There are many mascot races in the major and minor leagues these days, but it all began at Milwaukee County Stadium on June 27, 1993, when a modest scoreboard animation suddenly burst into live action on the playing field.
That Sunday afternoon, the original Klement’s Famous Sausages—the Bratwurst, the Polish and the Italian—surged out from behind the left field fence and began running haphazardly toward home plate, weaving uncertainly back and forth in their seven-feet from head to knee lederhosen, red-and-blue striped koszulka, and tall chef’s hat.
Brainchild of Milwaukee graphic designer Michael Dillon of McDill Design, the racers were an instant hit with the 45,580 Brewer fans in attendance. At first, the races were only held on dates when a big crowd was expected. Later, the races occurred every Sunday. Finally, they became a ritual between the sixth and seventh innings at every game. In the mid-1990s, a Hot Dog was added to the County Stadium line-up. A fifth sausage, the Chorizo, later broke into the regular line-up.
The races continued after the Brewers moved to the then-named Miller Park. On July 9, 2003, Pittsburgh first baseman Randall Simon took a playful tap of the bat at the back of the Italian Sausage as the runners passed the third-base visitor’s dugout. The poke knocked the mascot to the ground, and the hot dog tripped over the fallen racer. Young women were playing the role of each racer. Both suffered cuts and bruises.
Sheriffs at the ballpark took a dim view of Simon’s interference and launched a criminal investigation. Judicial proceedings ended with a $342 fine levied against the Pirate for disorderly conduct. Major League Baseball elbowed into the act and suspended Simon for three days.
Despite the Simon incident, a friendly rivalry evolved between the Sausages and the Pierogies of the Pittsburgh Pirates, and the two mascot teams now face off with each other in an annual home and away relay race.
But don’t expect anything similar with the Racing Presidents of the Washington Nationals. There’s some bad blood between the mascots, with the Presidential team mocking the Milwaukee originals as cardboard “Un-talian sausage,” “No-lish Sausage,” “Not-Dog,” “Not-Wurst,” and “Choriz-No.”
No matter. The Racing Presidents baseball card is the ugliest baseball card produced so far in the 21st century.
My time with SABR Baseball Cards has seen me evolve (or devolve if you like) from someone with zero interest in modern cards to someone who just completed the 2022 Topps Series One set from packs and trades, has more than 700 different Dwight Gooden cards, and now occupies 72nd 64th place among Clayton Kershaw collectors in Trading Card Database. (View my collection.)
The first question I’ll address is how I got here, or, if you like, who to blame. As with much in life, I’d say there was no single cause but rather a succession of nudges that brought me into my present circumstance.
A few years back, my friend and Hobby legend Anson Whaley, the collector behind the fantastic Pre-War Cards website and Twitter account, uncharacteristically announced his own plunge into Gooden super-collecting, and I found myself unexpectedly envious. Had he done similar with Jose Canseco, Bo Jackson, or just about any other junk wax superstar, I wouldn’t have blinked an eye, but Dr. K was a different story. His cards and box scores were absolute obsessions of mine in 1985, and the nostalgia was too much to resist. Once Anson agreed to sell off his 500+ doubles, I was off to the races.
Shortly after, I found myself at a card shop in Portland with SABR president Mark Armour. While my prize purchase was a 1971 Topps Dick Allen card, we each spent the $6 or so on a single pack of the year’s current Topps cards. While the cards inside were rather pedestrian, the experience of opening a pack brought back all kinds of fun memories.
Around that time some of my SABR Chicago buddies and I started holding Junk Wax nights, which reinforced the pleasure of packs with friends, whether or not anything pulled would ever represent a significant addition to my collection in any way other than volume.
During the 2020 postseason, I somehow became possessed by the notion that I needed to buy Clayton Kershaw and Mookie Betts rookie cards in order for the Dodgers to win the title. (Judge me if you like, but it worked!) This same year I had also enjoyed many of the cards and artists of Topps Project 2020 and subsequently (if you count it) bought the Topps Now card of Mike Pence with the fly on his forehead.
Perhaps most importantly of all, the vintage cards I’d been after for so many years had seemingly tripled in price during this stretch, limiting my options as a collector to buying modern or buying nothing at all. With rookie card in hand then, why not collect my favorite player’s entire career? Well, actually there were…11,682 reasons?!
