Dodger-Giant double agents

Author’s note: I originally planned this article in two parts, the first of which was published earlier in the week. I’ve since decided it works better combined into a single article, so here it is all in once place. J.A.S.

In the nearly 120 years of the great Dodger-Giant rivalry, more than 200 players have suited up for both sides, either as a player or manager, including 22 Hall of Famers. For most of these men it is an easy undertaking to find cards of them as Dodgers and as Giants.

Most often their Dodger and Giant cards come from different years or different sets, as in the case of the two Frank Robinson cards pictured, eleven years apart. However, it is sometimes possible to find these Dodger-Giant pairings within a single set.

When this happens, the player (or manager) achieves true “double agent” status, turns from hero to villain (or vice versa) among the team faithful, earns the double-takes of many a collector, and most importantly attains immortality with a spot in this article.

In the sections that follow, I will present a chronological list of the nearly two dozen Dodger-Giant double agents I could track down in my research. Please let me know in the comments if I missed anyone.

1903-04

Source: The Evening World (New York, New York), December 14, 1903

On December 12, 1903, the Brooklyn Superbas sent Bill Dahlen to New York for Charlie Babb and Jack Cronin. As a result, Dahlen can be found with both squads in the 1903-04 Breisch-Williams (E107) set and has the honor of being the first ever Dodger-Giant double agent.

1914-15

Here is one that really doesn’t count for several reasons but is interesting enough to include nonetheless. On August 31, 1915, the Brooklyn Robins claimed Hall of Fame hurler Rube Marquard off waivers following his release by the Giants. As such, Marquard has cards with both New York and Brooklyn in the Cracker Jack sets of 1914-15.

Rendering true double agent status doubtful, however, are (at least) three key details.

  • Most collectors consider the 1914 and 1915 Cracker Jack sets to be two separate sets, disqualifying Marquard as a true double agent.
  • Both cards show Marquard in his NYG uniform, which by itself isn’t a disqualification but still detracts from the visual contrast we deserve in our Dodger-Giant duos.
  • Finally, Marquard’s second card does not even place him with the right Brooklyn team. Instead, he is erroneously placed on the Brooklyn Tip Tops, the Federal League squad that shared a borough with the Robins/Dodgers National League team Marquard actually pitched for.

1933

On June 16, 1933, the Giants traded Sam Leslie to the Dodgers for Watty Clark and Lefty O’Doul. Clark had only a single 1933 Goudey card, which depicted him as a Dodger, while Leslie had no 1933 cards at all. O’Doul, on the other hand, had two cards in the Goudey set: one as a Dodger and one as a Giant.

The first card came early in the year as part of the set’s third sheet while his second card, along with those of numerous other Giants and Senators, was something of a bonus card as part of the set’s World Series (sheet 10) release.

1948

In July 1948 Brooklyn general manager Branch Rickey and New York owner Horace Stoneham came to an agreement that allowed Brooklyn manager Leo Durocher to take over the Giants. The 1948 R346 “Blue Tint” set noted the update and may well have inspired future Topps airbrushers with its treatment of Durocher’s cap.

1982

A part of my childhood was destroyed when Reggie Smith left the Dodgers and signed as a free agent with San Francisco on February 27, 1982. A giant (okay, pun intended) setback in my grieving process came when Topps pushed out its Traded set for the year and documented the move in cardboard. But alas, at least we still had Dusty!

As a side note, the Traded card presents an interesting blend of numbers for the man who formerly wore #8 with the Dodgers and would wear #14 with the Giants. His jersey shows him as #60 while his bat has a 30 on it, which I take to mean it belonged to teammate Chili Davis.

1984

No-o-o-o-o-o-o-o! They got Dusty too?! Sadly it was no April Fools joke when the Giants signed fan favorite Dusty Baker as a free agent on April 1, 1984, and this two Traded/Update sets were there to ratify the trauma.

1985

A rare trade between the Dodgers and Giants on December 11, 1985 produced two more double agents. The first was fan favorite Candy Maldonado, who like Baker before him made both the Topps and Fleer sets.

And on the back end of that same trade…

Oddly, neither Trevino nor Maldonado cracked the 660-card 1986 Donruss checklist despite the set including 21 different Giants and 24 different Dodgers. In Trevino’s case, he was San Francisco’s primary back-up catcher behind Bob Brenley played in 57 games. As for Maldonado, he played in 123 games, leading all reserve players and ranking eighth overall on the team.

