Were the All Star FanFest Cards from 1994-2000 the Precursor for Topps Project 2020?

As a baseball card collector and enthusiast, I feel that I am living through the Renaissance era of baseball card art. My Twitter feed is filled daily with spectacular images of cards from many artists that are working with a variety of mediums to produce their own interpretations of what cards of past and present players should look like. A number of these artists are also using their artwork to support charitable causes.

There was certainly an undercurrent of fine baseball card artwork being produced long before 2020, but the Topps Project 2020 brought to the surface a tidal wave of beautiful cards from a wide variety of artists.

Was Project 2020 an original idea or was it a variation on a project from the Junk Wax era? A case can be made that Project 2020 can be linked back to the All Star FanFest Cards from 1994 to 2000.

The two projects are similar in that they have multiple artists and designers coming up with unique cards of a single player and they also share some common player subjects – Roberto Clemente (1994 – Pittsburgh FanFest), Nolan Ryan (1995 – Dallas FanFest), and Jackie Robinson (1997- Cleveland FanFest).

The other player subjects for the All Star FanFest sets were Steve Carlton (1996 – Philadelphia FanFest), Lou Brock (1998 – St. Louis FanFest), Carl Yastrzemski (1999 – Boston FanFest), and Henry Aaron (2000 – Atlanta FanFest).

Ray Schulte was responsible for the All Star FanFest cards from 1994 to 2000. At the time he was working as an event consultant for MLB Properties, and cajoled some of the major baseball card producers of the 90’s to design and distribute unique cards of an iconic player from the city that was hosting the All Star Game. To obtain the cards a fan had to redeem 5 pack wrappers of any baseball product of the manufacturer at their FanFest booth.

I was introduced to the cards when I attended the All Star FanFest event held at the Hynes Convention Center in Boston in 1999. I attended the event with my family and upon learning about the cards from a Fleer representative sent my two kids on a mission to purchase 5 packs of cards produced by each of the four manufacturers from dealers at the event so we could exchange the wrappers for the Carl Yastrzemski cards designed just for the 1999 FanFest.

Now let’s take a closer look at the All Star FanFest sets which feature players that overlap with the Topps 2020 Project.

1994 All Star FanFest Set – Roberto Clemente

1994 was the first year that FanFest cards were issued and with Pittsburgh hosting the All Star Game the player subject was Roberto Clemente. Topps, Fleer, Upper Deck, Donruss, and Pinnacle issued cards for the event.

Fleer and Topps decided not to mess with perfection and produced cards that were essentially reprints of Clemente’s 1955 Topps rookie card and his 1963 Fleer card with 1994 All Star logos. Upper Deck issued a metallic looking card of Clemente that contains career stats and accomplishments on the front. Upper Deck would utilize the “metallic look” design for player subjects for the next 6 years. As you would expect, an image of a Dick Perez painting of Clemente is on the front of the Donruss Diamond King card.

1995 All Star FanFest Set – Nolan Ryan

With the 1995 All Star Game being held in the home park of the Texas Rangers the logical choice for the player subject for the FanFest cards was Nolan Ryan who retired in 1993.

The 5 card manufacturers who designed cards for the 1994 All Star FanFest also produced cards for 1995 All Star FanFest event held in Dallas.

Topps produced a re-imagined 1967 Rookie card of by eliminating the Jerry Koosman photo and enlarging the Nolan Ryan image to fill the front of the card. In microscopic print, Nolan’s complete major league pitching record is on the back of the card. Steve Carlton got the same treatment a year later when Topps enlarged his airbrushed 1965 photo to produce a new version of his Rookie card. Fleer issued an Ultra Gold Medallion version of a Ryan card. Upper Deck continued with its metallic design for a Ryan card. The Pinnacle card featured a Nolan Ryan painting and Donruss produced a Tribute card.

Get out the magnifying glass. Back of Topps 1995 Nolan Ryan All Star FanFest card.

1997 All Star FanFest Set – Jackie Robinson

With the All Star Game 1997 marking the 50th year of his major league debut, Jackie Robinson was the correct selection for the player subject for the 1997 set.

Topps released a reprint of his 1952 card with a All Star logo on the front and his complete major league batting record on the back. Leaf distributed a reprint of Jackie’s 1948 “rookie” card with small All Star Game logo in the upper right-hand corner. Fleer choose a nice posed photo of Jackie looking like he is going to tag out the runner for its Ultra card. On the back of its Tribute card, Pinnacle included a great action shot of Robinson coming in head-first at home plate with the catcher about to make a tag. The photo leaves you wondering – Which way did the call go? Upper Deck once again used a metallic design for its Jackie Robinson FanFest card.

Other All Star FanFest Cards

1997 All Star FanFest Larry Doby Cards

Depending on your definition of a complete set, collectors should be aware that Fleer and Pinnacle released Larry Doby cards to coincide with the All Star game being held in Cleveland. Included below are photos of the Fleer Ultra card and the Pinnacle 3-D Denny’s card.

2000 Henry Aaron FanFest Error Card

For some reason Topps decided not to make a reprint of Aaron’s 1954 Rookie card part of the official 2000 All Star FanFest set. Instead, Topps designed a unique card that featured a spectacular color photo of Aaron in a posed batting stance. Topps did however print some of the 1954 Rookie reprints with an All Star Game logo. These Aaron Rookie reprints are considered “error” cards.

Costs

Almost all the All Star FanFest sets can be purchased for under $12 on eBay. The exception is the 1994 Roberto Clemente All Star FanFest set. Each manufacturer produced 15,000 cards for the event. Less than 10,000 of each card were distributed at FanFest. The rest of the cards were destroyed. A Clemente set will set you back about $60.