Yes, this is Clayton’s 15th year in the league, but 11,000-plus cards to collect? That’s insane! On the other hand, the notion of a virtually unattainable set is only limiting when regarded as something to complete. Another way to look at it is that there are literally thousands of different cards of Clayton Kershaw to choose from, and the good news is that most are extremely affordable.
In a recent lot I purchased, the average price per Kersh was a mere 31 cents.
Still, my collector DNA doesn’t allow me to stockpile cheap Clayton Kershaw cards with no plan or checklist to the hunt. Therefore, I’ve begun to develop some goals around the collection.
Clayton’s flagship Topps card each year
This is probably the minimum any modern player collector goes after. I still have some I need (2012, 2013, 2014, 2016), but none will be pricey or difficult to find.
At least one “pre-rookie” card for each team Clayton was on
As many of us enjoy the notion of our player collections telling the story of a career, why not have cards of Clayton pitching for the Junior National Team, the Scots (Highland Park High School), and the Great Lakes Loons (Midwest League)?
Cards that look super cool (but are still cheap)
Here are five of my favorite Clayton Kershaw cards. Total spent was about $3, with three of the cards coming my way for free thru the NGT Collectibles Sunday Giveaway thread or my SABR Chicago collecting cadre.
Do I think this sort of thing is for everybody? Not necessarily. All I can say is that for me the burgeoning Kershaw collection has been a rewarding and inexpensive way to remain an active collector, find cards I want/need at card shows, and even occasionally pull something from a pack that goes into my binder. Plus, I really do like his cards, and that has to count for something!
Just promise me, readers, you’ll stage an intervention the day I start adding cards of cartoon Clayton playing hallway hockey with Matthew Stafford to my once proud collection of Aaron, Campy, Jackie, and the like.
One of the elements of Topps Heritage that routinely catches my eyes are the Heritage News Flashbacks. For a small insert set which is purportedly about the heritage year’s news highlights, I’ve found it to be an interesting window into what kind of things Topps considers mass-market newsworthy.
Given Topps’s coverage of the 1950s–1970s we have a lot of civil rights firsts,* a lot of space exploration, and a lot of Vietnam War related events. All things which are conceivably politically neutral. In many years though Topps also commemorates legislation and other political achievements. These were clearly highly political at the time but also frequently remain political even today. When I look through the insert checklists it’s these cards that catch my eye in the way that they have one foot in both “this is something worth commemorating” territory and “this is what people say we shouldn’t talk about in the hobby” territory.
*The number of “first black” or “first woman” events Topps chose to celebrate is both refreshing to see and an indictment of who has been traditionally allowed to succeed in our society.
Not only do these legislative inserts catch my eye but they frequently have an interesting context outside of the just the card. This 2009 card commemorating the 1960 Civil Rights Act for example came out the same year that Barrack Obama became the first Black President and the year that Congress authorized the Civil Rights History project to collect oral histories from people who were active in the struggle during the 1950s and 1960s.
The thing with these news flashbacks cards though is that they also tend to frame history as a series of accomplishments rather than a continuing struggle and discussion. Looking at this card gives the impression that we’ve achieved equality at the polls and that no further work needs to be done to maintain things let alone improve on them further.
In 2010 we have acknowledgment of how Washingon DC residents were disenfranchised through the 1960 election with a card the commemorates the ratification of the 23rd Amendment. It’s definitely a good thing that their presidential votes count now but the struggle for DC statehood and representation continued after this amendment.
In terms of the context of this 2010 card it’s important to mention DC’s statehood has been endorsed by multiple Presidents now and that there was a referendum in 2016 in which 86% of DC voters expressed a desire for statehood.
In 2013 we pick up where 2009 left off with the Civil Rights Act of 1964. As with the 2009 card this states plainly that segregation is outlawed as well as discrimination against ethnic, racial, and religious minorities plus women. This card doesn’t note how the Civil Right Act of 1964 is what prompted Southern Democrats to switch parties and drastically rearrange the political geography of the United States.
Coming out in 2013 is kind of some amazing immediate context too. Between the Trayvon Martin murder which spawned the Black Lives Matter movement and the Fisher v U of Texas case that threatened to roll back Affirmative Action the discussion about how relevant the Civil Rights Act of 1964 still was and whether its protections were still needed make this card anything but politically neutral.
