Overanalyzing 1935 Goudey, Part One

Author’s note: The most detailed analysis I’ve seen on this set comes from the December 1995 edition of “The Vintage and Classic Baseball Collector” magazine, with a corresponding web version here. If you only have time for one article, I encourage you to stop reading mine and head straight to that one.

A package last year from SABR president Mark Armour sparked my interest in a set I’d previously ignored, both as a writer and a collector, even though it’s the logical sequel to two sets I’ve written about extensively.

Having recently added two of the three Dodger cards in the 1935 Goudey 4-in-1 set, I’m now feeling qualified, if not compelled, to do a deep dive. This first article will examine the basic structure of the set and highlight 11 players who have a special status on its checklist.

THE BASIC SET

The 1935 Goudey 4-in-1 (R321) set consists of 36 different unnumbered cards (ignoring back variations), some red bordered and some blue, each consisting of 4 players who are often but not always teammates.

In what I imagine was a disappointment for at least some collectors, many of the set’s images were recycled from previous Goudey issues. For example, here are the 1933 cards of Tommy Bridges and Bob O’Farrell, easily matched to their 1935 cardboard above.

In fact, most of the 1934 Goudey cards borrow all four of their images from the 1933 and 1934 sets, allowing collectors to “round the bases!

THE MASTER SET

Adding a twist to the set is the presence of 2, 3, or 4 different backs for each of the cards in the set. For example, the Piet-Comorosky-Bottomley-Adams card below comes with four back variations, labeled by Goudey as Picture 1 card H, Picture 3 card F, Picture 4 Card F, and Picture 5 card F. (Following the VCBC article referenced earlier, I’ll use the notation 1H, 3F, 4F, and 5F from here on.)

The various card backs across the set combine to form nine puzzles in all, each with 6 or 12 pieces. Here is the Joe Cronin puzzle, also known as “Picture 5,” built from backs 5A-5F.

The full list of puzzles (pictures) is as follows. All use six pieces unless otherwise noted.

  • Picture 1 – Detroit Tigers (12 pieces)
  • Picture 2 – Chuck Klein
  • Picture 3 – Frankie Frisch
  • Picture 4 – Mickey Cochrane
  • Picture 5 – Joe Cronin
  • Picture 6 – Jimmie Foxx
  • Picture 7 – Al Simmons
  • Picture 8 – Cleveland Indians (12 pieces)
  • Picture 9 – Washington Senators (12 pieces)

Were one to attempt a master set, there would be 114 different cards in all. The number is a bit oddball but is the result of varying numbers of backs per card, specifically:

  • 12 cards with two backs each = 24
  • 6 cards with 3 backs each = 18
  • 18 cards with 4 backs each = 72

Among the various sources available, my “go to” for the configuration of the 1935 Goudey master set (i.e., all possible front/back combinations) is Table 1 of the November 1995 VCBC article. Just note that the “Card Fronts” section of the table includes one typo (the 1J back listed for Bill Terry should be 1K), and the “Puzzle Backs” section of the table includes numerous errors.

THE SIX PANELS

Again following the naming conventions of the VCBC article, I’ll now introduce the six panels that make up the set. You can think of a panel as a group of cards whose backs generate the same set of puzzles.

Panel I

The six cards in this panel correspond to six-card puzzles 3, 4, and 5 as well as the right half of 12-card puzzle 1. (That is, each of the cards shown comes with four different backs, one for each of the puzzles just named.) Interestingly, each of the six cards features a single National League team. Star power is significant, highlighted by Babe Ruth on his brand new team, the Boston Braves.

Artwork for all 24 players comes from previous Goudey sets.

Panel II

The six cards in this panel correspond to six-card puzzles 2, 6, and 7 as well as the left half of 12-card puzzle 1. Five of the six cards feature American League teams, with the Cardinals being the lone National League team.

Again all artwork is from previous Goudey sets.

Panel III (blue borders)

The six cards in this panel, the only one with blue borders, correspond to six-card puzzles 2, 4, and 7. Where cards from panels I and II featured only one team each, we now see three cards that include multiple teams. Note for example Glenn Wright (White Sox) on a card with three Pirates on the second card shown.

You’d be smart to wonder if Wright’s inclusion on the Pirates card is the result of a late-breaking team change. For example, had he been a Pirate during the set’s planning stages, only to have an astute Goudey editor update his team the instant a deal went down? Well, Wright did in fact play for the Pirates, but it was from 1924-1928! 😊

Still, before we accuse (or credit!) Goudey with being completely random here, it’s worth noting that many of the photos from its 1933 set were taken years earlier. Therefore, the original photo used for Wright’s card may well have come from their Pirates stash.

On the other hand, such an explanation would not extend to the next card shown, which features Charlie Berry (Athletics), Bobby Burke (Senators), Red Kress (Senators), and Dazzy Vance (Dodgers). In this case, there is no single team for which the full quartet played.

Of added interest are two panel III players who also appear on panel I, though background colors differ: Gus Mancuso (Giants, shown below) and Ed Brandt (Braves).

I can almost hear the conversation now of young card swappers back in the day:

“Anyone have the blue Mancuso?”

“You mean blue borders and red background?”

“No! That’s the red Mancuso. I mean red borders and blue background!”

Backgrounds and very minor retouches aside, however, all artwork is again recycled from earlier Goudey sets. Stay tuned, however. This is about to change.

Panel IV

The six cards in this panel correspond to six-card puzzles 3, 5, and 6 as well as the right half of 12-card puzzle 1. Four of the cards are dedicated to single teams (Browns, Red Sox, Tigers, Phillies) while two feature multiple teams.

Again, we have duplicated players, this time in the form of four players we previously saw on panel I or II. Conveniently enough they appear right next to each other at the end of the bottom row: Comorosky, Bottomley, Kamm, and Cochrane.

Of particular note is the player in the bottom left position of the Phillies card: Clarence “Bubber” Jonnard, the first new player we’ve encountered thus far.

Wait, who?!

Jonnard, a coach with the Phillies in 1935 (whose later accomplishments included managing the Minneapolis Millerettes of the AAGPBL and signing Mets Ed Kranepool and Ken Singleton), literally played in one game all season, had one at-bat, and struck out in a blowout loss…a good six years after his previous major league plate appearance. Nonetheless someone at Goudey must have really wanted Bubber in the set. Not only did they find a spot for him on the checklist but they even sprung for art!

Panel V

The six cards in this panel correspond to the right halves of 12-card puzzles 8 and 9. All six cards are dedicated to single teams (5 AL, 1 NL), and no players appear on any other cards.

One player you might recognize from a previous Diamond Stars article is rookie Cy Blanton (bottom row), who got off to a blazing hot, Fernandomania-like start in 1935. I doubt anyone would have been working on his card before the season started, but it wouldn’t have taken many starts before someone at Goudey decided to add Blanton to the set.

Both Blanton and his cardboard neighbor Tom Padden required new artwork. Ditto for Tigers ace Schoolboy Rowe (bottom right corner of first card).

Panel VI

The six cards in this panel correspond to the left halves of 12-card puzzles 8 and 9. Five of the cards are dedicated to single teams (3 AL, 2 NL), and one card includes a mix of Giants and Dodgers. Each of the 24 players makes his only appearance of the set on this panel.

Here is where we see the bulk of the set’s new artwork: Rollie Hemsley of the Browns, all four Reds (Gilly Campbell, Bill Myers, Ival Goodman, and Alex Kampouris), Zeke Bonura of the White Sox, and Bill Knickerbocker of the Indians.

THE ELEVEN NEWCOMERS

All in all, the 1935 Goudey set introduced eleven new players–less than 10% of the set. Why only eleven players, and why these eleven players, I don’t know. The most intriguing theory would be that Goudey already had the artwork from a prior project (e.g., an unissued fifth series of 1934 Goudey) and saw a chance to use it here.