1991

Fast forward to 1991 and the number of baseball card sets had reached absurd levels. Therefore, it should be no surprise that when free agent superstar Gary Carter signed with the Dodgers on March 26, 1991, he would set new records for cardboard double agency.

First here’s Topps.

Next up are the Kid’s two Fleer cards. Warning: Sunglasses may be required.

Upper Deck was of course also in the act by now.

And finally, Score put out two Carter cards as well, ridiculously similar to each other to the point of almost seeming impossible.

A similar octet of cards belonged to Brett Butler this same year, with Bugsy landing in Los Angeles via free agency on December 14, 1990.

1992

Dave Anderson signed with the Dodgers as a free agent on January 28, 1992, but this time only one company, Score, seemed to take notice.

1993

It was Fleer and only Fleer on the job when Todd Benzinger headed north to San Francisco as a free agent on January 13, 1993.

Meanwhile, Cory Snyder got three times the cardboard love when he took his talents to L.A. on December 5, 1992. Score Select was particularly ambitious, dropping Snyder out of an airplane for their photo shoot.

1994

On June 19, 1994, following his release from the Dodgers, the Giants signed Darryl Strawberry to a cup of coffee. Little used by both teams in 1994, Darryl hit double agent status with only a single cardmaker, Fleer.

1998

On December 8, 1997, infielder Jose Vizcaino signed with the Dodgers as a free agent after playing the regular season with the Giants. However, the baseball card production process was by this time so fast that nearly all of Vizcaino’s base cards already had him as a Dodger. As a result, his double agency was limited to the 1998 Fleer Tradition set only.

2000

On January 11, 2000, F.P. Santangelo signed with the Dodgers as a free agent. While very few companies even had a single card of the oft abbreviated Frank-Paul, Upper Deck came through with cards on both sides of the cardboard rivalry.

2003

The Giants signed Gold Glove centerfielder Marquis Grissom as a free agency on December 7, 2002, leading to a pair of Fleer Tradition cards based on Fleer’s sharp 1963 design.

Curiously, the Fleer Tradition Update cards (not just Grissom’s) omitted the city from team names. If there’s any story to it, let me know in the comments.

2006

On January 3, 2006, pitcher Brett Tomko signed a free agent deal with the Dodgers. If nothing else, the move gave Topps a chance to show off how far they’d come since their drunken airbrush days. Scary good if you ask me.

Tomko’s Dodger card above came from a Dodger-specific team set, but he also earned a card in the Topps Updates and Highlights set for good measure.

2007

When the Dodgers signed all-star right-hander Jason Schmidt on December 6, 2006, no two companies went the same route. First up, Fleer simply turned back the clock to the days of 1981 Donruss.

Meanwhile Topps ventured back to 1983 and the Fleer Joel Youngblood card or Eddie Murphy movie with this special insert…

…while also going full Tomko across their Pepsi and Opening Day releases.

Upper Deck came through with a nice pair of landscape Schmidt cards, though neither is a true Giants card since both go with Dodgers in the header.

Would I be remiss if I didn’t report that the first of the two Schmidt cards is also available in Gold, Predictor Green, and First Edition? Take your pick I guess!

2009

Brad Penny signed as a free agent with the Giants on August 31, 2009, following half a season with the Red Sox and a longer stint before that with L.A. This landed Penny cards on three teams in 2009, including double agent status with Topps Heritage.

2013

The final player (as of 2019) with a Dodger and Giant card from the same set is Brian Wilson, who signed as a free agent with the Dodgers mid-season on July 30, 2013. Lucky for you, Topps was there to document the before and after in pretty much every possible color!

analysis

On one hand, Dodger-Giant double agents reflect an oddball phenomenon of at best passing interest to fans of either of the two teams. However, their distinctly non-random occurrences over the years also point to important changes in the game and the hobby.

Just looking at the graph, it is possible to see all of the following:

  • Prevalence of multi-year issues in the early days of the hobby
  • Increased player movement with the advent of free agency
  • Introduction of Traded/Update sets
  • Increase in the number of companies issuing sets (1981-2008)
  • Reduction in the number of companies issuing sets (2009-present)

I will leave it to others to identify the cardboard double-agents of baseball’s other great rivalries (e.g., Yankees-Red Sox), but I’ll hazard a guess already that a graph of the data would look very much like mine.