The 2014 card which commemorates the Voting Rights act of 1965 is the card which prompted this post. For Topps to publish this the year after Shelby v Holder feels almost like an intentional political comment. With a headline about securing voting equality despite the mechanisms for actually keeping voting equality having just been ripped out of the act this card reads almost as a eulogy for what was rather than a milestone that was reached.
The ensuing decade has confirmed my sense of it being a eulogy as we’ve seen increased attacks on voting access nationwide.
We’ll skip a few more years and land in 2017 with yet another Civil Rights Act, in this case 1968’s, which was in the news a bit that year. This act contains within it the Fair Housing Act which prohibits discrimination in both renting and sales. The list of protected categories started off as including just race, religion, and national origin but has expanded to include sex, disabilities, and children. In 2017 sexual orientation and gender identity were added to this list via the judicial system (but never got anywhere in Congress).
This act also included some anti-riot language which made it a crime to travel between states in order to participate in a riot. It was notably used on the Chicago Seven and came up again in the aftermath of the Unite the Right rally in 2017 in which the courts ruled that its language was over-broad.
While this isn’t a legislative card I’ve included the 2018 card of the 1969 Stonewall Riots because of how much of a lighting rod it would be in today’s political landscape. This is history—both from a Gay Rights point of view and the fact that Marsha P. Johnson was a black transgender woman—which is currently being actively legislated against in multiple states nationwide and Topps just had it as a card only four years ago.
This card also came out in the aftermath of the 2015 Obergefell decision which legalized gay marriage and resulted in years of stories of workers and businesses who refused to acknowledge those rights and insisted that their rights to discriminate were more important.
After having maybe one political card per year, Topps went a bit nuts in 2019 and released four of cards of things the government did in 1970. Some of these like expanding voting access to 18 year olds don’t require much comment. Others like the PBS card are noteworthy in the timing of how free educational television was moving to streaming services with shows like Sesame Street only releasing new episodes through HBO Max.
The Earth Day and creation of the EPA cards though are fascinating to see in an age of runaway climate change, the complete abdication by the US Government to do anything about it, and the shortsighted focus on immediate profits over a sustainable world.
Back to only one card in 2021 but it’s a doozy for a year which was threatening to roll back many of the protections that women fought for in the 1970s as Covid had a greater impact on women’s jobs and abortion is getting outlawed nationwide.
In any case it’s pretty clear at this point that the biggest habitat threat is climate change and while the explicit protections and goals of the Endangered Species Act are laudable a larger, more-global, solution will be required moving forward.
And that’s the list. When looked at together it’s easy to reach a conclusion that Topps thinks that discrimination based on race, nationality, and gender is bad, that protecting the environment is good, and that voting should be accessible to all citizens. But it’s also easy to reach a conclusion that Topps considers that all of that has been accomplished already and something we can look back upon and celebrate much in the same way the Major League Baseball commemorates Jackie Robinson as a way of ignoring its current track record on racial equity.
A reply to a recent SABR Baseball Cards social media post led me to think about the baseball players more famous for their baseball cards than for any of their on or off the field exploits. Here are ten who I believe fit the bill.
Ripken lasted twelve years in the big leagues as an infielder, including an all-star caliber season in 1990. Today he is a frequent co-host on MLB Network. His brother is baseball’s ultimate Iron Man and one of the greatest shortstops in history. And still, say the name Billy Ripken and card collectors think only of one thing: his 1989 Fleer F*ck Face card.
His career on the diamond lasted only half as long as Billy Ripken’s but he spent six years as the regular second baseman for the Rangers and Cubs, topping 30 steals four times while batting a respectable .266. Like Ripken, baseball also ran in his family. Of course any kid who collected baseball cards in 1979 will know him best for this seemingly impossible cardboard trickery.
BRANDON PUFFER AND JUNG BONG
Puffer played four years in the big leagues, appearing in 85 games for the Astros, Padres, and Giants. Jung Bong played one fewer season, appearing in 48 games for the Braves and Reds. The two pitchers combined for a WAR of -1.2. Though never teammates, the duo shared Future Stars cardboard in the 2003 Topps set on card #331, known to collectors (and chronicled by David Roth) as the “Bong Puffer card.”