Albert Pujols, next man up!

I had to see it with my own eyes to believe it, but there he was: Albert Pujols in Dodger Blue.

Photo: Robert Hanashiro-USA TODAY Sports

Following the Pujols signing, baseball savant Jay Jaffe was quick to point out that Albert was in good company.

Ditto Chris Kamka.

While late to the party, I’ll carry on the theme with the baseball card angle. We’ll blow right past Jackie, Sandy, Pee Wee, and the Duke and focus on the players you don’t normally think of as Dodgers.

THE BROOKLYN ERA

Chief Bender

There’s a great reason you don’t think of Bender as a Dodger. He never was. Yet, here he is in the 1916 Mother’s Bread set representing the Brooklyn National League club!

Without doing a ton of digging, I’m going to assume this is simply an error card. The same set also has Bender (same image) as a Philadelphia Athletic, which would have been equally incorrect. (Bender was a Baltimore Terrapin in 1915 and a Philadelphia Phillie in 1916.)

Roberto Clemente

The Great One, as is well known, never suited up for Brooklyn. Instead he was smartly and fatefully signed by the Pirates after the Dodgers left him unprotected in their farm system.

The 1994 Topps Archives set chose to include Roberto as a “1954 PROSPECT” of the Brooklyn Dodgers, depicting Clemente in a Montreal Royals uniform and aping the 1954 Topps design.

Charlie Gehringer

Okay, now you know there’s something funny going on here. The Mechanical Man as a Dodger? Heavens no! However, the uniform must have looked close enough that someone logged the card this way in Trading Card Database. (And don’t worry. I’ve submitted a correction.)

Still, it may well be that your Albert Pujols Dodgers card looks this jarring 50 years into the future. (Perhaps your Albert Pujols Angels cards will as well!)

Tony Lazzeri

Here’s one thing we know. If a player even spent a minute as a Dodger the 1990 Target Dodgers megaset took note.

In Lazzeri’s case, it was only 14 games, but he did have the highest OBP, SLG, and OPS of his entire career!

Babe Ruth

Lazzeri wasn’t the only member of the Murderers Row to have a Dodger baseball card. The Bambino, who coached for the squad, had several, beginning with this one from the 1962 Topps “Babe Ruth Special” subset.

If my eyes don’t deceive me, the next time Cody Bellinger steps to the plate for the Dodgers (hopefully soon!) his uniform number 35 will take on new significance.

Paul Waner

Thanks to Don Zminda for reminding me in the comments that Big Poison also had some Dodger cardboard.

Vintage collectors will prefer his 1941 Double Play card, shared with the season’s most ill-fated backstop. However, if beauty is what you’re after then this 1973 card will fill you will “Glee.”

Hack Wilson

Perhaps the only thing that could have diminished the thrill of my fellow SABR Chicago member John Racanelli landed his “holy grail” Hack Wilson card was flipping it over to see the team on the back.

Like Pujols, Wilson had his best seasons behind him, though he did knock a total of 38 homers for Brooklyn across 2+ seasons.

THE LOS ANGELES ERA

Dick Allen

This Dick Allen card is better known as the first major release with a mustache since T206 but is more importantly a must in any Dodger collection.

Unlike Pujols (at least we assume!), Allen’s best years weren’t behind him at all when he joined the Dodgers. He would of course win the American League’s MVP award in 1972 as a member of the White Sox, where he would also garner back-to-back Topps All-Star cards in 1974 and 1975.

Jim Bunning

Don’t worry. I didn’t remember this either.

Three wins, one loss, and a respectable 3.36 ERA.

Whitey Ford

Wait, what?! The Chairman of the Board? Yes, if his 1962 Post Cereal (Canadian) issue is to be believed.

Don’t panic. It was only an error card.

Rickey Henderson

While it seems like Rickey played for just about every team at some point, it sometimes takes cardboard proof to reassure me I wasn’t just imagining him in Dodger Blue.

So thank you, 2003 Fleer Tradition…I think.

Greg Maddux

Buy the time Maddux came to L.A. in 2006, by way of the Cubs, the Dodger faithful may have worried he had little left in the tank.

As his 2006 Upper Deck Season Highlights card reminds us, he could still get outs, tossing six no-hit innings in his first game as a Dodger. The magic didn’t last long though, as he went on to surrender 28 hits over his next three games.

Juan Marichal

Of course the Target Dodgers set was there for it, but we’ll go 1983 ASA instead.

The picture is sure to feel like a dagger to the hearts of Giants fans, but they could of course parry with an equally blasphemous Jackie.

Frank Robinson

Robby may have entered the Hall as an Oriole, but that didn’t stop SSPC from immortalizing him as a Dodger.

Naturally, many other cards include Frank Robinson’s Dodger stint, including his 1973 Topps flagship issue.

Jim Thome

Hall of Famer Jim Thome (or J M H M if your eyes are as bad as mine) had a brief pinch-hitting stint for the Dodgers in 2009, batting 17 times in 17 games with 4 singles.

Still, that cup of coffee was enough to make him one of THREE 600 HR club members Dodgers collectors can claim, along with Babe Ruth and now…

Albert Pujols!

Man, remember when we had to wait a year for this kind of thing!

Topps All-Star cards by year

My main purpose in writing this very short blog post is to make this spreadsheet available to other collectors, bloggers, and researchers. I can’t tell you how many times I’ve wanted to know the answer to a simple question like “How many times did Mickey Mantle have an All-Star card?” only to find it a slow process to arrive at the answer.

