The most collected are the obvious “eight men out.” However, in this collector’s opinion the most captivating card within this genre belongs to former player, turned gambler, turned state’s star witness against the eventual eight men out, “Sleepy” Bill Burns.
Burns was a former major league pitcher whose major league career spanned 1908-1912, played for five teams, and finished with a bland 30-52 record. As a pitcher outside of the major leagues, mostly in the Pacific Coast League, Burns was only slightly better with only one real flash of potential early in his career. As a pitcher for the 1907 PCL champion Los Angeles Angels, Burns turned in his best professional season going 24-17. He ended his professional career at the age of 37 in 1917 pitching for the Oakland Oaks in the PCL collecting a 4-5 record with a 6.22 ERA in 19 appearances.
Burns however gained eternal infamy after his career by being one of the key figures behind the scenes of baseball’s darkest moment, the fixing of the 1919 World Series. Burns, who was a former teammate of some of the White Sox acted as a gambler and go-between for the players and other gamblers paying off the players involved. Later in 1921 he was the state’s star witness against the players in the trial that ended in their acquittal.
Bill Burns does not have a large checklist of baseball cards. He did make it into the famous T206 set, with a glove on the wrong hand, which is probably his most famous baseball card. He is also in the 1910-11 Turkey Red T3 and 1911 Pinkerton T5 sets. Often overlooked is the fact that Burns has two cards in the Zee-Nut catalog appearing in the 1915 and 1917 sets.
Zee-Nut baseball cards were a product of the Collins-McCarthy Candy Company based in San Francisco that featured PCL players and was the longest running baseball card company prior to Topps, producing cards from 1911-1938. There are Zee-Nut cards of four of the eight men out (Weaver, Risberg, Williams, McMullin) as well as Joe Gedeon the “ninth man out” who was also banned for knowing about the 1919 World Series fix from his friend Swede Risberg. All are amazing cards and will command a premium price when they come to market, especially Fred McMullin’s 1915 card which sells between $5,000-$10,000 as his only mass produced baseball card. However, Bill Burns’ two Zee-Nut cards are often overlooked by “black gold” collectors.
Of Bill Burn’s five baseball cards the one I think deserves a place at the table in the discussion of best “black gold” cards is his 1917 Zee-Nut card.
Looking at the card I have to imagine that the candy company photographer tasked with capturing the images of the Oakland Oaks players back in 1917 had to be disappointed with his picture of pitcher Bill Burns once it was developed. By some mistake through the combination of placement and position of the pitcher, posed at the peak of his windup, the positioning of the sun in the sky, and the set up of photographer and camera, the identity of the subject was rendered impossible to discern as the pitcher’s face was completely obscured in a dark shadow. If a photographer made such a mistake today the picture would be discarded instantly, another photo taken and ultimately used.
Nonetheless, the image of Bill Burns with his face hidden in a shadow was used, and the photographer, we can imagine, was probably disappointed in his careless error once the 1917 set of Zee-Nut cards was printed. He had no way of knowing just how much that image of a failed, washed up, former major league pitcher in 1917 would turn out to be a poetic depiction of one of the most shadowy figures in Baseball’s darkest hour just two years later.
It is this very reason why I consider it my favorite card within the realm of the Black Sox scandal. A photographer’s mistake that cast a shadow on the face of a man who would himself help cast a shadow on the national pastime.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.
With the festive frivolity of the holiday season upon us, I bring you a post even more frivolous than my usual lightweight offerings. Before reading, I suggest adding a pint of rum to the eggnog-which will ensure that you forget that this blog is connected to an august body like SABR. So, toss on another yule (Blackwell) log on the fire, grab a plate of cookies (Rojas and Lavagetto) and contemplate this ancient carol (Clay) within your decked-out halls (Jimmy and Tom).
A Partridge in a Pear Tree: Jay Partridge was the starting second baseman for Brooklyn in 1927. I could not locate a card from the time, but an auction site did have a small newsprint photo described as a panel. Fortunately, Mr. Partridge has a card in the 1990 Target Dodgers set. If you insist on a card issued while the player was active, this 1977 TCMA of Glenn Partridge falls into that “family.”
Apparently, no players with the surname Pear or Tree ever appeared in a professional game. But Matt Pare shows up on the 2017 San Jose Giants. I had to go the minor league route as well to find a “tree.” Mitch Trees was a catcher for the Billings Mustangs in 2017.
Two Turtle Doves: Spokane Indians assistant coach “Turtle” Thomas has a 2017 card, but I’m going with 1909-11 T206 “Scoops” Carry of the Memphis Turtles. As for Doves, Dennis Dove has several prospect cards, including this 2003 Upper Deck Prospect Premiere. However, this 1909-11 American Caramel card of “Buster” Brown on the Boston Doves wins out. After all, Buster lived in a shoe, and his dog Tike lived in there too.
Three French Hens: For this one, I must go with Jeff Katz’s acquaintance Jim French. The diminutive backstop toiled for the Senators and Rangers. Dave “Hendu” Henderson was the best hen option, outside of any Toledo Mud Hen.
