Kids all over Seattle shouted “hot diggity dog” when they discovered that Seattle Rainiers wiener cards were back in 1963. Garbage can raiding and dumpster diving would once again be the norm in alleys across the city. Kids “dogged” their mothers to not “wienie out” and buy the cheap franks. Frankly, they would only settle for the “card-carrying” brand: “Milwaukee Sausage Company.”
For those of you who were able to “digest” my previous “all-meat” offerings, you remember that Hygrade and Henry House were the companies who included cards in wiener packages. If Seattle was the norm, minor league teams must have frequently changed official hot dog providers. Looking through Rainiers programs from the late 1940s to mid-1960s, I count six different companies who claimed top dog status at Sicks’ Seattle Stadium.
As a side note, I see an omen in the fact that “Milwaukee” was the name of the company. Of course, the Wisconsin city would soon play a part in dashing the Northwest’s claim of big-league status. I will now remove my tin foil hat made of discarded hot dog wrappers.
The Milwaukee Sausage cards measure 4-1/4” square, feature a larger photo, and have less biographical information than the previous two iterations. A total of 11 cards comprise the set. As with the other wiener brands’ cards, the black and white photos are the same as those issued on the popcorn cards for that season.
To illustrate the rarity of finding cards today, a Paul Smith card-in fair condition-is currently offered on eBay for $1,899. The seller does allow for installment payments-if you are salivating at prospect of owning one of these “puppies.”
In 1963, the Rainiers were affiliated with Boston. The eleven cards in the set include a few players who saw limited action in Boston. The biggest name-by far-is the manager, legendary Red Sox hurler Mel Parnell.
Pete Smith sipped some coffee at Fenway in 1962 and 1963. He started in his first game at Detroit on 9/13/62. He lasted 3 and 2/3 innings giving up 8 runs, all earned.
Although I couldn’t find Milwaukee Sausage cards for Pete Jernigan, Bill Spanswick and Archie Skeen, each made it onto a Topps Rookie Stars cards. Spanswick has the distinction of being the other guy on Tony Conigliaro’s rookie card. By the way, Skeen never played in a major league game.
Other featured players with big league experience with other organizations include coach Elmer Singleton, Billy Harrell (13 games with Sox), George Spencer, and the aforementioned Paul Smith.
Well, after force feeding you more hot dogs than Joey Chestnut eats on Independence Day, it’s time to put away the mustard and sauerkraut. Hopefully, you have come to realize that America is a better place for having had a photo of Mel Parnell enclosed in a package of wieners.
The most collected are the obvious “eight men out.” However, in this collector’s opinion the most captivating card within this genre belongs to former player, turned gambler, turned state’s star witness against the eventual eight men out, “Sleepy” Bill Burns.
Burns was a former major league pitcher whose major league career spanned 1908-1912, played for five teams, and finished with a bland 30-52 record. As a pitcher outside of the major leagues, mostly in the Pacific Coast League, Burns was only slightly better with only one real flash of potential early in his career. As a pitcher for the 1907 PCL champion Los Angeles Angels, Burns turned in his best professional season going 24-17. He ended his professional career at the age of 37 in 1917 pitching for the Oakland Oaks in the PCL collecting a 4-5 record with a 6.22 ERA in 19 appearances.
Burns however gained eternal infamy after his career by being one of the key figures behind the scenes of baseball’s darkest moment, the fixing of the 1919 World Series. Burns, who was a former teammate of some of the White Sox acted as a gambler and go-between for the players and other gamblers paying off the players involved. Later in 1921 he was the state’s star witness against the players in the trial that ended in their acquittal.
Bill Burns does not have a large checklist of baseball cards. He did make it into the famous T206 set, with a glove on the wrong hand, which is probably his most famous baseball card. He is also in the 1910-11 Turkey Red T3 and 1911 Pinkerton T5 sets. Often overlooked is the fact that Burns has two cards in the Zee-Nut catalog appearing in the 1915 and 1917 sets.
Zee-Nut baseball cards were a product of the Collins-McCarthy Candy Company based in San Francisco that featured PCL players and was the longest running baseball card company prior to Topps, producing cards from 1911-1938. There are Zee-Nut cards of four of the eight men out (Weaver, Risberg, Williams, McMullin) as well as Joe Gedeon the “ninth man out” who was also banned for knowing about the 1919 World Series fix from his friend Swede Risberg. All are amazing cards and will command a premium price when they come to market, especially Fred McMullin’s 1915 card which sells between $5,000-$10,000 as his only mass produced baseball card. However, Bill Burns’ two Zee-Nut cards are often overlooked by “black gold” collectors.
