a surprise on the back of my Albert Pujols highlights card.
Though I have to imagine the past three decades of baseball cards have more of a story to tell, I’m going to quickly jump all the way back to what otherwise was the last time I remember pulling a checklist from a pack.
The very last packs of cards I bought before entering my long “real life took over” hiatus were in 1992. I don’t recall buying any mainstream sets that year, but I liked the Conlons and their close cousins, the Megacards Babe Ruth set, of which I somehow still have the box and three unopened packs.
The Ruth set had no checklist, but the Conlon issue had several, much in the style of the Topps cards of my youth, right down to the checkboxes.
While there’s something to be said for the familiar, I was an even bigger fan of the checklists I pulled from packs of 1990 Leaf.
Checklists adorned with superstar players was new to my own pack opening experience. However, as with most “innovations” in the Hobby, it wasn’t truly new, as we’ll soon see.
This was my absolute pack-buying heyday, and it was a great time to be a checklist collector, assuming there is such a thing. Yes, we had the standard checklist cards each of those years…
…but we also got team checklists, either on the backs of manager cards…
…or on the back of team cards.
As a quick aside, I’ll note that EVERY collector I knew in 1978 sorted his cards by team and used the team card to mark progress, making the set checklists (e.g., 1-121) completely superfluous.
Though I’m skipping most years, I’ll make a quick stop at 1974 to highlight two features in particular. In addition to the standard checklists AND team photo cards without checklists, the 1974 Topps set used unnumbered team signature cards as team checklists. (Aside: Though unnumbered cards had a mile-long history in the Hobby and are hardly extinct today, I rarely ran across them as a kid apart from the 1981 Donruss checklists or the 1981 Fleer “Triple Threat” error card.)
A final note on these team checklists: they did not include late additions from the Traded set (e.g., Santo on White Sox), so a separate “Trades Checklist” was provided also.
If I had to declare a G.O.A.T. checklist it would come from 1967-69 Topps, all possible inspirations for the 1990 Leaf card I showed earlier. (In fairness, 1984 Fleer might have played a role.)
At first glance I mistakenly thought these checklists brought more than just a bonus superstar to the mix. Take a look at entry 582 on the back of card below.
Could it be? Were we looking at the pinnacle of 1960s artificial intelligence technology: checklists with the self-awareness to check themselves off? Sadly, no. We were just looking at an abbreviation for “Checklist – 7th Series.” After all, this “smart checklist” was card 504 in the set and the ostensibly checked off card was a completely different card.
While our friends at Topps were having a ho-hum year, checklist-wise, as if there’s any other kind of year to have, checklist-wise, I do want to provide recognition to the efforts at Fleer. Haters of the Keith Shore #Project 2020 designs will probably not be fans, but I’m a sucker for this cartoony, colorful approach to checklists.
Even the title, “Player Roster,” is a nice twist, don’t you think?
The first appearance of numbered checklist-only cards from Topps came in 1961. Each checklist featured a baseball action scene on both the front and back of the card, and collectors can have fun trying to identify the players. (Side note: I believe these are the first ever game-action photos ever used by Topps.)
While the image on the back persisted across the set, the images on the front differed with each card. For example, here is Mr. Cub on the front of the second checklist. (Banks also appears prominently on the fifth checklist!)
Meanwhile in Philadelphia, Fleer introduced its first ever checklist cards.
The series one checklist featured Home Run Baker, Ty Cobb, and Zach Wheat well past their playing days, while series two did the same for George Sisler and Pie Traynor.
Incidentally, a similar approach was used 15 years later by Mike Aronstein in the 1976 SSPC set.
While Fleer had baseball sets in 1959 and 1960 as well, neither used checklist cards. However, this was not because the concept had not yet dawned on them. On the contrary, here’s a card from one of their more notable non-sport issues way back in 1959!
Note that the card pictured is #63. Cards 16 and 64 in the set are also known to have “checklist back” variations. However, the much more common versions of these same cards simply feature humorous descriptions or jokes.
I referred to the 1961 Topps cards as checklist-only because there were in fact numbered checklist cards issued in the 1960 set. The 1960 cards were the perfect (or anti-perfect) hybrid of set checklists and team cards, perhaps offering a glimpse of the “why not both!” direction Topps would ultimately adopt.
Shown below is the Braves team card, but the back is not a Braves checklist. Rather, it’s the checklist for the set’s entire fifth series!
But wait, how does that even work? The set only had seven series but there were 16 teams, right? Yes, somewhat inelegantly Topps repeated checklists on the back of multiple team cards. For example, the A’s and Pirates each had sixth series backs.
Ditto 1959 Topps…
We have to go all the way back to 1957 to see checklist-only cards. Aside from being unnumbered and landscape oriented, these cards check off all the boxes of the staid checklist cards I grew up with.
The 1956 set did the same but with an unusual turn, and not just the 90-degree reorientation. While the 1957 card shown includes the first and second series, the 1956 cards included non-adjacent series. The card below is for the first and third series, while a second card has series two and four.
The 1956 checklists also featured the first (that I could find) appearance of checkboxes. As such, it wouldn’t be wrong to regard (or disregard!) all predecessors as mere lists, unworthy of the checklist title.
The crumbiest card in the set?
It may have looked like Topps was blazing new trails with their checklist cards in 1956 and 1957, but take a close look at the second card in this uncut strip from the Johnston’s Cookies set, series one.
You may need to be the judge as to whether this qualifies as an actual card in the set vs a non-card that just happens to be the same size as the other cards.
On one hand, why not? On the other, how many collectors would consider the “How to Order Trading Cards” end panel a card?