Unfortunately, such a theory is quickly rebutted by the specific players selected. Here is a snapshot of each player’s career from 1933-1935, using plate appearances for the position players and innings pitched for the two pitchers.

Looking at the 1934 data for Blanton, Campbell, Myers, and Goodman, it’s hard to imagine they would have been candidates for an extended 1934 Goudey set. At the same time, ten of the eleven players seem quite sensible additions to a 1935 offering, and even the one exception, Jonnard, had something of a “fun factor” going for him.

RANDOM FACTS

  • Though I’ve treated the 1935 artwork as if it was lifted directly from earlier sets, this wasn’t necessarily the case. Compare, for example, the Hank Greenberg artwork from 1934 and 1935, and you’ll see several subtle differences. (Plus, how would Goudey even execute such a thing using 1930s technology?)
  • Just as the 1934 Goudey set featured Gehrig but no Ruth, the 1935 set features Ruth but no Gehrig.
  • Youngsters successful in completing the entire 1933-35 Goudey run would probably find Joe Medwick to be the best player absent from their collections. Fortunately, Goudey managed to get its “ducks” in a row over the next three years with Medwick cards in 1936 Goudey Premiums, 1936-37 “Canadian Goudey,” 1937 Thum-Movies, and 1938 Goudey.
  • Ten Hall of Famers appeared in all three Goudey sets from 1933-35: Jimmie Foxx, Mickey Cochrane, Dizzy Dean, Chuck Klein, Paul Waner, Frank Frisch, Heinie Manush, Bill Terry, Charlie Gehringer, and Kiki Cuyler.

ON DECK?

When I revisit this set I hope to offer some hints as to how the cards were divided into series and when each series might have been released. Oh, and more importantly, I hope to grab the final card I need for my Dodgers team set!

The cameos of 1938 Goudey

The 1938 Goudey issue known as “Heads Up” was an odd release in multiple ways. For one thing, card numbering begins at 241 as if a long delayed continuation of the 240-card 1933 Goudey set. For another, each of the 24 players in the set appears twice: in the first series (241-264) with a plain background and in the second series (265-288) with a cartoon background.

This article will focus on the second series and some of its more notable cartoons.

PACIFIC COAST LEAGUE CAMEOS

Two of the cards in the set may hold special interest to Pacific Coast League collectors. The cards of Frank Demaree and Bobby Doerr note their tenure with the Sacramento Senators and Hollywood Stars, respectively.

GEOGRAPHICAL CAMEOS

The Goudey set also offers some places, big and small, of interest to collectors of particular regions or geographies.

Buffalo buffs, particularly alumni of Fosdick-Masten High School, will want the card of Frank Pytlak.

Hank Greenberg’s scholastic bona fides also received mention.

Long before San Jose was a hotbed for dot-coms, microchips, and crypto, it earned some ink on the card of Marvin Owen.

The set also includes a “pre-rookie card” of the National Baseball Hall of Fame, not opened until the following year, though the card is hardly a cheap one! (It’s possible, however, that the phrase Hall of Fame may be intended here figuratively, as was the case on the back of Carl Hubbell’s 1933 Goudey card 230.)

Other places featured by the set include the “corn country of Iowa” (Bob Feller), the smokestacks of Pittsburgh (Julius Solters), the palm trees of Tampa (Al Lopez), and the sandlots of Cleveland (Joe Vosmik). We’ll also take a closer look at Pageland, South Carolina, toward the end of this article.

PLAYER CAMEOS

While Zeke Bonura himself has his own cards in the set, Zeke collectors (and yes, that’s a thing!) will want to note his shout-out on the card of Joe Kuhel.

Two Hall of Famers also appear in the set’s cartoons…as managers! Here are Bill Terry and Mickey Cochrane on the cards of Dick Bartell and Rudy York.

I’ll also offer, completely tongue-in-cheek, this Little Poison cameo.

RARE DIVERSITY

Previous baseball cards had included women, dating all the way back to the 1880s. This Babe Ruth card (or others) from the previous decade may also ring a bell. But speaking of ringing a bell, here’s the 1938 Goudey card of Zeke Bonura.

More notably, 1938 Goudey is the first U.S. baseball set to include African Americans. Sadly, the depiction is just as cringeworthy as one might expect for the era.

A VERITABLE “WHO’S ZOO” OF ANIMALS

On a lighter note, a scattering of animals across the set’s cartoons comes as no surprise, particularly when we have players named Moose (Solters) and Ducky (Medwick), not to mention various Detroit Tigers. Still, how about a jackrabbit…

or Boston Bees backstop “Señor” Al Lopez as an actual bee…

or–last but not least–a freaking octopus?!

Well, that’s all, folks, at least for the moment, but ‘toon in next time for more wacky baseball card hijinks, courtesy of yours truly!

Overanalyzing Goudey, part eight

Author’s note: This is the eighth in a series of pieces that will offer a mix of facts, unknowns, and speculation on one of the Hobby’s most iconic brands. This installment focuses on some of the more mysterious relics associated with the 1933 set.

1933 Goudey #106, Napoleon Lajoie, issued in late 1934

While the famous Napoleon Lajoie card 106 is traditionally regarded as the set’s rarest card, there are a handful of cards even more rare. One such rarity even bears the same number, 106.

Wait, WHAT?! Isn’t Durocher supposed to be card 147?

The “Keith Olbermann” Durocher, believed to be a 1/1 in the Hobby, is what’s known as a proof card from the set. Provided the card’s name is suggestive of its origin, we should imagine this card was part of a pre-production test run of the printing sheet Durocher was ultimately a part of, specifically Sheet 6. (Any speculation that the card might have been produced much earlier, for instance as part of a test run of the entire set, can be quashed by noting Durocher here is already with St. Louis, reflecting a trade that did not happen until May 7.)

An alternative explanation for Durocher 106 has been put forth, claiming it was not a pre-production proof or pre-anything but instead created by hobbyists post-1933 as a means of helping die-hard collectors complete their sets. Ignoring what would seem to be the prohibitive costs of producing a single card to this level of quality, there are at least two reasons to doubt such a hypothesis.

  • Duplicating a card already in the set, numbering aside, seems like the least satisfying way in the world to complete the set. I get it that maybe these guys weren’t artists, but even a newspaper picture of Hank Greenberg would seem an upgrade over the second Durocher.
  • Even more compelling, however, is the existence of other proof cards from the set, none of which would render any comparable service to collectors since their numbers are not 106.

Here is the most complete list of 1933 Goudey proofs I’m able to assemble.

Proof card of Jack Russell
  • Leo Durocher #106 (released as 147)
  • Eddie Farrell #107 (released as 148)
  • Goose Goslin #110 (released as 168)
  • Jack Russell #121 (shown above, released as 167)
  • Luke Sewell #123 (released as 163)
  • Al Spohrer #124 (released as 161)
  • Al Thomas #127 (released as 169)
  • Rube Walberg #128 (released as 145)

The numbering of the proof cards is interesting in that it’s hardly a random collection of numbers from 1-240. Rather, we see that all eight proof cards are clustered between the numbers 106 and 128. The numbers take on even greater significance if we consider the state of the Goudey checklist just prior to the release of the set’s sixth sheet.

Remarkably, each of the proof cards fills an existing gap in the set’s skip numbering. Were we to imagine there were once 24 such proof cards (i.e., an entire sheet), we might suppose their numbering would have been as follows. (I’ve used magenta here for the eight known proofs and a lighter pink for the remaining 16.)

Of course, Goudey’s actual Sheet 6 did not fill the gaps in the manner indicated. Instead, it left nearly all of them in place. (And we’ll return soon to the fact that only 23 new numbers are highlighted.)