Four Calling Birds: This 1982 Larry Fritsch card of Keith Call on the Madison Muskies certainly “answers the call” for this word. Although, Callix Crabbe is in contention based solely on the awesomeness of his name. For the bird, I heard the call of the “royal parrotfinch” and went with longtime Royals pitcher Doug Bird.
Five Golden Rings: It would be a cardinal sin if I didn’t go with the Cardinals’ Roy Golden on this 1912 T-207 “brown background” card. Phillies pitcher, Jimmy Ring, gets the nod with this 1921 National Carmel issue.
Six Geese a Laying: Since Christmas is coming and the goose is getting fat, Rich Gossage would have been a logical choice. But I can’t pass up making Seattle Pilot Greg Goossen my fowl choice. His 1970 card is so amazing that all I can do is “gander” at it. This 2019 card of Jose Layer on the Augusta Greenjackets is the best fit that I could lay my hands on.
Seven Swans a Swimming: After answering a personal ad in a weekly newspaper, I met my future wife for a drink at the Mirabeau Room atop the SeaFirst Building in Seattle on June 9, 1990. That evening, Russ Swan of the Mariners carried a no-hitter into the 8th inning against Detroit. Viewing this mound mastery sealed our lifelong bond, for which the “swan song” is yet to be sung.
I must “take a dive” into the Classic Best 1991 minor league set to find someone who fits “swimmingly.” I ended up somewhere near Salinas and found the Spurs’ Greg Swim.
Eight Maids a Milking: Since no Maids are found on “Baseball Reference” and the players named Maiden don’t have cards, I was “made” to go with Hector Made and his 2004 Bowman Heritage.
This may qualify as “milking” it, but the best fit I could find was the all-time winningest general manager in Seattle Pilots history, Marvin Milkes. This DYI card uses a Pilots team issued photo, which shows off the high-quality wood paneling in Marvin’s Sicks’ Stadium office.
Nine Ladies Dancing: The 1887-90, N172 “Old Judge” card of “Lady” Baldwin and the 1996 Fritsch AAGPBL card of Faye Dancer are a perfect fit.
Ten Lords a Leaping: This wonderful 1911 T205 Bris Lord card coupled with a 1986 Dave Leeper doesn’t require much of a leap to work.
Eleven Pipers Piping: Former Negro Leaguer Piper Davis has a beautiful 1953 Mother’s Cookies card on the PCL Oakland Oaks. In fact, the card is “piping” hot.
Twelve Drummers Drumming: You can’t get much better than this 1911 Obak T212 card of Drummond Brown on the PCL Vernon Tigers. Or, you could “bang the drum slowly” with this specialty card of Brian Pearson (Robert De Niro) from the movie “Bang the Drum Slowly.”
I realize that Santa will fill my stocking with coal and “Krampus” will punish me for having written this, but the spirit of the season will endure. I wish you and all those you hold dear a wonderful holiday season and a prosperous new year.
As a baseball fan/researcher, one thing I believe is that every player in MLB history is the answer to at least one trivia question. It’s my goal (however unachievable it is) to find that piece of trivia for every player. As a card collector, I dream of having at least one card of every player ever.
Certainly, I’ll most likely never own a card of George Noftsker of the 1884 Altoona Mountain City club of the Union Association, and it’s equally doubtful that a cardboard issue of 1876 Chicago White Stocking rightfielder Oscar Bielaski will ever end up in my possession. Regardless, it would be great to fill that never ending binder as much as possible.
It’s that dream that compelled me one night to enter the name Louis Sockalexis into the search field on eBay. I don’t know why. Perhaps I was reading a book on him at the time; I do own a biography on him and have read it a few times. Maybe that’s it. Maybe not. But regardless, I stumbled across a 2010 Obak Tristar Sockalexis card! Naturally, after looking at the names in the set I was intrigued enough to purchase the set right away.
This set is an homage to the original Obak sets from 1909-11. Those originals were inserted into Obak cigarette packages. They feature players primarily from the Pacific Coast League and were 1 ½” by 2 5/8” in size, much like the infamous t206 set. These were later classified as T212. If you ever were curious about where those Letter-Number classifications originated, look no further than card 66 in the 2010 Tristar Obak set! Because that card is of Jefferson Burdick, the man who created the American Card Catalog.
In any event, the 2010 Tristar Obak set is the more traditional card size (although there are mini parallel inserts), and as an unlicensed product there are no logos or team names on them. These cards are very quirky and are probably an acquired taste. But I love them for two main reasons.
They’re very simple. White border with blue letters at the bottom. Last name in larger print followed by a brief description in smaller print. And by description, it varies. Some descriptions are teams, some are a brief reason why the depicted person is in the set in the first place.
Most of the images used of the people on the cards are black & white (as many of them are from the 19th century and early 20th century). And those backgrounds! Bright, colorful scenery! Tommie Aaron stretching to receive a throw over a bright yellow sunset? Absolutely. David Clyde going into his windup over a cloudy purple backdrop? Yes, please! Maurice Van Robays in front of a barn? I wouldn’t have it any other way. Yes, they’re a bit gaudy, but I think they’re damn charming… and fun!
What I like perhaps the most about this set is that it makes me flip over the cards to figure out why they’re in the set! And in some cases, to find out exactly who these people are.