Legitimately one of the best hitters of his time, scouted by the legendary Buck O’Neil, and the man behind the classic line, “They don’t think it be like it is, but it do,” Oscar Gamble would be remembered fondly even if he had no baseball cards at all. Fortunately that’s a hypothetical we need not ponder long when this pure cardboard gold is right in front of us.
SHERRY MAGEE AND JOE DOYLE
Magee built a borderline Hall of Fame career from 1904-1919 that included more than 2000 hits, four RBI titles, and 59.4 WAR. Even with those credentials I suspect many readers can only hazard a guess whether his name is pronounced Maggie, McGee, or Madgee.
Doyle, on the other hand, had a completely undistinguished career, seeing limited action on the mound over five seasons at roughly replacement level.
Whatever their on-field exploits, each of these players will forever be cardboard legends, with their error cards comprising half of the T206 set’s “Big Four.”
BENNY BENGOUGHAND ANDY PAKFO
Bengough was a career backup catcher who compiled 0.3 WAR over his ten seasons in the big leagues. When the 1933 Goudey set came out, he was already out of baseball.
Pafko, on the other hand, was a four-time all-star who batted .285 over 13 seasons with a career OPS+ of 117. His 1952 season (.287/19/85) was uncannily similar to his lifetime per 162 slash line of .285/19/85, and his midseason move from the Cubs to the Dodgers the prior year was one of the season’s biggest trades.
While neither player would top any list of all-time greats, each player topped many stacks of baseball cards, thanks to being numbered one in the 1933 Goudey and 1952 Topps sets respectively. Until the Upper Deck Ken Griffey, Jr., rookie card came along in 1989, I suspect these two players were the Hobby’s most famous set starters. Certainly both cards, in reasonable shape, carried a premium comparable to lesser Hall of Famers due to rubber banding, spills, and the myriad other ways stack toppers suffered disproportionate damage in collections prior to the advent of plastic sheets.
I’ll end the article with what may be my most contentious selection. Without a doubt, Wagner is a top shelf baseball immortal, considered by many to be the greatest shortstop of all-time if not the single greatest player of the Deadball Era. (In both cases, Pop Lloyd deserves consideration as well.) To an audience well versed in baseball history, therefore, Wagner is most famous for his tremendous playing career, even if most fans still pronounce his name wrong.
Yet whatever his accomplishments on the diamond, I suspect the Flying Dutchman is best known today, whether in the collecting world or the general public, for a single, transcendently pricey cardboard rectangle, our Hobby’s Mona Lisa.
Who else would you nominate for this elite club where ERR trumps WAR and even backup catchers can be number one? Sound off in the Comments!
The good memories include attending my first major league game at a packed Fenway Park on September 24, 1961, with my father hoping to see Roger Maris hit home run number 60 to tie Ruth. I also got to see Mantle play at Yankee Stadium when my aunt and uncle took me to a daytime double header in 1963. As good as those memories are, the one that I can recall most vividly is from a close encounter with Mick at the end of his career in 1968. On that day Mantle, only an arm’s length away, sat behind a closed window on the team bus outside Fenway Park and ignored my pleas for an autograph.
Besides the trip down memory lane, the recent uptick in Mantle activity also caused me to splurge on a piece of Mantle memorabilia from 1954 with a Topps tie-in that I have had my eye on for some time.
Since this piece of memorabilia involves baseball cards, I did some research on interpretations of Topps 1954 cards (With Bowman having signed Mantle to exclusive card contracts in 1954 and 1955 kids had to wait until 1956 for number 7 to appear on a Topps card again).
There are plenty of roll your own “Topps” 1954 Mantle cards available, some with interesting backstories, and the number continues to grow with two additions in 2021.
Upper Deck 1994 – All-Time Heroes Card
In 1994 Topps released the 1954 Archives set that included nice reprints of the original ’54 cards on thick glossy card stock along with “new” cards of players that did not appear in the original set. Topps did not release a “new” Mantle card in 1994, but Upper Deck did release one as part of its All-Time Heroes set since it had an exclusive contract with Mickey. The Upper Deck ’54 is considered a “short print” and current prices on eBay range from $40 – ungraded to $149.99 – graded.