Were the new numbers for all eight proof cards to be found along this blue band, the story of Sheet 6 would be a simple one: the cards were simply renumbered late in the production process to leave rather than fill gaps.

As for why this occurred, I suppose there are a couple of reasons we could ascribe. Perhaps someone simply forgot that the set employed skip numbering as a means of conning kids into buying more and more packs. Or perhaps Goudey really did intend to close out the set earlier (i.e., at 144 cards rather than 240) but shelved such plans at the eleventh hour.

Of course, as with much about this set, the answer would not be so simple. While five of the proof cards remained on Sheet 6 with new numbering, three of the proof cards (Russell, Goslin, Thomas) landed at 167-169 and would not be seen again until Sheet 7, which included cards 166-189.

Sheet 7 from 1933 Goudey set (numbering added)

Admitting some speculation here, the picture that emerges of the set’s sixth sheet is this:

  • Proof version: 24 cards that filled the set’s existing gaps, namely 97-99, 106-114, 121-129, and 142-144.
  • Final version: Renumbering of all cards, including the demotion (or promotion if you like) of at least three cards to the next release.

Now let’s take a quick look at Sheet 6 as it was actually produced.

Sheet 6 from 1933 Goudey set (numbering added)

There are at least two key features that distinguish this sheet from all five of its predecessors.

  • It has two of the exact same card, Babe Ruth’s iconic card 144. (This explains how the sheet only managed to check off 23 numbers earlier.)
  • It repeats (with new numbering and a new color in one case) the Jimmie Foxx, Lou Gehrig, and Babe Ruth cards from earlier releases.

These contrasts are particularly notable as Sheets 1-5 contained no repeats at all, either within or across sheets. Prior to Sheet 6, the Goudey set consisted of 120 distinct players, each appearing in the set exactly once. From this perspective, we might regard five of the cards on Sheet 6 to be anomalies:

  • Ruth 144 (first instance)
  • Ruth 144 (second instance)
  • Ruth 149
  • Foxx 154
  • Gehrig 160

Already knowing that at least three cards (Russell, Goslin, Thomas) were bumped from Sheet 6 between the proof and production stages, it’s intriguing to consider whether five cards may have been bumped, transforming the sheet from a fairly standard collection of 24 new players to the spectacular, mega-star studded, triple Ruth sheet we know it as today.

If so, this would constitute the biggest (and most lopsided) blockbuster trade ever made!

  • Sheet 6 gets Babe Ruth, Babe Ruth, Babe Ruth, Jimmie Foxx, and Lou Gehrig
  • Sheet 7 gets Jack Russell, Goose Goslin, Al Thomas, and two players to be named later?
Extremely rare 1/0 Babe Ruth traded card

If this is indeed what happened, the next question to ask is why.

  • Why turn Sheet 6 from a standard sheet to a super sheet? If Goudey had figured out more stars meant more money, what a curious choice to then follow up with six minor leaguers on Sheet 7!
  • Why number two of the Ruth cards 144? Conventional wisdom in the Hobby is that Goudey needed the duplicate numbering in order to ensure a (near) permanent hole in the checklist, thereby causing kids to keep buying packs in futile pursuit of card 106. (I question this theory at the end of my first article.)

Returning to a theme prevalent throughout this series, the 1933 Goudey set holds and will continue to hold mysteries, no matter how much over-analysis we apply. Fortunately, at least in my view, this is precisely what makes the set so fascinating!

* * * * *

I’ll close this article with a few additional notes on the 1933 Goudey proof cards that may be of interest.

  • According to hobby lore, most or all of the proofs came from a single partial sheet obtained by hobby pioneer Woody Gelman directly from a source at Goudey.
  • While the most salient feature of the proof cards is their numbering, some also exhibit small differences in artwork or typesetting. For example, notice the placement of “AL THOMAS” on these two cards.
Proof card (L) and standard card (R)
  • The Goslin proof card is an interesting one in that its number 110 was ultimately used by Goudey (probably just coincidentally) for Goslin’s other card in the set, his World Series card from Sheet 10. I’ve drawn goose eggs in my search for an image of the Goslin proof, but the Standard Catalog notes his name breaks onto two lines rather than the single line shown on his standard card.

Author’s note: If you are aware of other 1933 Goudey proofs with numbers that differed from their final printing, please let me know.

Cardboard Crosswalk: T205 Brooklyn Superbas and 1911 Spalding Guide

The Brooklyn Superbas of 1911 finished seventh in the National League standings and in attendance as well, which is to say they were not a pretty team to watch, but oh what a gorgeous team to collect!

Carpet o’ Superbas

While it’s the gold borders of these cards that give the T205 set its nickname and hallmark feature, I am just as much a fan of the rich, colorful backgrounds and simple design and an even bigger fan of the expressive (mostly) Paul Thompson portraits on which the player artwork is based. (See Andrew Aronstein’s site for some absolutely stunning side-by-side images.)

As many collectors of the T205 set are aware, many of the images used on the cards can also be found in the 1911 edition of Spalding’s Official Base Ball Guide. For example, here is the two-page spread on the Brooklyn team.

The Zack Wheat image matches up nicely with his T205 card.

In all, half of the 24 Brooklyn portraits in the Guide use the same photo as an image in the T205 set. I created this mashup to show the correspondence.

As there are 14 different cards in the T205 Brooklyn team set, there are necessarily instances where cards do not match the Guide portrait.

One such example is “Bad Bill” Dahlen, who managed the team from 1910-13.

A more unusual example occurs with the Tony Smith card, which matches up to the Guide image of a different Smith: Henry Joseph “Happy” Smith.

Interestingly, the Guide image of Tony matches up with the T206 card of Happy.

The third and final T205 Brooklyn card that doesn’t match the Guide image belongs to Cy Barger. Sort of.

I say “sort of” because Barger had two different cards in the T205 set but only one Guide portrait. The second of the two Barger cards, known as “Full B on Cap,” is the one that matches the Guide.

That Barger had two cards in the set is curious but hardly unique. Seven other subjects had multiple cards in the set as well: Roger Bresnahan, Hal Chase, Eddie Collins, Russ Ford, Bob Harmon, Bobby Wallace, and Hooks Wiltse. That Barger had the least impressive resume of the lot, circa 1911, may or may not be significant, and we’ll return to it shortly.

Returning to the crosswalk, there are a dozen Guide images that failed to make it onto cards, including the Smith and Dahlen portraits already discussed.

Had the set lived up the “400 designs” promised on the backs of the cards, perhaps we’d have cards of all or most of these players.

While four of the “missing” players made it into the T207 “Brown Backgrounds” set the following year, some had to wait all the way until the 1990 Target Dodgers mega-set to get their first cards with the team.

Before closing out the crosswalk portion of this article, I’ll note that there are two other pages of the Guide that include photographs of Brooklyn players. Each of pages 34 and 36 features four-player composites using photographs taken by Charles Conlon.

Collectors may recognize the Bergen image on page 34 as matching one of his two T206 cards, but none of the images provide matches to T205.

Having exhausted the Spalding Guide/T205 crosswalk angle, I’ll now return to the two cards of Cy Barger for something of a postscript.

When I first saw these two cards, I firmly believed they showed two different players, the shapes of the face and ears initially striking me as most discrepant. With Barger also being an unusual player to double up on in the set, I wondered if the reason for the second card was that the first card depicted the wrong guy. In other words, did the two cards represent an error card and its correction?

Let’s assume for a minute that this error/correction theory is correct. Perhaps the first question to ask is which card, if either, shows the real Cy Barger. As the Spalding Guide matches “Full B,” let’s start there. Additionally, as my wallet can attest, “Full B” is the more common of the two, which is what we would expect where errors and corrections are concerned.