The set is divided up into several subsets: History in the Making (top minor league prospects), History’s Greatest Legends (baseball greats), Heroes and Legends (players known for various feats or tall tales), #1 Overall Draft Picks, Minor Leagues Best, MiLB Players of the Year, Can You Believe (players with amazing stories), Game Changers (innovators in baseball and beyond), Future Stars, Multi-Sport, Pop Icons, Historic Names, Pacific Coast League, and U.S. Presidents.
Highlighting the Historic Names subset are two cards of Sherry Magee of T206 Rushmore fame, though the Obak set’s Magie variation brings much less today on the open market than its predecessor from a century earlier.
The cards at the end of the set are all over the place. Card number 106, for example, is pro wrestler Hulk Hogan.
What steals the show for me is the Game Changers subset. By far the largest chunk of the set. Where else can the founders of Coke & Pepsi be on the same team?
I had mentioned Heinz, and since I’m from Chicago I make sure his card is nowhere near Harry Stevens’ card, as he’s widely known as the catering wizard who introduced hot dogs to baseball games.
There’s a card of John Sherman, whose Act does not apply to baseball. (Editor’s note: stay tuned.) And Frederick Thayer, who is largely given credit for inventing the catcher’s mask.
Jim Bouton has a card, but neither his MLB career with the Yankees nor Ball Four is mentioned on the back of the card. Instead, he shares this card with Robert Nelson, his teammate with the Portland Mavericks of the Northwest League because they created Big League Chew bubble gum!
That’s just a sampling of 2010 Tristar Obak. I have yet to get my hands on the 2009 or 2011 editions. Those 2011s are particularly enticing; I love collecting cards of 19th century players, and since I can’t afford those 1887 Allen & Ginters, these will have to do.
Old Hoss Radbourn, Lee Richmond, Joe Start, Doug Allison, Ross Barnes (even if the image on the card isn’t Barnes) and even Bob Addy (!?!) make the 2011 checklist, but that one will be particularly pricey.
A common complaint among vintage collectors who run across newer issues is that we miss the good old days when baseball cards had borders. Looking at cards like these 2017 Astros leaves us feeling (ahem!)…cheated.
The borders we overlooked as kids have come to symbolize all that was right about baseball cards. Joni Mitchell had us pegged. You really DON’T know what you’ve got till it’s gone. No, we’d never pave Paradise to put up a parking lot, but we sure wouldn’t mind a thin cement edge around it.
The borders on our cards have taken on almost a spiritual significance with “meaning of life” level implications. We ponder koans such as, “Is a card without a border even a card?”
The sages teach us that without nothing there could be no something. Cardboardismically speaking, the border is the yin to the image’s yang. Form needs outline.
The vintage collector therefore must find “border in the chaos,” else risk serenity and sanity alike. Should he even consider collecting cards post-2015, his best, nay ONLY, option is Heritage!
Whatever you hear on TV, friends, THIS is the real border crisis, but fear not…
Tengo un plan para eso…and it won’t even raise your taxes! (Checks new eBay policy. “Okay, so maybe a little.”)
Add just THREE CARDS to your collection and you’re gonna win on borders so much you’ll be tired of winning on borders.
1960 Fleer ted williams
Let’s start with Ted Williams. Compare his 1960 Fleer card with that of Hack Wilson or any other player in the set. That’s some serious border! Where some perfectly centered cards are said to have 50-50 centering, Teddy Ballgame comes in at 150-150!
Back in the day you might have found this card an eyesore, but that was then. Now you probably look at the card and wish the borders were even bigger!
1936-37 World wide gum Lou Gehrig
The second must-have for the border hoarder is the 1936-37 World Wide Gum card of Lou Gehrig. (Note that this issue is catalogued as 1936, but Matthew Glidden makes a compelling case that 1936-37 is more correct.)
At first you may shrug away Larrupin’ Lou’s border as nothing special, no different than that of teammate Dickey. Look closer though and you’ll see that Gehrig’s image comes to a refreshing end more than a quarter inch from the card edge. After unremarkable offerings in 1933 and 1934, World Wide Gum definitely put the Border in “North of the Border!”
1934 Butterfinger Paul Waner
Finally we come to the 1934 Butterfinger card of Paul Waner, the card that I believe sets the standard when it comes to border-to-image ratio.
While the Dizzy Dean image from the same issue flirts tantalizingly close to the card edge, the Waner card has more margin than Gould selling hammers to the Pentagon. If the card had any more border we might forget it was a baseball card altogether and assume it was a Home Depot paint sample for Gotham Gray. If Big Poison were any smaller on the card he would have been Little Poison.
Teddy Ballgame, the Iron Horse, and Big Poison. Three players who made the Hall of Fame by a wide margin, but even more importantly, three cards who made the wide margin Hall of Fame. Border crisis averted, at least for now.
As a kid I used to dream about finding my way into some ancient attic and unearthing boxes and boxes full of old baseball cards. For whatever reason, I imagined I’d need to be on the East Coast somewhere, which made the fantasy all the less attainable coming from my West Coast mind, but it was still fun to picture thumbing through these old stacks of cards and finding Ted Williams, Stan Musial, and Joe DiMaggio if not Babe Ruth, Ty Cobb, and Honus Wagner.
