Author’s note: Before “biting” into part two of the Seattle Rainiers wiener cards series, I have new information about the Hygrade wieners cards in part one. The Standard Catalog of Vintage Baseball Cards stated that only 11 of the 22 cards have ever been cataloged. However, Seattle area collector Charles Kapner informed me that he has 13 different cards and knows of two more. Thus, it is possible that—as the back of each card states—there are really 22 different cards.
Three years after Hygrade wieners were first put on the rotating warmer at the local bowling alley and the cards tossed in the dumpster with the discarded Desenex aerosol cans, Henry House meat products included a new set of Seattle Rainiers cards in their wiener packages.
The 1960 Henry House set is comprised of 18 cards and have several similarities to the Hygrade version from 1957. For instance, the cards are printed with red ink and include a small player photo accompanied by a short biography. This time, though, the cards are vertically oriented and feature a detachable mail in coupon. Kids could send in two coupons plus 25 cents and receive a nifty Rainiers uniform patch.
The cards are “skip numbered” using the players’ uniform numbers. As with the Hygrade cards, the Henry House photos are the same ones found on the popcorn cards.
The 1960 Rainiers were affiliated with the Cincinnati Reds and managed by Dick Sisler. The roster was comprised mostly of veterans with some major league experience. A few prospects were sprinkled in as well. Some of the familiar names include Gordy Coleman, Erv Palica, Dave Stenhouse, Jerry Zimmerman, Ray Ripplemeyer, Charlie Beamon, and Hal Bevan.
Another veteran is Seattle University basketball and baseball legend Johnny O’Brien. The former Pirate and Brave finished up his career with Seattle in 1960.
Don Rudolph, former White Sox pitcher and manager of his exotic dancer wife, shows up in the set as well.
Remember, there is still one more installment to come in this “dog” of a series. Until the next post, I am off to the West Seattle Lanes to eat a Hygrade or Henry House wiener that has been rotating on the warmer for the last 60 years.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.
Since it has been awhile since I irritated (I mean enlightened) you with a multi-part post, I have decided to ring in the new year with a really “meaty” series. This time I’m offering a “frank” discussion of the three iterations of the Seattle Rainiers’ “wiener” cards.
In 1957, the United States was flexing its muscles on the world stage and producing large amounts of processed foods that would set the “baby boomers” on a lifetime course of obesity and heart disease. The pristine environment of the Pacific Northwest–with its healthy outdoorsy types–was no exception. The Carstens Meat Products company produced Hygrade brand wieners to ensure that all boys and girls literally internalized the patriotic fervor (flavor) of the All-American hot dog.
Of course, hot dogs and baseball are inextricably linked, thus coupling the two in marketing campaigns made perfect sense. So, on a regional basis, major league and minor league players’ picture cards found their way into wiener packages.
If putting cardboard under the juicy, salt and nitrate laden sausage tubes seems counter-intuitive, you are not accounting for good old American ingenuity. Mid-century America was offering up one innovation after another. So, putting a waxed or plastic coating over the photo of baseball players and adding them to meat packaging was just another example of the prevailing “can do” attitude.
But what seems like a good idea doesn’t always stand the test of time or–in this case–briny juice. The cards were often juice stained and bent from the shrink wrapping of the dogs. Therefore, finding cards in excellent condition is rare. You may remember that the most famous wiener cards, Kahn’s, changed tactics and had kids mail order the cards.
The Hygrade cards use the same photos as found on the popcorn cards which were distributed at Sicks’ Stadium inside bags of popcorn. Here are links to my posts on that subject.
Although the back states that there are 22 cards, only 12 have ever been catalogued. The small photo is juxtaposed with biographical information under the banner: “Meet the Rainiers.”
The most interesting feature is “Kewpie’s Korner.” A small drawing of the former player and radio color commentator, “Kewpie” Dick Barrett, accompanies text exhorting the collector to eat plenty of Hygrade wieners.
Barrett was a legend in the Pacific Coast League. Pitching mostly for the Rainiers, Dick amassed 234 PCL wins, as stated on the cards. His major league career took place primarily during the war years. Barrett’s cherubic face resembled a popular doll known as “kewpie,” hence the nickname. The short, roly-poly Barrett did not fit the bill of a star athlete, but he was much beloved by the “Suds” fans.
“Kewpie’s Korner” stated that the cards could be traded in for 8” X 10” photos, just like the popcorn cards. However, I was unable to discover where kids made the transaction. The 1957 program has an ad for Hygrade, but it doesn’t mention the cards.