Of Bill Burn’s five baseball cards the one I think deserves a place at the table in the discussion of best “black gold” cards is his 1917 Zee-Nut card.
Looking at the card I have to imagine that the candy company photographer tasked with capturing the images of the Oakland Oaks players back in 1917 had to be disappointed with his picture of pitcher Bill Burns once it was developed. By some mistake through the combination of placement and position of the pitcher, posed at the peak of his windup, the positioning of the sun in the sky, and the set up of photographer and camera, the identity of the subject was rendered impossible to discern as the pitcher’s face was completely obscured in a dark shadow. If a photographer made such a mistake today the picture would be discarded instantly, another photo taken and ultimately used.
Nonetheless, the image of Bill Burns with his face hidden in a shadow was used, and the photographer, we can imagine, was probably disappointed in his careless error once the 1917 set of Zee-Nut cards was printed. He had no way of knowing just how much that image of a failed, washed up, former major league pitcher in 1917 would turn out to be a poetic depiction of one of the most shadowy figures in Baseball’s darkest hour just two years later.
It is this very reason why I consider it my favorite card within the realm of the Black Sox scandal. A photographer’s mistake that cast a shadow on the face of a man who would himself help cast a shadow on the national pastime.
Topps changed the face of baseball card collecting in the early 1950s and became the standard bearer for the hobby. By the early 1960s, they had expanded the size of the “base set” to more than 500 cards to include nearly all the players, and not just the stars.
Before the proliferation of baseball magazines in the later 1970s, cable television in the 1980s, and the internet explosion in the 1990s, these cards became the primary window for a young fan falling in love with the game to tie a player’s name to a recognizable face, and maybe even get a glimpse into their personality.
The reason it worked so well was in large part due the photography style. The photos looked so personal, so intimate, as though they were taken for your own family album. Each spring into summer, you got a fresh take (or maybe two or three, for stars and league leaders) on what a player looked like, adding dimension to your perception of that player. With time you got to see a player mature, from baby-faced rookie all the way to aging veteran.
My interest in cards was resurrected in 1985 as a re-capturing of my baseball fandom youth as it has done with countless others. For a whole new generation of players, even unrecognizable ones, I was provided with a recognizable face. I jumped back into the hobby with great enthusiasm. Four years earlier, Fleer and Donruss had broken up the Topps stranglehold, which ultimately led to a flood of manufacturer and set options that would follow for more than two decades. But I remained loyal to the Topps base set as the stable rock of the hobby, with its rich history and continuity.
Within a few years, something changed in the nature of the Topps base set, the cornerstone of the hobby. For many of the players, the intimate photo where I could see into a player’s eyes (and his soul?) was replaced by a photo of him turning a double play, or straining to throw a fastball. These “in game action” photos actually appeared on some cards as far back as the early 1970s, but they were the rare exception. During the 1980s they became commonplace. By the early 1990s they became the rule. In 2020, they’re essentially all you get in the Topps base set.
I did a little research to gain some insight into this evolution. I turned to my Red Sox card collection to get a sample of cards over several decades and classified the photos into a five different categories based on photo style:
Game Action: As described above, a photo taken during an actual game, usually with the player in motion swinging, pitching, fielding, etc., most often from a distance where the player’s entire body is in the photo
Candid Portrait: A photo of a player from the shoulders up that is not taken during a formal photo shoot, often taken when the player is in the dugout or on the field outside of actual game action.
Candid Action: A photo of a player “doing something”, but not in-game action. Maybe swinging a warmup bat or playing long toss. The photo is usually taken close enough to see expression in the player’s face.
Posed Portrait: A photo in the style of what you’d see in a high school yearbook, usually from the shoulders up, or just a “head shot”. You get the sense the player knows he’s being photographed, even if he’s not looking into the camera.
Posed Action: A posed photo of player “pretending” to be in action, in a batting stance, mid-swing, winding up to pitch, in a fielding stance, etc. The player knows his picture is being taken. It’s usually taken from close enough to see the player’s expression.