While this dream of mine never did come true, I did have the pleasure of meeting a fellow collector this year whose real life experience came awfully close.
David grew up in the Kansas City area but lives in Phoenix these days. Like me, he fell for card collecting hook, line, and sinker from the moment he was introduced to his first baseball cards, despite the fact he barely knew a thing about baseball or any of the players. While my love affair with cards and baseball began with 1978 Topps, David got going five years earlier and still remembers the thrill of pulling a 1973 Topps Hank Aaron card.
David was mainly a Hank Aaron and Kansas City Royals collector early on and started a paper route to feed his fix for packs. Once Hank Aaron retired, David branched out into the older stuff, mainly pursuing pre-1973 Hank Aaron cards and other stars he’d heard about from his dad. David was even lucky enough to have a teacher at school who would trade old 1950s cards for contemporary stars. While these swaps usually worked in David’s favor, he harbors at least some regret over a 1975 Gary Carter RC for 1955 Topps Tom Hurd swap.
Fast forward a bit and David eventually headed off to college. Like so many other collectors he left his cards at home–Hank Aaron, George Brett, Tom Hurd, and all. With David away at school his parents downsized and moved most of his stuff into storage. After his father passed away, David’s mother forgot about the storage unit, whose contents were ultimately sold off to the highest bidder.
The end. Right?
Not quite. I’ll let David’s twitter bio take over from here.
“Recently found my entire card collection I thought was long lost. Sharing my find w/twitter…”
While I grew up dreaming of finding boxes and boxes full of incredible cards, David actually did it. The twist, of course, is that the boxes he found were his own!
Evidently, David’s dad didn’t want to put the cards in storage and had a friend of his hang onto them instead. David remained in contact with this family friend, who one day, decades later, remembered he had a bunch of boxes somewhere with David’s name on them.
David’s first few twitter posts as “Cigarbox Cards” definitely got my attention!
The first card David posted was a well loved 1956 Topps card of Mr. Cub. The next day David posted a video of himself rifling through stacks of cards including early Topps issues of Gary Carter (but not the 1975!) and Dennis Eckersley while a 1949 Leaf Ted Williams sat untouched in the distance.
An autographed Yaz rookie was next, followed by a Red Man Willie Mays. In the days that followed David posted a Brett RC mini, a 1954 Bowman Mickey Mantle, and a 1974 Topps Tom Seaver. I always enjoyed the way David juxtaposed his featured finds with background elements that enhanced their presentation. This is a theme we’ll come back to shortly when I show you what David’s up to now.
Most of the online replies consisted of emojis like 😱 and 🔥 🔥 🔥 but I suspect certain collectors were wondering if David’s cigar box finds included any really good cards.
Then David dropped the Hammer.
And even more Hammer! (Click blue arrow twice to activate.)
Though the cards are not mine, I still feel a thrill each time David posts an amazing card from his original collection. To think how close these cards came to being lost forever and then to see them pop up in my twitter feed is downright magical. It’s like flipping through my own personal attic find, even if the cards aren’t mine to keep–just like the dreams I had as a kid right down to waking up in the morning with the same collection I had before!
Beyond showing off some great cards David introduced some fun interactive features to his posts, among them his “Out or Hit” series…
Of course it was only a matter of time before this happened.
The cards kept coming and coming, almost obscenely so, but what really caught the eye of many collectors was the creative ways David was finding to display his cards, something many of us spend undue time considering.
Here’s another one that really caught my eye with bonus points for the bunting!
And if you’re wondering what the most creative use for a yellow drinking straw in a baseball card collection is…
Or for the Yankee fans…
I could go on and on, but you’d probably have more fun scrolling through all David’s posts yourself. Other than of course SABR Baseball Cards 🤣, it’s hard to think of another baseball card account as consistently awesome as his.
As I consider his collecting story I come back once again to my own and that of so many other collectors. How many of us dreamed of that elusive find, those boxes and boxes of cards filled with stars of yesteryear? If you’re like me, not only did that imagined cardboard haul never arrive but even the cards you did have were nowhere to be found by the time you realized you missed them.
What I didn’t know when I shuffled through my 1978-80 Topps cards as a kid was that the boxes right in front of me would someday be more valuable than any cards I might find elsewhere. Even today the memories of those cards mean more to me than the actual cards I’ve purchased since.
This post (below, right) from David makes the point well and was ultimately the catalyst for my writing this article.
Let’s face it. You can dream all you want about things you don’t have, but few fantasies or realities will ever come close to that of your first love, whether lost, lasting, or in David’s case both.
Author’s note: For another SABR Baseball Cards article inspired by collectors’ online posts, see “Fathers and Sons.”
Last week I received a surprise mailing of pre-war cards from Anson Whaley, the proprietor of prewarcards.com who many of us turn to whenever we have questions an anything pre-war. I treat these mailings as an opportunity to google the subjects of the cards and hopefully come across an interesting Wikipedia page that leads me down a rabbit hole.
In this case, it wasn’t a Wikipedia rabbit hole I fell in to but rather a Google Books one. Anson sent me a dozen 1901–02 Ogden’s Cigarettes General Interest cards. A couple sporting subjects but mostly non-sports miscellany—actors, politicians, ships, etc.