To find a card any condition is extremely rare and very expensive. Poor condition cards go for over $100. I don’t own one but have seen them in the possession of Northwest sports memorabilia collectors. The wiener cards coincided with the only season as Rainiers for legends Maury Wills and manager Lefty O’Doul.
Another notable is Larry Jansen, who was once the ace of the New York Giants staff. He won 23 games in 1951 for the pennant winning Giants.
Also, the first Filipino-American to play Major League Baseball, Bobby Balcena, is in the set.
I will leave you with these sage words: “Hygrade on the package means Quality on the plate.”
A recent post by Jenny Miller about the Topps Bunt app got me thinking about digital cards. I’ve long wanted to see such a post on this blog but I suspect that our membership base is skeptical at best* when it comes to cards that only live in an app.
*And dismissive at worst.
I get it. This is a cardboard hobby and the idea of something existing only digitally doesn’t feel “real.” At the same time, the experience Jenny describes is closer to the pure ideal of the hobby than much of what’s going on with card releases. She doesn’t have to spend any money. She’s able to look at her collection and acquire new cards anywhere and anytime she has battery life on her phone. There’s no concern about finding a card shop or hoping that the card aisle hasn’t been raided by pack seekers. It sounds like a lot more fun than most of the bellyaching I see about the current state of the hobby on Twitter.
What really got me thinking though were the images Jenny used in her blog post. I’m online-averse in all my media. I prefer CDs/DVDs/BluRay to streaming. I prefer books to Kindle. As interesting as the Topps Bunt app seems it’s just not something that appeals to me…unless I can get the cards out of the app. As much as I’m a luddite, my concerns are actually more about being locked in to a corporate ecosystem and the fact that companies have a bad track record with regard to maintaining these things.
I just don’t trust these apps to last and while I don’t need ALL my cards to last another 20, 30, 40 years it would be nice to know that there’s a possibility of it. Jenny didn’t get her images out of the app (she confirmed with me that she pulled them from Topps’s Twitter feed) but she could have.
My phone (an iPhone8) produces screenshots that are 750×1334 pixels. This translates into 2.5″×4.45″ at 300 DPI. Even if you have to crop off a little of the image to get just the card this is enough data for good-quality printing. Yeah. There’s no reason why you couldn’t roll your own Bunt cards.
As much as it’s weird to me how the Bunt app cards show evidence of wanting to pretend to be physical items with their wrinkles, halftone rosettes, “autographs,” and peeling effects, they are actually something that can be taken into the real world if you wanted to.
Costco wallet-sized prints are 59¢ for four. Even if you didn’t print these, just being able to save them outside of the app gives you a level of flexibility and future-protection that alleviates a lot of my concerns. It also reminds me of a number of other card-related things we’ve covered on this blog where the original objects contain information that is no longer accessible for most collectors.
One of the best things about this hobby is how it’s a near perfect usage of technology—in this case print technology. Cards are the right size to hold and store. They’re durable enough to handle without falling apart immediately. And they don’t require any supplementary technology.
I very much love cards that push the into other technological realms though. They just require some help to be fully enjoyed if the other technology does not age as well as ink on cardboard.
For example, Auravision and Baseball Talk are both wonderful objects but the audio portions of them are tough to access. Record players may be making a comeback but they’ve not been standard in most homes for a long time. Plus you have to punch a hole in the middle of that nice Auravision photo to listen to anything. Similarly, Baseball Talk requires a special player which, even if you have one, is not guaranteed to work anymore since it’s a cheap child’s toy.
But the internet is a wonderful place. The Auravision recordings are up on YouTube. As are the Baseball Talk ones. This means I can have my Baseball Talk cards in my album and pull up the corresponding recordings on the web. Yes there’s always that fear that the recordings will disappear from YouTube but they’re out there, but there are tools out there that will download the audio from a YouTube video and convert it to MP3.
Another thing that YouTube has preserved is things like 2000 Upper Deck Power Deck. Sure you can just shove a baseball card sized mini CD-ROM into a binder page but reading the data is near impossible now. Most computers don’t have optical media trays and the ones that do are usually slot-loading ones that can’t accept non-standard sized or shaped media. So your only option to see what’s on the disc is to go to YouTube and hope it’s been uploaded.
I’ve actually been engaged in my own form of converting a somewhat-inaccesable product into one with digital footprints. I don’t have the toy to view my Viewmaster discs so I’m only able to see them by holding a disc up to light. This isn’t ideal. Scanning them into wiggle gifs produces a better way of seeing them.
