As a kid I used to dream about finding my way into some ancient attic and unearthing boxes and boxes full of old baseball cards. For whatever reason, I imagined I’d need to be on the East Coast somewhere, which made the fantasy all the less attainable coming from my West Coast mind, but it was still fun to picture thumbing through these old stacks of cards and finding Ted Williams, Stan Musial, and Joe DiMaggio if not Babe Ruth, Ty Cobb, and Honus Wagner.
While this dream of mine never did come true, I did have the pleasure of meeting a fellow collector this year whose real life experience came awfully close.
David grew up in the Kansas City area but lives in Phoenix these days. Like me, he fell for card collecting hook, line, and sinker from the moment he was introduced to his first baseball cards, despite the fact he barely knew a thing about baseball or any of the players. While my love affair with cards and baseball began with 1978 Topps, David got going five years earlier and still remembers the thrill of pulling a 1973 Topps Hank Aaron card.
David was mainly a Hank Aaron and Kansas City Royals collector early on and started a paper route to feed his fix for packs. Once Hank Aaron retired, David branched out into the older stuff, mainly pursuing pre-1973 Hank Aaron cards and other stars he’d heard about from his dad. David was even lucky enough to have a teacher at school who would trade old 1950s cards for contemporary stars. While these swaps usually worked in David’s favor, he harbors at least some regret over a 1975 Gary Carter RC for 1955 Topps Tom Hurd swap.
Fast forward a bit and David eventually headed off to college. Like so many other collectors he left his cards at home–Hank Aaron, George Brett, Tom Hurd, and all. With David away at school his parents downsized and moved most of his stuff into storage. After his father passed away, David’s mother forgot about the storage unit, whose contents were ultimately sold off to the highest bidder.
The end. Right?
Not quite. I’ll let David’s twitter bio take over from here.
“Recently found my entire card collection I thought was long lost. Sharing my find w/twitter…”
While I grew up dreaming of finding boxes and boxes full of incredible cards, David actually did it. The twist, of course, is that the boxes he found were his own!
Evidently, David’s dad didn’t want to put the cards in storage and had a friend of his hang onto them instead. David remained in contact with this family friend, who one day, decades later, remembered he had a bunch of boxes somewhere with David’s name on them.
David’s first few twitter posts as “Cigarbox Cards” definitely got my attention!
The first card David posted was a well loved 1956 Topps card of Mr. Cub. The next day David posted a video of himself rifling through stacks of cards including early Topps issues of Gary Carter (but not the 1975!) and Dennis Eckersley while a 1949 Leaf Ted Williams sat untouched in the distance.
An autographed Yaz rookie was next, followed by a Red Man Willie Mays. In the days that followed David posted a Brett RC mini, a 1954 Bowman Mickey Mantle, and a 1974 Topps Tom Seaver. I always enjoyed the way David juxtaposed his featured finds with background elements that enhanced their presentation. This is a theme we’ll come back to shortly when I show you what David’s up to now.
Most of the online replies consisted of emojis like 😱 and 🔥 🔥 🔥 but I suspect certain collectors were wondering if David’s cigar box finds included any really good cards.
Then David dropped the Hammer.
And even more Hammer! (Click blue arrow twice to activate.)
Though the cards are not mine, I still feel a thrill each time David posts an amazing card from his original collection. To think how close these cards came to being lost forever and then to see them pop up in my twitter feed is downright magical. It’s like flipping through my own personal attic find, even if the cards aren’t mine to keep–just like the dreams I had as a kid right down to waking up in the morning with the same collection I had before!
Beyond showing off some great cards David introduced some fun interactive features to his posts, among them his “Out or Hit” series…
Of course it was only a matter of time before this happened.
The cards kept coming and coming, almost obscenely so, but what really caught the eye of many collectors was the creative ways David was finding to display his cards, something many of us spend undue time considering.
Here’s another one that really caught my eye with bonus points for the bunting!
And if you’re wondering what the most creative use for a yellow drinking straw in a baseball card collection is…
Or for the Yankee fans…
I could go on and on, but you’d probably have more fun scrolling through all David’s posts yourself. Other than of course SABR Baseball Cards 🤣, it’s hard to think of another baseball card account as consistently awesome as his.
As I consider his collecting story I come back once again to my own and that of so many other collectors. How many of us dreamed of that elusive find, those boxes and boxes of cards filled with stars of yesteryear? If you’re like me, not only did that imagined cardboard haul never arrive but even the cards you did have were nowhere to be found by the time you realized you missed them.
What I didn’t know when I shuffled through my 1978-80 Topps cards as a kid was that the boxes right in front of me would someday be more valuable than any cards I might find elsewhere. Even today the memories of those cards mean more to me than the actual cards I’ve purchased since.
This post (below, right) from David makes the point well and was ultimately the catalyst for my writing this article.
Let’s face it. You can dream all you want about things you don’t have, but few fantasies or realities will ever come close to that of your first love, whether lost, lasting, or in David’s case both.
Author’s note: For another SABR Baseball Cards article inspired by collectors’ online posts, see “Fathers and Sons.”
If I said that for under $20 you could purchase a small set from 1953 which was one-third Hall of Famers and included a bunch of other big names from the time, I’d expect to be met with skepticism. Cards from 1953 aren’t generally cheap so a set like this is bound to come with a catch.
*This is my mom’s cue to pull one out of storage even though she’s been culling almost all of my childhood stuff.
Just handling the paper envelopes and holding the discs in my hand evokes all kinds of childhood memories. Pulling out the discs, studying the text to see who’s on it, and holding it up to the light to get a glimpse of the images is the same kind of thing I did when I was 6—only my discs were Disney tales or something and not baseball heroes.
Now I may not have a Viewmaster, but I have something better. Since these discs are really just 14 different Kodachrome slides, dropping them into my photo scanner allows me to get an even better view of the photos. So that’s what I did.
I also went ahead and created wiggle “3D” gifs which alternate between the left and right images.* They’re not really 3D but our brains interpret them with depth and they’re a great way to get a flavor of the Viewmaster experience.
*3D photography involves photographing a subject at the same time with two different cameras that are a couple inches apart. This simulates the perspective that each of our eyes have. A 3D viewer then forces each eye to look at a different image and our brains combine the result into a 3D image.
The first disc has two Hall of Famers in Rizzuto and Berra, one should-be Hall of Famer in Miñoso, Al Rosen the year he won the MVP award, and some very good players in Jackie Jensen and Preacher Roe. Even Whitey Lockman had been an All Star in 1952.
I enjoy the variety of poses with Roe’s working the best in 3D of all the images. There’s also a lot of wonderful detail in the background of the Lockman image.
Each disc also comes with a 4-panel fold-out booklet which has a short bio of each player, the last two years of his stats (plus his regular season and World Series totals), and a facsimile signature. Since the full-fold-out is too long for my scanner, I just folded over one panel and scanned the three visible ones.
I really like the booklets. Clean and crisp typesetting with the box around them and a willingness to let the signature overlap the text like in Jensen’s panel. I’m sure I could have found these even cheaper as just the discs but it wouldn’t have been worth the savings.
Disc two is stacked. Four Hall of Famers in Mize, Lemon, Schoendienst, and Irvin plus the 1952 American League MVP in Bobby Shantz. Ferris Fain and Sid Gordon weren’t slouches either.
Aside from the player quality in this disc, the photos capture a couple of great uniforms of teams that no longer exist. Shantz is in his Philadelphia A’s uniform and Gordon is in his Boston Braves uniform.
Looking at the uniforms and seeing the color stirrups makes me realize how vibrant these must have been in 1953. Bowman had only just released the first set of baseball cards using color photographs. These go a step further and are color slides that literally pop off the film.
Not much more to add about the booklets except to note that while Gordon is depicted with Boston the move to Milwaukee had already happened when these were printed.