When is a checklist not a checklist?
In 1950, Chicago-based publisher B.E. Callahan released a box set featuring all 60 Hall of Famers. The set was updated annually and included 80 Hall of Famers by 1956, the last year it was issued. At the very end of the set was what appeared to be a checklist for the set, but was it?
As it turns out, the card back wasn’t so much a checklist as it was a listing of all Hall of Famers. Were it intended as a checklist, it presumably would have also listed this Hall of Fame Exterior card and perhaps even itself!
Simple logic might also suggest that a checklist would have been particularly superfluous for cards already sold as an intact set; then again, stranger things have happened.
No checklist but the next best thing?
Prior to 1956 Topps a common way to assist set collectors, though a far cry from an actual checklist, was by indicating the total number cards in the set right on the cards, as with this 1949 Bowman card. Note the top line on the card’s reverse indicates “No. 24 of a Series of 240.”
Though this was the only Bowman set to cue size, Gum, Inc., took the same approach with its Play Ball set a decade earlier. The advertised number of cards in the set proved incorrect, however, as the set was limited to 161 cards rather than 250.
Goudey too overestimated the size of its own set the year before. The first series of 24 cards seemed to suggest 288 cards total…
…while the second series indicated 312!
Add them up and you have a set of 48 cards evidently advertised as having more than six times that number. In fact, some collectors have speculated, based among other things on the similarity of card backs, that the 1938 issue was a continuation of the 1933 (!) issue. Add the new 48 to the 240 from 1933 and you get 288. Perhaps, though the number 312 remains mysterious either way.
Tobacco card collectors are no stranger to the advertised set size being way off. Consider the 1911 T205 Gold Borders set for starters. “Base Ball Series 400 Designs” implies a set nearly twice the size of the 208 cards known to collectors and perhaps hints at original plans to include Joe Jackson, Honus Wagner, and many other stars excluded from the set.
As for its even more famous cousin, the 1909-11 T206 set. How many cards are there? 150 subjects? 350 subjects? 350-460?
The return of set checklists
While I’ve just highlighted several non-examples of checklists, there are several, probably dozens, of sets pre-1956 Topps that include checklists. The most common variety involved printing the entire set’s checklist on the back of every card in the set, as with the 1933 George C. Miller card of Mel Ott shown here.
As evidenced not only by Ott’s name but also brief biographical information unique to Master Melvin, the Miller set provided a unique card back per player in the set. As we travel further back in time to examine earlier checklisting, you’ll see that a far more common approach involved applying the same card back to multiple players in the set, often by team, by series, or across the set’s entirety.
The return of team checklists
It’s been a while since we’ve seen team checklists, but some great early examples come our way from the 240-card 1922 American Caramel set.
As the small print indicates, the set included 15 players apiece from each of the 16 teams, leading to an even 240 cards. As the Ruth back suggests, all Yankees in the set had identical backs, as was the case for all team subsets within the set. Rival caramel maker Oxford Confectionary produced a much smaller set (E253) the year before and was able to fit the set’s entire 20-card roster on the back of each card.
The golden age of checklists
Though neither the T205 nor T206 sets included checklist cards, many other sets of the era did. A fun one, checklist or no checklist, is the 1912 Boston Garters set. Note the back side (of the card, not the player!) lists the 16 cards in the set. (These are VERY expensive cards by the way. For example, the card shown is easily the priciest Mathewson among his various cards without pants.)
Another such set was the 1911 Turkey Red set where, as with the 1922 American Caramel cards, every card was a checklist card (subject to back variations). Low numbered cards had a checklist for cards 1-75 or 1-76, and high numbered cards had a checklist for cards 51-126.
The 1910 Tip Top Bread set provided collectors a much kneaded set checklist and team checklist for their hard-earned dough. Of course, this was by default since all the subjects in the set were all on the same team. While the checklist suggests numbered cards, individual cards have do not include a card number as part of the design.
The 1908-1910 American Caramel E91 cards similarly provided a checklist for each year’s set and the three teams that comprised it. For example the 1910 set (E91-C) listed Pittsburg, Washington, and Boston players.
And just to show these sets weren’t flukes, there are the 1909 Philadelphia Caramel (E95), 1909 E102, 1909-1910 C.A. Briggs (E97), 1910 Standard Caramel (E93), 1910 E98, 1911 George Close Candy (E94), and 1913 Voskamp’s Coffee Pittsburgh Pirates, and various minor league issues of the era.
Size isn’t everything
Another early approach to checklists is illustrated by the 1909-1913 Sporting News supplements.
The picture backs were blank, but sales ads provided collectors with the full list of players available.
By the way, the highlighting of “SENT IN A TUBE” provides a hint that collectors even more than a century ago cared at least a little bit about condition.
Obak took this approach a step further in 1913 by including a complete checklist in every cigarette box.
Though not technically a card, one could make some argument that this Obak insert represents the very first standalone checklist packaged with cards.
I don’t know enough about this 1889 (!) checklist of Old Judge cabinet photo premiums to say whether it was inserted with the cigarettes and cards as was the Obak or lived somewhere else entirely as did the Sporting News ad.
Either way, it won’t be our oldest example of a checklist.
Where it all began…almost
There aren’t many baseball card sets older than the 1888 Goodwin Champions and 1887 Allen & Ginter World Champions issues. Ditto 1887 W.S. Kimball Champions (not pictured). Take a look at the card backs, and it becomes evident that checklists are almost as old as baseball cards themselves.
And while most of the card backs I’ve seen from these issues are rather dull, here is one specimen that makes me smile.