Topps 1954 Style Mickey Mantle Cards
Topps issued 1954 style Mantle cards in 2007, 2011 and 2012. This year they have also released two more 1954 style cards. One as part of the Project70 series and the other as part of the 2021 Mickey Mantle Collection set.
The image on the front of the card Topps 1954 style Mantle for the 2021 Mickey Mantle Collection set is derived from the William Jacobellis black and white photo of Mantle from the 1951 season. This photo was also the starting point for the front of 1952 Bowman Mantle card.
Unfortunately, the Topps research staff were asleep at the switch and the back of the cards display Mantle’s 1955 stats instead of his 1953 stats. Does this make it an “error” card?
The Topps Project70 1954 style Mantle was created by CES.
Bob Lemke – 1954 Topps-style Mantle Card
My favorite 1954 Topps-style Mantle card is the one designed by Bob Lemke, the founding editor for the Standard Catalog of Baseball Cards, who passed away in 2017.
In one of his blog posts that can be found here, Bob provides details on the origins of all the elements used in his Mantle card.
1954 Sports Illustrated Mickey Mantle
I have been looking for a reasonably priced – Sports Illustrated – second issue – in good condition for some time and recently found one on eBay. I knew that the second issue contained a foldout section with a “missing” 1954 Mickey Mantle card.
Sports Illustrated used a beautiful black and white photo taken by George Silk for the card. The same photo was also used by Sports Illustrated for the cover of its August 21, 1995, issue that was published days after Mantle passed away. Weakened by the onslaught of new Mantle material released in 2021, I clicked on the Buy It Now button and purchased the 1954 Sports Illustrated issue.
Since they don’t teach this style of writing in journalism classes anymore, I will close with an excerpt from the Sports Illustrated article that accompanied the foldout of the cards.
“Topps Chewing Gum, Inc., one of the leading gum-and-card concerns, issues an average of 15 cards per team, and this average holds for the Yankees. The 15 Yankee cards in Topps’s 1954 series are reproduced front and back on color on the following foldout. They are, of course, prize items. But SPORTS ILLUSTRATED has added prize items of its own to fill out the Yankee squad to full strength: black-and-white “cards,” front and back, of those Yankees for whom Topps – for one good reason or another – did not print cards. The result is a collector’s dream: 27 Yankees, a collection almost beyond the highest hopes of the most avid gum-chewing, card-collecting boy.”
At the tail end of the “junk wax” era in 1995, Upper Deck—in tandem with a company called Metallic Impressions—produced a set that exemplifies the excess and weirdness of the era. Taking advantage of the hoopla surrounding Michael Jordan’s attempt to become a baseball player, Upper Deck released a set of five Jordan “cards” on steel stock. The five-card set is contained in a metal box with a detachable lid.
The “Michael Jordan Tribute Set” is rather conventional in design. Paper fronts and backs are adhered to the gold embossed steel. Action photos grace the fronts, with narratives of Michael’s baseball odyssey contained on the back along with another photo. The cards are numbered MJ1-MJ5.
The first card features a Little League photo of Michael Jordan, with the back providing the inspiration and rationale for retiring from basketball and trying a sport he last played in high school.
Card MJ2 is about the White Sox sending Michael to the Arizona Fall League after the Birmingham Barons AA season ended in September of 1994. By the way, he got off to a fine start at bat and finishing with a respectable .252 average.
The final three cards are devoted to hitting, baserunning and fielding. The text details Jordan’s hard work and continued improvement.
Of course, Jordon decided to end his pursuit of a baseball career in 1995 and the bottom fell out of the baseball card market. The set I have is from the markdown section at Target, where my wife or I purchased it for my son in the late 1990s. Last summer, I rediscovered the set buried within a storage bin.
This set is an example of the prevailing philosophy of the “junk wax” era; throw stuff at the wall and hope something sticks. In the case of the “Michael Jordan Tribute Set,” it fell clanking to the floor.
“You better let Michael out of the can before he suffocates to death!”
I started this amazing project last September. The first purchase was a Billy Parker card on 9/2/20, and on 7/8/21 I found the Larry Doby card I wanted to complete it all. I had so much fun assembling this mix of well known cards, as well as some I never knew existed.
Sixteen players out of the 86 did not have an MLB card produced, which made things very interesting. I had to dig for autographs, Minor League cards, original photos, and even game cards. The back stories of these great players were so interesting: the journey, the struggle, the closed doors eventually pushed wide open.