The last disc is a bit lighter on star power since Campy is the only Hall of Famer but for me it makes up for it by having two Giants legends in Maglie and Thomson.* Vic Wertz is another big name, Woodling was one of those annoying Yankees guys who always came through in the World Series, and Parnell and Hatton were both All Stars.
*Having four Giants out of the 21 players depicted is something I appreciate very much.
I really like Campanella’s pose with the mask in the foreground. Wertz meanwhile is the third image of a team that’s about to cease existing since 1953 was the last year before the Browns moved to Baltimore.
The stadium background in these photos also demonstrate how much flash was used to take these pictures. The photos are all somewhat moody with darkish skies. This helps them pop a lot through the contrast of the light uniforms and the dark backgrounds while also giving them a look that’s different than the typical baseball card image. This look only started to show up on Topps cards in earnest around 1985.*
*Something I covered a bit on my own blog. In short, in the 1980s Topps started to underexpose the background of the portrait and use flash to produce more contrast between the subject and his background. Many 1985 and 1986 Topps cards feature dark skies.
One last look at the booklets and my only comment is that I’m relieved to see that Bobby Thomson’s home run is mentioned.
Are these Cards™? No. But they’re card adjacent and fit in binder pages so I’m counting them. I’m also planning on printing the photos out as 2.5″ square pieces with the relevant back information from the booklets so I can enjoy the images without having to hold the disc up to the light. Who am I kidding, holding the discs is the best part anyway.
When I got back into collecting around 2014, my first goal was to finish my Hank Aaron collection, which at that time included just over a dozen of his base cards, a few assorted all-stars and record breakers, and a handful of cards that came out after his playing career. Having been gone from the hobby for more than 20 years I assumed another 10-15 cards would finish the collection, maybe 20-30 if I really needed to have everything.
Of course the true number was in the thousands! At the time I’m typing this Trading Card Database puts the Hammer at 4,255 different cards, and by the time you read this I suspect that number will be even higher.
There’s a stat people love to quote about Hank Aaron. Take away his 755 home runs and he would still have more than 3,000 hits. My guess is you could take away every card from Aaron’s playing career and he’d still have more than four thousand cards!
Though my collector gene at least beckons me to collect them all, the “often needs to blend in as a normal adult” gene in me somehow proves dominant and forces me to restrict my collection’s personal Hammer Time to the years 1954-1976. Still, whether through overly broad eBay searches or through the generosity of fellow collectors who send me stuff I do manage to at least notice if not add at least some of Aaron’s post-career cardboard. In fact, one of my favorite mail days of the year was when fellow collector Matt Malonesent me this gorgeous 2019 Topps Heritage “box loader” card for nothing!
If I had to create a Favorites category it wouldn’t be the shiny stuff, the serial numbered stuff, the relic stuff, or the “anything else” stuff. It would 100% be the regular stuff that looks like all the other regular cards in the set. For example, here is a 2019 Topps Series 1 “Legends” card next to a base card of Clayton Kershaw…
…which finally brings me to the actual subject of this article!
While the modern and welcome tradition of mixing retired greats in with current players is new compared to the heyday of my collecting (very extended) youth (roughly 1978-1992), just as most things cardboard and in life it’s not something truly new.
“Ahem,” you say! “There were tons of retired greats in the sets of your youth, Jason,” thinking I can somehow hear you right now, so let me explain. I’m not talking about cards like this…
…even if they came in the same packs as these.
I’m talking strictly about the cards that blend right in with the rest of the set. Otherwise I’m afraid this article would practically go on forever. (Editor’s note: It already has!) What follows is hardly a comprehensive list, so as always I invite readers to add their favorites to the Comments.
The first instance of these “legends in disguise” that I became aware of as a collector was the 1949 Leaf card of the (at the time) very recently deceased Babe Ruth, even if 1) I thought of it as 1948 at the time, 2) it’s pretty hard to disguise Babe Ruth, and 3) even if many of the “current players” are legends themselves by now.
Beyond the Bambino it’s worth noting that Honus Wagner also had a card in this same set. Though you’ll see soon enough how inconsistent my criteria are, I won’t quite count Wagner since he’s in the set as a coach and not a retired great. (You could easily dispute this and probably win in that Wagner is the only coach/manager in the set, a fact that strongly suggests Wagner was in the set as Wagner vs coach.)
Of course the tradition didn’t originate with the Leaf set. Just months before a tiny entrant into the gum card market showed up with a large set of cards, not all baseball, that mixed the likes of Ruth, Hornsby, Mathewson, Wagner, and Cobb with Lou Boudreau!
By the way, these cards are known as 1948 Topps Magic Photos. While I don’t dispute the date it’s worth noting that the non-legend portion of the baseball set focuses on the 1948 World Series, hence the Boudreau, which of course didn’t occur until October. As such, it wouldn’t shock me if much like the Leaf set this particular set did not arrive on the scene until early 1949.
Speaking of 1949, readers of my earlier article on the 1949 M.P. & Company baseball issue may recall that the set included a Jimmie Foxx card, recycled from six years earlier, alongside active players like Mel Ott Alvin Dark.
Evidently nostalgia ran large in the 1948-1949 as there was yet a third issue that mixed the old with the new. The 1948 Blue Tint (R346) checklist made room for Lou Gehrig whose last game was in 1939 while mainly consisting of modern stars such as Ted Williams, Jackie Robinson, and Joe DiMaggio.
One could place the R346 Hank Greenberg card in either category. On one hand he played a full season in 1947 with the Pirates so a card in 1948 wouldn’t be completely unusual (though more so back then than now). On the other hand the lack of a team designation followed the design of the Gehrig in the set as opposed to the active players. (The set also includes a Mel Ott manager card with no team noted. However, this was later corrected to indicate “N.Y. Giants.”)
Lest you imagine this kind of thing could only happen in America, I’ll highlight the Cuban 1946-1947 Propagandas Montiel issue as yet another set from the era open to all comers.
At any rate, the battle for first place involves none of these late 1940s issues. After all, the most sought after card from the start of the decade is one of many “Former Major League Stars” that Play Ball camouflaged into its 1940 set.
Did I mention my criteria were pretty inconsistent? Oh, good, because otherwise I’d have no place taking us into the 1933 Goudey set where not one, not two, but two-and-a-half retired legends make an appearance. The first of these is Shoeless Joe’s 1919 White Sox teammate, Eddie Collins, who technically cracks the set as a vice president and business manager, two categories so far fetched that it’s safe to say he simply cracks the set as Eddie Collins.
Next up is the part-owner of the Kansas City Blues because of course every set needs a card of a part-owner!
And batting third is the set’s Holy Grail, Napoleon Lajoie, who is 100% retired great, 0% owner, vice president, business manager, or otherwise.
In fact, old Larry was so far removed from the business of baseball by then as to be the Lloyd Dobler of his time. (“I don’t want to sell anything, buy anything, or process anything as a career. I don’t want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don’t want to do that.”)
Still, while Lajoie’s status as pure “retired great” is uncontaminated there are a few reasons to assign his card only partial credit in meeting the criteria for this article.
One, his card couldn’t really be said to blend in with the rest of the set seeing as it wasn’t even released with the rest of the set. As is well known, Goudey didn’t issue the card until 1934 and only then to the relatively small number of collectors who sent them hate mail about their missing card 106.
Two, the card’s design doesn’t even match the rest of the 1933 (or 1934) set, instead reflecting a hybrid of the two designs.
While we’re on the subject, there is yet another retired baseball legend who cracks a 1933-1934 Goudey checklist, but this time it’s with the “Sports Kings” issue, where Ty Cobb slides in alongside two active players, Babe Ruth and Carl Hubbell.
My approach so far has been to start with 1949 and work my way backward. As I’m not aware of any examples (aside from coaches/managers) before 1933, I’ll close the article with a few post-1949 honorable mentions.