At first I thought this must be a different Richard George Knowles but I figured it was worth flipping through the book just to make sure. Lo and behold on page 65 I found an author photo. To my eyes it looks like the same face (no comment on the hairstyle).
This is pretty cool. My general interest card just turned into a baseball card. So I went back and downloaded the PDF from Google so I could take a deeper look at the book. It’s basically a baseball primer for an English audience more familiar with Rounders and Cricket but is also a great snapshot of the state of the game in the mid-1890s on both sides of the Atlantic.
The player lives in a world limited to three bases, a home plate, and two foul lines, and, for a couple of hours or so, finds relief from business cares, and snatches a holiday for his brain.
The first chapter is about baseball in general. It starts off building baseball up as a game of intelligence where draws are impossible, skills are required in all facets of the game, and failure can be minimized due to the number of repeated chances a batter gets. Much of this reads as an implicit comparison to Cricket which doesn’t feature baserunning and a batter only gets to bat twice a match.
It then goes into describing how to lay out a baseball field. It’s impossible for me to state how much I love this section so I’ll just paste the full text in here in case anyone wants to lay out their own baseball field.
Procure a heavy cord one hundred and eighty feet in length. Tie three knots in it, one at sixty feet five inches, one at ninety feet, and the other at one hundred and twenty-seven feet four inches.
Then, at the outer point of the home plate, drive a peg in the ground, and attach the line to it. Extend the line straight out to the third knot, and at that limit mark the second base. The knot is the centre of the base. Care must be taken that the cord be kept taut, and absolutely straight from the peg at the home plate to the centre of the second base, for the first knot, at sixty feet five inches, must now be taken to indicate the centre of the pitcher’s plate. When this has been duly marked, have one end of the hundred and eighty feet line held at the centre of second base, and keep the other end secured at the home plate as before. Then take hold of the second knot, at ninety feet, which is, of course, in the exact centre of the cord, and walk out with it to the corner of the diamond which is to mark the first base. Keep walking until the line is taut on both sides, and, at that point, mark the first base. Repeat this in the opposite direction, and mark the third base. The diamond is then complete.
That R.G. Knowles goes on to say that when he was a kid he used to carry a ball of string with the requisite knots in it just in case he needed to create a diamond for other kids is just wonderful. Do I think he’s telling the truth? Of course not. (since when have kids cared about proper dimensions when playing a game) But I love the sentiment.
The man who evinces a quick grasp and comprehension of the points of play, and who is also gifted with the capacity of being witty, is a very desirable person for the post.
The second chapter describes each position, including the “coachers” and umpire. Not much to say about the players except to note that second base is treated as the key position on the diamond. The umpire is similarly familiar in how he’s charged with being in control of the game. The coaches though are specifically the first and third base coaches and get a lot more description than any of the fielders. Aside from coaching the baserunners one of their jobs is to distract the fielders with banter.
Chapter three is the rules of the game. I didn’t read this one thoroughly since it appears to be mostly the same as current rules. I did notice however that things like the 18″ “pine tar” rule as well as the 3-foot running lane to first base already exist.
The next chapter though is great since it’s all about keeping score. Seeing different scoring methods is one of my favorite things and this section’s method is one of the most distinct ones I’ve come across. While it looks superficially like modern scorekeeping it’s vasty different.
To start off, shortstop is position #5 and thirdbase is #6. But everything else is different too. Instead of being a progression around the diamond each square is read left to right.
We also don’t have the now-standard abbreviations that I learned as a kid and which I’ve taught my kids. Take for example the following progression.
This represents a single, stolen base, advancing to third on an error (wild throw), and scoring on a passed ball. The only thing recognizable about this is putting an X or coloring int he diamond when someone scores.
Outs are a lot more familiar. This represents a ground out to the shortstop for the first out of the inning. Aside from the difference in position numbering this is pretty much the same thing I do today.
The rest of the chapter includes a bunch more examples of dealing with other possibilities available during a game. S–O are strikeouts. TI means advancing on a throw. S–H is a sacrifice. FF is a foul out. Very much the same kinds of things that happen in today‘s game and definitely sets baseball apart as a game which has always been obsessed with detail and replaying the events of games past.
The last four chapters of the book discuss the state of the game in 1895. Two chapters each devoted to Baseball in England and Baseball in America.
Among the people present at this christening of the game in London were: Buffalo Bill, General B. Williams (U.S. Army), Colonel Ochiltree, Mrs. Mackay, Mrs. Henry Labouchere, Mrs. T. P. O’Connor, Mrs. Alice Shaw, Dr. Maitland Coffin, Miss Blanche Rooseveldt, Mr. and Mrs. Tyars, Miss Hallett, Miss Helen Dauvray, Mrs. Conover, and Mr. W. Chapman. As a pressman summed it up, it was an audience of society folk, mummers and Mexicans, Cowboys and Cossacks, Gauchos and Indians.