I’m also going a step further and scanning the booklet so I can convert each image into a 2.5″ square card with a still image in the front and the booklet on the back. No it’s not the Viewmaster experience but it take the photos into a form that’s more accessible.
Do I expect Bunt to be around in a decade? No way. But I do expect JPGs of the cards to be available someplace. Maybe not all of them, but someone next decade will have an archive of a bunch of them. And I have my fingers crossed that a few cards will even be printed out the way I’m printing out my Viewmaster photos.
The great Minnie Miñoso would’ve turned 94 today. Or judging from some of his baseball cards either 95, 96 or 97.
But regardless of how old he really was, he was a very important player in baseball history, worthy of the Hall of Fame for his tremendous career as well as his role as a pioneer for black Latinos. So let’s celebrate the Cuban Comet with nine of my favorite Miñoso cards.
1945-46 Caramelo Deportivo [Sporting Caramels] Cuban League
This is my baseball card Holy Grail; the one Miñoso card in this post which I do not yet own. They do pop up once in a while, though with a price tag in the $350-$500 range even for something in the 2-3 grade range. Either way, these 1-7/8″ by 2-5/8″ black & white cards were printed on a very thin stock and were intended to be pasted into a collector album. So even when you find one of these, there will likely be a chunk of the back gouged out (this won’t be the first time you read about this here).
On the front of the card, there’s a thin white border with a photo and a small circled number. That’s so you knew where to paste the card in the album. Fun fact about these: the Caramelo Deportivo sets are the only cards I’ve seen of Minnie (Miñoso was featured in the 1945-46, 1946-47 & 1947-48 sets) where he’s sporting a mustache, though a thin one at that.
The first installment of its “flagship” set, Topps has what is considered Minnie’s “Rookie Card” even though he has earlier cardboard appearances (see above). The front of the card lists his name as Orestes, as does his facsimile autograph. Missing here is the trademark straight-edge under the signature, as was his custom years later.
The back of the card does refer to him as “Minnie” even here for 1952.
1952 Red Man Tobacco
From 1952-55, Red Man Tobacco issued these colorful 3-1/2″ square cards (they originally came with another half-inch tab at the bottom), bringing cards and tobacco products back together again as they were with the 19th century & early 20th century sets. Everything you want is on the front here. The back of the card is just an advertisement of the set itself with an offer to collect 50 of the tabs and send them in for a baseball cap. Apparently, that’s what the original owner of my card did.
1952 Berk Ross
At only 2″ by 3″ this qualifies as a Mini Miñoso. There’s not much to it; the back of the card boasts “Hit Parade of Champions” with a brief bio and a few statistics. These cards have a sort of primitive charm to them. The printing is a little off, the centering also not quite right, and there’s little nubs on each edge as if they were part of a perforated strip. I got this card at a good price probably because somebody’s name is stamped on the back.
1954 Dixie Lids
65 years ago, somebody enjoyed a cup of ice cream and when they removed the lid, there was “Minny” Miñoso. If there’s another card of him listed as Minny, I’m not aware of it. These lids advertise the Dixie Lid 3-D Starviewer; all you need to do is send 25 cents, this lid, name and address to the company. Personally, I’d much rather have this lid than the Starviewer, even if it looks like quite a contraption.
1962 Topps Baseball Bucks
Minnie Miñoso played only 39 games for the St. Louis Cardinals, but it was long enough to get his face on a one-dollar 4-1/8 inch by 1-3/4 inch “Baseball Buck.” Sure, Henry Aaron and Roberto Clemente were on $5 bills and Willie Mays & Mickey Mantle were on $10 bills, but there’s nothing wrong with being on a $1. George Washington is on the $1 and that’s good enough for me.
1967 Venezuelan Retirado
These are TOUGH to find, particularly in good condition, because just like the Caramelo Deportivo cards I mentioned earlier, these were glued (or stuck in some way) inside collector albums, evidenced by the chunk of the back of my card that was torn off. Other than that, this might be my favorite Minnie card.
First of all, I had never even heard of this set before stumbling upon it. It’s pretty rare and it came from another country. I love the beautiful shade of blue as a plain background for the player image, which might not be a surprise to those who read my post on the 2010 Tristar Obak cards.
Editor’snote: This subset of 49 retired baseball players and one who would still be active in 1980 😃 was part of a larger Venezuelan release popularly known as 1967 Topps Venezuelan. However, there is some reason to believe these cards were not produced by Topps at all.