The 1960 Fleer Baseball Greats set technically qualifies as a set that mixed old and new. The checklist consists of 78 retired stars and exactly one active player, Ted Williams.
The 1967 Venezuelan Topps set includes a “RETIRADO” subset that doesn’t at all blend in with the set’s other cards. However, the design of the retired players reflects at least some attempt to match the base cards of active players.
The next honorable mention comes in 1982 from both Topps and Fleer.
I’m sure there was no intent to include the great J.R. Richard as a retired legend. Nonetheless, with J.R.’s final trip to the mound coming in 1980, his spot in the 1982 sets proved unusual. Naturally, Topps and Fleer were banking on a successful comeback that unfortunately never materialized.
Overall I’m a big fan of packing retired legends into modern sets. I can only imagine how much I would have loved it to open packs of 1978 or 1979 Topps and pull cards like these!
Of course, if the kids opening packs today are like the players I coached in Little League a few years ago, they may not have the same reverence for yesteryear that we once did. To quote one of kids on the squad, “Hank Aaron? Is he from the 1900s or something?”
In a previous article I detailed the 1949 M.P. & Company baseball set and paired up each of its 24 cards with their recycled artwork from the original 1943 issue. For example, the Del Ennis below comes from the 1949 set and reuses the same art, Giants uniform and all, as the Carl Hubbell from the 1943 set.
A question I only barely touched on, largely because I had no answer, was where the artwork for the 1943 cards came from. The closest I came was in speculating that Vander Meer’s artwork may have been based on a 1938 press photo due to his wearing number 57 on the card.
The Standard Catalog is equally mum on the artwork’s origins, noting only that “the cards feature crude color drawings that have little resemblance to the player named,” a sentiment echoed by the minds at PSA:
“The cards were produced as crudely drawn cartoons presented in bold colors, but show little resemblance to the players themselves.”
Perhaps I would have dug deeper someday but chances are I would have gone to my grave believing a cartoonist somewhere simply drew generic baseball men and attached the names of famous players to them. Then I got an email from fellow collector Jack Q. Spooner.
Jack’s message immediately grabbed my attention with this photo of Johnny Vander Meer.
Not only did the picture include Vander Meer’s 1938 uniform number, but EVERYTHING in this Charles Conlon (!) photograph matched up to Vandy’s 1943 M.P. & Pressner card.
Contrary to my press photo guess, Jack identified the Vander Meer photo as a Baseball Magazine Player Poster, designated M114 by Jefferson Burdick and released in 1938.
Had Jack’s email stopped there it would have already been one of the highlights of my inbox this year, but it kept right on going. Here is what Jack sent me for Mel Ott.
Not only did Jack match the Ott card to his M114, this one from 1933, but he even showed a match to Ott’s subsequent 1946-47 Propagandas Montiel card.
Then I opened the attachment Jack included with his message. You can probably guess where this is going.
Sure enough, Jack had supplied M114 matches for 19 of the 24 cards in the 1943 set. The only players missing from the match were Bill Dickey, Stan Hack, Tommy Henrich, Lou Novikoff, and Pee Wee Reese.
While there are other possibilities I now picture that the M.P. & Company artist had these posters in front of him (or her) when sketching the 1943 card set. Only one fact makes this seem improbable, at least at first. The Vander Meer poster was five years old, and the Ott poster was ten years old. Unless someone was a collector, where would all these posters come from?
The answer is that while the Baseball Magazine M114 issue was released more or less continuously from 1910 to 1957, nearly all posters remained available until sold out. In other words, anyone with about two dollars to spend could have ordered all 19 of the posters shown just about anytime, for example in late 1942 or early 1943.
For fun we’ll take a look at when each of the posters in this article were first released. I’ll also include the non-matches in yellow for completeness. (For reasons I’ll save for the Comments if asked, there is some uncertainty to the entire exercise but not enough to worry about unduly.)
Before proceeding I’ll note the asterisk for Johnny Mize is that the Standard Catalog, at least my Fifth Edition (2015), lists his only M114 posters as from 1937 and 1946. However, since his “match” poster shows him with the Giants, we know it can’t be from 1937. Likewise, since the M.P. & Company set came out in 1943, we know the source poster can’t be from 1946. Because the M114 checklist is known to be incomplete and because Mize joined the Giants in 1942, I feel confident his source poster was issued that year.
When I got through Jack’s email it was KILLING me that five of the 24 M.P. & Company cards were left unmatched. In his message, Jack had indicated to me that he had already checked the M114 posters for four of them and confirmed the non-matches. Thanks to the unbelievable online gallery hosted by Doug Goodman, I was able to track down the fifth one (Novikoff) as well. Here they are next to their 1943 cardboard.
At the moment, then, the mystery of where the 1943 M.P. & Company artwork came from appears to be 79% solved. I would love it if any of you can solve the rest of the mystery by tracking down the source photos for these final cards. That said, 79% isn’t a bad place to be considering I was at 0% yesterday!
Quick note: The original version of this article included speculation that the M114 posters of other players could have been the source for the five “missing” players. That was before I found Doug Goodman’s flickr site and reviewed all 961 posters from his collection. None matched the missing five.
TWENTY-FOUR HOURS LATER
I still haven’t found photo matches for the missing five players, though I’ve gone down than more than my share of rabbit holes in the 24 hours since this article was first published. While I came up completely empty in terms of photo sources I did find some images that at least came close in some instances.
While you might imagine bottomless searches through the archives of the Sporting News or newspapers.com, it turns out that these images were right in front of my nose the whole time. I know these aren’t really correct, but they sure looked good to me through the eyes of desperation!
And while we’re at it, who’s that guy batting behind Pee Wee Reese? He sure looks a lot like Hank Greenberg! 😄
Have you ever looked at a baseball card? Sure, there’s the players name, their position, the team … all the basics. On the back there’s the usual stats (batting average, RBI, HR, OBP, etc.) along with some of the players’ vitals. That’s what you see when you look at a baseball card.
If you look a bit closer, however, you’ll find a few curiosities. These curiosities could range from either a small variation like a different photo or a nickname instead of the players’ real name to something more of an oddity like players in odd uniforms (example: teams they never played for or teams they spent a very short time with) or players listed for teams that never existed (ex: 1974 Topps Washington cards).
While I was filing some cards away the other day, I came across several examples of cards of players in a uniform of a team they never played for. I don’t know if there is an official name for these cards. Some bloggers use the term “zero-year cards” as christened by a fellow blogger named “Dime Box Nick”. Nick runs the blog “Dime Boxes” and has been pretty good at keeping an ongoing list of these types of cards that are out there.
The question becomes then how exactly do cards like this, of players in uniforms of teams they never played for, come to exist? Well, the examples I found cover several difference instances of how these curiosities, for lack of a better term, can happen.
Let’s start with one of the earliest known example of one of these types of cards, that being this 1955 Bowman Preacher Roe. Roe is best known for being a four-time All-Star with Brooklyn in the later 40s and early 50s with his best season during that time being 1951 where he went 22-3 over 33 starts. After the 1954 season, the Dodgers swapped him to Baltimore. Instead of suiting up for the Orioles, Roe decided to retire instead due to nagging injuries.
2. “Before They Were Stars” Trades
Bowman’s current focus is cards of rookies and draft picks and issuing cards of them in the uniform of the major league team that drafted them. Now, an argument could possibly be made for those types of cards classifying as a “zero” card but I’m going to focus this more on cards of those who have appeared in a major league game. With that, a more modern example of a “zero” type card is those who were traded before they were stars. Take this Addison Russell card for example, here he’s shown with the A’s who originally drafted him. But in July of 2014, he was traded to the Cubs and made his debut in April 2015.