It’s not the easiest thing to see, but I do believe the collector crossed Kelly off the checklist…
…before running out of money, running out of ink, or just moving on like any good player collector.
As my examples demonstrate, baseball card checklists have taken on many forms, and the question of which baseball card checklist was first is one that depends on your definition of a checklist and perhaps even your definition of a baseball card.
Though it’s risky to infer motives from men long since dead, it seems reasonable that the creation and publication of baseball card checklists indicates a recognition that the cards themselves were not simply throwaway novelties but items to be collected and saved. What’s more, this was evidently the case as far back as 1887!
Note also that these checklists weren’t simply offered as courtesies. They reflected the at least an implicit assumption that set checklists were more valuable (to the seller!) than other forms of advertising that would otherwise occupy the same real estate whether the product was bread, tobacco, or candy. A standard Hobby 101 education teaches us that cards were long used to help sell the products they were packaged with. What we see here is that the allure wasn’t simply a baseball player or his likeness on cardboard but also the set of such likenesses that kept the pennies and nickels coming.
I started this article with a question. Are checklist cards the most boring cards in the set? By and large, yes, I think they are. However, that’s only true most of the time.
For with every checklist, at least those put to purpose, there is that one moment of glory, of sweetness, and of triumph when the checklist—formerly mocked and yawned at—informs collectors young and old that their springs and summers were not spent in vain but rather in pursuit of the heroic, the noble, and the—holy smokes, it’s about damn time!—DONE!
That’s a pretty obvious way to start this, right? Pretty much anyone who has spent time in the baseball card hobby knows how that digit and that name go together, that Andy Pakfo, as a Brooklyn Dodger, was card #1 in the landmark 1952 Topps baseball card set.
I’ve often wondered why Andy Pafko, of all people, got the fabled #1 spot in that set. But did it matter in 1952 that he was card #1? When it card #1 start mattering? The earliest example of a card set with a clear numbering system was the 1909 Philadelphia Carmel set. The cards aren’t individually numbered, but rather featured a numbered listing on the back for the 25-card set, with Honus Wagner is the #1 spot. Wagner was (and is) a huge name in the sport, but given that 10 of the 25 subjects of the set are Hall-of-Famers, it’s likely that Wagner was listed first, well, just because he was listed first. The 1910 Philadelphia Carmel set had the same numbering system, this time with Athletics’ first basemen Harry Davis is the #1 spot, with the checklist arranged by team and Davis in the top spot for no obvious reason.
The first true #1 seems to be Mordecai “Three Finger” Brown in the 1911 Turkey Red Cabinets set. This set, too, features a list of all subjects in the set on the backside of each card, but each card is also numbered, with “No. 1” gracing the backside of Brown’s card. The number system had a purpose – smokers could collect coupons from certain Turkey Red products and exchange them for the cards, instructed to “order by number only.” As for Brown’s place in the #1 spot, it isn’t clear whether not is was supposed to mean anything. There’s a haphazard alphabetical ordering to the set, but many of the names are out of place, including Brown’s. And while Brown was one of the biggest names in the sport at the time, the set is loaded with similarly famous names. The 1914 and 1915 Cracker Jack sets were also numbered, with no clear system to their assignment. The #1 card in each (the 1915 set re-issued most of the 1914 set) was Otto Knabe of the Baltimore Terrapins of the Federal League. Knabe had a few good years with the Phillies of the National League, but was hardly a star in Baltimore and was out of baseball by the end of the 1916 season. Again, we find a #1 with no obvious reason behind it.
The 1933 Goudey set is a landmark in hobby history, but no one cared to memorialize this occasion with it’s opening card. The spot went to Benny Benough, a career back-up catcher who had played his final season in 1932. But in the 1934 Goudey set, Jimmie Foxx – winner of the AL MVP award in both of the previous seasons – was given the lead-off spot. This is the first obvious example of the #1 used as an honorarium. And it would be the last until 1940, when the Play Ball set devoted the first 12 spots in its 240 card checklist to the four-time defending champion New York Yankees, with the #1 spot going to reigning MVP Joe DiMaggio. But in 1941, Play Ball went with Eddie Miller as card #1. Miller was an all-star the year before but, as a member of the moribund Boston Bees, was hardly a household name.
The first two major post-war releases honored a pair of reigning MVPs with their #1 spots – 1948-49 Leaf with Joe DiMaggio and 1948 Bowman with Bob Elliot. But Bowman got a little more obscure with their 1949 #1, picking Boston Braves rookie Vern Bickford – a member of a pennant-winning club, but hardly a national stand-out. Bowman’s 1950 #1 was Mel Parnell, an all-star and a sensation on the mound in ’49, and in 1951 they opened with rookie Whitey Ford, who’d helped lead the Yankees to another World Series win. Both were stand-out players and names collectors would have known, but neither are as convincing as purposeful picks for #1 as Foxx, DiMaggio, or Elliot. For Topps’ 1951 Game release, there were a pair of #1s (for both the blue and red back sets) – Yogi Berra and Eddie Yost – who, like Parnell and Ford, don’t really indicate any obvious attempt to use the number as an honor, particularly given the small size of 1951 issue.