However, any further scrutiny seems to torpedo the error/correction theory. Take the population report for the set, for example. Were one card a correction of the other, we would expect the combined population of the two cards to correspond roughly to that of a typical card in the set. Conversely, if the set simply (intentionally or not) doubled up on Bargers, then we would expect their combined population to be roughly double of a typical card in the set.

What we do find (as of May 31, 2022) is that the PSA population report for “Partial B” is 125 and “Full B” is 249. Meanwhile the population for a typical card in the set appears to be in the 200-250 range. This seems to refute the error/correction theory, instead suggesting “Full B” as a standard print and “Partial B” as a short-print in the set.

Were an error and correction at play, we would also not expect to see continued or repeated usage of the erroneous image on other cards. However, there are two other sets where both Barger images appear.

The first is the S74 Silks set, in which “Full B” appears on white silks and “Partial B” appears on colored silks.

The precise dating of these silks within the 1909-11 window can vary by source, though most that differentiate between white and colored have the former preceding the latter. (See the S74 website for an argument that dates the white silks to mid-1911 and the colored silks to later in the year.) Provided the white silks indeed came first, then we would have the correct Barger image replaced by the incorrect one, which feels odd. Obviously, odder things have happened in the baseball card universe, but I’d still say the Silks provide yet another blow to the error/correction theory.

We also see both Barger images in the 1912 Hassan Triple Folder (T202) set. Certainly one possibility is that T205 artwork, known errors and all, was simply recycled into T202 without scrutiny. More plausibly, however, there was no known error to begin with.

The two Barger images appear in several other issues, though not together. For example, here is the “Full B” image used in a few oddball issues of the period: 1909-12 Sweet Caporal Domino Discs, 1910-12 Sweet Caporal Pins, and 1911 Helmar Stamps.

Meanwhile here is the “Partial B” image used in the 1914 Helmar Art Stamp issue, which a discerning eye will note places him with the Pittsburgh Rebels of the Federal League. Careless recycling? Perhaps. Or, as before, we can take this as another nail in the coffin of the error/correction theory.

Even with the error/correction theory looking like a big, fat nothingbarger, a question still alive is whether one of the two Barger images is an uncorrected error, or UER as we way in the Hobby.

To no avail, I’ve tried to locate a source photograph for the “Partial B” image, even going so far as reviewing all 350+ portraits across the 16 teams in the Spalding Guide. I’ve also reviewed a couple years or so of images from old newspapers thanks to the free newspapers.com access our SABR memberships now include.

Finally, I’ve looked at the various Cy Barger cards that use neither the “Full B” nor “Partial B” image in hopes that they might provide hints.

In the end, I’m not sure any of the Barger cards, save the first two, look like the same guy, and that may well be the true conclusion of all this. There is always some “drift” in creating artwork from photographs, and this is only accentuated when the photos themselves differ. Each piece of art, or baseball card in our case, may resemble its source photograph reasonably well while at the same looking very different from other art of the same subject.

Personally, I still see two different guys on the T205 Barger cards. However, it’s no longer a hill I’d die on but one I can only Cy on. Feel free to share your own take in the Comments.

Error cards

Sometime last year I picked up the last card I needed for my 1980 Topps set, placed it into its nine-pocket, and then took my well earned victory flip through the binder of majestic completed pages…only to find a page with a missing card. Dewey defeats Truman. Defeat from the jaws of victory. Bird steals the inbound pass.

Completing a set without actually completing a set is just one of the many cardboard errors I’ve made lately. Here are three more.

My largest player collection (by about 600) is the 700+ playing era cards I have of Dwight Gooden. For whatever reason, I decided a couple years back that the card at the very top of my Dr. K want list was Doc’s 1986 Meadow Gold milk carton “sketch” card.

I’d seen the card on eBay in the $10 range for a while, but you don’t amass 700+ cards of a guy by paying $10 each. At last one turned up for more like $3 and I couldn’t hit “Buy It Now” fast enough. When the card arrived I was genuinely excited to add it to my binder, only to find…

…I already had the card!

Just two weeks later, I “doubled” down by adding a card I thought I needed for my 1972 Fleer Laughlin Famous Feats set.

And again…

On the bright side, it’s not like these cards cost me real money. I’d never make the same mistake adding this Kaiser Wilhelm to my T206 Brooklyn team set, right?

Oops. Think again.

Of course what Hobbyist hasn’t accidentally added the occasional double or two…or three? Probably most, but how many could pull off the feat three times in one month?

In the corporate world, bosses would be calling for a root cause analysis and demanding corrective action. Am I simply getting old? Do I have too many different collections going? Have I gotten lazy at updating my want lists? In truth, probably yes to all three.

As a kid, and I think this was true of most die-hard collectors, I could open a pack and instantly know which cards I needed and which were doubles. I could do the same at card shows, looking through a dealer binder or display case. When it came to cards I had total recall. Evidently such cardboard lucidity is long gone, and it’s probably not a stretch to assume the same degradations have spread to various areas of adulting.

On the other hand, it’s also true that my purchases had much more riding on them back then. For one thing, every nickel, dime, and quarter were precious. Spending $0.50 on a 1963 Topps Ernie Banks (ah, the good old days!) when your entire card show budget (i.e., life savings) was $3.80 “borrowed” from various sources around the house was high finance. Add to that baseball cards being the only thing I thought or cared about, and it makes sense that I always batted a thousand.

An eternal optimist, it’s just not my nature to brand my “triple double” as what some collectors might bill a #HobbyFail. Rather, I’ll take solace in the adage errare humanum est and remember that it’s not the mistakes we make but how we respond to them that defines our true character. As a kid I would have sulked for weeks having committed even one of these blunders. Today I can laugh (and write) about them. Call these senior moments if you will, but isn’t”growing up” just a bit more pleasing to the ear?

Now does anyone wanna trade me a T205 Wilhelm for a T206?

UPDATE: The Wilhelm is no longer available for trade! About an hour after publishing this post the seller contacted me to let me know he’d accidentally sold it to someone else already. I guess I’m not the only one losing track of his cards these days! 😊

Cardboard Fingerprints

One of my oldest card collecting projects dates back to college and began, if I remember correctly, with a book I no longer have. The book was one of many along the theme of “baseball’s greatest players” but was particularly nice in that it included full-page photographs of every player.

In a move that perhaps foretold my joining SABR 30 years later, my roommate and I made copies of 50 of the pictures and arranged them nearly floor to ceiling to create our apartment’s own “Wall of Fame.” I recall we even put some care into the ordering of the players with the occasional new insight from “Total Baseball” prompting a reordering ceremony from time to time.

Soon after, we also began pinning our best baseball cards onto bulletin boards. (Don’t panic. The pins only went thru the penny sleeves.) Thanks to the Kit Young mail order catalog and a dealer named “Big John” who frequented local shows, we were able to update our Boards quite frequently. Naturally, any change to the Board was a major event in our apartment.

Following our graduation, my roommate eventually moved south and I moved north, which spelled the end of my Board. As remains the case today, most of my joy in collecting involved sharing the Hobby with others. In my new environment I didn’t have any friends who collected, so my grad school décor switched to Neil Young and Crazy Horse.

Fast forward two decades to 2014. I lived alone much of the week, had all kinds of time on my hands, and had just realized you could buy almost any baseball card you wanted on the internet. Unlike my college days where I made $6 an hour grading math homework, I now had a “real job,” hence real money to spend. This of course meant only one thing.

The Board was back!

Or should I say the Boards were back? I went with two display cases to fill side by side, setting the table (or rather the wall) for what I now call my “Top 100” project. Both Boards have seen numerous changes over the past eight years, typically prompted by a desire to add a player or set I didn’t already have.

For example, just last week I was able to swap out my 1935 Diamond Stars Joe Medwick card for his card from the 1938 Goudey set, thereby adding another classic set to my display. (Insert your own bad pun about getting my Duckies in a row.)