Injuries are another modern example of how these cards come into existence. Let’s look at this Ryan Madson card. I’ll bet you didn’t know that Ryan Madson played for the Reds, right? Well, he actually didn’t. He was signed to be their closer in 2012 as Spring Training approached but suffered a shoulder injury during camp which led to Tommy John surgery. In turn, he never appeared in an official game for the Reds.
4. One Last Shot
If you take a look at the list I mentioned earlier from Nick’s blog, you’ll find one of the biggest causes of “zero” cards, that being players who are going for one last shot. Take for example this Manny Ramirez card. When I picked this up as part of a trade, my first thought was “I don’t remember Manny playing for Oakland.” Turns out, I was right. He never did. His last best shot at the big leagues came when he signed with Oakland in February of 2012. The closest he got though was 17 games at Triple-A before getting his release.
5. Teams That Didn’t Exist
I’ve written about this previously and while they don’t fall into the direct pantheon of “zero” cards (as in players in uniforms of teams they never played for) they still have a place on this list. First, there’s the infamous 1974 Topps Washington error cards which feature several San Diego Padres as members of the unnamed “Washington Nat’l Lea.” team. Four years earlier though, in the 1970 set, Topps also printed cards of the Seattle Pilots. One small problem with that though, there was no Seattle Pilots team in 1970 as the ill-begotten Pilots packed up shop after one season in Seattle and headed east to Milwaukee to be rechristened as the Brewers.
I’m sure there are other variations out there of “zero” cards such as errors and what-not but I think I covered most everything else so I’ll pose two questions to the readers:
1. Besides error cards and the reasons I mentioned here, are there any other types of reasons a “zero” card could come into existence?
2. Is there an earlier example out there of a “zero” card besides the 1955 Bowman Preacher Roe?
The first Bowman baseball card sets might technically be considered the 1939-41 Play Ball sets produced by Gum, Inc. However, the first baseball cards to use the Bowman name were released in 1948.
The 48-card set used black and white photographs and looked very much like miniaturized versions of its 1939 Play Ball predecessor.
Bowman followed up its 1948 offering with a set five times the size. The appearance of the cards differed from the 1948 cards primarily in using color over the player images and using one of several solid colors for the background. The backs also used color ink.
Bowman changed things up again in 1950. Player images used a fuller color palette and backgrounds were quite remarkable in their mix of color and detail. Among full-color baseball card sets, this was almost certainly the most lifelike one ever produced.
When the 1951 season rolled around collectors had been treated to fresh, if not revolutionary, new designs each of the past two years. How could Bowman possibly keep the wheels of progress turning? What would they do for an encore? Would the 1951 cards be 3-D? Scratch and sniff? (Let’s hope not!) True color photographs? Let’s take a look.
Well those cards sure look familiar, don’t they? Aside from adding names and making the cards taller, Bowman seemed content to put out more or less the same product as the year before.
In almost all cases, Bowman (or rather their artists at the George Moll Advertising Agency) employed a standard formula for turning the 1950 images into the 1951 images.
The 1950 image was enlarged about 25%, its full height was used, and excess width on each side was discarded, possibly unevenly. For players whose 1950 Bowman card used a landscape image, Bowman took an analogous approach.
Having just written about the laziest set ever, the thought crossed my mind that 1951 Bowman might at least warrant a seat at that table. However, reuse of prior images, and generic ones at that, was employed by MP & Company for its entire 1949 set, while reused Bowman images were at least based on actual player photos and in fact made up barely a third of the total set.
118 of the 1951 Bowman set’s 324 cards featured repeated players and images from the year before, such as the six I’ve shown. (See this article’s Appendix for a link to the full list.) I should note here that I’m referring to repeated source images, even if modifications were made to reflect team changes. For example, this Peanuts Lowrey card is counted among my tally of reused images.
Another 116 cards were of players who had no card at all in the 1950 release, including these two particularly famous ones.
Finally, there were 90 repeated players from the 1950 set whose cards used new images. While I’ve chosen two superstars to illustrate the point, it’s not evident to me that star power was a primary factor in selecting which players would receive image makeovers…
…nor was the player’s position on the checklist. For those of you with Ted Williams 20/10 vision or really large computer monitors, I’ve plotted the entire checklist using the color scheme from the pie chart (e.g., the top row of blue dots represents repeated players with new images.)
As much as I was hoping to spot a pattern, the dots strike me as largely random other than the unsurprising clustering of brand new players in the set’s final three series.
While my research into the set didn’t turn up any big find, there was at least one card pair that I was glad to stumble upon, not because it confirms any particular theory I had but because it does the opposite.
At first glance these Eddie Lake cards appear a lot like the landscape cards of Mueller, Kerr, and Snider that I showcased earlier. However, a closer look at Lake’s rear end on the 1950 card shows it just about (ahem) butting up against the card edge while the 1951 card leaves room for a sliver more of infield dirt. Likewise the 1951 card shows (nearly) full bodies of two players in the background while the 1950 card barely shows more than one.
These are minor details, but they are enough to illustrate that not all repeated artwork followed the simple crop strategy I showed earlier. In Lake’s case, previously unseen elements were added to the card whereas all earlier examples only showed elements subtracted. Had Bowman followed the standard formula, the result would have been the Fake Lake on the right instead of the Honest Eddie on the left.
Admittedly, I’d be a bigger fan of the 1951 Bowman set had it used all new images rather than recycling more than a third of them. Still, the subtle differences in the reused images–the cropping necessary to produce a new aspect ratio, the occasional team/uniform updates, and the bonus art of the Lake card–provide ample reason to take some of these cards out for a second look, an encore if you will.
Take a Bow…man!
Want to do your own comparisons? I’ve created a Google Sheet with the 118 cards from the 1951 set that recycled images from the 1950 set.
There are lots of great collectors on Twitter. Their posts are nearly always cool, but there are some that cause me to act. Kevin Lutes (@klutesphoto) always mixes in non-sports cards, which I love. When he shouted out about the 1976 Topps Happy Days set (44 base cards and 11 stickers), I was forced to track one down and, now bought, is en route.
I’ve wanted to write about a few non-sports sets I’ve worked on, or am working on, but the topic doesn’t fit our blog. Or does it? Our co-chair Nick not only advised me to look for a toehold to connect to baseball card, and even supplied one:
So here we go.
Last year I worked on a magnificent set, the 96 card 1953 Bowman Television and Radio Stars of NBC set. Fantastic photos of once famous, and some still famous, celebrities. It’s a relatively tough set to put together. Centering can be a problem, but that’s not a real issue for me. What was an issue was that, for reasons unknown (to me), the odd numbered cards are noticeably harder to find. I lucked out with a big haul of odds at last fall’s Shriners’ show in Boston.
There’s also a 1952 version, a shorter checklist – 36 cards with some overlap with 1953 – with horizontal text on the back (the 1953s have vertical text). These are harder to find, period, but I’m working my way through it, a little less worried about nice corners and the occasional crease. I’ve got 22.
That’s the background; here’s the baseball.
Pioneering sportscaster Bill Stern got a card in the horizontal set. Stern’s connection to baseball is strong – he broadcast the first telecast of a baseball game in 1939 and appeared in Pride of the Yankees.
Bob Considine also gets a card in the 1952 set. Sportswriter, baseball writer, author of books and screenplays, Considine was a giant in his field. He wrote The Babe Ruth Story with the Babe himself and then the screenplay. Yeah, I know, it’s a crappy movie, but still…
Speaking of the movie, the faux Babe, William Bendix, gets a card turn the following year. No mention of his baseball work on the back.
Another set I’ve been casually working on is the 1957 Topps Hit Stars. An 88 card masterpiece of radio, TV and music titans, prices cover a wide range, with multiple James Deans, Buddy Holly, Jerry Lee Lewis, Little Richard, The Crickets and an Elvis a little more than I’m ready for right now. Lesser stars, and some bigger names, if I’m lucky, run me about $1.50 each. Here’s a Jimmy Piersall, as played by Tony Perkins.