So that brings us to “Handy” Andy Pafko. And tells us… well, not much. Sometimes the top spot was used to pay tribute and sometimes it was just used and sometimes it’s kind of stuck in between. But after Pafko, Topps would use the #1 spot for a variety of purposes, some honorific, others utilitarian. The 1950s were a mixed bag: a jumble of superstars (Jackie Robinson in 1953, Ted Williams in 1954, 1957, and 1958), executives (AL President William Harridge in 1956 and commissioner Ford Frick in 1959), and a postseason hero (Dusty Rhodes in 1955). The 1960s featured award winners from the year before (Early Wynn in 1960, Dick Groat in 1961, Roger Maris in 1962, and Willie Mays in 1966), mixed in multi-player league leader cards and a tribute to the 1966 Baltimore Orioles World Series win. Between 1970 and 1972, the #1 card honored the World Series winner with a team photo. 1973-1976’s top spots went to Hank Aaron, honoring his chase and breaking of Babe Ruth’s home run and RBI records. But this run of #1s could have been little more than a coincidence. After Aaron’s 1974 card (which is actually his base card, the front given a unique design to commemorate the home run records that he hadn’t actually set yet) was a pure #1 honor spot. But the ones that followed fit into a pattern that Topps would mostly use for the next decade – opening the set with either Record Breakers or Highlights and ordering those cards alphabetically. A fellow named “Aaron” setting records and making highlights was bound to take those top spots. (You can find Beckett’s visual guide to Topps #1s here)
Despite an boom in card production, the 1980s would see dark times for #1 cards. Fleer and Donruss joined Topps in the baseball card market in 1981 and both companies put player base cards in their #1 spots. Fleer honored the veteran Pete Rose and Donruss led off with young shortstop Ozzie Smith, a decision that – in the context of the great work on the ’81 Donruss set by Jason in a recent post here – seems to not have been much of a decision at all, leaving their brand’s Hall of Fame leadoff man more of a coincidence than a tribute. But by 1982, all three companies had locked themselves into numbering formulas that left little room for creativity at the top. Topps went with Record Breakers or Highlights, bottoming out in the #1 game in 1983 when Tony Armas took the honors with a card commemorating him fielding 11 fly balls in a single game, breaking a five-year-old record. Donruss debuted its famed ‘Diamond Kings’ subset in 1982 and opened each set of the 1980s with it, leading to some big names at the top, but never really lining up the assignment with any big event from the prior year (only Ryne Sandberg’s #1 card in 1985 followed up on a major award win). Fleer, arranging its checklist by team, opened up each set with the previous year’s World Series winner. But with the players within each team arranged alphabetically, their #1s went to guys like Doug Blair and Keith Anderson as often as they went to stars. What’s more, Fleer goofed in 1989 and opened the set with the Oakland A’s (Don Baylor at #1), even though the Dodgers won the World Series in 1988. And just two years later, Fleer would make the same mistake, handing the A’s a premature crown for the 1990 season by leading off with catcher Troy Afenir, who had 14 at bats the year before and hadn’t played at all in the postseason. Their habit of honoring (or at least attempting to honor) the World Champions at the open of their set was dropped after that year.
The truest honorary #1 spot from the big three in the 1980s was the 1986 Topps Pete Rose. His base card – a “pure” card – was given top billing and followed by a series of career retrospective cards to commemorate his breaking of the all-time hits records in 1985. It was the first time since Willie Mays in 1965 that a player’s pure base card was given #1. 1986 also saw the debut of Sportflics, a gimmicky set, but one that took its #1 seriously. George Brett led off the set and, for the next four years, the set would always open not just with a star, but with a player sought after in the hobby. In 1988, the Major League Marketing, parent company of Sportflics, debuted the more standard Score set, which opened with Don Mattingly at #1, continuing the trend set by Sportflics and bringing it into the collecting mainstream.
1989, of course, would be the year Upper Deck changed the hobby forever, in no small part to opening up their debut set with – for the first time ever in a major release – a player who has yet to make his Major League debut. This card, of course, was the iconic Ken Griffey Jr. rookie. It would become one of the hobby’s most recognizable cards and would join the Pafko as a famed #1. But oddly enough, it didn’t really change the trajectory of #1s. In fact, Upper Deck, who owed so much to that one card, didn’t even bother putting a player in the #1 spot in 1990 or 1991 – using that spot instead for checklists. The next big deal rookie to get a #1 spot from any brand was Mark Wohlers in the 1992 Donruss set. And who remembers that?
The heart of the junk wax era saw some interesting uses of #1. In 1990 and 1991, Donruss’s new Leaf Set – among the first line of upscale releases – didn’t even have a card #1, instead opening with unnumbered card with the Leaf logo. The 1991 Bowman set opened with a tribute to Rod Carew. Intended as a fun set for kids, Donruss’s 1992 Triple Play set opened with a card of Skydome. And to showcase the classiness of its first upscale set, Topps put Dave Stewart at the 1 slot for its debut Stadium Club set – dressed in a tuxedo and a baseball cap. There were a few true head-scratchers from this era as well, such as 1993 Donruss opening with journeyman reliever Craig Lefferts. Or Bowman giving its #1 in 1993 to Glenn Davis, who was 30 games away from the end of his career (it was actually Davis’ third straight year getting a #1, as he got the spot in 1991’s Studio set and 1992’s Fleer Ultra due being the first alphabetical player for the Baltimore Orioles, the first alphabetical American League team).
By the mid-1990s, nearly all major releases – save for Fleer, who clung to their team-based numbering system that gave no attention to #1 – had taken up the practice putting a base card of a star player with hobby appeal in the top spot. That trend continues today, with Topps offering an online vote to determine who gets #1 each year, and the winning players – Aaron Judge, Mike Trout, Ronald Acuna, very much fitting that mold. So it ended up not being the legacy of Andy Pafko or Ken Griffey Jr. or Diamond Kings or broken records or hot rookies that live on as #1 in our binders today, but that of Sportflics and Score, who made things no more complicated than taking a player both talented and popular and putting him at the top of stack.
Editor’s note: For the #StayHomeWithSABR video presentation of this article, click here!