Patent dive

When I wrote my post about Collect A Books, I stuck my nose into Google Patents because it was the easiest way for me to produce a citation for Bouton actually being the inventor. Once inside though I couldn’t help myself and started looking around at other patents related to baseball cards.

I should’ve realized the danger here. As someone with a mechanical engineering background, patents and patent drawings are always something I enjoy looking through. So without further ado, a handful of patents which correspond to cards that we’re somewhat familiar with. Since this blog doesn’t keep a patent attorney on retainer I’m merely going to note the patents and what cards the correspond to.

US Patent 5517336 is held by Upper Deck and involves mixing printing with holograms. While the patent is dated 1995, that the initial filings date to 1993 feels about right to me. 1993 is when the Denny’s Holograms switched from being all-hologram to a combination of hologram and print. It’s also when Upper Deck released the Then and Now insert set which did the exact same thing.

Patent number 5328207 dates to 1991 and describes sticker autographs. I don’t remember these existing at all in the early 1990s so it’s interesting for me to see this showing up so long ago. I do like that the patent application is clearly a baseball player rather being a more-generic person.

Patent number 7413128B2 is another one owned by Upper Deck and concerns relic cards. There are a bunch of relic card patents out there, each with different methods of enclosing the pieces. I like this one since it’s held by Upper Deck and because it’s got the best images about how the relic cards are assembled and how they can accommodate different kinds of enclosures.

That this patent dates to 2004—a decade after relics had been out in the wild—shows how companies have been trying to improve and update the relic card to be more than just a small swatch of material. This patent isn’t just relics, it’s any insert from cut autographs to manufactured non-card materials and it doesn’t even have to be flat.

The last patent from this dive is number 20080202947, held by Topps. Yup, this is the Allen and Ginter Rip Card patent. The patent text references prior art from Pinnacle but there doesn’t appear to be a patent for that in the citations.

It’s interesting to me how so much of the patent application concerns the gambling aspect of the rip card and emphasizes how the outer card is intended to be destroyed.

I plan to continue digging through the archive and seeing what else I find. I’ve found some cool-looking stuff that doesn’t look like it was ever turned into a product. There are also a few products which I’d love to find patents for (Topps Chrome I’m looking for you) since I’ve been reverse engineering their production for a while as part of future posts. And if anyone else wants to start digging (even just starting with the related patents in the citations here), the more the merrier.

Positions, Positions, Positions

Name, Team, Position. Those are the three most standard pieces of information conveyed on the obverse of a baseball card. Of the three, position is the one that is most often left out. While it is certainly isn’t hard to find examples of cards not bearing the name or team on the frontside, position is the only piece of this trio that feels kind of optional. Player positions were included on many of the earliest cards sets ever issued and remained a staple of card design until the fabled T206 set – which listed a player’s name and team home city only – seemed to put the designation out of style. Over the next few decades, many of the most iconic sets – Goudey, Cracker Jack, Leaf – ignored the position as an element of design. Bowman hit the scene in 1948 and went even more minimalist, rarely going so far as to even include the player’s name on the front of the card.

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1972, the only Topps set between 1953 and 1986 not to indicate a position on the front.

But then Topps took over, aside from their 1951 and 1952 issues, included a position on the front of each of their sets until 1972, and again for each set between 1973 and 1986. The indicator vanished between 1987 and 1990 and was an on-and-off feature until 2014, when it returned for seven straight sets (including 2020) – Topps’ longest run of position-indicating since the 1980s. Donruss included a position on every one of its designs until 1998 and Fleer did the same, using the indicator on every flagship set the brand issued. Upper Deck ignored the position on just two of its flagship sets (1992 and 2004).

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This is not information that most collectors would have at the ready. Most collectors probably take the position bug for granted. I know I usually do. But being so ubiquitous (even in its absence), an unusual position indicator can make for a pretty memorable card. Herb Washington’s 1975 “Pinch Run.” is probably the most famous of these. But there are others that I recall standing out to me as a kid – Pete Rose cards where he was listed an “MGR-1B” seemed other-worldly, the 1990 Score John Olerud listed him as an “OF-P” (all while shown playing first base) made him seem like some kind of top-secret government project, and the 1989 Topps Kirk Gibson All Star that listed him as a “PH” was as jarring as it was confusing (this was done, I assume to give the NL team a DH player without using the league-inappropriate term).