This Board and the 1958-81 version that hangs next to it are favorites in my collection for a couple reasons. One is simply that the cards themselves are wonderful. The other is that these Boards connect my present day collecting to my past. What else in my life did I begin at age 20 that I’m still working on past age 50? Among that which is tangible on this Earth, only myself and my card collection, and certainly more the latter if we’re being honest.

Even beyond the two reasons given, there is a third reason these Boards are as central as they are to my collection. Simply put, the Board uniquely defines who I am as a collector. As with fingerprints, I suspect no two collectors would ever possess the same Board. Really, who would even dispute such a claim, particularly if the collections in question amounted to 50 or 100 cards? However, I tend to think the claim holds even limited to five cards.

Following the craze of this past month or so, here is what my cardle might look like. (Two new cards from other displays make an appearance here.)

Actual versions are not nearly this sharp!

What would your cardle be?

  • Same card (player AND set) as mine: Give yourself a green!
  • Same player (different set) as mine: Give yourself a yellow!

Naturally I’ll look forward to seeing your results all over my social feeds. 😊

Cardboard Typos and Gripe-o’s—Part 2

For nearly 30 years, editing has brought home my bacon. It wasn’t my desired profession; I fell into it like an open manhole—and I’m still trying to climb my way out. The grammatical, punctuational, and syntactic boo-boos I fix have been mostly in the medical and pharmaceutical fields, but they’ve been pretty easy to spot in my spare time as well—which means, to a degree, on the backs, and sometimes fronts, of baseball cards.

Years ago, I began jotting down factual errors and spelling typos (punctuation issues and lack of hyphenation are so rampant that chronicling them would be a never-ending and pointless task). I do not keep abreast of baseball card commentary as vigilantly as I once did, so at least one of the following errors has been posted elsewhere, which means that others—maybe many—in this simple and hardly comprehensive multi-part list might also have been documented in that long interim.

Here, Part 2 continues this absolutely uncomprehensive, and extremely random, list of baseball card errors (see Part 1 here).

  • 1911 T201 Mecca Double Folder Lefty Leifield (backed with Mike Simon): Unlike other pitchers in the set, the stats for this talented Pirates southpaw feature batting and fielding records—Lefty’s pitching ledger for the previous season has been mysteriously replaced by his work with the glove. Yet it’s not even Lefty’s statistics. Card-mate and battery mate Mike Simon—whose statistics are completely absent under his own name—appears at first glance to have his statistics erroneously replacing Leifield’s field work (note the inclusion of passed balls). However, the lack of quality control on Mecca’s part is even more out of control than this: Beyond problematic typesetting, the statistics listed are wildly incongruent with Simon’s (as well as all other NL catchers’) performance in 1910—none more so than his alleged .536 fielding percentage—a number that couldn’t keep a catcher on a sandlot field. Just as egregious is his 64 passed balls. In actuality, Simon was not charged with either a single error or passed ball during the previous season. Who knows how these numbers were conjured—the lowest fielding percentage registered by any catcher in the majors in 1910 was .875, and after the rule changes of the 1890s, no catcher had let more than 27 balls past him since the turn of the century. If some supercentenarian is still manning the phones at Mecca Cigarettes, somebody should call to get the lowdown—pronto.
  • 1912 T207 Germany Schaefer: It’s common knowledge that Jim Delahanty’s T207 contains multiple misspellings of his surname (“Delehanty”) on the back (though the front is correct), but that spelling miscue also appears on the back of Germany Schaefer’s T207 (the two were swapped for each other, along with Red Killefer, in 1909, accounting for the mutual mentions). Schaefer’s bio also contains a more personal blunder, stating that, “Since arriving at the Capital he has played first, second, short and third….” However, the utilitarian Schaefer never took the field as a shortstop after his days in Detroit. As a macabre aside, Schaefer, a renowned baseball prankster, died of tuberculosis in the same New York village where Christy Mathewson succumbed to the disease six years later. (It may have even been the same sanatorium; I’m not certain.)
  • 1954 Topps Vern Law (#235): Vern’s “Year” line denotes that he spent the previous season “IN MILITARY SERVICE,” yet “IN” is missing the “I.” I’m not familiar with an Idaho accent, but perhaps Topps was writing in Vern’s native vernacular. (I’ve largely avoided minor points in these lists, but to spotlight Topps’ sloppiness, in the right-hand cartoon mentioning Bing Crosby, “Pirate’s” is incorrectly singular possessive; it doesn’t need an apostrophe at all, but if one is used, it should follow the “s” to be plural possessive. Misuse of the apostrophe is one of the most pervasive marks of ignorance found in print.)
  • 1933 Goudey Tony Lazzeri (#31): Goudey took “Poosh ‘Em Up”’s games played in 1932 and pooshed ‘em down, stating that he played 141 games—Lazzeri actually suited up for 142 games in 1932. Perhaps unfairly, his bio begins that “coming to the bat in his first world series with bases filled, struck out.” This is a necessarily incomplete, almost Twitter-like, reference to Lazzeri’s inning-ending whiff at the hands of Grover Cleveland Alexander in Game 7 of the 1926 World Series, of course. To be fair, it was actually the fourth time in the Series that Lazzeri came to the plate with the bases full. Twice, he delivered important sacrifice flies, including the eventual game-winning run in the top of the 10th in Game 5—without which the Series might never have gone to a seventh game and given baseball that gilded moment.  
  • 1933 Goudey Burleigh Grimes (#64): Burleigh’s bio declares that he “[b]roke into baseball in 1913 with Ottumwa in the Central Association.” With apologies to Radar O’Reilly, who was born right about the time that this card hit the shelves in his native Ottumwa, Burleigh was no rookie in 1913, having pitched in 9 games for the Class D Eau Claire Commissioners of the Minnesota-Wisconsin League in 1912. Had Radar been old enough to watch Ol’ Stubblebeard on the mound, he might have remarked, “Uh-oh, spitters!”
  • 1933 Goudey Earl Averill (#194): More inaccuracy than error—and much like Lefty Gomez’s cards mentioned in Part 1—virtually all of Earl Averill’s cards denote his birth year as 1903, whereas all official sources, including his headstone, report it as 1902.
  • 1949 Bowman Bob Lemon (#238): Bob was anything but a lemon as a pitcher, seven times reaching the 20-win circle and earning a place in the Hall of Fame; however, his cards are a strange and recurring saga of geographical ineptitude on the part of multiple manufacturers. Beginning with his rookie card, Bowman misspelled his birthplace of San Bernardino, California, as “San Bernadino.” (Incorporated in 1869, the city’s spelling had been officially established for 80 years by the time Bowman inked Lemon to a contract.) For most of Bowman’s existence, it repeated this error. One might attribute this to the same biographical information being used rotely over the next 6 years—except that Bowman got the spelling correct in 1951 and 1952, then inexplicably reverted to the original error for the remainder of its run. So, defying any semblance of logic, Bowman printed “Bernadino” in 1949 and 1950, changed correctly to “Bernardino” in 1951 and 1952, and then went back to its mistake in 1953, 1954, and 1955. If that weren’t bizarre enough, all three of Lemon’s Red Man Tobacco cards (1953-’55) also misspelled his birthplace as “Bernadino.” (I don’t know if Red Man, which had long been only a tobacco company, made some kind of deal with Bowman for its baseball information when deciding to issue its own cards—some of their bios read similarly in places—but blame would still fall on Red Man Tobacco for not at least proofreading its product.) In contrast, none of Topps’ cards that list a birthplace erred on this spelling, and Lemon’s 1954 Red Heart and Dan-Dee cards also are correct.
  • 1960 Leaf Jim Coates (#35): A double-dip for Jim. “Binghampton” is a misspelling. Hold the “p,” Leaf. A bigger blooper is that Leaf was under the impression that Coates had never pitched in the majors before 1959—his “Past Year” totals are identical to his “Lifetime” totals. However, Jim appeared in 2 games for the Pinstripes way back in 1956, making the majority of those lifetime statistics incorrect.
  • 1960 Leaf Al Spangler (#38): Al’s home is listed as “Maple Glenn, Pa.” Leaf apparently turned over a new leaf and gave Spangler’s home an extra “n”—the town is spelled Maple Glen. To my knowledge, it never went by “Glenn.”