1984 True Value White Sox, 1986-89 Coca-Cola White Sox
I’m counting these five team issue cards as one card, since I make the rules. The first from the 1984 True Value team set, which Jason will certainly find more appealing than the 1986 Coca-Cola card (even though it’s the same photo used) because of the large BORDER. The Blue-bordered 1987 Coca-Cola card also shows the same photo as the red-bordered 1988 Coca-Cola card. Then there’s the obnoxiously-bordered 1989 card.
What’s my point? Well, the White Sox were still including Minnie Miñoso in team-issue sets even though he last played in 1980 (even though there were attempts to get him into a game in 1990 as well as 1993). And that means something. He’s Mr. White Sox. An iconic player in franchise history, as well as baseball history.
2015 White Sox tribute
This card was given out to attendees of Minnie’s memorial service at Holy Family Church in March 2015. It’s nicely done in the 1964 Topps style with red lettering instead of the light blue used in the original set. Plus, the #9 memorial logo is shown in the upper left corner.
Nine (okay, thirteen) cards of one man, spanning over 70 years. An amazing man. An amazing life. And about one year from now, we’ll hopefully be celebrating his election to the Hall of Fame on the Golden Era ballot.
Editor’s note: Chris delivered a terrific presentation on Minnie’s Hall of Fame case at a 2019 SABR Chicago chapter meeting. His presentation begins around the 19:00 mark of this video.
A common complaint among vintage collectors who run across newer issues is that we miss the good old days when baseball cards had borders. Looking at cards like these 2017 Astros leaves us feeling (ahem!)…cheated.
The borders we overlooked as kids have come to symbolize all that was right about baseball cards. Joni Mitchell had us pegged. You really DON’T know what you’ve got till it’s gone. No, we’d never pave Paradise to put up a parking lot, but we sure wouldn’t mind a thin cement edge around it.
The borders on our cards have taken on almost a spiritual significance with “meaning of life” level implications. We ponder koans such as, “Is a card without a border even a card?”
The sages teach us that without nothing there could be no something. Cardboardismically speaking, the border is the yin to the image’s yang. Form needs outline.
The vintage collector therefore must find “border in the chaos,” else risk serenity and sanity alike. Should he even consider collecting cards post-2015, his best, nay ONLY, option is Heritage!
Whatever you hear on TV, friends, THIS is the real border crisis, but fear not…
Tengo un plan para eso…and it won’t even raise your taxes! (Checks new eBay policy. “Okay, so maybe a little.”)
Add just THREE CARDS to your collection and you’re gonna win on borders so much you’ll be tired of winning on borders.
1960 Fleer ted williams
Let’s start with Ted Williams. Compare his 1960 Fleer card with that of Hack Wilson or any other player in the set. That’s some serious border! Where some perfectly centered cards are said to have 50-50 centering, Teddy Ballgame comes in at 150-150!
Back in the day you might have found this card an eyesore, but that was then. Now you probably look at the card and wish the borders were even bigger!
1936-37 World wide gum Lou Gehrig
The second must-have for the border hoarder is the 1936-37 World Wide Gum card of Lou Gehrig. (Note that this issue is catalogued as 1936, but Matthew Glidden makes a compelling case that 1936-37 is more correct.)
At first you may shrug away Larrupin’ Lou’s border as nothing special, no different than that of teammate Dickey. Look closer though and you’ll see that Gehrig’s image comes to a refreshing end more than a quarter inch from the card edge. After unremarkable offerings in 1933 and 1934, World Wide Gum definitely put the Border in “North of the Border!”
1934 Butterfinger Paul Waner
Finally we come to the 1934 Butterfinger card of Paul Waner, the card that I believe sets the standard when it comes to border-to-image ratio.
While the Dizzy Dean image from the same issue flirts tantalizingly close to the card edge, the Waner card has more margin than Gould selling hammers to the Pentagon. If the card had any more border we might forget it was a baseball card altogether and assume it was a Home Depot paint sample for Gotham Gray. If Big Poison were any smaller on the card he would have been Little Poison.
Teddy Ballgame, the Iron Horse, and Big Poison. Three players who made the Hall of Fame by a wide margin, but even more importantly, three cards who made the wide margin Hall of Fame. Border crisis averted, at least for now.
As a kid I used to dream about finding my way into some ancient attic and unearthing boxes and boxes full of old baseball cards. For whatever reason, I imagined I’d need to be on the East Coast somewhere, which made the fantasy all the less attainable coming from my West Coast mind, but it was still fun to picture thumbing through these old stacks of cards and finding Ted Williams, Stan Musial, and Joe DiMaggio if not Babe Ruth, Ty Cobb, and Honus Wagner.