A particular player’s position listing can also convey some emotion. Robin Yount listed as a shortstop or George Brett as a third baseman make them seem as though they’ll be young forever. But finding Reggie Jackson or Henry Aaron or Dave Winfield listed as a DH will bring a note of sadness that the end is near.

But of all the weird positional quirks that have happened over the years, there is nothing so fascinating to me as what happened with Paul Molitor in 1991. That was the year the versatile Brewer was listed at FIVE different positions on various cards and appeared with SEVEN different position indicators. This is, I believe, the greatest positional variety for a player in a single year ever (ignoring THIS, of course). So what happened here?

Well, Paul Molitor had historically been a trick player to pin down position-wise. He came up as a shortstop, getting his first change in the bigs when Robin Yount left the Brewers during Spring Training 1978. He only played 33 games at short that season, but it was enough to have him listed as a pure SS on his 1979 card. He played 10 games at short in 1979 and 12 in 1980, but maintained a dual listed as an “SS-2B” on Topps 1980 and 1981 issues. After spending all of 1981 in the outfield, Topps gave him the rare “2B-SS-OF” listing on his 1982 card. Molly moved to third base in 1982, and played there primarily for most of the next five years. Topps reacted in kind and listed his as either a 3B or 3B/DH through the end of the decade.

Donruss and Fleer, entering the market in 1981, both listed him as a 2B in their debut sets. Fleer gave him a pure (and accurate) OF tag in 1982, whereas Donruss went with the very broad “OF/IF” brand. Both brands followed suit with Topps and used 3B and DH marks exclusively through 1990. Upper Deck and Score did the same.

But Molitor had returned to his utility player roots by the late 1980s. He appeared in 19 games at second base in 1987 and 16 in 1989. Late in 1989, regular second-sacker Jim Gantner suffered a devastating knee injury on a wipe-out slide by the Yankees Marcus Lawton and Molitor took over regular duty at the position until Gantner was able to return mid-way through the 1990 season. Molitor, who suffered a number of injuries of his own that season, ended up playing 60 games at second base in ‘90, 37 at first base (the first time he’d manned that spot), and a handful at third and as a DH. Gantner ended the season as the regular second baseman and Molitor at prime man at first. After the season, the Brewers traded Dave Parker, who had been an All Star for them in 1990, opening the door for the now-34 year old Molitor to become the team’s regular  DH for the first time.

So, the long-time third baseman who had been playing second but was also being used at first, where he was now expected to see more time when he wasn’t DHing. Got all that? Card makers sure did.

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By my count, Molitor appeared on 21 different base cards in 1991 (I’m ignoring sets like Topps Micro and OPC here that merely reproduce other sets). All but Classic listed a position on their cards. He was most commonly listed at 3B, a dubious claim considering he’d only played two games there in 1990. But strong is the power of tradition. Topps listed him there, using that mark on the Bowman, Stadium Club, and OPC Premium sets as well. Fleer also considered him a 3B, as they had at least in part since 1983. Even Score listed him at the position, despite taking the rather bold stance of being the only card maker to declare him a pure DH on a 1980s issue (1988). Those two games in ’90 got a lot of mileage, I guess.

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Five cards listed him at 1B, a nice compromise between his audition there in 1990 and his projected role in 1991. Magazine cards were fond of this mark, as Baseball Cards Magazine, Sports Collectors Digest, and Sports Illustrated for Kids all used it on their in-mag cards, as did Donruss and (curiously) Fleer Ultra, which ran against the flagship’s opinion that Molitor was still a 3B.

Three cards gave him a generic IF designation: two Brewers-issued sets (which used the frustrating device of considering anyone who played in the infield an IF) and the Score Superstars stand-alone set, which also broke with its parent brand and made its own positional distinction.

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A pair of sets were forward-looking enough to list Molitor as a pure DH, Leaf and Studio. I recall these as later-year issues and were probably a reaction to Molitor’s role early on the 1991 season, in which he only appeared in the field once before late May.

Then, we have some true outliers. Upper Deck, showing that rebel streak that remade the hobby, boldly listed Molitor as a 2B in their set, and even used a photo of him playing the position. The semi-obscure Petro Canada Standup set also listed him as a 2B, but you had to actually stand the card up to discover this fact. Panini, in its sticker set, was the only brand to use a hybrid mark, listing Molitor was a “1B-2B,” his only 1991 card to accurately reflect upon his 1990 season.

And then there is 1991 US Playing Card set. In here, Molitor (as the Eight of Hearts) is listed as a centerfielder.