I learned so much about the players and their families, the Negro League and its origins. I’m a bit bummed it has come to an end but happy I was able to share it with all of you. Thanks to SABR Baseball Cards and the whole SABR team for giving me their platform to share it. So here we go, it’s the bottom of 9th, time for a walk-off!
George Crowe 1953 Topps. As you know I love the ’53 Topps set. So ahead of its time. Big George with the frames as a member of the Boston Braves. Crowe was an outstanding basketball player, and enjoyed the game better than baseball. He was smart enough to know there was more money in baseball back then. In 1947 he joined the New York Black Yankees where he hit .305 in 141 at bats. In ’52 he made his debut with the Braves. He played 11 years in MLB, in ’57 he had his best season smashing 31 dingers along with 92 ribbies for Cincinnati.
🐐fact: “Crowe was the most articulate and far-sighted Negro then in the majors. Young Negroes turned to him for advice.” – Jackie Robinson
Joe Black 2001 Fleer Stitches in Time Autograph. Figured I would go the auto route with Joe, it’s a super clean signature, and a card I have never seen before. Black pitched for 3 MLB teams over 6 years. His best season was his rookie year playing with the Brooklyn Dodgers. He finished 41 games, sported a 15-4 record with a 2.15 era, 15 saves, and took home NL ROY as a 28 year-old. Joe played for the Baltimore Elite Giants of the Negro League.
🐐fact: Along with Jackie Robinson, Joe pushed for a pension plan for Negro League players. After his retirement from baseball, he remained affiliated with the Commissioner’s Office where he consulted players about career choices.
Quincy Trouppe 1978 Laughlin BVG 8.5. This card was from a set of 36 cards by sport artist R.G. Laughlin honoring outstanding black players from the past. Quincy was one of the players in this project who was never featured on a MLB card. He only appeared in 6 games with Cleveland as a 39 year-old. That was his MLB career, but Quincy was a legend in the Negro Leagues! He was a big switch-hitting catcher, 6′ 2″ and 225 pounds. Excelled as a player, manager, and scout. Trouppe was a baseball lifer who did many great things for the game.
🐐fact: In 1977 Quincy self-published a book entitled, “20 Years Too Soon”. He also had a vast collection of photographs, and supplied Ken Burns with most of the Negro League video footage for his legendary documentary.
Hector Rodriguez 1953 Bowman RC. Hector played one year for the Chicago White Sox in 1952. He was a natural shortstop, and a native of Cuba. A member of the New York Cubans in the Negro League. Even though he only played a short time in MLB, he was a fixture in the International League for the Toronto Maple Leafs. As you can see on this awesome Bowman card with Yankee Stadium in the background, he’s about to sling that ball sidearm. He was known for his underhand flip throws from deep in the hole just like someone I enjoyed watching growing up, Tony Fernandez.
🐐fact: Hector sported a great eye at the plate. In 1952 with the White Sox, he struck out only 22 times in 462 plate appearances!
Frank Barnes 1960 Topps RC. This is a really sharp card, not centered well, but great condition. Barnes played in 1957, 1958 and 1960 for the Cardinals, he pitched in only 15 career MLB games. If you notice, Frank is a member of the White Sox on his baseball card, but he would never appear in a game for them. Barnes played for the Kansas City Monarchs, he was later sold to the Yankees along with Elston Howard.
🐐fact: Barnes continued to pitch professionally in the minor leagues and Mexico until age 40 in 1967.
Joe Durham 1958 Topps PSA 7 RC. Joe had his first taste of the big leagues in 1954 as a 22 year-old OF with the Baltimore Orioles. He missed the ’55 and ’56 seasons due to military service. He returned to the O’s in ’57, then finished his career with the Cards in ’59. Durham started his professional career with the Chicago American Giants of the Negro League. After his playing career was over he became the O’s batting practice pitcher, and then moved into the front office. He was a member of the Orioles organization for over 40 years.
🐐fact: “I was in the Negro American League because I couldn’t play in anything else. People talk about racism in Mississippi and Alabama. Mississippi was bad, and Alabama was bad, but Chicago was just as bad as any of them.” – Joe Durham.