While this dream of mine never did come true, I did have the pleasure of meeting a fellow collector this year whose real life experience came awfully close.
David grew up in the Kansas City area but lives in Phoenix these days. Like me, he fell for card collecting hook, line, and sinker from the moment he was introduced to his first baseball cards, despite the fact he barely knew a thing about baseball or any of the players. While my love affair with cards and baseball began with 1978 Topps, David got going five years earlier and still remembers the thrill of pulling a 1973 Topps Hank Aaron card.
David was mainly a Hank Aaron and Kansas City Royals collector early on and started a paper route to feed his fix for packs. Once Hank Aaron retired, David branched out into the older stuff, mainly pursuing pre-1973 Hank Aaron cards and other stars he’d heard about from his dad. David was even lucky enough to have a teacher at school who would trade old 1950s cards for contemporary stars. While these swaps usually worked in David’s favor, he harbors at least some regret over a 1975 Gary Carter RC for 1955 Topps Tom Hurd swap.
Fast forward a bit and David eventually headed off to college. Like so many other collectors he left his cards at home–Hank Aaron, George Brett, Tom Hurd, and all. With David away at school his parents downsized and moved most of his stuff into storage. After his father passed away, David’s mother forgot about the storage unit, whose contents were ultimately sold off to the highest bidder.
The end. Right?
Not quite. I’ll let David’s twitter bio take over from here.
“Recently found my entire card collection I thought was long lost. Sharing my find w/twitter…”
While I grew up dreaming of finding boxes and boxes full of incredible cards, David actually did it. The twist, of course, is that the boxes he found were his own!
Evidently, David’s dad didn’t want to put the cards in storage and had a friend of his hang onto them instead. David remained in contact with this family friend, who one day, decades later, remembered he had a bunch of boxes somewhere with David’s name on them.
David’s first few twitter posts as “Cigarbox Cards” definitely got my attention!
The first card David posted was a well loved 1956 Topps card of Mr. Cub. The next day David posted a video of himself rifling through stacks of cards including early Topps issues of Gary Carter (but not the 1975!) and Dennis Eckersley while a 1949 Leaf Ted Williams sat untouched in the distance.
An autographed Yaz rookie was next, followed by a Red Man Willie Mays. In the days that followed David posted a Brett RC mini, a 1954 Bowman Mickey Mantle, and a 1974 Topps Tom Seaver. I always enjoyed the way David juxtaposed his featured finds with background elements that enhanced their presentation. This is a theme we’ll come back to shortly when I show you what David’s up to now.
Most of the online replies consisted of emojis like 😱 and 🔥 🔥 🔥 but I suspect certain collectors were wondering if David’s cigar box finds included any really good cards.
Then David dropped the Hammer.
And even more Hammer! (Click blue arrow twice to activate.)
Though the cards are not mine, I still feel a thrill each time David posts an amazing card from his original collection. To think how close these cards came to being lost forever and then to see them pop up in my twitter feed is downright magical. It’s like flipping through my own personal attic find, even if the cards aren’t mine to keep–just like the dreams I had as a kid right down to waking up in the morning with the same collection I had before!
Beyond showing off some great cards David introduced some fun interactive features to his posts, among them his “Out or Hit” series…
Of course it was only a matter of time before this happened.
The cards kept coming and coming, almost obscenely so, but what really caught the eye of many collectors was the creative ways David was finding to display his cards, something many of us spend undue time considering.
Here’s another one that really caught my eye with bonus points for the bunting!
And if you’re wondering what the most creative use for a yellow drinking straw in a baseball card collection is…
Or for the Yankee fans…
I could go on and on, but you’d probably have more fun scrolling through all David’s posts yourself. Other than of course SABR Baseball Cards 🤣, it’s hard to think of another baseball card account as consistently awesome as his.
As I consider his collecting story I come back once again to my own and that of so many other collectors. How many of us dreamed of that elusive find, those boxes and boxes of cards filled with stars of yesteryear? If you’re like me, not only did that imagined cardboard haul never arrive but even the cards you did have were nowhere to be found by the time you realized you missed them.
What I didn’t know when I shuffled through my 1978-80 Topps cards as a kid was that the boxes right in front of me would someday be more valuable than any cards I might find elsewhere. Even today the memories of those cards mean more to me than the actual cards I’ve purchased since.
This post (below, right) from David makes the point well and was ultimately the catalyst for my writing this article.
Let’s face it. You can dream all you want about things you don’t have, but few fantasies or realities will ever come close to that of your first love, whether lost, lasting, or in David’s case both.
Author’s note: For another SABR Baseball Cards article inspired by collectors’ online posts, see “Fathers and Sons.”