CLICK HERE FOR TOPPS ALL-STAR SPREADSHEET

Among the kinds of questions you can easily answer with the spreadsheet are–

  • How many times was the Mick a Topps All-Star? (Five: 1958-62)
  • How many Topps All-Star cards have featured Dodgers? (80)
  • Has one team ever had all three All-Star outfielders? (Yes, 1980 Red Sox with Rice, Lynn, and Yastrzemski)
  • Who was the first ever Topps All-Star in the history of the Pilots/Brewers franchise? (Don Money, 1979)
  • Who has the most appearances as a Topps All-Star? (Rod Carew, 13)
  • Which players have 10 or more Topps All-Star cards? (Rod Carew, Barry Bonds, Derek Jeter, George Brett, Carlton Fisk, Cal Ripken, Ken Griffey)

I’ll plan to add the rest of the years soon enough, but in the meantime let me know if you have any special requests or comments around the usability of the selected format.

Thanks, and we’ll look forward to the many Topps All-Star articles that follow!

NOTE 1: If the spreadsheet is in an annoying order when you open it, feel free to sort on the first column (Sort ID) to reset it to chronological order.

NOTE 2: The spreadsheet is being shared as read-only to prevent any accidental introduction of errors. However, if you want to modify it you are able to save an editable copy to your own Google Drive.

NOTE 3: From 1997-2002, it became a bit murky whether certain cards should be considered “All-Star” cards since Topps neither used the term “All-Star” nor selected one player per position per league. You may wish to filter some of these years out of your results depending how you view these cards.

NOTE 4: From 2006 onward (aside from 2020 when there was no ASG), Topps awarded an All-Star card to 50+ players, including not only ASG starters and reserves but occasionally players who were replaced on the team.

NOTE 5: The 2020 Topps Update set included an All-Star Game set composed primarily of active players plus some retired greats such as Griffey, Rivera, and Ortiz. I chose not to count these cards since the spirit of the set seems to be past ASG highlights rather than any indicator of All-Star status for the current or prior year. (Recall also that there was no 2020 ASG.)

Mr. Blue Jay

“Tony Fernandez,” opines the back of his 1988 Donruss Diamond Kings card, “is the AL’s answer to Ozzie Smith.” For a complex stew of reasons that statement played like music in the ears of Blue Jays fans. In brief, Canadians—some Canadians—this Canadian—feel the contradictory pull of a sense of superiority vis-à-vis the United States (mostly because we don’t risk insolvency if we break a leg, and we don’t tend to carry sidearms), and a crushing inferiority complex (because America is America, and we’re not). (Note that this didn’t apply to Expos fans, or at least not Francophone Expos fans, who constituted a unique presence, a “distinct society,” within Canadian culture; they weren’t really interested in Americans’ view of them one way or another.)

That lowkey but badgering sense of inferiority was the active ingredient in the fizzy feeling we’d get when Americans deigned to notice the Blue Jays. Comparing Tony Fernández to the Wizard of Oz was like saying that Toronto is bigger than Philadelphia: not immediately obvious to most people, even if evidence backs up the claim.

To love a ball team is to ingest its unique cocktail of announcers’ voices, sponsors’ jingles, silly promotions, subpar graphics, poor economic strategies, uninformed personnel moves, and bad uniforms—a boatload of decisions made by people qualified to do what they do only because they’re already doing it. Canadians reflexively assume our own provincialism, and while the Jays, beginning on a snowy afternoon in 1977, were by definition “big league,” we weren’t sure they looked the part to the outside observer. The team’s record in the early going was predictably awful. Exhibition Stadium was laughably rinky-dink, a pair of single-tiered embankments annoyingly offset from one another, bracketing the saddest expanse of artificial turf you ever saw. The park hosted both the American League and the Canadian Football League, but it was suited for neither. As for the uniforms, we loved them even while suspecting they looked goofy in a specifically Canadian way to anyone but us.

Tony Fernández’ ascension coincided with the Jays’ rise, but it was no coincidence. He was lanky and janky, hunched at the shoulders, calm of demeanor, a pair of flip-downs frequently protruding from his brow. An elite defender who was also a fantastic switch hitter, Fernández was among the first through the pipeline of talent out of San Pedro de Macoris, Dominican Republic, “The Cradle of Shortstops.” He inherited the starting job in Toronto from fellow Dominican Alfredo Griffin when the latter was traded with Dave Collins and an envelope full of cash to Oakland for bullpen righty Bill Caudill. Fernández became a fixture at short, hoovering up balls hit into the hole and flipping them to second, or heaving them parabolically with a submarine fling to first, an altogether unnatural motion that he made look cool, easy. Imitating that throwing style as a child almost certainly played a part in the clicking twinge I still feel in my right shoulder when I play catch with my kids.

He was so reliable—161 games played in ’85, and 163 in ’86—that it was fitting, when George Bell sank to his knees after recording the out that secured Toronto’s first AL East title in October, 1985, that Fernández was the first to reach him, trotting out from his post to high five the jubilant left fielder.

Heartbreakingly, Fernández was traded after the 1990 season, shipped to the Padres along with Fred McGriff for Joe Carter and Robbie Alomar, an exchange we had no way of recognizing at the time as the medicine necessary to bring a World Series title to Canada. Fernández wandered around the National League a bit after that, but in ’93 the Jays welcomed him back via midseason trade with the Mets, and he was instrumental in the push for a second straight pennant. Fernández started at shortstop in all six games of the Fall Classic, batting .326 with a series-high 9 RBI.