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Hmm.

At this time, Molitor hadn’t played the outfield since a handful of games in 1986 and hadn’t been in center since 1981. Were they boldly expecting Molitor to take over in center for Robin Yount in 1991? My guess is that this is probably just an outright error. None of the other outfielder cards in the deck are given a specific OF spot (LF, CF, RF), and I can’t find anything that indicated they were acting on some of weird rumor of an unexpected position change. But nonetheless, the card exists and only adds to the positional confusion.

Oddly enough, all this positioning and repositioning for Molitor quickly became a moot point. Following the end of the 1990 season, Molitor would play first base and DH exclusively. His cards reflected this. For the most part. For 1992, Topps again branded him at a 3B across most of its sets despite his not having played there regularly since 1989. And, not to be outdone by their 1991 goof, the US Playing Card company issued two decks with Molitor cards in 1992 – one listing him at 2B and the other at SS – where Molitor hadn’t appeared since 1982 (his 1993 USPC card has him mercifully listed as an IF). At least it’s a consistent decade-long lag time, right? For 1993, only the Post Cereal Company still listed him at 3B. Card makers had finally accepted him for what had become – a DH and part-time 1B.

For his career, Molitor was listed on cards as a 1B, 2B, SS, 3B, IF, OF, CF, DH, 1B/DH, 2B/SS/OF, 2B/SS, SS/2B, 3B/DH, OF/IF, DH/1B, and DH/3B – not to mention post-career cards as a coach and manager. That’s 18 different listings (and perhaps more that I have missed) to describe a single remarkable career.

The #Apollo50 All-Time Team

To celebrate the 50th anniversary of the Moon Landing, the SABR Baseball Cards blog is pleased to announce the “Apollo 50 All-Time Team!”

Pitchers

Our right-handed starter is John “Blue Moon” Odom, and our lefty is Bill “Spaceman” Lee. Coming out of the pen are Mike “Moon Man” Marshall and Greg “Moonie” Minton. Sadly, a failed drug test kept a certain fireballer with a space travel-themed nickname on the outside looking in. Finally, in keeping with tradition, Tony “Apollo of the Box” Mullane was intentionally overlooked.

Catcher

Behind the plate is Fernando Lunar, who enjoyed a cup of Tang with the Braves before assuming backup duties for Baltimore in the early 2000s.

First base

While primarily an outfielder, Wally Moon will man first base and provide some power from the left side of the plate with his prodigious moonshots.

Second Base

Ford “Moon” Mullen won the first ever NCAA Men’s Basketball title as a member of the 1939 University of Oregon Webfoots five years before he made his Major League debut with the Phillies in 1944. Owing to the dearth of baseball card sets at that time, his only playing era cardboard comes from the 1943 Centennial Flour Seattle Rainiers set.

Third Base

Mike “Moonman” Shannon had a solid nine-year career with the Cardinals, highlighted by titles in 1964 and 1967 and a 1968 season that included a pennant to go with his seventh-place finish in an unusual MVP race where four of the top seven finishers were teammates.

Shortstop

“Houston, we have a problem. Our shortstop has a .185 career batting average!” Can the Flying Dutchman be modified for space travel?

Outfielders

“The Rocket,” Lou Brock, is our leftfielder; “The Gray Eagle,” Tris Speaker, plays a shallow center, and patrolling rightfield is Steve “Orbit” Hovley.

Pinch-hitter

Looking for his first ever Big League at-bat is Archibald “Moonlight” Graham.

utility man

Without this man, would there even have been an Apollo program?

manager

Though he never suited up in the Bigs, we’ll gladly take a guy named Crater who managed the Rockets.

Mascot

And speaking of guys named Crater!

But seeing as this Crater is a volcanic crater rather than an impact crater, we will double-dip by adding the inimitable Orbit!

Feel free to use the Comments section to air your snubs (“What? No ‘Death to Flying Things’ Ferguson?”) and note your Pilots sightings (Hi, Tim!). We’ll radio our guy in the Command Module and be sure your thoughts receive all due consideration.

Blink of an eye

This year I enrolled my sons in the Trenton Thunder’s Boomer’s Kids Club. It’s a great deal. Tickets to eleven games for the three of us plus fun activities and a tshirt* for $45. I knew we wouldn’t be able to make the games in July and August because of summer plans but even just going to the games through June it would be worth it.

*Shirt and activities for kids only.