Why does the death Ron Fairly warrant a card obit? For starters he was a Major Leaguer for over 2 decades and a semi-star that I remember from my youth.
Secondly he was a SABR member remembered fondly by a couple of our fellow SABR Card Collectors.
Finally as a collector Fairly means something to the staff at Phungo HQ because he is a member of the inaugural Topps Rookie All-Star (TRAS) class. As you may know the Rookie Cup cards are one of my favorite collections and Fairly was one of the outfielders selected for the 1959 season which was honored in 1960 Topps.
There are 10 cards in the original subset which opens with Willie McCovey at #316 and runs through #325 Jim O’Toole. This makes Ron Fairly’s #321 the sixth All-Star Rookie Cup ever produced.
Outside of McCovey the two most notable players on the team are likely Fairly and Jim Perry.
Willie McCovey is on the left followed Pumpsie Green, Jim Baxes, Joe Koppe, Bob Allison, Ron Fairly (directly above Tasby inset) , John Romano and Jim Perry. Willie Tasby and Jim O’Toole who could not make the outing are shown in an inset bottom left.
This is a picture from a New York City banquet Topps held to honor award winners. For a more in depth discussion of the banquet (1963) click here.
The 1959 All-Star Rookie Cup team has had a tough year. Starting with Willie McCovey’s death almost exactly a year ago the class has lost four members in the last 12 months. John Romano (February 2019), Pumpsie Green in July and now Ron Fairly.
This leaves Willie Tasby (86) and Jim Perry who turned 84 the day Fairly passed as the last two living members of the original All-Star Rookie Cup team.
I want to open the discussion of the card back to the Fairly’s vitals at the top of the card. His DOB is listed as July 12 1938. Therefore Ron Fairly was just 20 years old when the 1959 season commenced and 21 when he was named to the rookie cup team.
Moving on to the text, it opens by mentioning Fairly’s election to the TRAS team and rolls into his pre-MLB experience. Then we get to the cartoon.
“Ron Led USC to the National Championship”
Well I checked into it and yes he did. He was a member of the 1958 USC Trojans that won the College World Series. The final game was an 8-7 extra inning victory over the Missouri Tigers.
The 1958 CWS concluded on June 19th, less than three months later Ron Fairly made his major league debut with the LA Dodgers on September 9th.
Ron Fairly can be found in the front row four from the right. Checking the names one can find a Hall of Famer in that back row. Executive HOF Pat Gillick, architect of the 2008 World Championship Phillies. Turns out Gillick was a pitcher for the 1958 Trojans and teammate of today’s card hero Ron Fairly.
When I got back into collecting around 2014, my first goal was to finish my Hank Aaron collection, which at that time included just over a dozen of his base cards, a few assorted all-stars and record breakers, and a handful of cards that came out after his playing career. Having been gone from the hobby for more than 20 years I assumed another 10-15 cards would finish the collection, maybe 20-30 if I really needed to have everything.
Of course the true number was in the thousands! At the time I’m typing this Trading Card Database puts the Hammer at 4,255 different cards, and by the time you read this I suspect that number will be even higher.
There’s a stat people love to quote about Hank Aaron. Take away his 755 home runs and he would still have more than 3,000 hits. My guess is you could take away every card from Aaron’s playing career and he’d still have more than four thousand cards!
Though my collector gene at least beckons me to collect them all, the “often needs to blend in as a normal adult” gene in me somehow proves dominant and forces me to restrict my collection’s personal Hammer Time to the years 1954-1976. Still, whether through overly broad eBay searches or through the generosity of fellow collectors who send me stuff I do manage to at least notice if not add at least some of Aaron’s post-career cardboard. In fact, one of my favorite mail days of the year was when fellow collector Matt Malonesent me this gorgeous 2019 Topps Heritage “box loader” card for nothing!
If I had to create a Favorites category it wouldn’t be the shiny stuff, the serial numbered stuff, the relic stuff, or the “anything else” stuff. It would 100% be the regular stuff that looks like all the other regular cards in the set. For example, here is a 2019 Topps Series 1 “Legends” card next to a base card of Clayton Kershaw…
…which finally brings me to the actual subject of this article!
While the modern and welcome tradition of mixing retired greats in with current players is new compared to the heyday of my collecting (very extended) youth (roughly 1978-1992), just as most things cardboard and in life it’s not something truly new.
“Ahem,” you say! “There were tons of retired greats in the sets of your youth, Jason,” thinking I can somehow hear you right now, so let me explain. I’m not talking about cards like this…
…even if they came in the same packs as these.