Then he was gone again, into his second great period of itinerance, to Cincinnati, to the Bronx, to Cleveland, before coming back again, to those middling end-of-century Blue Jays teams for whom third place seemed the natural state of things. He found himself in Japan in 2000, then Milwaukee to begin the 2001 season. When the Brewers released him that summer, there was really only one place it made sense for him to land.

In all he left Toronto three times before he departed baseball for good, but over time it came to seem that he’d always wind up back in a Blue Jays uniform. We never wanted to be rid of him; his departures were only nods to the churning, heartless marketplace of baseball. When he died in February 2020 at just 57 years of age I said, “Oh god, Tony Fernández died.” My son asked me who Tony Fernández was. “He’s Mr. Blue Jay,” I said, as though that explained everything, or anything, but that’s how I’ve long thought of him. He was a part of so many different eras of Blue Jays baseball—the rising team of the mid-’80s, the championship team in ’93, the largely characterless squads of the late-’90s, leading into the Buck Martinez-led team of 2001—that I can’t think of anyone more deserving of the name. I could have said that he was the Jays’ leader in games played, or that he collected more hits in a Toronto uniform than any other player, but I didn’t. I just said “He’s Mr. Blue Jay.”

In those early years—of his career, but also of the franchise’s very existence—Tony Fernández bestowed on our quaint little team something invaluable, something that an ageing Rico Carty or a past-his-prime John Mayberry couldn’t give them, something a pre-NBA Danny Ainge couldn’t will into being: he gave them legitimacy. And as they were our team, that said something about us, too.

The Jays’ standing rose on through him and that ’85 crown (we don’t talk about the ALCS loss to KC), to Bell’s 1987 MVP award, and upward until the grand affirmation of two World Series trophies. But the statement on the back of Fernández’ 1988 Diamond Kings card announced something to the rest of the baseball world, and confirmed for us, that he—and so Toronto, and so all of Canada—was a part of the game, the real game, the big show, the Majors. It was a badge of glossy cardstock, a certificate of authenticity.

And lest you think the comparison with Ozzie Smith unfounded, I’ll just point out their identical career fielding percentages (.978), and Fernández’ superior offensive numbers (a .746 OPS to Smith’s .666, more doubles, triples, and homers, and a higher lifetime average). Tony didn’t do backflips, but you couldn’t watch him long without concluding that he was a wizard, too.

When I collected cards as a kid I loved them all, every single last one of them, but my real favorites were Blue Jays: Bell, Barfield, Moseby. Ernie Whitt and Dave Stieb. Willie Upshaw, who gave way to Fred McGriff at first. Fernández. On the faces of the Topps, O-Pee-Chee, Score, Donruss, and Upper Deck cards in my binders and boxes the entire baseball universe was flattened to two dimensions, arrayed like a map of the Milky Way, so that the whole true cosmography was evident. I spread them out on the floor and marveled at the sight: stars among stars, vast and awesome, their brilliance undimmed by familiarity.

Otis Nixon Wore Many Hats

Baseball formally required all batters to wear helmets in 1970. Red Sox catcher Bob Montgomery was the last player to bat in a Major League contest without a helmet in 1979. Then in 1983, it became mandatory for all professional players to use a helmet with at least one earflap, although anyone with Major League service time in 1982 or earlier could opt for a flapless helmet like Ozzie Smith, Dave Winfield, Tim Raines, and several others. Raines would be the last player to use a flapless helmet.

1980 Topps #618 depicts helmetless Montgomery

On April 7, 1979 Orioles outfielder Gary Roenicke was hit in the face by a pitch, causing a laceration that required 25 stitches to close. Roenicke returned to the lineup on April 15 at Milwaukee and went 3-3 using a helmet with a modified football facemask attached. Expos outfielder Ellis Valentine had his cheekbone fractured when he was hit by a pitch on May 30, 1980 at St. Louis. Valentine also returned to the lineup donning a similarly designed batting helmet equipped with a sawn-off football facemask. Folks who opened packs of Topps baseball cards in 1981 could find a pair of cards depicting each of these unique batting helmets.

1981 Topps Valentine #445, Roenicke #37

Although no such picture appeared on any cards issued during his playing career, it is generally accepted that the first player to experiment with protective face gear was Dave Parker. Parker sustained facial fractures in a collision at home plate with Mets catcher John Stearns on June 30, 1978. Upon his return to the lineup July 16, Parker experimented with a (downright terrifying) hockey goalie mask and other football facemask designs. Despite his injury, Parker would win the batting title (.334) and be named National League MVP in 1978.

Photo credit: Associate Press, 1978

Most recently, Giancarlo Stanton made news when he returned to the Marlins in 2015 using a helmet fitted with a custom facemask that cleverly incorporated a “G” into the protective design. Stanton had been hit in the face by the Brewers’ Mike Fiers on September 11, 2014 resulting in fractures that ended his season. No longer newsworthy, facial protection is now commonplace with an ever-increasing number of MLB players opting for jaw guards incorporated into their batting helmets.

On April 4, 1998 Twins outfielder Otis Nixon coaxed a first-inning walk but was soon forced out at second. During the play at the bag, Royals shortstop Félix Martínez kicked Nixon in the face. Nixon stayed in the game but later learned that he had sustained a fractured jaw. When Nixon returned to the lineup on April 9, he utilized a batting helmet fitted with a full football facemask to protect his jaw and with hopes he would not need to undergo a surgical repair. This unfortunate injury, however, offered Nixon the opportunity to don the widest variety of protective headgear ever depicted on baseball cards by a single player.