It may be nicer than Jimmy’s 1957 Topps card. It’s close.
That’s all for now. As non-sports baseball cards come to my collection, I’ll keep you informed. Until then, ask not what non-sports cards can do for you, ask what you can do for non-sports cards.
At first glance the 1949 MP & Company baseball set is simply…how shall I say this? Ugly.
And lest you think the card designers were saving all their mojo for the backs of the cards, let me disabuse you of that notion before we go any further.
Still, ugly ≠ lazy, and even if it did I suspect many of you could find uglier sets out there somewhere. (See any set with “metal” in the name.)
To understand the 1949 MP & Company baseball set as the laziest set ever, it’s important to know it had a predecessor six years earlier. Here are two cards from the 1943 release.
I know some of you still aren’t convinced. After all, other sets have reused prior card designs and fared quite well in the minds of collectors. It’s just that the 1949 MP & Company cards took recycling to a whole new level. For instance, here are the 1943 cards of Danning and Medwick.
Scroll up the page and you’ll note more than just a passing resemblance to the 1949 cards of Berra and Pesky. In fact, every one of the 24 cards in the 1949 set is a retread of a card issued six years earlier. Here are each of the 1949 cards (yellow rows), a few at a time, matched to their corresponding 1943 versions (red rows).
While Boudreau and Williams are repeated from set to set, we see that Yankees pitcher Ernie Bonham becomes Giants shortstop Buddy Kerr.
CARDS 103, 105, 106
The next three cards in the sets are pure repeats of their earlier issues, though Joe DiMaggio’s cap and sleeves, along with the fielder’s garb, appear to have changed from white to light blue.
All three players are different in this next grouping. Hank Greenberg’s playing days were over by 1949, so he instead becomes Ferris Fain. That they batted with opposite hands was not a detail that would trouble the set designers. Turning Lou Novikoff into Andy Pafko required little effort and made good use of the Cubs uniform already there. The change from Hubbell to Ennis was a bit more gauche as it not only got the glove hand wrong but also put the Phillies star in a Giants uniform.
First up is a slugger-for-slugger trade that works well as both are righties and the uniforms are fairly generic. Next up are the two brothers and battery mates from the Cardinals. Pitcher Mort becomes shortstop Nippy Jones while catcher Walker morphs into fellow catcher Del Rice. As Jones and Rice were both Cardinals, the uniforms are good as is.
Mize to Sauer is another example of a lefty turning righty while Reiser to Coan works just fine. Small liberties are taken in shortstop Joost inheriting a classic pitcher’s pose from Ruffing.
Cards 116, 117, and 119
The Alvin Dark card is worth attention and not just because nobody expected this Giant to be the second coming of Mel Ott! Unless the 1949 release has been incorrectly catalogued all these years, we have our first instance of “Cardboard Clairvoyance” since Dark did not move from the Braves to the Giants until December 14, 1949, a date presumed to be later than the set’s release.
Berra from Danning is one we’ve already seen, and it generally works, apart from looking nothing like Yogi Berra. Of course, collectors wanting more lifelike images were welcome to buy Bowman instead.
Meanwhile, Lemon from Hack is another with a story. Stan Hack played his entire career as a Cub, so the Chicago uniform makes sense, just not when it goes onto Bob Lemon, who played his entire career with Cleveland. Though the MP & Company sets don’t scream “quality control” when you look at them, high ranking execs found this error too great to let stand, leading to the only major variation in the 1949 set.
No word on why Bob’s face turned blue in the process unless to show he’d been screaming for the corrected jersey till he was…oh, never mind.
The left-handed hitting Johnny Pesky inherits a right-handed stance from Joe Medwick while Cronin-for-Sain works out even if the “Boston” on their uniforms were from two different teams. As with the Pesky-Medwick pairing, Hoot Evers is forced to bat wrong-handed thanks to inheriting his artwork form Dolph Camilli.
Card 124 and un-numbered cards
The last numbered card in the 1949 set is card 124, Larry Doby, who is shown throwing with the wrong hand thanks to the recycled Johnny Vander Meer artwork his card was based on. You’ll also notice both players wearing uniform number 57.
While Vander Meer wore number 33 from 1939-1949, he did in fact wear 57 in 1938 when he threw his consecutive no-hitters. Though much of the artwork in the 1943 set feels very generic, we can at least wonder if the artist may have been looking at a 1938 press photo when drawing Vander Meer’s MP & Company card. Either way, neither 33 nor 57 would have been a match for Doby, who wore either 14 or 37 at the time his card was produced.
Following Vander Meer is Tommy Henrich, a repeated player from the 1943 set. While none of the 1943 cards were numbered, Henrich’s 1949 card is one of only three un-numbered cards in the 1949 set. A second un-numbered card is that of second baseman Al Kozar, who must have struggled mightily to play his position in full catcher’s gear!
The last un-numbered card in the 1949 set is Jimmie Foxx. As his final season was 1945, I don’t have any theory for how Foxx cracked the 1949 set. His presence is particularly puzzling in that he gives the set 25 cards, despite numerous accounts that the set was released as three strips of eight cards each. (See this auction listing for an example of a 1943 uncut strip.)
Noting the very low population counts on the 1949 Foxx, I wonder if the card was released somewhat by accident (“Oh, shoot! He retired? Seriously?”) and then replaced by another player.
MP & Company gets even lazier!
Thus far we have focused solely on the fronts of the cards. Now let’s take a look at the card backs of each player who had cards in both 1943 and 1949. First here is Lou Boudreau, fresh off managing the Cleveland Indians to the 1948 World Series title. Easy as it might be to note that accomplishment, the 1949 card simply repeats the 1943 card back verbatim.
Next up is the Splendid Splinter. There are some subtle wording differences between the two bios but nothing substantive. Oddly, the most significant update is changing the spelling of Francis to Frances. Of course, Ted’s middle name was Samuel, but what the heck! (For whatever reason, you will find Theodore Francis Williams in several other contemporary sources including his 1940 Play Ball card. Also head to post #21 in this Net54 thread for even more Williams misspellings/variations in the MP & Company sets.)
Next up is Bob Feller, and you probably think you know the drill by now. Still, even I was surprised to see the on both cards that “Feller is 24 years old.”
Batting clean-up is the Yankee Clipper, centerfielder…I mean rightfielder (?!)…for the New York Yankees. Again, the 1949 bio is stuck in 1943. (Technically, both bios are current through the end of the 1942 regular season since they ignore New York’s loss to St. Louis in the 1942 World Series.)
Pee Wee Reese is next. His 1949 bio shows the biggest change thus far, omitting the opening line about being with the Dodgers for three years. Still, I bet Pee Wee would have preferred to see a revision to his batting average instead since his 1949 card still had his career mark at at very pee wee .244 when in fact he had raised it to .265.
Next to last of the repeated players is Tommy Henrich. While some of his bio has been removed, nothing new has been added.
The final repeated player in the set is Jimmie Foxx. Again, part of the bio has been omitted but nothing new has been added.
Cardboard ancestry OF the 1949 set
As has been shown in great detail, the immediate ancestor of the 1949 set is the 1943 set, right down to the reuse of all 24 player images. However, as amateur as the cards look, you’d be wrong to conclude that they represented a one-off (sorry, two-off) effort that just showed up in 1943 out of thin air.
Just one year earlier, MP & Company issued its “War Scenes” set, a collection of 48 cards numbered 101-148 and featuring similar comic book style art to the baseball issues.
Between the “War Scenes” set and a “War Gum” set from Gum, Inc., the makers of the 1939-41 Play Ball (and later Bowman) sets, 1942 was a great year for Admiral Nimitz supercollectors.
Interestingly the 1942 set was not the only time MP & Company had the same idea as Gum, Inc. Here is a card from the 1935-37 Gum, Inc., set known as “G-Men and Heroes of the Law.”