I’m talking strictly about the cards that blend right in with the rest of the set. Otherwise I’m afraid this article would practically go on forever. (Editor’s note: It already has!) What follows is hardly a comprehensive list, so as always I invite readers to add their favorites to the Comments.
The first instance of these “legends in disguise” that I became aware of as a collector was the 1949 Leaf card of the (at the time) very recently deceased Babe Ruth, even if 1) I thought of it as 1948 at the time, 2) it’s pretty hard to disguise Babe Ruth, and 3) even if many of the “current players” are legends themselves by now.
Beyond the Bambino it’s worth noting that Honus Wagner also had a card in this same set. Though you’ll see soon enough how inconsistent my criteria are, I won’t quite count Wagner since he’s in the set as a coach and not a retired great. (You could easily dispute this and probably win in that Wagner is the only coach/manager in the set, a fact that strongly suggests Wagner was in the set as Wagner vs coach.)
Of course the tradition didn’t originate with the Leaf set. Just months before a tiny entrant into the gum card market showed up with a large set of cards, not all baseball, that mixed the likes of Ruth, Hornsby, Mathewson, Wagner, and Cobb with Lou Boudreau!
By the way, these cards are known as 1948 Topps Magic Photos. While I don’t dispute the date it’s worth noting that the non-legend portion of the baseball set focuses on the 1948 World Series, hence the Boudreau, which of course didn’t occur until October. As such, it wouldn’t shock me if much like the Leaf set this particular set did not arrive on the scene until early 1949.
Speaking of 1949, readers of my earlier article on the 1949 M.P. & Company baseball issue may recall that the set included a Jimmie Foxx card, recycled from six years earlier, alongside active players like Mel Ott Alvin Dark.
Evidently nostalgia ran large in the 1948-1949 as there was yet a third issue that mixed the old with the new. The 1948 Blue Tint (R346) checklist made room for Lou Gehrig whose last game was in 1939 while mainly consisting of modern stars such as Ted Williams, Jackie Robinson, and Joe DiMaggio.
One could place the R346 Hank Greenberg card in either category. On one hand he played a full season in 1947 with the Pirates so a card in 1948 wouldn’t be completely unusual (though more so back then than now). On the other hand the lack of a team designation followed the design of the Gehrig in the set as opposed to the active players. (The set also includes a Mel Ott manager card with no team noted. However, this was later corrected to indicate “N.Y. Giants.”)
Lest you imagine this kind of thing could only happen in America, I’ll highlight the Cuban 1946-1947 Propagandas Montiel issue as yet another set from the era open to all comers.
At any rate, the battle for first place involves none of these late 1940s issues. After all, the most sought after card from the start of the decade is one of many “Former Major League Stars” that Play Ball camouflaged into its 1940 set.
Did I mention my criteria were pretty inconsistent? Oh, good, because otherwise I’d have no place taking us into the 1933 Goudey set where not one, not two, but two-and-a-half retired legends make an appearance. The first of these is Shoeless Joe’s 1919 White Sox teammate, Eddie Collins, who technically cracks the set as a vice president and business manager, two categories so far fetched that it’s safe to say he simply cracks the set as Eddie Collins.
Next up is the part-owner of the Kansas City Blues because of course every set needs a card of a part-owner!
And batting third is the set’s Holy Grail, Napoleon Lajoie, who is 100% retired great, 0% owner, vice president, business manager, or otherwise.
In fact, old Larry was so far removed from the business of baseball by then as to be the Lloyd Dobler of his time. (“I don’t want to sell anything, buy anything, or process anything as a career. I don’t want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don’t want to do that.”)
Still, while Lajoie’s status as pure “retired great” is uncontaminated there are a few reasons to assign his card only partial credit in meeting the criteria for this article.
One, his card couldn’t really be said to blend in with the rest of the set seeing as it wasn’t even released with the rest of the set. As is well known, Goudey didn’t issue the card until 1934 and only then to the relatively small number of collectors who sent them hate mail about their missing card 106.
Two, the card’s design doesn’t even match the rest of the 1933 (or 1934) set, instead reflecting a hybrid of the two designs.
While we’re on the subject, there is yet another retired baseball legend who cracks a 1933-1934 Goudey checklist, but this time it’s with the “Sports Kings” issue, where Ty Cobb slides in alongside two active players, Babe Ruth and Carl Hubbell.
My approach so far has been to start with 1949 and work my way backward. As I’m not aware of any examples (aside from coaches/managers) before 1933, I’ll close the article with a few post-1949 honorable mentions.