Otis Nixon was not eligible to use a flapless helmet because he first appeared in the Major Leagues in 1983; however, here he is while with Cleveland:

1987 Fleer #255

Nixon also used a single-flap helmet with the Expos:

1990 Donruss #456

As a switch-hitter, Nixon subsequently joined the double-flap helmet trend:

1992 Leaf #255

And with his appearance for Minnesota following the broken jaw incident, here is Nixon donning the helmet with protective face gear:

1999 Fleer Ultra #44

Unlike facial bones, Nixon’s sartorial record appears unbreakable.

Sources:

Retrosheet.org

Baseball-Reference.com

Bill Nowlin, “Bob Montgomery,” SABR Bio Project

Paul Lukas, “Giancarlo Stanton’s Mask Not a First,” http://www.ESPN.com, March 4, 2015, accessed April 5, 2021.

“Interference Rule Amended,” Cincinnati Enquirer, December 2, 1970.

“Parker returns to lineup and Pirates win pair,” The Morning Call (Allentown, Pennsylvania), July 17, 1978.

“Quick Kick,” Kansas City Star, April 5, 1998.

Mike Klingaman, “Catching Up With … former Oriole Gary Roenicke,” Baltimore Sun, July 7, 2009.

A minor tradition.

I worry about the trainers.

As we start the 2021 baseball season, Minor League Baseball is now firmly under the control of Major League Baseball. This has already brought about significant change.

A few low-level minor leagues – like my sentimental favorite, the Class A New York-Penn League – have been folded entirely. The others have had their time-honored names stripped from them, rearranged and rebranded with bland, waiting-for-sponsors titles. For instance, the century-plus of heritage behind the International League name has been discarded in favor of “Triple-A East.” Minor-league teams are now “licensed affiliates” who make a point to announce that their schedules have been provided by MLB.

It feels to this lifelong minor-league fan like any vestige of the old MiLB could be ripe for elimination, if it doesn’t make MLB money or burnish the parent organization’s brand in some way.

And one of the purest manifestations of the old MiLB is the trainer’s card.

Big-league sets don’t include trainer’s cards; you don’t find them in St. Louis or Los Angeles. (The best a big-league trainer could typically hope for, card-wise, was to appear as a small, golf-shirted dot on the fringes of the team picture.)

Instead, you find trainer cards in Wausau and Pawtucket, in minor-league card sets, adding bulk to the team set alongside the mascot, the stadium, the general manager, the owner, or occasionally even the chaplain. (He bats and throws righty!)

They’re not tremendously sexy cards, from a design standpoint, and they’re certainly not the most sought-after. If you were to sweep through a minor-league ballpark at the end of Team Set Giveaway Day, you’d probably find at least a couple of trainer cards, cast aside by kids whose solitary interest lies with uniformed on-field personnel.

Still, these cards are a tradition in many minor-league sets. And they serve a purpose, beyond filling out a set. They provide some small token of recognition to men and women whose work is necessary, even crucial, but unglamorous and almost certainly not lucrative.

These people work hard to keep the minor-league armies marching. They deserve these tips of the cap – whether they carry the old-fashioned title of Trainer, or newfangled, health-related handles like Strength and Conditioning Coach or Physical Fitness Coordinator.

I have no difficulty imagining a future in which MLB brings all minor-league card production into a central operation and discards the trainer card. They’ve junked bigger traditions, after all. Plus, trainer cards always have a touch of the podunk about them – and MLB isn’t in the podunk business.

It certainly won’t kill anybody if they do that, but it will be a loss, just as the New York-Penn League is a loss. It will be one less homespun touch, one less glimpse behind the polished facade.

Of course, the pendulum could swing the other way. With interest in cards at an almost absurd high, maybe MLB will want to churn out cardboard on anybody they can think to photograph. Trainers? Groundskeepers? Racing mascots?  That self-appointed superfan in face paint who makes an annoyance of himself blowing a vuvuzela and is thisclose to being banned at the beer kiosks? Bring ‘em all on; someone can be convinced to buy.

If we get trainer cards in chrome or refractor style, with multiple color variants, I might just be convinced to love the brave new world.

Girl Power

In honor of Women’s History Month, I wanted to shine a light on some notable female baseball card artists, past and present. I make no claim that my list is exhaustive, so please use the Comments area to let me know about the artists I’m missing.

2021 Topps Project 70

Though Topps seems to shy away from regarding it as a sequel, Project 70 follows in the footsteps of the prior year’s Project 2020 while opening up the selection of players and years and increasing the number of participating artists to 51. Notably, five of the artists in Project 70 are women. Here is the Topps bio of each, along with one of the first two cards released by each artist. (Check back soon for a full-length SABR Baseball Cards interview with Lauren Taylor!)

Brittney Palmer

Claw Money

Distortedd

Lauren Taylor

Sophia Chang

2020 Topps Project 2020

Five female artists out of 51 total may or may not feel like a big number to you, but either way it represents a significant jump from Project 2020, in which Sophia Chang was the lone female creator.

Chang’s cards cracked the coveted 10,000 print run threshold three times, led by Mike Trout at 14,821 and followed closely by Roberto Clemente (12,077) and Willie Mays (10,480).

When Sophia released her debut Project 2020 card, Mariano Rivera, I wondered how many female artists had preceded her. As it turned out, I didn’t have to look back very far.

2019 Montreal Expos

Montreal-based sports artist Josée Tellier, who may well be the world’s biggest Montreal Expos and Andre Dawson fan, created her own set of Expos greats in 2019 to honor the 50th anniversary of the franchise.

While the set was not an official release, her cards spread quickly on social media and became one of the Hobby’s hottest underground releases. Definitely don’t be surprised to see Josée take part in an official Topps product sometime in the future.