My collection starts in 1965, so I used a sample that ran from then until 1999. Binning it into five-year chunks, the distribution of cards falling into each of the five categories yields the distribution shown below. Even with this relatively small and not-so-random sample, the trend from posed shots to in-game action shots is unmistakable.
I realize many people like action cards. I understand it’s a matter of taste. Me? I get to see action when I watch the games. When it comes to cards, I’m looking for the personal charm.
Take another look at the three Don Sutton cards above, from 1967, to 1976, to 1985. You can see an actual person there. Now let’s take a look back to see how David Ortiz changed over a 10-year span of his illustrious career:
Ugh. David Ortiz is a beloved local hero in Red Sox Nation and loaded with charm. You certainly can’t see it here.
I often hear the retort that Topps provides all this in their Heritage and Archives products. For that, we’ll need a whole other discussion. For now, please Topps, put these classic photo styles back in your signature base set, so that the cards won’t get thrown away as mere nuisances in the lottery chase for rare inserts. Bring the base set back to its rightful prominence. It’s even okay if you include some action cards to keep everybody happy.
From the mid-80’s to the early ’90’s, Baseball Cards magazine had an early version of what we now know of as, and mostly love, “Custom Cards.” (Trading Card Database has them here).
I have a pretty solid run of the magazine, card inserts intact. (It would take some digging to pull them all out right now).
The question I have, for me, and for all of you, is what should I do with them? It would be a nice bit of weight loss to shed myself of the magazines and keep the cards.
Checking eBay on this helps, sort of. There are graded gems mints that go for hundreds. Then there are magazines themselves that go for less. Really, though, I’m not even sure I’m looking to sell, but, if I decide to, I’m unclear what’s the best move, cards alone, or cards still in magazines.
I read the post about Stouffer’s pop-up cards with a lot of interest because it’s always fun to find out about new sets and I love gimmicky things like pop-ups. However the assertion that those were the “best engineered baseball cards that have been issued to date” made me pause.
I have no argument with the best-engineered part since the pop-up mechanism is super nifty. It was the to-date that got me thinking. Why? Because there were a lot of similar pop-up cards in the mid-1990s.
Quickly referencing my collection and googling for images that show some of the different mechanisms in action turned up at least four other sets. There’s the 1994 Oscar Mayer Superstar Discs,* and each year from 1993to1995 Kraft issued a set of pop-up cards as well.
Unlike the 5-card Stouffers checklist, all four sets here involve 30-card checklists. Oscar Mayer is cool in that it includes one player per team. Kraft on the other hand is a more generic top-30 players approach. I much prefer the one-per-team checklists. Yes some big names end up missing but there’s so much more to a season than just the names. Plus as a team collector it’s always a downer when a cool-looking set doesn’t offer a logical entry point for my collection.
Anyway, the most-interesting thing for me to find out is that these sets all appear to use slightly different mechanisms for either the pop-up effect or the card manufacturing. Some are folded and glued from one sheet of cardboard. Others look like multiple sheets. The Discs are obviously more complicated than that. The 1995 Kraft set pops up from the end of the card rather than the middle.
Something was obviously going on so I wandered over to the patent library and did a quick search. There are a lot of patents for pop-up cards in the late 80s and early 90s. So many that I can’t figure out which ones correspond to what cards.
A quick sample. US patents 5259133, 5450680, and 5746689 all look superficially the same as the Stouffers, Oscar Mayer, and 1993 Kraft cards (I’ve been unable to find one that looks like the 1995 Kraft cards). They’re mainly just assembled differently. I wish the cards or packaging had a patent number listed.
What’s amazing to me is that many of the patents are explicitly for baseball cards. In two of the images I’ve chosen here the illustration clearly features a baseball player.
Patents are usually written somewhat broadly so that they can apply to multiple applications beyond the original intent of the application. But in the artwork here the inventor’s inspiration comes through. The mid-90s explosion of card-related technologies* resulted in multiple patents about baseball cards and in this case multiple patents to achieve the same effect.
Author’s note: Before “biting” into part two of the Seattle Rainiers wiener cards series, I have new information about the Hygrade wieners cards in part one. The Standard Catalog of Vintage Baseball Cards stated that only 11 of the 22 cards have ever been cataloged. However, Seattle area collector Charles Kapner informed me that he has 13 different cards and knows of two more. Thus, it is possible that—as the back of each card states—there are really 22 different cards.