We’ve now been to seven games this season (six with the kids club plus a Little League fundraiser night) and it’s been awesome. The boys have gotten two shirts, a jersey, a frisbee, and a pennant. They’ve had a chance to throw out the first pitch, walk around the field, be part of a high-five tunnel for the players, and watch The Sandlot on the outfield after a game. We’ve even been tossed five baseballs. Oh yeah and the games have been good. The Thunder are a decent team and it’s been a lot of fun to watch the boys learn the players and really get into following the season.

They’re also completely hooked on the hobby—especially autograph collecting. This is all me and my interests rubbing off on them. They’ve seen me write TTM requests and get cards signed at Trenton Thunder games and they want to join me. So I indulge them.

Not too much. I supply cards and pens (for now) but they have to do the requesting. I’m not going to flag a player down for them or ask on their behalf. I’ll help spot guys but the boys need to learn how to approach players, make the request, and say thank you. We’ve started off pretty simple by just focusing on the Trenton players and visiting coaches. As a result their autograph binders are pretty eclectic.

My youngest’s binder is organized alphabetically by first name. His idea. It’s a wonderfully random bunch of cards.* Seven Thunder players. Five coaches. And one card that Marc Brubaker mailed to him. I find myself wondering how much a first grader even cares about people like Joe Oliver, Brian Harper, or Matt LeCroy. These aren’t guys he knows. Some, like LeCroy, aren’t even guys I’d really talk to them about.** But they’re in the binder and he’s super-excited to show them off.

*Unless you make the Eastern League connection.

**Even though the Frank Robinson story is pretty touching

Can he tell you about the players? Only what he knows by turning the cards over. But he’s into this as a hobby even though he’s, so far, just tagging along with me.

His brother’s binder is pretty similar except that his one TTM return is in there and there are a couple 1991 Topps cards that he pulled from his own binder because he got the set for Christmas last year. As a result he has a bit more of a connection to guys like Harper and Oliver but LeCroy, Mark Johnson, and Mike Rabelo are all ciphers to him.

As the season’s progressed I’ve been questioning what it means to collect autographs of guys you’ve never heard of and second-guessing the importance of what I’ve gotten my kids into. Are they excited only because I’m excited? Am I pushing them to do something that only means something to me?

I jumped into the hobby in 1987. I bailed in 1994. Not a long period of time but it felt like forever. And in a way it was. Not only did those years represent half my lifetime by the time I stopped, they covered most of my years in school—pretty much my entire youth.

Now, 25 years later as a father, I’m seeing things from the other side. What was a lifetime when I was a kid is already flashing by in the blink of an eye. I know I only have a handful of years where my sons will legitimately share my interests. Yes legitimately. At the end of the day I’ve realized that it doesn’t matter why they’re interested in the hobby, the fact that they are and that we’re able to share it is what matters.

My two boys love collecting and everything it entails. Getting cards. Sorting cards.* Re-sorting cards.** Showing me their cards. Asking for new cards. Etc. Etc. It’s great. It reminds me of being a kid and it inspires me to document their adventures so that in a decade or two when they look back at their collection they’ll have my thoughts and memories to go with their memories of those years when the three of us were enjoying baseball together.

*On the floor as God intended.

**One day will be by number, the next by team, the next by last name, the next by first name.

I get to experience what I put my mom through, how patient she was, and how much she enjoyed seeing me get excited by the hobby. She kept a journal which I eventually turned into a book so that we could all have copies. I still enjoy rereading her essays and I’m looking forward to my boys reading them too.

Instead of journalling I’m blogging about our adventures and putting together summaries of events we’ve gone too. Like when we went to the Thunder Open House I took photos of their baseballs and printed out a letter-sized sheet for their binders. I’ll do the same thing with their haul of autographed cards for the season since I know they’ll re-sort them multiple times in the future.

It’ll always be important to have the biographical breakdown of their collection. As my sons get older, their cards and autographs will increasingly become markers for their memories rather than just objects to collect and hoard. The memories they’re attached to is what makes them special. It’s why I collect and why I hope they keep collecting.

In fact, I’ve been inspired to start doing the same thing for my cards and autographs. I know I’m going to be passing  everything on to my sons. I also know that “all dad’s stuff’ will be nowhere near as memorable as having an introduction to a given collection or set which explains who I was when I got these and why the set was important to me. This is a big project but I’m looking forward to it.