The England chapter starts off listing a few exhibitions by American teams that failed to make any impressions before getting into a description of an exhibition between the Clapham Common nine—a team of Americans living in London who also appear to be members of the London Thespians—and a team of the Cowboys attached to Buffalo Bill’s Wild West Show at Earl’s Court. The game took place on July 13 1892 and Knowles includes an absolutely wonderful box score.
Where our author is batting third and playing second base in the scorecard, in the box score he’s batting fifth and playing second base (and pitcher) for the London Thespians Club.* This means that not only is my Ogden a card of a baseball writer, it’s of an actual nineteenth-century baseball player. Also the descriptions of the day jobs of the Wild West club players are something I could never in my wildest dreams have dreamed up.
*Especially appropriate given how Knowles is identified on his Ogden as a comedian.
Clearly fielding was not a strong suit for either team though I find it noteworthy that the concept of earned runs is prominent enough to be mentioned as a team stat. I also notice that the Wild West pitcher struck out 14 Thespians and that those putouts appear to be credited to the pitcher instead of the catcher. Oh and despite a cumulative 34 errors the game only lasted just over two hours.
The rest of the England chapters describe the growth of the league over the following years, the difficulty in finding good umpires, additional visits from American teams, hybrid baseball vs cricket exhibitions, and descriptions of a half-dozen baseball grounds.
The following chapter is all biographies of men associated with baseball in England from the President of the London Baseball Association Thomas Dewar to representative English players and representative American players in England.
The greatest interest centres in the professional teams that bear the names of such cities as Boston, New York, Philadelphia, Baltimore, Chicago, Pittsburgh, Cincinnati, Brooklyn, St. Louis, Washington, Louisville, and Cleveland.
This takes us to the final two chapters which detail the state of baseball in America in 1895. America seems baseball mad with an insatiable appetite for the results of games in progress. The growth of the professional game from individual teams to multiple leagues is markedly different than the amateur struggles Knowles describes in England.
Instead of detailing individual games like he does with the England summary, the 1895 season is described as a pennant race where the standing for a given day are reported instead of the game results until Baltimore clinched the pennant for the second year in a row. Burkett, Delehanty, and Keeler are listed as the top batsmen with Hawley, Rusie, and Young being the best pitchers.
Then we have essentially a biography of Harry Wright, the “Father of Professional Baseball,” as written by Henry Chadwick to close out the book. There’s a glossary, some more rules, an index, and a whole bunch of great advertisements which are too good not to share.
When I got back into collecting around 2014, my first goal was to finish my Hank Aaron collection, which at that time included just over a dozen of his base cards, a few assorted all-stars and record breakers, and a handful of cards that came out after his playing career. Having been gone from the hobby for more than 20 years I assumed another 10-15 cards would finish the collection, maybe 20-30 if I really needed to have everything.
Of course the true number was in the thousands! At the time I’m typing this Trading Card Database puts the Hammer at 4,255 different cards, and by the time you read this I suspect that number will be even higher.
There’s a stat people love to quote about Hank Aaron. Take away his 755 home runs and he would still have more than 3,000 hits. My guess is you could take away every card from Aaron’s playing career and he’d still have more than four thousand cards!
Though my collector gene at least beckons me to collect them all, the “often needs to blend in as a normal adult” gene in me somehow proves dominant and forces me to restrict my collection’s personal Hammer Time to the years 1954-1976. Still, whether through overly broad eBay searches or through the generosity of fellow collectors who send me stuff I do manage to at least notice if not add at least some of Aaron’s post-career cardboard. In fact, one of my favorite mail days of the year was when fellow collector Matt Malonesent me this gorgeous 2019 Topps Heritage “box loader” card for nothing!
If I had to create a Favorites category it wouldn’t be the shiny stuff, the serial numbered stuff, the relic stuff, or the “anything else” stuff. It would 100% be the regular stuff that looks like all the other regular cards in the set. For example, here is a 2019 Topps Series 1 “Legends” card next to a base card of Clayton Kershaw…
…which finally brings me to the actual subject of this article!
While the modern and welcome tradition of mixing retired greats in with current players is new compared to the heyday of my collecting (very extended) youth (roughly 1978-1992), just as most things cardboard and in life it’s not something truly new.
“Ahem,” you say! “There were tons of retired greats in the sets of your youth, Jason,” thinking I can somehow hear you right now, so let me explain. I’m not talking about cards like this…
…even if they came in the same packs as these.
I’m talking strictly about the cards that blend right in with the rest of the set. Otherwise I’m afraid this article would practically go on forever. (Editor’s note: It already has!) What follows is hardly a comprehensive list, so as always I invite readers to add their favorites to the Comments.
The first instance of these “legends in disguise” that I became aware of as a collector was the 1949 Leaf card of the (at the time) very recently deceased Babe Ruth, even if 1) I thought of it as 1948 at the time, 2) it’s pretty hard to disguise Babe Ruth, and 3) even if many of the “current players” are legends themselves by now.
Beyond the Bambino it’s worth noting that Honus Wagner also had a card in this same set. Though you’ll see soon enough how inconsistent my criteria are, I won’t quite count Wagner since he’s in the set as a coach and not a retired great. (You could easily dispute this and probably win in that Wagner is the only coach/manager in the set, a fact that strongly suggests Wagner was in the set as Wagner vs coach.)