2018-present Topps Living Set

The Topps Living Set, which began in 2018 and continues to this day, combines current and former players into a single set based on the 1953 Topps design.

For the first three years of the Living Set, all artwork was done by Japanese artist Mayumi Seto. Beginning this year, Jared Kelley will join the Living Set team and share the artwork duties with Seto.

2016-2018 Various other sets by Topps

As the back of Seto’s 2019 Allen & Ginter card shows, Living Set was not the first baseball card set to feature her artwork.

You can also see her art in at least three other sets: Museum Collection (2016), Transcendent (2018), and Gallery (2018).

2000 Upper Deck

In 2000 the Upper Deck Company, still riding high, held a promotion where collectors could submit their own artwork to be used in the Upper Deck MVP “Draw Your Own Card” subset. Ultimately, 31 cards were chosen, with this Frank Thomas by Joe Dunbar, age 36, leading off the subset. As the card back notes, Mr. Dunbar was one of ten artists in the 15 years and over category.

This particular age category featured three female artists in all: Linda Marcum (age 34), Kat Rhyne (age 23), and Melina Melvin (age 32).

Linda Marcum

Melina Melvin

Kat Rhyne

Alexandra Brunet

The set’s most notable creator–man, woman, or child–was Alexandra Brunet. At age 6, she was the youngest artist in the set, beating out her brother and a few other 8-year-olds by two years, so there’s that. However, Brunet’s card was particularly noteworthy for reasons wholly unrelated to her age.

Where other artists gravitated toward established MLB stars such as Sosa and McGwire (hey, it was 2000!), Alexandra chose instead to feature…herself (!) as the Yankees first basemanwoman of the future.

In lending her artistry to a baseball card set, Alexandra was also continuing a tradition that began at least 25 years before she was born. However, before we get to the oldest cards I’m aware of, we’ll look at some wonderful postcard series issued from 1988-91.

1988-91 Historic Limited Editions

Some of the most attractive cards of the 1980s and early 1990s came from the brush of Susan Rini. Her artwork was featured in multiple series of limited edition (usually 10,000) postcards from the appropriately named Historic Limited Editions brand. The earliest set I’m aware of is a 1988 set of Brooklyn Dodgers (ultimately the first of four Brooklyn Dodger releases), and other work included the 1961 Yankees, 1969 Mets, and various player sets including Nolan Ryan, Thurman Munson, Roberto Clemente, and Lou Gehrig.

Backing up 20 years more, we come to a set that was not only pioneering in terms of “girl power” but also for its place in the history of one of the Hobby’s great enterprises.

1968 Sports Cards for Collectors

The prehistory of TCMA begins with another four-letter acronym, SCFC: Sports Cards for Collectors. While Hobby pioneer and SABR Jefferson Burdick Award Winner Mike Aronstein was the originator and distributor of the 1968 SCFC set, the artwork fell to two other relatives: Mike’s Uncle Myron and Aunt Margie.

Per Mike’s son Andrew Aronstein, the drawings initialed MSA were done by Myron S. Aronstein, and those initialed MA were done by Margie.

Was Aunt Margie the very first female baseball card artist? Our Hobby has a long history, so just about any time the word “first” is used, it ends up being wrong. What I will say is that Margie Aronstein is the first female card artist that I’m personally aware of. I will also offer that the industry is sufficiently male-dominated that any female card artist–first, last, or anywhere in between–is a pioneer of sorts.

The combination of artists and baseball cards is experiencing quite a boom these days. Congratulations to today’s female artists leading the charge and the past artists who paved the way!

Related:

  • Read about photographer and SABR member Donna Muscarella and her baseball card set honoring Hinchliffe Stadium
  • Read about the “Decade Greats” sets issued by megadealer and card producer Renata Galasso

On thinking about what makes a card a card

One of the few editorial positions we have on this blog is a very catholic stance toward what counts as a baseball card. We’ve published posts about photos, toys, games, stamps, coins, etcetera, all of which serve to flesh out and describe the way that we collected cards. We’re not interested in being gatekeepers for what cards are. We’re interested in use and how cards relate to our fandom and interest in the game itself.

All that said, the discussion about what constitutes a card is one that comes up periodically on Twitter or on here.* It’s a fun discussion to have since we all have very different ideas** which in turn impact our collections and interests. I enjoy taking part in these discussions but I really love just watching them since the criteria people bring up have turned out to all over the map.

*Probably also in the Facebook group but as I’m no longer part of that website I’m unable to confirm as much.

**Quite similar to the “what constitutes a complete set” discussion we had earlier on this blog.

We all, of course, have significant agreement on what a card is. But there are so many variables where an item can deviate from being a card™  that I found myself creating a taxonomy of card attributes. Looking at cards with these attributes in mind is something I’ve found helps me understand why my gut reacts to different products the way it does.

This post will explain my thinking and hopefully help other people put words to things their guts have already intuited. Again, this is in no way intended to be a gatekeeping thing. We all have different reactions to which attributes we care about and where on the spectrum something stops being a card. But if the Twitter conversations have taught me anything it’s that being our most interesting conversations are when we’re being positive about our definitions rather than negative about someone else’s.

Material

We’ll start with the obvious and discuss the material of the card. Obviously the expectation is that they be made of cardboard. They are called “cards” after all.

But cards have never been limited to just that. From the silks and blankets in the pre-war era to the plastic, metal, and wood releases of the modern era we’ve always had cards that weren’t made of cardboard. We’ve had stamps, stickers (some made of cloth), rub-offs, rub-downs, and decals as well.