The SABR Baseball Cards Research Committee is working with tobacco card enthusiast Matt Haynes of Alton, IL, to assemble the most complete (virtual) collection of T206 source images available.
A graphic designer by trade, Matt’s inspiration in beginning this project was the simple beauty and artistry of the T206 cards themselves. Like many of our readers, Matt was an avid collector in his youth but took a long hiatus from the Hobby when “real life” took over. It was the proximity of a local card shop to a new job that lured Matt back into collecting, first focusing on top-shelf superstars of the 1950s but now exclusively on the 524-card set known as the Monster.
Starting from more than 40 images already cataloged at the T206 Resource photo gallery, adding the finds of several other hobbyists from card forums such as Net54 Baseball and Tobacco Row, and adding images from his own research, Matt was able to assemble 86 card-image pairs for this initial post, already the most available anywhere on the Web. Now we are asking you, our readers, for your help in finding more. (See contact info at end of post.)
Please excuse some wonky formatting as Jason makes updates to the table, including the addition of more unmatched T206 cards to speed up your photo hunts.
*This is the first of hopefully many posts about my journey collecting the T206 set, aka “The Monster”. Many have tried, most have failed. Wish me luck!*
My introduction to the T206 set came last spring during a meetup with a local card collector. He was selling a Roberto Clemente rookie card to me because it didn’t fit with his “collection.” He proceeded to tell me that he primarily collected T206, which he referred to as “The Monster.” I recall being awed by the size (524 cards) and volume of Hall of Famers (76 cards in the subset, including the famous Honus Wagner card). As I was leaving, he smiled and said, “Once you go down this rabbit hole, there is no turning back.”
Fast forward to this past July. I’m at The Chantilly Show (a prominent card show in the DC area) and I run into that same collector who has some of his T206s on display and available. While I didn’t recognize many of the names on these beautiful cards, I did recognize a few: Ty Cobb, Walter Johnson, Christy Mathewson. One card in particular caught my eye, a stunning portrait of Hall of Fame second baseman, Eddie Collins.
A gentleman who I had been chatting with noticed my eyes wander towards the Collins and remarked, “That’s a nice one. A Hall of Fame portrait with an off-back would make for a great start.” I turn the card over and see “Sovereign Cigarettes Fit For A King” in a pleasing forest green font. I was sold. After a little negotiating, I secured my first T206 card, one of a legendary player, nonetheless (pics below). Little did I know at the time, but I had just plunged into the rabbit hole.
Considering that I’m far from an expert and there is already so much great material available about the set (much of which I’ll reference and link in later posts) this blog will have more of a personal spin. I’ve had the pleasure of meeting, befriending, and learning of many others in the very active T206 community, and I’m hopeful that I can weave in tales of their journeys and insights, as well.
While my T206 collecting journey is no longer in its infancy, it’s still very much in the early stages. My monster number currently sits at 52, which puts me at exactly 10% complete (not counting the Big Four) – far enough in to have learned a few things but still just a beginner. With the road to completion stretching further ahead in the future then I can see, I’m looking forward to everyone joining me on this ride.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.
With the festive frivolity of the holiday season upon us, I bring you a post even more frivolous than my usual lightweight offerings. Before reading, I suggest adding a pint of rum to the eggnog-which will ensure that you forget that this blog is connected to an august body like SABR. So, toss on another yule (Blackwell) log on the fire, grab a plate of cookies (Rojas and Lavagetto) and contemplate this ancient carol (Clay) within your decked-out halls (Jimmy and Tom).
A Partridge in a Pear Tree: Jay Partridge was the starting second baseman for Brooklyn in 1927. I could not locate a card from the time, but an auction site did have a small newsprint photo described as a panel. Fortunately, Mr. Partridge has a card in the 1990 Target Dodgers set. If you insist on a card issued while the player was active, this 1977 TCMA of Glenn Partridge falls into that “family.”
Apparently, no players with the surname Pear or Tree ever appeared in a professional game. But Matt Pare shows up on the 2017 San Jose Giants. I had to go the minor league route as well to find a “tree.” Mitch Trees was a catcher for the Billings Mustangs in 2017.
Two Turtle Doves: Spokane Indians assistant coach “Turtle” Thomas has a 2017 card, but I’m going with 1909-11 T206 “Scoops” Carry of the Memphis Turtles. As for Doves, Dennis Dove has several prospect cards, including this 2003 Upper Deck Prospect Premiere. However, this 1909-11 American Caramel card of “Buster” Brown on the Boston Doves wins out. After all, Buster lived in a shoe, and his dog Tike lived in there too.
Three French Hens: For this one, I must go with Jeff Katz’s acquaintance Jim French. The diminutive backstop toiled for the Senators and Rangers. Dave “Hendu” Henderson was the best hen option, outside of any Toledo Mud Hen.
Four Calling Birds: This 1982 Larry Fritsch card of Keith Call on the Madison Muskies certainly “answers the call” for this word. Although, Callix Crabbe is in contention based solely on the awesomeness of his name. For the bird, I heard the call of the “royal parrotfinch” and went with longtime Royals pitcher Doug Bird.
Five Golden Rings: It would be a cardinal sin if I didn’t go with the Cardinals’ Roy Golden on this 1912 T-207 “brown background” card. Phillies pitcher, Jimmy Ring, gets the nod with this 1921 National Carmel issue.
Six Geese a Laying: Since Christmas is coming and the goose is getting fat, Rich Gossage would have been a logical choice. But I can’t pass up making Seattle Pilot Greg Goossen my fowl choice. His 1970 card is so amazing that all I can do is “gander” at it. This 2019 card of Jose Layer on the Augusta Greenjackets is the best fit that I could lay my hands on.