Of course the tradition didn’t originate with the Leaf set. Just months before a tiny entrant into the gum card market showed up with a large set of cards, not all baseball, that mixed the likes of Ruth, Hornsby, Mathewson, Wagner, and Cobb with Lou Boudreau!
By the way, these cards are known as 1948 Topps Magic Photos. While I don’t dispute the date it’s worth noting that the non-legend portion of the baseball set focuses on the 1948 World Series, hence the Boudreau, which of course didn’t occur until October. As such, it wouldn’t shock me if much like the Leaf set this particular set did not arrive on the scene until early 1949.
Speaking of 1949, readers of my earlier article on the 1949 M.P. & Company baseball issue may recall that the set included a Jimmie Foxx card, recycled from six years earlier, alongside active players like Mel Ott Alvin Dark.
Evidently nostalgia ran large in the 1948-1949 as there was yet a third issue that mixed the old with the new. The 1948 Blue Tint (R346) checklist made room for Lou Gehrig whose last game was in 1939 while mainly consisting of modern stars such as Ted Williams, Jackie Robinson, and Joe DiMaggio.
One could place the R346 Hank Greenberg card in either category. On one hand he played a full season in 1947 with the Pirates so a card in 1948 wouldn’t be completely unusual (though more so back then than now). On the other hand the lack of a team designation followed the design of the Gehrig in the set as opposed to the active players. (The set also includes a Mel Ott manager card with no team noted. However, this was later corrected to indicate “N.Y. Giants.”)
Lest you imagine this kind of thing could only happen in America, I’ll highlight the Cuban 1946-1947 Propagandas Montiel issue as yet another set from the era open to all comers.
At any rate, the battle for first place involves none of these late 1940s issues. After all, the most sought after card from the start of the decade is one of many “Former Major League Stars” that Play Ball camouflaged into its 1940 set.
Did I mention my criteria were pretty inconsistent? Oh, good, because otherwise I’d have no place taking us into the 1933 Goudey set where not one, not two, but two-and-a-half retired legends make an appearance. The first of these is Shoeless Joe’s 1919 White Sox teammate, Eddie Collins, who technically cracks the set as a vice president and business manager, two categories so far fetched that it’s safe to say he simply cracks the set as Eddie Collins.
Next up is the part-owner of the Kansas City Blues because of course every set needs a card of a part-owner!
And batting third is the set’s Holy Grail, Napoleon Lajoie, who is 100% retired great, 0% owner, vice president, business manager, or otherwise.
In fact, old Larry was so far removed from the business of baseball by then as to be the Lloyd Dobler of his time. (“I don’t want to sell anything, buy anything, or process anything as a career. I don’t want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don’t want to do that.”)
Still, while Lajoie’s status as pure “retired great” is uncontaminated there are a few reasons to assign his card only partial credit in meeting the criteria for this article.
One, his card couldn’t really be said to blend in with the rest of the set seeing as it wasn’t even released with the rest of the set. As is well known, Goudey didn’t issue the card until 1934 and only then to the relatively small number of collectors who sent them hate mail about their missing card 106.
Two, the card’s design doesn’t even match the rest of the 1933 (or 1934) set, instead reflecting a hybrid of the two designs.
While we’re on the subject, there is yet another retired baseball legend who cracks a 1933-1934 Goudey checklist, but this time it’s with the “Sports Kings” issue, where Ty Cobb slides in alongside two active players, Babe Ruth and Carl Hubbell.
My approach so far has been to start with 1949 and work my way backward. As I’m not aware of any examples (aside from coaches/managers) before 1933, I’ll close the article with a few post-1949 honorable mentions.
The 1960 Fleer Baseball Greats set technically qualifies as a set that mixed old and new. The checklist consists of 78 retired stars and exactly one active player, Ted Williams.
The 1967 Venezuelan Topps set includes a “RETIRADO” subset that doesn’t at all blend in with the set’s other cards. However, the design of the retired players reflects at least some attempt to match the base cards of active players.
The next honorable mention comes in 1982 from both Topps and Fleer.
I’m sure there was no intent to include the great J.R. Richard as a retired legend. Nonetheless, with J.R.’s final trip to the mound coming in 1980, his spot in the 1982 sets proved unusual. Naturally, Topps and Fleer were banking on a successful comeback that unfortunately never materialized.
Overall I’m a big fan of packing retired legends into modern sets. I can only imagine how much I would have loved it to open packs of 1978 or 1979 Topps and pull cards like these!
Of course, if the kids opening packs today are like the players I coached in Little League a few years ago, they may not have the same reverence for yesteryear that we once did. To quote one of kids on the squad, “Hank Aaron? Is he from the 1900s or something?”
One hundred years after the 1919 World Series, baseball
cards of the players involved in the Black Sox Scandal continue to attract
Beckett Media’s Mike Payne and Andy Broome compiled a
comprehensive list of every baseball card featuring one of the “Eight Men Out”
from their playing careers, ranging from about 1908 to 1920. The list was
printed in the August 2017 issue of Beckett Vintage Collector magazine
and reprinted in the SABR
Black Sox Scandal committee newsletter by permission.