Rife with typos, Topps’ 1964 Giants subset contains more than its share. Among them:

  • 1964 Topps Giants Orlando Cepeda (#55): Cepeda is denoted as having laced 38 triples as a rookie in 1958. This is diamond hogwash. Did Topps think third-base coach Herman Franks waved a red cape every time Cepeda rounded first so that the Baby Bull came raging uncontrollably into third? Owen Wilson’s 36 triples in 1912 has never been bested, and, in fact, no player has legged out more than 26 ever since. Cepeda, of course, ripped 38 doubles, not 38 triples.
  • 1964 Topps Giants Billy Williams (#52): Topps really shortchanged Billy by stating that he clubbed “20 two-baggers” for the Ponca City Cubs in 1957. The sweet-swinging Williams swatted twice that many in pacing the Sooner State League in doubles.
  • 1964 Topps Giants Carl Yastrzemski (#48): In the right-hand column, Carl was cited to have “wrecked havoc” on opposing pitchers. This is a malaprop—the term is, of course, “wreaked havoc.” At least Topps spelled his surname correctly.
  • 1964 Topps Giants Harmon Killebrew (#38): Deceptive text, even if inadvertent, is a no-no to an editor, so I’m calling out Topps for Killer’s headline, KILLEBREW WINS 2ND HOMER CROWN. As evidenced early in his bio, “For the second consecutive season, the Minnesota Twins’ slugger was the American League home run champion.” This is certainly accurate, Harmon having claimed the crown in 1962 and ’63. However, the headline implies very strongly that these were his only two homer titles to that point—yet Killebrew had also topped the AL in 1959, meaning, of course, that he’d nabbed his third homer crown in 1963, not his second. If I didn’t call this out, I’d be negligent in my long-time occupation as an editor.

If the 1964 Topps Giants subset is something of an editor’s treasure trove, the 1960 and 1961 Fleer sets are a gold rush. Some of the most problematic assemblages of cards out there, they have often caused me to wonder if the company headquartered in my hometown ever employed a fact checker or proofreader. Many’s the time I fantasized about going back in time to be hired as Fleer’s text editor. With a primo job like that, how could a young Ann-Margret not date me?

  • 1960 Fleer Christy Mathewson (#2): Fleer failed to list that Christy also pitched for Cincinnati. Some may say “Big deal—he pitched only 1 game for the Reds.” Well, it was a big deal. That final game—a victory—ultimately allowed Mathewson to tie Grover Cleveland Alexander for most victories by a National League pitcher (even though his true victory total wasn’t discovered until many years after his death). Fleer rectified this oversight—sort of—in its 1961 set, stating that he pitched all of his games “except one” for New York, without specifying that other team. However, Fleer did picture Matty in a Cincinnati uniform—although neither is this definitely, because Christy was better known in red as Cincinnati’s manager for several seasons, which Fleer references.
  • 1960 Fleer Joe Medwick (#22): Fleer anointed Medwick with an RBI total of 1949—which, at that time, would have put Ducky fourth on the all-time list, a handful ahead of Ty Cobb. Now, Medwick was an excellent run producer and, in fact, stands as one of the few National Leaguers to top the Senior Circuit in RBI for 3 consecutive seasons, but the actual total of runs he drove across the plate was a far less robust 1383. Remarkably, Fleer repeated this huge blunder on Joe’s 1961 card (#61).
  • 1961 Fleer Rogers Hornsby (#43): The Rajah’s home run total is incorrectly listed as 302 (he hit 301); his triples total is also inaccurate: 168, though he actually hit 169. His hit total is correct, so I wonder, if among all of the other revisions to old-timers’ statistics, one of Hornsby’s round-trippers was downgraded to a three-base hit. (301 was, as long as I can recall, his established home run total, as can be seen on his 1976 Topps All-Time All-Star card—which is almost certainly from where I first learned the total.)
  • 1961 Fleer Ty Cobb (#14): One of the biggest statistical oversights I’ve seen occurs in Cobb’s bio, as Fleer denotes Ty as having led the AL six times in hitting. As any moderately informed baseball fan knows, Cobb snared an incredible 11 batting crowns (or 12, depending on which source you consult—the Hall of Fame still claims the latter). Regardless of which you consider the true count, Cobb’s run of double-digit batting crowns was, even then, long regarded as one of the most amazing feats in sports annals—and an inexcusable gaffe by Fleer, especially considering that his 1960 Fleer card denotes Cobb as capturing 12 batting titles.

  • 1961 Fleer Grover Cleveland Alexander (#2): Fleer goofs again, misspelling “immortal” in the opening line of Alex’s bio (and fails to include a period as well).
  • 1961 Fleer George Sisler (#78): George’s bio is almost cruelly ironic in its boast that he “played in six World Series.” Sisler, of course, is renowned among the game’s greats who never played in the Fall Classic. (George worked for Brooklyn and Pittsburgh as a scout and batting instructor in later years, but this certainly does not equate with playing in a World Series, and his attachment to pennant-winning teams in either of these capacities fell far short of six anyway.) How could such a false statement be written—and, worse, approved? Perhaps more than any other card in Fleer’s 1960 and ’61 sets, this colossal blunder indicates a shameful lack of commitment to its product and the consumer.

  • 1975 TCMA Red Russell: Typos among “quasi-professional” sets such as TCMA are plentiful. One example is from TCMA’s 1975 issue spotlighting the 1919 White Sox squad. Breaking in with the Southsiders in 1913, Russell crafted one of the best—and most overlooked—rookie seasons by a pitcher, winning 22 games for the 5th-place Sox. By 1919, his arm was gone, facing just 2 batters all season, in a June loss to Boston, which ended his pitching career at a fine 80-59 mark. Soon after this final appearance, Russell went to the Double-A Minneapolis Millers and reinvented himself as an outfielder. He returned to the majors in 1922 and put in a pair of partial seasons for the Pirates, thwacking 21 home runs in 511 at-bats. TCMA’s goof lay in labeling him “Red” Russell. Born in postbellum Mississippi and raised in Texas, he was well known as “Reb” Russell for his obvious Southern heritage. Even so, mild kudos to TCMA for including in the set the member who played least on the roster during the season (there are a few White Sox who played more than Russell yet were not included).
  • 1954 Red Heart Stan Musial: Stan’s bio claims that he has played in “9 All Star games as a Cardinal outfielder.” Through the end of the 1953 campaign, Musial had played in 10 All-Star Games. Yet even if this statement is taken literally—that is, counting his participation only as an outfielder, regardless of how silly it would be for Red Heart to ignore his other appearances in the Midsummer Classic—Musial had, to that time, participated once as a first baseman and once as a pinch-hitter, so the count strictly as an outfielder was 8—which still did not jibe with Red Heart’s claim. It’s also interesting to note that Red Heart, as late as 1954, referred to the Fall Classic as the “World’s Series”—an antiquated spelling that had essentially died out by the 1930s.