And here is a card from a 1936 set known as “Government Agents vs Public Enemies.” The copyright line on the card back identifies “M. Pressner & Co.,” which is simply a long form of MP & Company.
Interestingly, the earliest collectibles produced by MP & Company are hardly knock-offs at all but at least in my opinion nearly 20 years ahead of their time.
Yes, these Ruth and Gehrig photos fall somewhere short of striking, but good chance they were developed by a ten-year-0ld kid! That’s right, MP & Company’s first collectible I could track down is a 1930 set of eight “Ray-O-Print” photos that kids produced themselves from a kit that included negatives and photo paper.
Though the technology would differ, I believe the next time kids could develop their own baseball photos from a pack would be 1948 in a set that would quietly mark the baseball card debut of the small company that would soon come to be synonymous (if not hegemonic) with baseball cards.
Another ancestor I’ll offer, though not blood related, is the 1933 Eclipse Import baseball set. Between the artwork, the card backs, and even the oddball numbering scheme, this set seems to have everything in common with the 1943/1949 MP & Company sets. What’s more, the two companies were only a block apart!
The final ancestor of the MP & Company cards is the American Caramel E91 series. As Anson Whaley details on his Prewar Cards website, each piece of player art is used for up to three different players across the three-year issue’s 99 cards. If you know your deadball era hurlers well, you might also notice another detail reminiscent of MP & Company: Rube Marquard has his glove on the wrong hand.
In truth, the E91 cards from American Caramel make a credible run at laziest set ever, but I still give the nod to 1949 MP & Company since at least the American Caramel cards batted 1.000 on updating teams and uniforms whereas the MP & Company cards barely even bothered.
Just who are these guys?
The MP in “MP & Company” stands for Michael Pressner. The name suggests the proprietor would be a person named Michael Pressner, but I’ve personally come up short in my attempts to find such a person beyond this bowling team photo from 1895…
…and a skin care consultant in Virginia! I can see some resemblance between the two, but that’s not to say either has any link to MP & Company.
What is known is that MP & Company was a producer of carnival supplies. No, not Ferris wheels and bumper cars but the sorts of trinkets you might win at Skee Ball. This ad from 1927 gives you the general idea…
And this 1974 catalog shows the firm was still in business a good quarter century after their 1949 baseball release.
In fact this notice of product recall shows MP & Company alive and well as late as 1995!
Finally, I suspect MP & Company had some relation to Pressner’s Carnival Mart, a 1960s version of “Party City” just outside New Orleans. If you’re thinking Mardi Gras beads, you’d be correct, as we learn from this January 1969 article.
This could go on a ways, but you can see we’re drifted pretty far from baseball cards already. I’ll just close by noting that I wrote most of this post over Rosh Hashanah, the Jewish New Year, and that for many of us the New Year is a time of hope and renewal. At the same time, what many of us find is that our “new” years look a lot like our old years, save some occasional new names and faces around us.
In the world of baseball cards, 1949 was one such year. There were some goodbyes. There were some hellos. But when you put that set together it looked exactly the one before it. Lazy and ugly, yes, but also familiar, which we sometimes need just as much as newness and beauty. And besides, spring was just around the corner.
Author’s note: My goal here isn’t to list EVERY set with Traded cards. In many cases, the set I highlight will stand in for similar issues across a number of years, before and after.
1981 Topps Traded
The first Traded set I became aware of as a young collector was in 1981. At the time the main excitement for me was that Fernando Valenzuela finally got an entire Topps card to himself. Of course, as the name suggested, it was also a chance to see players depicted on their new teams, such as this Dave Winfield card portraying him in a Yankees uniform.
Dozens of similar Traded or Update sets followed in the coming years, leaning considerably on the 1981 Topps Traded set as a model. However, 1981 was definitely not the beginning of the Traded card era.
1979 O-Pee-Chee/Burger King
My first encounter with O-Pee-Chee cards was in 1979. While most of the cards in the 1979 O-Pee-Chee set had fronts that–logo aside–looked exactly like their U.S. counterparts, every now and then an O-Pee-Chee required a double-take. Back here in the US, I was not yet familiar with the 1979 Topps Burger King issue, but they took things even a step further.
1979 Topps Bump Wills
Not really a traded card, but here is one that at least might have looked like one to collectors in 1979. Having been a young collector myself that year, I can definitely say Bump and hometown hero Steve Garvey were THE hot cards my friends and I wanted that year.
The most fun Trades cards are ones where the player gets a genuinely new picture in his new uniform like the 1981 Topps Traded Dave Winfield. Next in line behind those are the ones where the team name on the card front changes, such as with the 1979 O-Pee-Chee Pete Rose. Distinctly less exciting but still intriguing are cards were a “Traded line” is added. We will see some sets where such a line makes the front of the card, but much more often we’ll see it as part of the small print on the back.
Here is Buddy Bell’s card from the 1979 set.
And here is Ken Reitz from the 1977 set.
In case it’s a tough read for your eyes, the second version of the Reitz back, at the very end of the bio, reads, “St. Louis brought Ken back in a trade.” The Bell card has a similar statement. Admittedly these cards are a bit bizarre in that the card backs already have the players on their new teams, even in the initial release. Because of that, one could make an argument that the second versions are less Traded cards than “updated bio” cards, but let’s not split hairs. However, you slice it two Reitz don’t make a wrong!
Similar cards can be found in the 1974, 1975, and 1976 Kellogg’s sets as well.
Not really a Traded card but a great opportunity to feature a rare 1977 proof card of Reggie Jackson as an Oriole, alongside his Topps and Burger King cards of the same year.
1976 Topps Traded
This set features my favorite design ever in terms of highlighting the change of teams. Unlike the 1981 Topps Traded set, these cards were available in packs and are considered no more scarce than the standard cards from the 1976 Topps set. While the traded cards feature only a single Hall of Famer, this subset did give us one of the classic baseball cards of all time.
Side note: Along with Ernie Banks, Billy Williams, Lou Brock, Lee Smith, and Joe Carter, Oscar Gamble was “discovered” by the great John Jordan “Buck” O’Neil. Well done, Buck!
1975 Topps Hank Aaron
Collectors in 1975 were rewarded with two cards of the Home Run King, bookending the classic set as cards #1 and #660. Aaron’s base card depicts the Hammer as a Brewer, the team he would spend his 1975 and 1976 seasons with. Meanwhile, his ’74 Highlights (and NL All-Star) card thankfully portrays Aaron as a Brave.
1974 Topps – Washington, National League
The National League’s newest team, the San Diego Padres, wasn’t exactly making bank for ownership in San Diego, and it looked like practically a done deal that they would be moving to D.C. for the 1974 season. As the cardboard of record at the time, Topps was all over the expected move and made sure to reflect it on their initial printings of the 1974 set. Because there was no team name yet for the D.C. franchise-to-be, Topps simply went with “Nat’l Lea.” (Click here for a recent SABR Baseball Cards article on the subject.)
Of course these San Diego/Washington cards aren’t true Traded cards, but that’s not to say there weren’t any in the 1974 Topps set.
1974 Topps Traded
This subset may have been the most direct precursor of the 1981 Topps Traded set. While cards from later printings were randomly inserted in packs, the subset could be purchased in full, assuming you threw down your $6 or so for the ENTIRE 1974 Topps factory set, traded cards included, available exclusively through J.C. Penney.
The Traded design is a bit of an eyesore, and the subset includes only two Hall of Famers, Marichal and Santo. For a bit more star power, we only need to look two years earlier.
1972 Topps Traded
As part of the high number series in 1972, Topps included seven cards to capture what the card backs described as “Baseball’s Biggest Trades.”
The star power is immense, though some collectors see this subset more as a case of what might have been. One of the seven trades featured was Nolan Ryan-for-Jim Fregosi. However, as the bigger name at the time, Topps put Fregosi rather than Ryan on the card.