George Altman 1958 Topps RC / 1964 Topps Autograph. This is a really crisp rookie card, obviously not centered well, but an overall nice card. The Altman autograph came from Ryans Vintage Cards, a really cool Instagram account that sells random vintage cards in re-packs. George played 9 years in MLB as an OF and 1B. He was a 2x All-Star with the Cubs. In ’61 he led the league with 12 triples, batting .303 with 27 HR and 96 RBI. He started his pro ball with the Kansas City Monarchs, mentored by the great Buck O’Neil who taught him how to play 1B. The Cubs signed George, as well as Lou Johnson and J.C. Hartman all from Buck’s word.
🐐fact: After his time in MLB, Altman went on to play ball in Japan, amassing 205 HR until he retired at the age of 42.
Lino Donoso 1956 Topps Pirates Team Card. Donoso was one of the toughest players to find anything on. It took me months to realize he was on the Pirates ’56 team card. It’s Clemente’s second year, so it’s not a cheap card even in poor condition. Lino was a lefty pitcher, a Cuban native who started his professional career in 1947 with the New York Cubans of the Negro National League. He made his MLB debut in 1955, and played a few games for Pittsburgh in ’56 as well. He had a long career in the Mexican League, and was elected to their Hall of Fame in 1988.
🐐fact: Donoso was a teammate of Minnie Miñoso for the New York Cubans in ’47. He sported a 5-2 2.18 ERA as a 24 year-old.
Editor’s Note: You can enjoy the rest of this series right here on the SABR Baseball Cards blog.
Covering the Bases (CTB) is a feature where we take a deep dive into a single card. With his Cooperstown Hall of Fame induction imminent we are taking a look at Derek Jeter’s 1997 Topps Card.
1997 Topps #13 Derek Jeter
Folks that folllow our columns likely suspect the draw of this card to me is the rookie cup. Derek Jeter was the 1996 AL Rookie of the year and the star of the years Topps All-Star Rookie Squad. Although I must mention that the 1996 AL Rookie WAR leader was not Jeter…
Jose Rosado was also snubbed for the All-Star Rookie squad in favor of reliever Billy Wagner, who received a grand total of ZERO ROY (NL) votes. Rosado spent the entirety of his five year MLB career with the Royals. He made a pair all-star teams including sharing the field with Jeter in 1999.
The 1997T is simple and functional. My only complaint is that the player position is not present on the card front.
One thing I do like is that the card borders are league specific, AL Players are in red while the Senior Circuit is green
1997 Topps #177 Todd Hollandsworth
Jeter’s NL rookie of the year counterpart was Todd Hollandsworth, here with the green NL Border. I am pretty sure that the league borders is a nod to the red and green books of the past.
At some point I had a couple of green books, but they appear to have escaped from the phungo museum. Unfortunately Red/Green books ceased publication in 2008.
Also noticed the change in orientation, Most 1997T are in portrait format like Hollandsworth.
Guess the Game
When possible Guess the Game is a prominent tenet of a CTB feature, and today’s Derek Jeter card is indeed traceable. However it is the guest Chris Snopek that is the key to the research.
Prior to the issuance of this card in 1997 Snopek played four games at Yankee Stadium, May 4-5 and August 6-7 1996. It appears that in only one of those games is there a play at 2nd base involving Snopek and Jeter. The play occurred in the 6th inning the game that occurred on May the 4th (Star Wars Day!). This is the front end of an inning ending 4-6-3 double play induced by Bob Wickman.
The twin killing may have quelled the Chicago rally, but in the end the White Sox won the game 11-5 .
It was Derek Jeter’s 41st career game. A double in the 6th inning was his 35th career hit. 3430 more hits would follow. Defensively the play on the card was among the 4 assists and 2 putouts recorded by Jeter.
The games big star was the White Sox Harold Baines, who collected 5 RBIs despite not entering the game until the 8th inning. His big blow was a 9th inning grand slam off of Jim Mecir.
But wait there’s more…
1997 Topps #137 Chis Snopek
Chris Snopek’s 1997T is a sort of Jeter mirror. It is also a keystone play at Yankee Stadium. Only this play features the White Sox on defense.
Quickly we can tell it is not the same game, note on this card Snopek is sleeveless while on the Jeter offering he is wearing an undershirt
The game was played on May 5th 1996, Snopek was playing career game 32. In the game he tallied his 7th career double and scored the White Sox lone run.