Some of those cards, like Shoeless Joe Jackson’s 1914
Cracker Jack card, regularly sell for hundreds or even thousands of dollars at
online auctions. Others, like Fred McMullin’s only individual card — a 1915
Zeenut made when he was still in the minor leagues with the Los Angeles Angels
— are virtually impossible to find today.
“I still receive a number of requests for Black Sox cards
and material, but I suspect that many of these inquiries are from flippers,”
longtime vintage card dealer and SABR member Mark Macrae told Beckett. “The
highest demand has always been for Jackson. The toughest is McMullin. The most
plentiful, and the player that seems to hang around the longest in stock, is
By virtue of having the longest major-league career, Cicotte has more cards (70) of the 268 in Beckett’s list than any other Black Sox player. His cards range from a 1909 supplemental card published by the Boston Herald to a 1920 D327 card issued in packages of Holsum Bread.
Macrae says one of the most sought-after sets, and one of the least expensive for casual collectors, is the 1919-21 W514 strip card series that included seven of the eight Black Sox (all except McMullin). Beckett offers recommendations with the most “affordable” cards for each player and the W514s fit the bill for Buck Weaver, Happy Felsch, Lefty Williams, and Swede Risberg. For Cicotte, his T205 card issued in 1911 is relatively easy to find and sometimes sells for less than $100. Chick Gandil’s T206 card from 1910 — in the same set as the most valuable baseball card in the world, the iconic Honus Wagner card — is regarded as the Black Sox first baseman’s most affordable card, according to Beckett.
Most Shoeless Joe Jackson cards could hardly be considered
“affordable,” usually selling for anywhere between $1,000 and $500,000. Beckett
also includes a list of “dream” cards for each player, and Jackson’s list
includes two cards from early in his career, a 1909 E90-1 American Caramel card
and a 1910 T210-8 card, plus the well-known 1914 Cracker Jack card.
Beckett’s “dream” cards for the other players include:
Cicotte: 1914 Cracker Jack #94
Felsch: 1916 M101-4
Gandil: 1914 Cracker Jack #39
McMullin: 1917 White Sox Team Issue
Risberg: 1916 Zeenut (Vernon Tigers)
Weaver: 1911 Zeenut (San Francisco Seals)
Williams: 1915 Zeenut (Salt Lake Bees)
The only set that features all eight Black Sox players is the 1917 White Sox “Team Issue” cards, produced by Davis Printing Works in Chicago and sold as a complete boxed set by the team. The cards feature full-length, black-and-white photos of the players on a light background, with the player’s name and position underneath. Only one original set is known to exist, according to the late baseball card historian Bob Lemke, and it was last sold in 2001 for more than $50,000. (A reprint set was issued in 1992 by card dealer Greg Manning, who had bought the original cards a year earlier.)
Many of the cards in Beckett’s list are from the same
M101-4 and M101-5 sets issued in 1916, but they each feature different business
names on the back, from The Sporting News to the Weil Baking Company. Chicago-based
printer Felix Mendelsohn produced these sets of cards and took out an ad in The
Sporting News to sell space on the cardbacks to other businesses. TSN
began offering the cards with their own company information stamped on the back
later that summer. Six of the eight Black Sox (all except McMullin and
Williams) were included in the Mendelsohn card sets.
While a majority of these cards may remain out of reach
for even the most dedicated Black Sox collector, the list compiled by Beckett
should be a useful resource for years to come.
At the Memorial Day Weekend Baseball Cards Research Committee meetup in Cooperstown, I was lucky enough to meet the great Mike Noren in person. Even if the name doesn’t ring a bell his artwork is probably familiar to you.
Mike, whose work now hangs at on the walls of the National Baseball Hall of Fame, is the artist behind the wildly popular “Gummy Arts” trading cards posted daily to Twitter and (if you’re lucky) available in packs online.
I recently saw that Mike had begun putting together a new W514-style set commemorating the 100th anniversary of the Black Sox Scandal.
With the SABR Black Sox Scandal Centennial Symposium coming to town here in Chicago I wondered if there might be a way I could put some of these cards into the hands of attendees. Thinking there might be a good 30-40 SABR members and guests on hand for the event, I thought “Hmm, maybe.” Then I checked with conference organizer Jacob Pomrenke and got the bad-news-for-me-good-news-for-everyone-else that he expected more than 200 attendees!
Never mind, right? It’s not like I could ever imagine Mike’s being willing to put together this many cards! (He cuts every card himself, including the rounded corners.)
Well, what do you know! And thank you, Mike! Sure enough, the first two hundred guests on hand Saturday morning will be able to pick up an envelope with five cards from the full set of 19.
Here is the checklist for the complete unnumbered set of 19 cards.
I can’t thank Mike enough for making his cards available in such large numbers to SABR for this once-in-a-century event, and I hope the Symposium guests will enjoy these cards as much as I do.
I have a bad feeling that after printing and cutting more than a thousand cards Mike will never want to make, much less see, one of these cards again. Nonetheless, I encourage readers to follow @gummyarts on Twitter just in case Mike decides to make additional cards or sets available to the public. If not, get in touch with your friends who made it to Chicago. In the spirit of the Black Sox, they might not be above taking bribes to help you complete your set!