Net54 member JollyElm also reminded me about another big miss from Topps here. Yes, of course I’m talking about the Charlie Williams trade that had the San Francisco Giants already making big plans for October. “Charlie who?” you ask. Fair enough. Perhaps you’re more familiar with the player the Giants gave up for Williams.
This next example is not a Traded card, but it is one of the most unique Update cards in hobby history. RIP to the Quiet Man, the Miracle Worker…the legendary Gil Hodges.
You might wonder if OPC gave its 1973 Clemente card a similar treatment. Nope. And if you’re wondering what other cards noted their subject’s recent demise, there’s a SABR blog post for that!
Though the first Topps/O-Pee-Chee baseball card partnership came in 1965, the 1971 O-Pee-Chee set was the first to feature Traded cards. (The 1971 set also includes two different Rusty Staub cards, which was something I just learned in my research for this article.) My article on the Black Aces is where I first stumbled across this 1971 Al Downing card.
Where the 1972 OPC Hodges and 1979 OPC Rose cards were precise about dates, this one just goes with “Recently…” Of course this was not just any trade. Three years later, still with the Dodgers, Downing would find himself participating in one of the greatest moments in baseball history.
At first glance, these two cards appear to be a case of the Bump Wills error, only a decade earlier. After all, Donn Clendenon never played a single game with the Houston Astros, so why would he have a card with them? However, this is no Bump Wills error. There is in fact a remarkable story here, echoing a mix of Jackie Robinson and Curt Flood. I’ll offer a short version of it below the cards.
Donn Clendenon played out the 1968 season with the Pittsburgh Pirates, which explains his uniform (sans airbrush) in the photos. However, at season’s end he was selected by the Expos in baseball’s expansion draft. Still, that was a good six months before these cards hit the shelves so there was time for a plot twist.
Three months after becoming an Expo, Montreal traded Clendenon, along with Jesus Alou, to the Astros for Rusty Staub. Based on the trade, Topps skipped Montreal altogether and led off their 1969 offering with Clendenon as an Astro. But alas, Clendenon refused to report to Houston, where several black players had experienced racism on the part of the team’s manager, instead threatening to retire and take a job with pen manufacturer Scripto. Ultimately the trade was reworked, Clendenon was able to remain an Expo, and he even got a raise and a new Topps card for his trouble.
Thanks to Net54 member JollyElm for providing information on this set and providing the occasion to feature Bob Uecker to boot. While the card fronts in these years gave no hints of being traded cards the backs indicated team changes in later printings. Here is an example from each year. In 1966, the only change is an added line at the end of the bio whereas 1967 has not only the added bio line but also update the team name just under the player name area.
Note that the corresponding OPC card backs follow the later (traded) versions of the Topps cards.
Topps League Leaders – 1960s and beyond
In August 2018 Net54 member Gr8Beldini posted a particularly devious trivia question. The subject was players whose Topps League Leaders cards depicted them on different teams than their base cards in the same set.
These 1966 Frank Robinson cards are among 11 instances where this occurred in the 1960s and 70s. If you can name the other 10, all I can say is you REALLY know your baseball cards!
1961-1963 Post Cereal
We’ll start with the 1962 and 1963 issues, which feature the now familiar Traded lines. Note however that there were no prior versions of these same cards minus the Traded line. Roberts is from the 1962 set, and McDaniel is from the 1963 set.
Post mixes it up a bit more in 1961 in that there were numerous variations between cereal box versions of the cards and mail-in order versions. The Billy Martin cereal box version (left) lacks a Traded line, but the mail-in version (right) indicates Martin was sold to Milwaukee in 1960.
BTW, thank you to Net54 member Skil55voy for pointing me to the Post Cereal variations.
Thanks to Net54 member RobDerhak for this example, which follows (really, precedes) the examples from 1966-67 Topps. Note the last line of the bio on the second card back: “Traded to Washington in March 1959.” (You might also enjoy an unrelated UER on both backs. See if you can find it!)
1956 Big League Star Statues
A tip of the hat to Net54 member JLange who took us off the cardboard and into the a fantastic set of early statues, possible inspirations for the Hartland figures that would soon follow and an early ancestor of Starting Lineup. Doby’s original packaging puts him with his 1955 club (CLE), but later packaging shows his 1956 club (CHW).
You know those Traded lines that O-Pee-Chee seemed to invent in the 1970s, at least until we saw them from Topps on the card backs of their 1967, 1966, and 1959 sets? Well, guess who the real inventor was?
Bowman’s Traded line didn’t make its debut in the 1955 set, however. Here is the same thing happening with their 1954 issue.
Is this the first set to add a “traded line” to the front or back of a card? As it turns out, no. But before showing you the answer, we’ll take a quick detour to another early 1950s issue that included team variants.
1954 Red Man
George Kell began the 1954 season with the Red Sox but moved to the White Sox early in the season. As a result, Kell has two different cards in the 1954 Red Man set. There is no “traded line,” but the Red Man artists did a reasonably nice job updating Kell’s uniform, and the team name is also updated in the card’s header information.
Red Man followed the same approach in moving outfielder Sam Mele from the Orioles to the White Sox. Meanwhile, Dave Philley, who changed teams prior to the start of the season, enjoyed those same updates and a traded line.
1951 Topps Red Backs
Notice anything different about these two Gus Zernial cards?
Yep, not only does the Chicago “C” disappear off his cap, but the bio on the second card begins, “Traded to the Philadelphia A’s this year.” So there you have it. At least as far as Topps vs. Bowman goes, Topps was the first to bring us the Traded line. And unlike so many of the examples we’ve seen from 1954-1967, it’s even on the front of the card!
1947-1966 Exhibit Supply Company
If there’s anything certain about issuing a set over 20 years is that some players are going to change teams. As such, many of these players have cards showing them playing for than one team (or in the case of Brooklyn/L.A. Dodgers more than one city.) Take the case of Harvey Kuenn, who played with the Tigers from 1952-1959, spent 1960 in Cleveland, and then headed west to San Francisco in 1961.
The plain-capping approach used in the middle card might lead you to believe that the Exhibits card staff lacked the airbrushing technology made famous by Topps or the artistic wizardry you’ll soon see with the 1933 Eclipse Import set. However, their treatment of Alvin Dark’s journey from the Boston Braves (1946-1949) to the New York Giants (1950-1956) actually reveals some serious talent. (See how many differences you can spot; I get five.) I almost wish they just went with it for his Cubs (1958-1959) card instead of using a brand new shot, which somehow looks more fake to me than his Giants card.
1948 Blue Tint
In researching my Jackie Robinson post, I came across this set of cards from 1948. Among the variations in the set are the two cards of Leo the Lip, who began the year piloting the Dodgers but finished the year with their National League rivals. No need to take another picture, Leo, we’ll just black out the hat!
And if you’re wondering how many other players/managers appeared as Dodgers and Giants in the same set, we’ve got you covered!
1934-36 Diamond Stars
We’re going way back in time now to capture a Traded card sufficiently under the radar that even Trading Card Database doesn’t yet list it. (UPDATE: It does now, but PSA does not!) Its relative obscurity might lead you to believe it’s a common player, but in fact it’s Hall of Famer Al Simmons.
After three years with the Chicago White Sox, Bucketfoot Al joined the Detroit Tigers for the 1936 season. As a set that spanned three years, Diamond Stars was able to update its Simmons card to reflect the change. The cards appear similar if not identical at first glance. However, the Tigers card omits the Sox logo on Al’s jersey, and the card reverse updates Al’s team as well.
Another Hall of Famer with a similar treatment in the set is Heinie Manush. Some collectors are familiar with his “W on sleeve” and “no W on sleeve” variations. These in fact reflect his move from the Senators to the Red Sox. This set has so many team variations, most of which are beneath the radar of most collectors, that I wrote a whole article on the subject for my personal blog.