Seven Swans a Swimming: After answering a personal ad in a weekly newspaper, I met my future wife for a drink at the Mirabeau Room atop the SeaFirst Building in Seattle on June 9, 1990. That evening, Russ Swan of the Mariners carried a no-hitter into the 8th inning against Detroit. Viewing this mound mastery sealed our lifelong bond, for which the “swan song” is yet to be sung.
I must “take a dive” into the Classic Best 1991 minor league set to find someone who fits “swimmingly.” I ended up somewhere near Salinas and found the Spurs’ Greg Swim.
Eight Maids a Milking: Since no Maids are found on “Baseball Reference” and the players named Maiden don’t have cards, I was “made” to go with Hector Made and his 2004 Bowman Heritage.
This may qualify as “milking” it, but the best fit I could find was the all-time winningest general manager in Seattle Pilots history, Marvin Milkes. This DYI card uses a Pilots team issued photo, which shows off the high-quality wood paneling in Marvin’s Sicks’ Stadium office.
Nine Ladies Dancing: The 1887-90, N172 “Old Judge” card of “Lady” Baldwin and the 1996 Fritsch AAGPBL card of Faye Dancer are a perfect fit.
Ten Lords a Leaping: This wonderful 1911 T205 Bris Lord card coupled with a 1986 Dave Leeper doesn’t require much of a leap to work.
Eleven Pipers Piping: Former Negro Leaguer Piper Davis has a beautiful 1953 Mother’s Cookies card on the PCL Oakland Oaks. In fact, the card is “piping” hot.
Twelve Drummers Drumming: You can’t get much better than this 1911 Obak T212 card of Drummond Brown on the PCL Vernon Tigers. Or, you could “bang the drum slowly” with this specialty card of Brian Pearson (Robert De Niro) from the movie “Bang the Drum Slowly.”
I realize that Santa will fill my stocking with coal and “Krampus” will punish me for having written this, but the spirit of the season will endure. I wish you and all those you hold dear a wonderful holiday season and a prosperous new year.
The great Minnie Miñoso would’ve turned 94 today. Or judging from some of his baseball cards either 95, 96 or 97.
But regardless of how old he really was, he was a very important player in baseball history, worthy of the Hall of Fame for his tremendous career as well as his role as a pioneer for black Latinos. So let’s celebrate the Cuban Comet with nine of my favorite Miñoso cards.
1945-46 Caramelo Deportivo [Sporting Caramels] Cuban League
This is my baseball card Holy Grail; the one Miñoso card in this post which I do not yet own. They do pop up once in a while, though with a price tag in the $350-$500 range even for something in the 2-3 grade range. Either way, these 1-7/8″ by 2-5/8″ black & white cards were printed on a very thin stock and were intended to be pasted into a collector album. So even when you find one of these, there will likely be a chunk of the back gouged out (this won’t be the first time you read about this here).
On the front of the card, there’s a thin white border with a photo and a small circled number. That’s so you knew where to paste the card in the album. Fun fact about these: the Caramelo Deportivo sets are the only cards I’ve seen of Minnie (Miñoso was featured in the 1945-46, 1946-47 & 1947-48 sets) where he’s sporting a mustache, though a thin one at that.
The first installment of its “flagship” set, Topps has what is considered Minnie’s “Rookie Card” even though he has earlier cardboard appearances (see above). The front of the card lists his name as Orestes, as does his facsimile autograph. Missing here is the trademark straight-edge under the signature, as was his custom years later.
The back of the card does refer to him as “Minnie” even here for 1952.
1952 Red Man Tobacco
From 1952-55, Red Man Tobacco issued these colorful 3-1/2″ square cards (they originally came with another half-inch tab at the bottom), bringing cards and tobacco products back together again as they were with the 19th century & early 20th century sets. Everything you want is on the front here. The back of the card is just an advertisement of the set itself with an offer to collect 50 of the tabs and send them in for a baseball cap. Apparently, that’s what the original owner of my card did.
1952 Berk Ross
At only 2″ by 3″ this qualifies as a Mini Miñoso. There’s not much to it; the back of the card boasts “Hit Parade of Champions” with a brief bio and a few statistics. These cards have a sort of primitive charm to them. The printing is a little off, the centering also not quite right, and there’s little nubs on each edge as if they were part of a perforated strip. I got this card at a good price probably because somebody’s name is stamped on the back.
1954 Dixie Lids
65 years ago, somebody enjoyed a cup of ice cream and when they removed the lid, there was “Minny” Miñoso. If there’s another card of him listed as Minny, I’m not aware of it. These lids advertise the Dixie Lid 3-D Starviewer; all you need to do is send 25 cents, this lid, name and address to the company. Personally, I’d much rather have this lid than the Starviewer, even if it looks like quite a contraption.
1962 Topps Baseball Bucks
Minnie Miñoso played only 39 games for the St. Louis Cardinals, but it was long enough to get his face on a one-dollar 4-1/8 inch by 1-3/4 inch “Baseball Buck.” Sure, Henry Aaron and Roberto Clemente were on $5 bills and Willie Mays & Mickey Mantle were on $10 bills, but there’s nothing wrong with being on a $1. George Washington is on the $1 and that’s good enough for me.
1967 Venezuelan Retirado
These are TOUGH to find, particularly in good condition, because just like the Caramelo Deportivo cards I mentioned earlier, these were glued (or stuck in some way) inside collector albums, evidenced by the chunk of the back of my card that was torn off. Other than that, this might be my favorite Minnie card.