And just for good measure, I’m throwing in several hockey card errors:

  • 1957-58 Topps Jean Guy Gendron (#52): Between this entry and the following one, you will see that Gendron appears to have been the target of a systematic process of sloppiness and inconsistency, the likes of which the sports card industry has never seen. In the English bio of this, Gendron’s rookie card, Topps heretically refers to the Montreal club as the “Canadians.” Frankly, Topps should consider itself lucky that Montreal fans didn’t fly into a bleu, blanc, et rage, bus down to Brooklyn, and burn the plant to the ground. Despite being Gendron’s official rookie card, this also establishes a long and winding road of instability concerning his first name. Gendron’s first name appears to officially have been spelled with a hyphen, “Jean-Guy,” as evidenced by several official sources as well as the back of his true rookie card, the 1952 Juniors Blue Tint. Yet from 1957 to 1963, Topps always denoted him simply as Guy Gendron (although, as you can see, the reverse of his rookie card is “Jean G.” Gendron). He then became “Jean Guy” on his 1968 card (shown for a different reason in the following entry), was amended to “Jean-Guy” in 1969, then was stripped of the hyphen in 1970 and 1971, and enjoyed a restored hyphen for his final card, in 1972. (Gendron’s 1970 Dad’s Cookies card and 1970 Esso stamp also feature the hyphen.)

  • 1968 OPC Jean Guy Gendron (#185): The statistical record claims that Gendron was “Not in N.H.L.” during the 1967-68 season. Although the long-time NHL veteran had been dispatched to the AHL’s Quebec Aces in 1964 and remained there for 4 seasons, Gendron did suit up for 1 game with the phledgling Philadelphia Flyers—even picking up an assist—during his final year with Quebec. (Gendron would go on to play 4 seasons with the Orange and Black, becoming one of the team’s best forwards in its early years.) Furthermore, though not an outright error, Gendron’s bio begins that he, Andre Lacroix, and Simon Nolet “are counted heavily on this year by Coach Courtney.” This is a strange reference to Philadelphia’s inaugural head coach, Keith Allen, whose given name was Courtney. I’m inclined to believe that OPC mistook “Courtney” as his surname, because it’s difficult to believe that OPC was on an overly casual first-name basis with the little-known skipper of a barely established expansion club.

  • 1979 OPC J. Bob Kelly (#306): This is likely well known to all except the young’uns. Rather obviously—at least it should be—the player depicted is not J. Bob Kelly—better known in rinks as “Battleship” Kelly—but long-time Broad Street Bully, Bob “the Hound” Kelly. (The pictured Bob Kelly has his own OPC and Topps cards that year; J. Bob Kelly has no Topps counterpart.) As an aside (though not an error itself), OPC denotes that Kelly was “Now with Oilers”; however, Kelly’s last skate in the NHL occurred during the previous season’s quarterfinals as the New York Islanders swept Kelly’s Chicago Black Hawks. Battleship did split 4 games between the Cincinnati Stingers and the Houston Apollos of the Central Hockey League during the 1979-80 season, but he never played for Edmonton, despite the Oilers drafting Kelly from Chicago in the 1979 NHL Expansion Draft.
  • 1969-70 Topps (#59) and OPC (#59) Carl Brewer: Perhaps it’s something of an honor to be incorrect in two countries, as both Topps and OPC were in listing Carl’s home of Muskegon, Michigan, which is misspelled as “Muskegan” on both cards.  
  • 1971-72 OPC (#156) and 1972-73 OPC (#100) Rogatien Vachon: Errors north of the border get a little more complex with this pair of Rogie Vachon cards. Each errantly refers to Vachon as “Roggie”—the first card twice in the bio and the latter card in the cartoon. OPC then wised up and never again made this misspelling (the reverse of Topps/OPC 1978-79 cards, which feature the player’s autograph, confirm the spelling in Vachon’s own hand, as if confirmation were needed). OPC dropped the puck a second time on his 1972-73 card, botching Vachon’s first name as “Ragatien.” (Topps got the spelling right but featured the same erroneous cartoon.) A former coworker who is a cousin of Vachon responded to my request for Rogie’s comments on this with, “Jesus, Randy, I’m busy. Leave me alone!”

Cardboard Famous

A reply to a recent SABR Baseball Cards social media post led me to think about the baseball players more famous for their baseball cards than for any of their on or off the field exploits. Here are ten who I believe fit the bill.

BILLY RIPKEN

Ripken lasted twelve years in the big leagues as an infielder, including an all-star caliber season in 1990. Today he is a frequent co-host on MLB Network. His brother is baseball’s ultimate Iron Man and one of the greatest shortstops in history. And still, say the name Billy Ripken and card collectors think only of one thing: his 1989 Fleer F*ck Face card.

BUMP WILLS

His career on the diamond lasted only half as long as Billy Ripken’s but he spent six years as the regular second baseman for the Rangers and Cubs, topping 30 steals four times while batting a respectable .266. Like Ripken, baseball also ran in his family. Of course any kid who collected baseball cards in 1979 will know him best for this seemingly impossible cardboard trickery.

BRANDON PUFFER AND JUNG BONG

Puffer played four years in the big leagues, appearing in 85 games for the Astros, Padres, and Giants. Jung Bong played one fewer season, appearing in 48 games for the Braves and Reds. The two pitchers combined for a WAR of -1.2. Though never teammates, the duo shared Future Stars cardboard in the 2003 Topps set on card #331, known to collectors (and chronicled by David Roth) as the “Bong Puffer card.”

OSCAR GAMBLE

Legitimately one of the best hitters of his time, scouted by the legendary Buck O’Neil, and the man behind the classic line, “They don’t think it be like it is, but it do,” Oscar Gamble would be remembered fondly even if he had no baseball cards at all. Fortunately that’s a hypothetical we need not ponder long when this pure cardboard gold is right in front of us.

SHERRY MAGEE AND JOE DOYLE

Magee built a borderline Hall of Fame career from 1904-1919 that included more than 2000 hits, four RBI titles, and 59.4 WAR. Even with those credentials I suspect many readers can only hazard a guess whether his name is pronounced Maggie, McGee, or Madgee.

Doyle, on the other hand, had a completely undistinguished career, seeing limited action on the mound over five seasons at roughly replacement level.

Whatever their on-field exploits, each of these players will forever be cardboard legends, with their error cards comprising half of the T206 set’s “Big Four.”

BENNY BENGOUGH AND ANDY PAKFO

Bengough was a career backup catcher who compiled 0.3 WAR over his ten seasons in the big leagues. When the 1933 Goudey set came out, he was already out of baseball.

Pafko, on the other hand, was a four-time all-star who batted .285 over 13 seasons with a career OPS+ of 117. His 1952 season (.287/19/85) was uncannily similar to his lifetime per 162 slash line of .285/19/85, and his midseason move from the Cubs to the Dodgers the prior year was one of the season’s biggest trades.

While neither player would top any list of all-time greats, each player topped many stacks of baseball cards, thanks to being numbered one in the 1933 Goudey and 1952 Topps sets respectively. Until the Upper Deck Ken Griffey, Jr., rookie card came along in 1989, I suspect these two players were the Hobby’s most famous set starters. Certainly both cards, in reasonable shape, carried a premium comparable to lesser Hall of Famers due to rubber banding, spills, and the myriad other ways stack toppers suffered disproportionate damage in collections prior to the advent of plastic sheets.

HONUS WAGNER

I’ll end the article with what may be my most contentious selection. Without a doubt, Wagner is a top shelf baseball immortal, considered by many to be the greatest shortstop of all-time if not the single greatest player of the Deadball Era. (In both cases, Pop Lloyd deserves consideration as well.) To an audience well versed in baseball history, therefore, Wagner is most famous for his tremendous playing career, even if most fans still pronounce his name wrong.

Yet whatever his accomplishments on the diamond, I suspect the Flying Dutchman is best known today, whether in the collecting world or the general public, for a single, transcendently pricey cardboard rectangle, our Hobby’s Mona Lisa.

Who else would you nominate for this elite club where ERR trumps WAR and even backup catchers can be number one? Sound off in the Comments!