The 1933 Goudey set included some late-season releases, including a tenth series of 24 cards that included key players from the 1933 World Series. Even the most casual collectors know the Goudey set included more than one card of certain players–most notably four of the Bambino. What not all collectors realize is that the set includes a Traded card.
Hitting great Lefty O’Doul was originally depicted as a Brooklyn Dodger, the team he played with until mid-June of the 1933 season. However, when the final release of trading cards came out, Lefty had a new card with the World Champion New York Giants.
Of course, if Lefty’s .349 lifetime average isn’t high enough for you, there is an even better hitter with a traded card in the set. His move from the Cards to the Browns on July 26 prompted a brand new card highlighting not only his new team but his new “position” as well.
1933 Eclipse Import
Another hat tip to Net54 member JLange who offered up a set not even listed yet in the Trading Card Database. Also known as R337, this 24-card set may be where you’ll find one of the most unusual Babe Ruth cards as well as this priceless update. Not technically a Traded card since the player is with Cleveland on both cards (and was with the Tribe continuously from 1923 until midway through the 1935 season), but…well, first take a look for yourself, and then meet me on the other side!
Yes, that is the Philly mascot on Myatt’s uniform. After all, he played for Connie Mack’s squad back in…wait for it…1921! But no problem. Let’s just find someone with pretty neat handwriting to scribble Cleveland across the uni on our next go-round. Problem solved!
My thanks to Net54 member Peter_Spaeth (whose worst card is 100x better than my best card!) for tipping me off to this set and allowing me to use his card of Old Pete. In a move that perhaps inspired future O-Pee-Chee sets, here is Grover Alexander, Cubs uniform and all, on the St. Louis Cardinals.
Other HOFers with mismatched teams and uniforms are Ty Cobb, Rogers Hornsby, and Tris Speaker. In case you haven’t guessed it already, if you want to see a ton of star power on a single checklist, you owe it to yourself to take a look at the HOFers in this set.
1914-1915 Cracker Jack
If you view the 1914 and 1915 Cracker Jack sets as two different sets (that happen to have a gigantic number of nearly identical cards), then there are no Traded cards. However, if you view the two releases as a single set, then there are numerous Traded cards. Among the players to appear on two different teams, the biggest star is unquestionably Nap Lajoie. who appears in 1914 with his namesake Cleveland Naps and in 1915 with the Philadelphia Athletics. In addition to the change in the team name at the bottom of the card, you can also see that “Cleveland” has been erased from his jersey.
Another notable jumper in this set is HOF pitcher Eddie Plank who has his 1914 card with the Philadelphia Athletics and his 1915 card with the St. Louis Terriers of the Federal League.
I will take any excuse to include cards from this set in a post, so I was thrilled when Net54 member Gonzo alerted me to the team variations in this set. Here are two players who were traded from the Boston Rustlers (who?) to the Chicago Cubs. David Shean went packing on February 25, 1911, and George “Peaches” Graham made his move a few months later on June 10.
Gonzo also notes that many of the images from the 1911 T205 set were reused, uniforms and all, for the 1914 T330-2 Piedmont Art Stamps set. (I will freely admit to never having heard of this issue.) One HOF jumper is double-play man Johnny Evers, whose picture has him on the Cubs but card has him on the Braves. There are also several players attached to Federal League teams though their images still show their NL/AL uniforms.
1911 S74 Silks
It was once again Net54 member Gonzo for the win with this great find! On the other end of the aforementioned “Peaches” Graham trade was Johnny Kling, depicted here in his Cubs uniform while his card sports the Boston Rustlers name and insignia.
Another multi-year set, the Monster includes a handful of team change variations. The Bill Dahlen card on the left shows Dahlen with his 1909 team, the Boston Braves. Though he would only play four games total over his final two seasons in 1910 and 1911, the cardmakers at the American Tobacco Company saw fit to update his card to show his new team, the Brooklyn Dodgers.
1887-90 Old Judge
If T206 isn’t old enough for you, then let’s go even farther back to the juggernaut of 19th century baseball card sets, N172, more commonly known as Old Judge. According to Trading Card Database, Hall of Fame pitcher Amos Rusie has cards with both the Indianapolis Hoosiers (1887) and the New York Giants (1889-90). I was unable to find what felt like a real NYG card of Rusie, but I did find one where a strip of paper reading “New York” had been glued over the area of the card that had previously said “Indianapolis.” My immediate thought was that a collector was the culprit behind this cut-and-paste job. But how funny would it be if this is how the Old Judge cardmakers did updates back then!
When I first stumbled across Traded cards, it was love at first sight. What a thrill to end up with two cards of a top star, and what better way to turn a common player into a conversation starter. To the extent baseball cards tell a story and document the game’s history, Traded cards hold a special role. Unfortunately, these cards have a dark side as well. At least in 1983 they did. If you ever doubted that 8 3/4 square inches of cardboard could rip a kid’s heart out, stomp it to bits, and then spit all over it, well…here you go.
I went to the East Coast National in White Plains on Saturday. Why is it the East Coast National? By definition, it’s not “national” if it’s “East Coast,” but, you know, there’s this:
All card shows start the same for me. I have an optimistic plan of everything I’m going to find, but then I hit the room and am immediately disappointed. Not so this time.
I’m uber focused and organized, but the ideal me is more spontaneous. I watch with awe the collectors who simply buy stiff they find looks cool, or is a bargain in a discount box. That’s not me. However, I printed up a 1955 Bowman Football checklists, marked the 10 I had, and hoped I’d find a box or stack of low price cards in nice shape to jump start the set. I’ve always loved this set, and I’ve seen tons of them in bargain bins.
It didn’t take long. I found a guy with stacks of cards, each at great prices, and I went nuts, losing all sense of time and place (to the point of missing a meet up. Sorry Matt!).
A couple of dealers later I was now working on a set. My friend Greg scouted out some cards and helped chose the best cards for the price. When I used to go to shows, I’d see tandems working on sets together. I always wanted to do that, and last weekend I did. Greg and I share a lot of common interests and, when it comes to cards, he immediately knew what I was looking for. It was great fun having him choose while I checked off the list. I came home with 45 cards for $85. I even have my first completed page!
That first dealer also had a stack of 1952 Bowman Television and Radio Stars of NBC. I knocked off a set of 1953 vertical backs last year, and was wavering on whether to go for the 36 card horizontal back set. You know where that wavering led; I’m totally working on the set. I came to the show 7 cards in, and picked up another 11, including two sports guys, Bill Stern and Bob Considine. With two more on the way I’m already close to the end. A bit lesser condition than my verticals, but they are definitely harder to find. (These were 50% off the listed price, don’t worry.)
Alright, alright, now on to the baseball cards.
I put a big dent into the last of my 1961 Post set, a full half of my want list at prices I’m not finding online. I’ve been hard pressed finding cards at prices I find reasonable (I wrote about that last month), but I knocked off these at exact the dollar amount I was looking for. Flood and Antonelli were a buck each and I’m thrilled to have gotten the Mathews for $15. I’m in the home stretch now – 11 to go!
If you’re a consistent reader of my posts, and, really, why wouldn’t you be?, you’ll know I’m committed to the 1960 Leaf second series. I’ve been pretty successful getting nice ones – EX or better – for less than $10 per common. It’s not super easy, though not super difficult. The opportunities come and go quickly. I pored through a pile of them and tried to talk the guy down from $15 to $10. He landed at $12, which was fine. It was good to knock 6 more off the list. I’ve got 27 of 72 and my average per card cost is still $7.93.
Early in the recent history of this blog, I wrote about how online buying knocked shows out of my system and, I thought, good riddance. Of course I was kind of wrong (kind of right too) because in the last two years I’ve been to great shows and made purchases at a level that can only occur at big events. I find myself already anticipating the next one!