First of all, I had never even heard of this set before stumbling upon it. It’s pretty rare and it came from another country. I love the beautiful shade of blue as a plain background for the player image, which might not be a surprise to those who read my post on the 2010 Tristar Obak cards.
Editor’snote: This subset of 49 retired baseball players and one who would still be active in 1980 😃 was part of a larger Venezuelan release popularly known as 1967 Topps Venezuelan. However, there is some reason to believe these cards were not produced by Topps at all.
1984 True Value White Sox, 1986-89 Coca-Cola White Sox
I’m counting these five team issue cards as one card, since I make the rules. The first from the 1984 True Value team set, which Jason will certainly find more appealing than the 1986 Coca-Cola card (even though it’s the same photo used) because of the large BORDER. The Blue-bordered 1987 Coca-Cola card also shows the same photo as the red-bordered 1988 Coca-Cola card. Then there’s the obnoxiously-bordered 1989 card.
What’s my point? Well, the White Sox were still including Minnie Miñoso in team-issue sets even though he last played in 1980 (even though there were attempts to get him into a game in 1990 as well as 1993). And that means something. He’s Mr. White Sox. An iconic player in franchise history, as well as baseball history.
2015 White Sox tribute
This card was given out to attendees of Minnie’s memorial service at Holy Family Church in March 2015. It’s nicely done in the 1964 Topps style with red lettering instead of the light blue used in the original set. Plus, the #9 memorial logo is shown in the upper left corner.
Nine (okay, thirteen) cards of one man, spanning over 70 years. An amazing man. An amazing life. And about one year from now, we’ll hopefully be celebrating his election to the Hall of Fame on the Golden Era ballot.
Editor’s note: Chris delivered a terrific presentation on Minnie’s Hall of Fame case at a 2019 SABR Chicago chapter meeting. His presentation begins around the 19:00 mark of this video.
As a baseball fan/researcher, one thing I believe is that every player in MLB history is the answer to at least one trivia question. It’s my goal (however unachievable it is) to find that piece of trivia for every player. As a card collector, I dream of having at least one card of every player ever.
Certainly, I’ll most likely never own a card of George Noftsker of the 1884 Altoona Mountain City club of the Union Association, and it’s equally doubtful that a cardboard issue of 1876 Chicago White Stocking rightfielder Oscar Bielaski will ever end up in my possession. Regardless, it would be great to fill that never ending binder as much as possible.
It’s that dream that compelled me one night to enter the name Louis Sockalexis into the search field on eBay. I don’t know why. Perhaps I was reading a book on him at the time; I do own a biography on him and have read it a few times. Maybe that’s it. Maybe not. But regardless, I stumbled across a 2010 Obak Tristar Sockalexis card! Naturally, after looking at the names in the set I was intrigued enough to purchase the set right away.
This set is an homage to the original Obak sets from 1909-11. Those originals were inserted into Obak cigarette packages. They feature players primarily from the Pacific Coast League and were 1 ½” by 2 5/8” in size, much like the infamous t206 set. These were later classified as T212. If you ever were curious about where those Letter-Number classifications originated, look no further than card 66 in the 2010 Tristar Obak set! Because that card is of Jefferson Burdick, the man who created the American Card Catalog.
In any event, the 2010 Tristar Obak set is the more traditional card size (although there are mini parallel inserts), and as an unlicensed product there are no logos or team names on them. These cards are very quirky and are probably an acquired taste. But I love them for two main reasons.
They’re very simple. White border with blue letters at the bottom. Last name in larger print followed by a brief description in smaller print. And by description, it varies. Some descriptions are teams, some are a brief reason why the depicted person is in the set in the first place.
Most of the images used of the people on the cards are black & white (as many of them are from the 19th century and early 20th century). And those backgrounds! Bright, colorful scenery! Tommie Aaron stretching to receive a throw over a bright yellow sunset? Absolutely. David Clyde going into his windup over a cloudy purple backdrop? Yes, please! Maurice Van Robays in front of a barn? I wouldn’t have it any other way. Yes, they’re a bit gaudy, but I think they’re damn charming… and fun!
What I like perhaps the most about this set is that it makes me flip over the cards to figure out why they’re in the set! And in some cases, to find out exactly who these people are.
The set is divided up into several subsets: History in the Making (top minor league prospects), History’s Greatest Legends (baseball greats), Heroes and Legends (players known for various feats or tall tales), #1 Overall Draft Picks, Minor Leagues Best, MiLB Players of the Year, Can You Believe (players with amazing stories), Game Changers (innovators in baseball and beyond), Future Stars, Multi-Sport, Pop Icons, Historic Names, Pacific Coast League, and U.S. Presidents.
Highlighting the Historic Names subset are two cards of Sherry Magee of T206 Rushmore fame, though the Obak set’s Magie variation brings much less today on the open market than its predecessor from a century earlier.
The cards at the end of the set are all over the place. Card number 106, for example, is pro wrestler Hulk Hogan.
What steals the show for me is the Game Changers subset. By far the largest chunk of the set. Where else can the founders of Coke & Pepsi be on the same team?
I had mentioned Heinz, and since I’m from Chicago I make sure his card is nowhere near Harry Stevens’ card, as he’s widely known as the catering wizard who introduced hot dogs to baseball games.
There’s a card of John Sherman, whose Act does not apply to baseball. (Editor’s note: stay tuned.) And Frederick Thayer, who is largely given credit for inventing the catcher’s mask.
Jim Bouton has a card, but neither his MLB career with the Yankees nor Ball Four is mentioned on the back of the card. Instead, he shares this card with Robert Nelson, his teammate with the Portland Mavericks of the Northwest League because they created Big League Chew bubble gum!