A T218 Toehold

One of the pre-war sets I’ve long admired is the 1910–1912 T218 Champions set. The cards are double-sized compared to standard tobacco cards and much of the artwork is spectacular. Unfortunately, there are no baseball cards in the checklist—ruling out obvious samples to pursue and rendering the set mostly irrelevant to this blog.

However, there are a handful of toehold cards to choose from. The big name is alleged Black Sox bag man Abe Attell who features in the boxing portion of the checklist. But there are also Platt Adams, Frank Irons, and Abel Kiviat who as track and field athletes also ended up playing baseball in the 1912 Olympics.

Last month Jason generously sent me a well-loved Frank Irons card. I’m not sure he was aware of the baseball significance as much as he wanted to make sure I had a sample, any sample, of the set.* I don’t care that it’s mighty beat up, I just enjoyed the excuse to go chase down internet reference links about baseball in the 1912 Games.

*I’m generally incapable of getting rid of any cards once I have them.

In those games there was a baseball exhibition between a Swedish club and a US team made up of Track and Field athletes. The result of the game made it to newspapers across the US but it’s a pretty bare-bones story which is more interested in just listing which athletes took part. There is however a PDF of the official report of the 1912 Stockholm games which is much more interesting.

Not only is “Baseball” listed in the Table of Contents,* there’s a writeup of the game, a box score, and a half dozen photos. Not quite as much information as the RG Knowles book had but still a fun read. I’ve gone ahead and screenshotted the PDF so I can summarize here.

*Since the PDF page numbering is messed up due to bilingual pages sharing the same page number the fact that Baseball starts on page 823 doesn’t help you navigate the PDF a all.

Because this is an official report about the games, the summary centers the Swedish experience. This is actually awesome since baseball had only reached Sweden in 1910 and they were still grappling with some of the fundamentals—especially regarding pitching—two years later.

Specifically, they hadn’t figured out how to throw curveballs and were worried about their ability to hit them as well. They ended up borrowing three pitchers and one catcher from the US team in order to have a semblance of fairness in the competition. While they were concerned about hitting, they do appear to have been proud of getting five hits and took special pride in Wickman’s* double.

*I can’t find a first name for him anywhere.

Of the toehold guys, two played in this game. Frank Irons was the starting left fielder, went 1 for 2, and made one put out. Abel Kiviat meanwhile played the whole game at shortstop, going 2 for 4, hitting a triple, stealing a base, scoring twice, and making two put outs.* Platt Adams only played in a USA vs USA game** but his brother Ben was the starting pitcher for Sweden.

*There’s a more US-focused writeup of the game which goes more into Kiviat as the star of he game as well.

*Which didn’t make it into the official report and Wikipedia doesn’t have a source for the  second box score. Jim Thorpe also supposedly played in the second game (the first one was the same day as the decathlon competition); no idea if he had found his shoes by then.

A couple other items of note. I cannot express how much I enjoy Sweden bragging about being able to play ball until 10pm in the summer. The location of the game still exists as a sporting facility. And the umpire of the game was none other than Hall of Famer George Wright.

The report also has a half-dozen photos of the game. The team photo of the Swedish side is great and the other photos showing Swedish action in the game are a lot of fun too. As I noted earlier it’s clear that the Swedes took pride in their five hits since one of the four game highlights is Wickman’s double while another is Welin’s single.

I do wish we had more photos of the US players—or at least a team photo—but I can’t complain about what’s here.

The Case of the Missing Cubs

When researching the 1934-36 National Chicle “Batter Up” set I came across the curious fact the set’s first series, cards 1-80, included no Chicago Cubs. At first this seemed like a quirk unique to the set. However, further research revealed that the lack of Cubs was fairly common among the gum and candy cards of the era. Here is a chronology of the major sets from 1933-49 along with the status of their Cubs cards or lack thereof.

GOUDEY GUM

The 240-card set in 1933 included 17 Cubs cards, including at least one in each of its first 9 series, which is about what you’d expect. I’ve mainly included this set because A) it’s THE gum set of the 1930s, and B) it’s the last set before things got weird.

The 96-card follow-up set in 1934 included 6 Cubs cards, which by itself doesn’t suggest anything anomalous. However, the distribution of Cubs in the set is worth a quick note. Series one included three Cubs, but all were repeated from the 1933 set, artwork and all. (This was true of all 24 cards in 1934 series one.)

When the set did issue its first series of new players, none were Cubs. It wasn’t until the set’s third series that new Cubs (Lynn Nelson, Lyle Tinning) finally appeared. (The fourth series brought back another Cub, Kiki Cuyler, from the 1933 set but with new artwork. And as Matthew notes in the comments, the twelve “Chuck Klein says” cards also add to the Cubs fourth series presence.)

The 1935 Goudey set primarily relied on recycled artwork and players from their 1933 and 1934 releases. Of the 144 “cards” (really, quarters of cards) in the set, there are only 11 new players. None are Cubs. Overall, the Cubs are tied with the Phillies for fewest cards in the set: either one or four, depending how you choose to count.

The small 25-card set in 1936 included one Cubs player, Chuck Klein.

Subsequent Goudey sets seemed to be fairly normal with respect to Cubs players.

NATIONAL CHICLE

National Chicle debuted two significant multi-year sets in 1934. One was the Batter Up set, whose 80 cards that year have already been noted to have avoided the Cubs entirely. The other set, Diamond Stars, was equally devoid of Cubs among its 24-card offering that year.

Diamond Stars continued in 1935 with 60 new players, and this time there were three Cubs, two of whom were repeated with identical artwork in the 1936 release.

Meanwhile, series two of Batter Up, which I place entirely in 1936, exploded from zero to 11 Cubs among the final 112 cards in the set.

GUM, INC.

Gum, Inc., is best known to collectors for two different offerings: Play Ball (1939-41) and Bowman (1948-55). The three years of Play Ball cards included 473 different cards. Believe it or not, none were active Cubs players! The 161-card 1939 set and 72-card 1941 set included no Cubs at all while the 240-card 1940 set included three retired greats and one coach card.

The Gum, Inc., shutout continued into their debut Bowman offering that included 48 cards but no Cubs. Beginning in 1949, however, the Bowman sets had about the number of Cubs cards one would expect.

OTHER BRANDS

1934 Butterfinger Premiums

This set included 65 cards. None were Cubs.

1937 O-Pee-Chee Batter Up

This 40-card set had no Cubs, but it’s a bit of a special case as only American League teams were represented.

1941 Double Play

This set had 75 cards (150 if cut in half) including five (or ten) Cubs cards, among them the first card (or two cards) in the set.

1948 Swell “Sport Thrills”

This highlights set included only 20 cards, none of which were Cubs. Then again, there were five other teams that didn’t make the checklist either. Still, you’re gonna tell me this was a bigger thrill than the Homer in the Gloamin?’

1949 Leaf

Chicago-based Leaf Candy introduced a 98-card set (likely intended to be larger) in 1949, and 11 of the cards were Cubs.

* * * * *

I posted some key elements of this article to the SABR Baseball Cards readers on Twitter as well as the collectors on the Net54 Baseball forum. Leading theories on the omission or delayed inclusion of Cubs in the various sets tended to relate to the Cubs being owned by the Wrigley family. Why help the competition, right?

Of course Cubs did ultimately crack the checklists, even if it took ten years in the case of Gum, Inc. One wonders, therefore, what made the difference. Did the rival gum and candy makers make P.K. Wrigley an offer he couldn’t refuse? Did the players break from official or unofficial team policy to sign with rival confectioneries? Did Wrigley ultimately decide that Cub-less baseball card sets would hurt the popularity of his franchise?

Whatever prompted the return of Cubs cards, I can’t even imagine being a Cubs fan from 1939-41, buying pack after pack of Play Ball, and not pulling a single Cubs player. I guess the closest I can come is being a Dodger fan in 2021 and not finding packs to open at all.