Three years after Hygrade wieners were first put on the rotating warmer at the local bowling alley and the cards tossed in the dumpster with the discarded Desenex aerosol cans, Henry House meat products included a new set of Seattle Rainiers cards in their wiener packages.
The 1960 Henry House set is comprised of 18 cards and have several similarities to the Hygrade version from 1957. For instance, the cards are printed with red ink and include a small player photo accompanied by a short biography. This time, though, the cards are vertically oriented and feature a detachable mail in coupon. Kids could send in two coupons plus 25 cents and receive a nifty Rainiers uniform patch.
The cards are “skip numbered” using the players’ uniform numbers. As with the Hygrade cards, the Henry House photos are the same ones found on the popcorn cards.
The 1960 Rainiers were affiliated with the Cincinnati Reds and managed by Dick Sisler. The roster was comprised mostly of veterans with some major league experience. A few prospects were sprinkled in as well. Some of the familiar names include Gordy Coleman, Erv Palica, Dave Stenhouse, Jerry Zimmerman, Ray Ripplemeyer, Charlie Beamon, and Hal Bevan.
Another veteran is Seattle University basketball and baseball legend Johnny O’Brien. The former Pirate and Brave finished up his career with Seattle in 1960.
Don Rudolph, former White Sox pitcher and manager of his exotic dancer wife, shows up in the set as well.
Remember, there is still one more installment to come in this “dog” of a series. Until the next post, I am off to the West Seattle Lanes to eat a Hygrade or Henry House wiener that has been rotating on the warmer for the last 60 years.
In this edition of “Covering the Bases” we are discussing the 1989 Topps All-Star Rookie cup card dedicated to outfielder Dave Gallagher.
The chief reason I chose to cover Gallagher here is that he recently discussed his Topps All-Star Rookie Cup on Twitter – spoiler alert, I was a little bummed with his feedback.
1989 Topps #156
Lets open by discussing the card which is Gallagher’s Topps debut. A couple of observations:
1) This appears to be a Spring Training shot – note the chain link fence and treeline beyond Gallagher’s left shoulder.
2) In 1988 Chicago sported their uniform numbers on the front of the left pant leg, It is mostly obscured by the “White Sox” script on the card but you can still make out what is the top of Gallagher’s #17 here.
3) Gallagher is apparently holding some sort of BP bat. At first I thought Gallagher was using a bat sleeve – but 1988 seems sort of early historically. Looking closer I think what we are dealing with here is Bat Tape. I am guessing that the idea is to extend the life of a BP bat, perhaps the tape also acts as a visual cue to help a batter to target the sweet spot.
1988 Topps All-Star Rookie Cup
Of course the reason team Phungo took an interest in this card is that it falls under the umbrella of our obsession with Topps All-Star Rookie Cards. This past September SABR Member Brian Frank had posted via twitter a snapshot of the card on Gallagher’s 59th birthday. Gallagher acknowledged the posting noting the day is also his Wedding Anniversary. I later jumped on the thread posing the following question:
I wanted to hear that Dave Gallagher was a big fan of baseball cards, has a collection that he considers very special and that getting a Trophy from Topps Chewing Gum Co was the highlight of his playing career.
Well, that wasn’t the answer I received. Gallagher’s reply was sobering and quite prudent.
As a Topps All-Star Rookie Cup obsessive I was momentarily crushed. But it makes sense, I am sure there have been several dozen trophies that a player like Dave Gallagher has accumulated in a 20 year professional career. Keeping them all likely borders on hoarding. And his point of maintaining a separation of career and home also seems wise.
More Gallagher Cards
While researching Dave Gallagher cards I came across his 1989 Topps Big card
1989 Topps Big #310 Dave Gallagher
Which is a fine card but what really interested me was something on the back
1989 Topps Big #310 Dave Gallagher (b-side)
Check out the middle panel on the cartoon. It is not a Baseball Card Patent but Dave Gallagher does have a Baseball related Patent. His invention is known as the “Stride Tutor” or according to the Patent Office “Apparatus for improving the hitting technique of baseball players.” It is essentially a set of foot cuffs (with a longer plastic chain) that are designed to train a batter to make a consistent stride in their swing. The device was written up in a 1989 Sports Illustrated article.