That’s just a sampling of 2010 Tristar Obak. I have yet to get my hands on the 2009 or 2011 editions. Those 2011s are particularly enticing; I love collecting cards of 19th century players, and since I can’t afford those 1887 Allen & Ginters, these will have to do.
Old Hoss Radbourn, Lee Richmond, Joe Start, Doug Allison, Ross Barnes (even if the image on the card isn’t Barnes) and even Bob Addy (!?!) make the 2011 checklist, but that one will be particularly pricey.
As a kid I used to dream about finding my way into some ancient attic and unearthing boxes and boxes full of old baseball cards. For whatever reason, I imagined I’d need to be on the East Coast somewhere, which made the fantasy all the less attainable coming from my West Coast mind, but it was still fun to picture thumbing through these old stacks of cards and finding Ted Williams, Stan Musial, and Joe DiMaggio if not Babe Ruth, Ty Cobb, and Honus Wagner.
While this dream of mine never did come true, I did have the pleasure of meeting a fellow collector this year whose real life experience came awfully close.
David grew up in the Kansas City area but lives in Phoenix these days. Like me, he fell for card collecting hook, line, and sinker from the moment he was introduced to his first baseball cards, despite the fact he barely knew a thing about baseball or any of the players. While my love affair with cards and baseball began with 1978 Topps, David got going five years earlier and still remembers the thrill of pulling a 1973 Topps Hank Aaron card.
David was mainly a Hank Aaron and Kansas City Royals collector early on and started a paper route to feed his fix for packs. Once Hank Aaron retired, David branched out into the older stuff, mainly pursuing pre-1973 Hank Aaron cards and other stars he’d heard about from his dad. David was even lucky enough to have a teacher at school who would trade old 1950s cards for contemporary stars. While these swaps usually worked in David’s favor, he harbors at least some regret over a 1975 Gary Carter RC for 1955 Topps Tom Hurd swap.
Fast forward a bit and David eventually headed off to college. Like so many other collectors he left his cards at home–Hank Aaron, George Brett, Tom Hurd, and all. With David away at school his parents downsized and moved most of his stuff into storage. After his father passed away, David’s mother forgot about the storage unit, whose contents were ultimately sold off to the highest bidder.
The end. Right?
Not quite. I’ll let David’s twitter bio take over from here.
“Recently found my entire card collection I thought was long lost. Sharing my find w/twitter…”
While I grew up dreaming of finding boxes and boxes full of incredible cards, David actually did it. The twist, of course, is that the boxes he found were his own!
Evidently, David’s dad didn’t want to put the cards in storage and had a friend of his hang onto them instead. David remained in contact with this family friend, who one day, decades later, remembered he had a bunch of boxes somewhere with David’s name on them.
David’s first few twitter posts as “Cigarbox Cards” definitely got my attention!
The first card David posted was a well loved 1956 Topps card of Mr. Cub. The next day David posted a video of himself rifling through stacks of cards including early Topps issues of Gary Carter (but not the 1975!) and Dennis Eckersley while a 1949 Leaf Ted Williams sat untouched in the distance.
An autographed Yaz rookie was next, followed by a Red Man Willie Mays. In the days that followed David posted a Brett RC mini, a 1954 Bowman Mickey Mantle, and a 1974 Topps Tom Seaver. I always enjoyed the way David juxtaposed his featured finds with background elements that enhanced their presentation. This is a theme we’ll come back to shortly when I show you what David’s up to now.
Most of the online replies consisted of emojis like 😱 and 🔥 🔥 🔥 but I suspect certain collectors were wondering if David’s cigar box finds included any really good cards.
Then David dropped the Hammer.
And even more Hammer! (Click blue arrow twice to activate.)
Though the cards are not mine, I still feel a thrill each time David posts an amazing card from his original collection. To think how close these cards came to being lost forever and then to see them pop up in my twitter feed is downright magical. It’s like flipping through my own personal attic find, even if the cards aren’t mine to keep–just like the dreams I had as a kid right down to waking up in the morning with the same collection I had before!
Beyond showing off some great cards David introduced some fun interactive features to his posts, among them his “Out or Hit” series…
Of course it was only a matter of time before this happened.
The cards kept coming and coming, almost obscenely so, but what really caught the eye of many collectors was the creative ways David was finding to display his cards, something many of us spend undue time considering.
Here’s another one that really caught my eye with bonus points for the bunting!
And if you’re wondering what the most creative use for a yellow drinking straw in a baseball card collection is…
Or for the Yankee fans…
I could go on and on, but you’d probably have more fun scrolling through all David’s posts yourself. Other than of course SABR Baseball Cards 🤣, it’s hard to think of another baseball card account as consistently awesome as his.
As I consider his collecting story I come back once again to my own and that of so many other collectors. How many of us dreamed of that elusive find, those boxes and boxes of cards filled with stars of yesteryear? If you’re like me, not only did that imagined cardboard haul never arrive but even the cards you did have were nowhere to be found by the time you realized you missed them.
What I didn’t know when I shuffled through my 1978-80 Topps cards as a kid was that the boxes right in front of me would someday be more valuable than any cards I might find elsewhere. Even today the memories of those cards mean more to me than the actual cards I’ve purchased since.
This post (below, right) from David makes the point well and was ultimately the catalyst for my writing this article.
Let’s face it. You can dream all you want about things you don’t have, but few fantasies or realities will ever come close to that of your first love, whether lost, lasting, or in David’s case both.
Author’s note: For another SABR Baseball Cards article inspired by collectors’ online posts, see “Fathers and Sons.”