The 1960 Fleer Baseball Greats set technically qualifies as a set that mixed old and new. The checklist consists of 78 retired stars and exactly one active player, Ted Williams.
The 1967 Venezuelan Topps set includes a “RETIRADO” subset that doesn’t at all blend in with the set’s other cards. However, the design of the retired players reflects at least some attempt to match the base cards of active players.
The next honorable mention comes in 1982 from both Topps and Fleer.
I’m sure there was no intent to include the great J.R. Richard as a retired legend. Nonetheless, with J.R.’s final trip to the mound coming in 1980, his spot in the 1982 sets proved unusual. Naturally, Topps and Fleer were banking on a successful comeback that unfortunately never materialized.
Overall I’m a big fan of packing retired legends into modern sets. I can only imagine how much I would have loved it to open packs of 1978 or 1979 Topps and pull cards like these!
Of course, if the kids opening packs today are like the players I coached in Little League a few years ago, they may not have the same reverence for yesteryear that we once did. To quote one of kids on the squad, “Hank Aaron? Is he from the 1900s or something?”
As an eight-year old collector it was a thrill to pull this card (or any Record Breaker) from a pack.
Trivia question: Who were the two American Leaguers referenced in the card back’s final sentence?
An obvious thing the card had going for it was that it was of Brooks Robinson, who I’d already read about as the greatest fielding third baseman ever. A more subtle thing it had going for it was that Robinson had no other card in the 1978 Topps set.
“Can they do this?” I wondered once I’d figured that out. I checked all my other Record Breakers, and sure enough they all had base cards. Weird. The concept of an error card hadn’t yet entered my consciousness, but I tended to treat my Brooks Robinson card as something very special and prized, maybe even the one thing even better than a baseball card of a superstar: a mistake made by a grown-up somewhere.
My whole universe of baseball cards consisting of a thousand or so 1978 Topps cards, a rubber-banded stack of 43 cards from 1974 that I bought at a carnival for 50 cents, and the lone pack I bought at the end of the 1977 season, I was unaware that this Brooks Robinson Record Breaker card had precedent. For example, the 1976 Record Breaker cards featured a player whose previous Topps card (outside of Venezuela) came in 1964!
And just two years before that there was half the answer to my earlier trivia question.
Aside from a single card, Topps had no Highlights/Record Breaker cards in the 1974 set, but thanks to its World Series subset we hadn’t yet seen the last of the Say Hey Kid.
Though I’ve looked backward thus far, the Brooks Robinson card was hardly the last of its kind. Two years later, Lou Brock’s entry into the 3000 hit club would earn him a bonus card in the 1980 set.
Then came the flood. Gaylord Perry received two bonus cards, one of which doubled as a bonus card for fellow Hall of Famers Johnny Bench and Carl Yastrzemski.
I’ll take a quick detour here just to acknowledge what a terrific job Topps did with the final base cards of each of these three players.
After 1984 players who lacked base cards but earned last hurrahs practically disappeared. Committee co-chair Nick reminded me of one more from 1988 (the Phil half), and I hope you’ll let me know of others in the comments.
As for the very modern, I wondered if maybe Ichiro could be a 2019 example thanks to his #ToppsNow cards from the Japan series, but then I saw he managed 700+ other cards this year, just as he may well have 700+ cards next year and every year after.
Though I initially considered my Brooks Robinson card a fluke, if not a mistake, you can see here that at least for the 1974-1984 stretch it was practically a feature of the Topps sets to include bonus cards of players who had otherwise reached cardboard retirement.
Bonus cards like the Brooksie and Brock will always carry something bittersweet about them. On one hand, we get one last cardboard look at a legend of the game. On the other hand, we are staring at a ghost. The player’s main card has vanished from the set, and this specter is all that remains, as if to remind us of another season gone, another career in the books, and a fate that will eventually reach us all.
P.S. The other answer to the trivia question? Definitely not Gaylord Perry! It was Brooks Robinson! 🤦 Pretty tricky, Topps!
Extras from our readers
I’ll use this space to acknowledge all the additions to the list supplied by readers, either here or on our Twitter/Facebook sites.
1967 Topps Sandy Koufax – No base card but three League Leader cards as the winner of the Triple Crown for pitchers.
Author’s note: A few days after publishing this piece I stumbled upon a very similar article on the terrific Wax Pack Gods site. Had I seen it earlier I probably wouldn’t have bothered with my article. Still, I think mine does enough that’s different to keep it here. Either way, all credit goes to Adam at Wax Pack Gods for getting there first.