Splitting Hairs

Last week I Tweeted this:

  • 2001 Upper Deck Decade 1970s. Always liked these. Bought the 75 I needed to complete the set via @Sportlots. Even with postage it was about .25 per card. @SABRbbcards

To which, Rob Neyer replied, “Aren’t you the guy who doesn’t like Heritage?” (I paraphrase.)

Yes, that is me, the guy who doesn’t like Heritage, for reasons stated here. Why do I like Upper Deck’s version of a classic Topps design? It got me thinking.

I’m not anti-nostalgia, which I think people assume goes hand in hand with my disdain for Heritage. Collecting cards is, by definition, a nostalgic enterprise and even buying new packs and sets is an attempt to recreate an old, warm feeling.

What I like about the Upper Deck set is that it isn’t marketing itself as some kind of replica product, updated, which has always been a false claim of any Heritage set. The differences between Heritage and the originals are deep, as I posted about, and mar the effort for me. They don’t feel the same; they come across as less than accurate knockoffs. They’re replicants and their flaws come out.

Upper Deck doesn’t try to mimic the past. Rather the Decade set is an homage, stealing a design as close to 1975 Topps as likely legal. The pictures are nearly all great (some black and white photos negatively affect the overall look) and the set evokes the era nicely.

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The subsets are swell, a mini-history of the ten years. All in all, there’s a lot crammed into a 180 card base set.

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As Tweeted, I had more than half the set and, at .18 per card (pre-postage), it was more than worth my while to finish the whole thing. I got a big stack of cards and a complete set.

I try very hard not be generation based, and avoid at all costs the “everything was better when I was a kid” mentality (it wasn’t). One of the things I enjoy about this Committee, and the Twitter baseball card world, is that collectors younger than I have the same feeling about 1989 Topps as I have about 1971 Topps and that’s as it should be. Cards are like music – what you love as a kid stays your truest love. There’s a reason that John Lennon always preferred Chuck Berry. Lennon was a kid when he first heard him.

And maybe that’s at the root of my Heritage problem. I don’t need to see today’s players framed as if they were players then. Baseball is the only sport whose fans insist that the players of today are lesser than the players of their youth. “Clayton Kershaw isn’t half the pitcher Jim Bunning was. You know Bunning used to throw 300 innings a year?” We’ve all heard variations of this insipid argument. Spare me.

So let today’s players have their own design and let the ‘70’s players have theirs, or something close.

 

There is only one Willie Mays

Here is a card, like most cards, with a story to it. You might expect it’s a story about Willie Mays. In fact, it’s a story about everyone not Willie Mays.

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1959 Topps “Baseball Thrills” #464

At least a few of us remember the play like it was yesterday. The hitter has some power, but the centerfielder chooses to play him shallow. Even before bat meets ball, the fielder knows one of two things is about to happen: extra bases or the greatest catch of his life.

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1961 Nu-Card Scoops #427

He quickly turns and by the time the crack of the bat is heard he is in a dead sprint only stealing a quick glance back to ensure the ball’s trajectory matches the path in his head.

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1993 Upper Deck “Baseball Heroes” #47

Winning a race of man against ball is not an easy thing—the laws of physics might even suggest it’s impossible—but after what feels like he’s run a city block the fielder reaches up with his glove, still with his back to the plate, and somehow snatches the bullet of a baseball from the air. They say seeing is believing, but almost nobody watching even believes what they just witnessed. Of course, the play was not even over.

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1994 Upper Deck “All-Time Heroes” #17

Still in full stride, the fielder brings his glove arm down toward his body where in an event nearly as improbable as the grab itself his right knee hits his right elbow full force and pops the ball from glove to ground.

Snodgrass

I was 16 and had been planning, waiting, and training years for the perfect fly ball—playing everyone shallow to up the odds—and it finally came, for the last and only time of my life. My friend Robert and fate itself had gotten the better of me.

Some of our cards are just cards, but others are memories. This past week I finally picked up a card I’d always wanted. When I opened the envelope I was no longer in my office at my desk. I was at Palisades Park young, fast, free, and for a brief 6-7 seconds the great Willie Howard Mays, that instant before I learned for damn sure there could be only one.

with card

P.S. In a bit of cardboard clairvoyance, THREE of Willie’s 1954 baseball cards (Bowman, Red Man, Topps) referenced a web gem nearly identical to “The Catch!”

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P.P.S. Fans of the “Say Hey Kid” will also enjoy this set of posts from SABR President Mark Armour.