Even in the cardboard/paper realm there’s also a discussion with having about the thickness of the paperstock. We’ve had posts on the blog about cards printed on newsprint and cards which are almost a quarter of an inch thick.

Size

In general tobacco-sized to 3.5″×5″ seems to have a consensus as being a card. But what about 5″×7″ or 8.5″×11″? What about minis and micros that are smaller than tobacco cards? What about posters and pin-ups?

A lot of this comes back to storage concerns and the way many of us use binders and binder pages to organize our collections. But it’s more than that too. For most of us, “card” indicates something from the business card to postcard size and anything beyond that becomes something else. Too small and the card starts to feel insignificant. Too large and it becomes something else—a photo, a poster, a flyer.

Form

This is sort of related to size but refers to non-rectangular items like discs and diecuts but also encompasses folders, booklets, and pop-ups as well as  coins, poker chips, and buttons. Many of these are binderable. Just as many lose what makes them distinct and interesting as soon as they get bindered.

The items which aren’t binderable at all are especially interesting here. Things like the 1957 Swift Meats diecut paper dolls or those Topps 3-D Baseball Stars from the 1980s are clearly intended to be like cards but do not fit into any standard card storage or presentation systems.

Content

The question of what makes a card a card is more than just the physical description of what it’s made of and what shape it is. What it actually depicts is also important. Yes, picture on the front, stats/bio on the back is the expectation. But there are a lot of cards out there which don’t do this.

We’re not just talking about blank backs either although those are definitely relevant to this category. Backs that are advertising, common designs, or just a player name are all part of this. The same goes with fronts that depict a generic player instead of someone specific.

And for my money, all the more-recent relic, autograph, or online cards with backs that are functionally blank fit in here as well. I’ve seen way too many people refer to them as “half a card” to not mention them.

Release

No images for this section because it’s not something that can really be depicted visually. Traditionally, cards are part of a set and are released in either packs or complete sets. Cards that exist by themselves without the context of a set or the lottery of a pack stray into a grey area. This is something that’s really been pushed into new territory with online releases and the way Topps has in many ways optimized its distribution around selling and creating individual items on demand, but the idea of one-off card releases has been around a long time.

There’s also the discussion here about what connotes a set—both in terms of size and how things are numbered. At what point does a release of cards become a “set”? If something is unnumbered or only has a weird alphanumeric code on the back does that mean that it was intended to be collected by itself?

Case Studies

Why do I bother thinking and categorizing different attributes? Because as I watch the discussions it seems that most of us tolerate a certain amount of variance in one or two categories as long as the others remain “standard.” So let’s dig in.

This slideshow requires JavaScript.

Let’s start with 1969 Topps Deckle Edge. These are pretty clearly cards but they serve as an example of something that sort of fails one of the categories because the backs are non-existent. But as you move from card size to 5″x7″ to 8″x10″, more and more people switch from treating them as cards to treating them as photos.

Or look at Broders. They’re generally “backless” but they also start to deviate from the expected release method.* They consist of small checklists and were generally not released the same way most cards are. Art cards and customs fit in this area as well. Move up a size in this area and we have things like team photo postcards. Change the paper stock and we end up in Jay Publishing land. At some point things stop being a card for a lot of people**

*There’s also something to be said about the licensing stuff but I’ve not heard anyone claim that Panini or other unlicensed logoless cards aren’t even cards.

**Although we still collect them and cover them on this blog.

The one that’s sort of stumped me in my own collection are the Upper Deck Heroes of Baseball stadium giveaways from the early 1990s. Despite being letter-sized and blank-backed, because they’re cardboard and manufactured by Upper Deck they physically feel more like cards than a lot of the posters that Topps has folded up and inserted in packs over the years.

At the same time, since they were distributed via stadium giveaway and do not function as part of a set. They’re also functionally distinct from those late-60s, early-70s posters that were issued in packs and formed part of a distinct set.

But I could go on and on. As stated initially, the point of this post isn’t to provide a definitive answer or even an official opinion. Instead I hope that organizing my thoughts about the different ways we evaluate cardness is helpful to other people as I’ve found it to be for my own thinking.

The Story Behind The Card – The A-Rod Redemption Tour (Chapter 3)

“I did. I did throw at him.”

Ryan Dempster – 2016

Original Photo Taken on 8/18/2013 – Card Made With Rookies App

I could not say – Yes – fast enough when a good friend and Red Sox season ticket holder asked me if I wanted to accompany him to a Yankees game on August 18th back in 2013. Not only was this an opportunity to see The Boston Strong team that was helping a city to heal from the marathon bombing tragedy play a key game during a tight division race, but WE WERE GOING TO BE ABLE TO WATCH BATTING PRACTICE ON THE FIELD! The “On The Field” perk was one of the benefits of being a season ticket holder.

I was looking forward to the game for weeks. A Red Sox and Yankees game is always entertaining, no matter what the outcome, and it was going to my only opportunity to see Mariano Rivera on his farewell tour.

Things got even more interesting when Alex Rodriguez on August 5, 2013 returned to the Yankees line up after recovering from hip surgery and a subsequent quad strain. On the same day MLB announced that he would be suspended (pending an appeal) for the entire 2014 season due to his part in the Biogenesis PED scandal. Alex and the Yankee front office were also at war. Alex claiming that the team mishandled his hip injury back in 2012 and the team claiming he violated league rules when he got a second opinion for his quad injury.

Leading up to the August 18th game I read several news stories that Alex was trying to make amends with fans by spending time before games signing autographs.