Gallagher’s patent application is pretty interesting citing SIX Hall of Famers: Johnny Bench, Mel Ott, Joe DiMaggio, Reggie Jackson, Nolan Ryan, and Joe Torre plus Pete Rose and Hitting Guru Charlie Lau.
There you have it, Covering all the Bases on a single (well two) Topps card leads you to the US Patent Office and Joe DiMaggio.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.
We’ve had a handful of posts about Exhibit Cards here before but haven’t had a post specifically dedicated to them yet.* This is not going to be that post except to note that Exhibits are kind of wonderful because they represent a different method of card collecting and distribution and a different direction that the hobby could’ve gone.
Instead of packs of cards and the association with food and gum products, Exhibits are clearly photo products and place baseball players in the same ecosystem as Hollywood stars, cowboys, pinups, etc. of pop idols that fans would want to collect and display. Instead of products like photo packs you purchased at concession stands in stadiums, you bought your Exhibits from a vending machine in an arcade or store and you got what you got.
By the time I was a kid the only thing left being sold like this was mini plastic football helmets. It amazes me that there was an era when you could get 3.5″×5″ photo cards instead. Anyway while cards of Cary Grant, Humphrey Bogart, Judy Garland, Clark Gable, and Jimmy Stewart are lots of fun, this is a baseball card blog so I’m only going to write about the cards of baseball-related stars.
A couple springs ago I was coaching Little League and had a kindergartner named Hugh on my team. Did I put him at first base? It would’ve been irresponsible and negligent not to.
Anyway these Exhibits appear to date to the 1940s and so represent this pair at the height of their popularity. I especially like that Costello’s salutation is “Yours for fun.”
There are a lot of Cowboy Exhibit cards but the only one in my batch was Gene Autry. I should probably have scheduled this post for Christmas to coincide with Here Comes Santa Claus and Rudolph the Red Nosed Reindeer, but things were busy and it was Autry’s involvement first with the Hollywood Stars and then as the primary owner of the Los AngelesCalifornia Anaheim Angels which makes him relevant here.
It’s funny, for someone like me who learned about the game in the 1980s, Autry should’ve been someone I knew first as a team owner. I didn’t though. He was always the singing cowboy and showman first for me and I have to remind myself that he was involved with baseball for much longer than he was recording.
Some of this though is probably because by the time I was learning about baseball the only owners I was truly aware of were the ones like Marge Schott and George Steinbrenner who were in the news for all the wrong reasons. Autry with his hands-off nature is exactly the kind of owner that I can see Angels fans loving and everyone else not knowing anything about.
The last baseball-related Exhibit has turned out to be one of my favorites of the batch. Yes I like her even over Abbott and Costello. Laraine Day is not exactly a household name as a movie star but the tabloid scandal of her marriage to Leo Durocher and her subsequent involvement with the New York Giants makes her card something I’m considering moving out of the non-sport/non-baseball album and into my Giants album.
My vote for the best baseball cards that came with a food product are the Stouffer’s cards from the overlooked Legends of Baseball set from 1995.
When my kids were in grade school in the 1990’s we tried every frozen pizza product available before settling on the Stouffer’s offering as the best of the bunch.
In 1995 we increased our consumption Stouffer’s pizza due to the inclusion of one of 5 different baseball cards in each package. It is worth noting that every card is a hall of famer. The checklist is as follows:
These cleverly designed and well manufactured cards were just about the same size as a standard card, but with much thicker cardboard. Just about every surface of these cards contains either a photo and / or information about the ball player.
The front of the card has an action photo of the player. The caps and the uniforms have been airbrushed so the team logos and names are not visible.
The back contains a head shot with biographical information and airbrushed caps.
By slightly bending the card to loosen up the die cut of the player and then pulling the tab the front image of the player pops up and also revels the players career major league stats and a Legendary Moments write up.
There have been other cards with unique designs such as the 1955 Topps Double Headers and the 1964 Topps Stand-Ups, but the 1995 Stouffer’s cards with multiple moving parts are the best engineered baseball cards that have been issued to date.
The most amazing thing about this set was that by sending in a number of proof-of-purchase seals (can’t remember how many) from the box packaging you could get an autographed card of one of the hall of famers in the set.
When I sent in my proof-of-purchase seals, Stouffer’s sent me back an autographed Yogi Berra card along with a Certificate of Authenticity.
By doing a little searching on eBay you can put together an entire set of these cards for under $20.