Game Day

On game day I came prepared to get signatures of both the Sandman and A-Rod, as well as close up photos of the players. I brought to the park my camera, a baseball, and a number of 2007 Topps cards of Yankee players that were still on the 2013 team.

My friend and I got to the park early and were given wrist bands and escorted through an open gate onto the field. We watched the home-town team take batting practice and then made our way to a choice spot close to the steps of the Yankees dugout. As advertised, A-Rod was one of the first players on the field and he immediately started signing autographs. I handed him my baseball which he signed.

I was also able to get signatures of Robinson Cano and Joe Girardi on the baseball. My friend spotted Brian Cashman coming out of the dugout. I asked Brian if he would sign the baseball. He grabbed the baseball – saw A-Rod’s signature – turned the ball over 180 degrees – and signed on a spot far away from the A-Rod’s autograph.

Original Photo Taken on 8/18/2013 – Card Made With Rookies App
Original Photo Taken on 8/18/2013 – Card Made With Rookies AppJoe
Joe Girardi and Brian Cashman autographs on baseball. Alex Rodriguez autograph not visible.

Due to my own ineptitude, I failed to get the Sandman’s autograph. Mariano was signing before the game, but instead of just handing him the baseball when he was almost directly in front of me, I took too much time fumbling through my 2007 Topps deck trying to find his card and missed my opportunity.

The game was wild. My friend’s seats are in back of the visitor’s dugout. Denzel Washington was in the house and sitting about 10 rows in front of us. Homemade Anti-A-Rod signs were in abundance.

In the second inning Ryan Dempster decided to administer some frontier baseball justice and after two near misses finally plunked A-Rod on a 3-0 pitch on his left elbow pad. Joe Girardi, who after the first near miss was on the top of the dugout steps, raced out to argue with the home plate umpire that Dempster hit A-Rod intentionally. Both benches and bullpens spilled on to the field. It looked like a good old Yankees and Red Sox base-brawl was about to take place. Amazingly, no punches were thrown. Girardi got tossed and Dempster only received a warning.

The incident fired up A-Rod and the Yankees. A-Rod came around to score in the second and then in the 6th inning crushed a 442-foot home run off of Dempster. The Sandman received a standing ovation when he came in from the bullpen in the 9th. He picked up his 36th save of the season as the Yankees defeated the Red Sox 9-6.

Original Photo Taken on 8/18/2013 – Card Made With Rookies App

The Card

Before the game I did manage to get a second autograph of Alex Rodriguez. This time on his 2007 Topps card.

A-Rod Signing my 2007 Topps Card. Original Photo Taken on 8/18/2013 – Card Made With Rookies App
Signed 2007 Topps Card

My collecting story

Editor’s note: SABR welcomes new member Dylan Brennan of the Philadelphia area Connie Mack chapter. You can follow Dylan’s wonderful journey through the Hobby at his Twitter page @cardsstory.

For as long as I can remember baseball and card collecting has been a passion of mine since I ripped my first pack as a kid somewhere around the age or 8 of 9, idolizing legends like Derek Jeter, Ken Griffey Jr., Albert Pujols, Randy Johnson, Pedro Martinez and so-on. It’s always been more than a hobby to me, it’s been a way of life.

My first two best friends and I would run to the closest store that sold cards, which was a K-Mart about 500 feet from our front doors. Whenever we had some money in our pockets it was like Christmas. We’d all run over there. If we had $7, it all went toward baseball cards. We’d go straight to one of our basements and start ripping through pack after pack hoping for the games biggest stars and some hometown heroes.

It’s funny to think back to these times, when one of my biggest worries was when I could go out and play sports with my buddies and what players I was going to pull in a pack of Topps baseball cards, long before the real world inevitably hit me out of nowhere like a freight train. But what I didn’t know during those 30 seconds of ripping through a pack of cardboard, was that I was starting to form my deepest passions in life: baseball and card collecting.

Ever since those first packs I was hooked on collecting, having added thousands of cards in my childhood. As I got older and started high school, I collected frequently until about junior-senior year when I soon discovered that hanging out in the woods with my buddies and having a few beers was slightly more interesting to me at the time.

A few years later, I went away to college which to tell the truth, wasn’t really for me. I did about 3 semesters away at school then came home when I was 18 and went straight to work. (Ah, the American dream!) This is about the time I started getting back into collecting. I collected mostly autographs of any and all Hall of Famers, star players, and childhood favorites that I could get my hands on.

I’ve always had a keen interest in vintage cards. It’s a hard thing to explain, as a lot of things that we love can be. But seeing pictures of cards of legends like Willie Mays, Mickey Mantle, Walter Johnson, and Christy Mathewson was like a short tour through the Baseball equivalent of the Louvre. I had to have them. And once I started to add some vintage to my collection, I quickly learned what I truly loved to collect.

There’s just something unique about vintage baseball cards. The feel, the smell of old cardboard that strangely enough has been one of my favorite smells in the world. Small pieces of art that have been passed around for 70, 80 or even 100+ years. I think that’s what makes some cards similar to a painting or any work of art.

Art almost always has a story to tell and often, the artist leaves it up to its viewers to interpret their own version of the story in their mind. Baseball cards are like that in a unique way. The feeling of holding a beautiful T206 card in your hand and wondering where that card has been for the last 110 years is what makes it so special. The hands they’ve passed through. The stories they could tell, I could only imagine.

I’ve been lucky enough add a lot of cards this past year that I never thought I would own. I’ve also been able to meet some truly great people along the way. I’m excited for what 2021 brings for my collection and I look forward to meeting more awesome people in the process.

Editor’s note: You came to the right place!