We also notice this image features Yankees star Bernie Williams on an attempted steal of 2nd base…
Safe or Out
This play appears to have occurred during the 7th inning of game on an attempted steal by Bernie Williams.
On the play Bernie Williams was…
He next went to third on a wild pitch and scored on a sacrifice fly by Joe Girardi. Nice trip around the diamond for Bernie, The Yankees went on to win the game 7-1.
1997 Topps #13 Derek Jeter
Returning to our original subject, On the card back we now see Jeter’s position prominently at the top, also kudos to Topps for making the card # large enough to be read easily.
The card back element that jumps out me most is the text. Here we are at the beginning of Jeter’s career and he is already being compared to Don Mattingly. This is an incredible legacy to approach and Amazingly not only does Jeter carry the torch of “Most Popular Yankee”, I think most folks would agree he surpassed Mattingly.
Our collecting habits are almost certainly influenced by time and place, and my own certainly are. The players I collect were primarily active in the 1980s and 1990s, the team I collect was on top of the baseball world in 1986 with their spring training site moving about two miles away from my house, and, with my formative collecting years being the late 1980s and early 1990s, I find having a single card producing company with a full MLB license maddening.
At some point, probably in the early 2000s, I began collecting “cards” of players from the area in which I grew up. “Cards” is in parentheses because I have other items of the non-card variety, including Starting Lineup figures for the few who had them as well as other assorted card-like items. While the definition of a card varies by individual, my own definition of a “card” is broad.
Port St. Lucie was small when I lived there – the title of the post shows how much the area codes changed due to population growth over the span of about 15 years. There was not actually a high school in the city of Port St. Lucie until 1989 (I was in the second class that could possibly have attended the school all four years) – so I branched out a little into the rest of St. Lucie County as well as neighboring Martin and Indian River counties. But despite its size there were a few players who made it to the show.
The most famous player from the area is almost certainly Rick Ankiel. A highly touted pitching prospect who likely would have gone higher in the draft if he didn’t have Scott Boras as his agent, he finished second in Rookie of the Year voting to Rafael Furcal then proceeded to struggle with control against the Braves and Mets in the playoffs. He of course made it back to the majors as an outfielder, which, according to his book, may not have happened had he not had Boras as his agent. It’s that story which likely elevates him to the most famous player from the area.
Charles Johnson went to Fort Pierce Westwood and was drafted in the first round twice – once out of high school and once out of the University of Miami. I believe his dad was the baseball coach at Westwood for many years. He is probably the best player (at least according to WAR) to come out of the area, or at least he was until Michael Brantley came along. Again, there are dividing lines for a collection – I don’t collect Brantley because I had left the area before he became a local player. He was in the right place just at the wrong time. Brantley’s time in that area did overlap perhaps an even more famous individual from the area – you may have seen Megan Fox in a movie or two.
There are other players from the area, more minor players in the history of the game. Ed Hearn, who was born in Stuart and went to Fort Pierce Central, was a favorite of my best friend’s mom. He also happened to play for the 1986 Mets, which is good enough for me. Like Charles Johnson, Terry McGriff is a catcher out of Westwood and is actually Charles Johnson’s uncle. He’s also a cousin to Fred McGriff (who I also collect in a limited fashion though that has nothing to do with location – it has everything to do with time). A friend of mine in elementary school got Terry McGriff’s autograph when Terry visited my friend’s elementary school. Eventually that card ended up in my collection through a trade of some sort.
Danny Klassen, who went to John Carroll High School, is the closest in age to me, and while I didn’t play baseball with him (I was on the north side of Port St. Lucie and played at Sportsman’s Park; he was playing on the south side at Lyngate Park) I know many people who played on teams with him in Little League and Legion Ball. I believe he has a World Series ring with his time on the Diamondbacks. Wonderful Terrific Monds was a player I didn’t know much about, but (1) a good friend of mine’s parents couldn’t stop talking about how good he was and (2) his name is awesome. He never made it to the majors, but he has minor league cards and a handful of cards from mainstream sets due to being in the minors at the right time (a prospect in the early 1990s).
I should probably have a Jon Coutlangus collection, but alas, I think he was a year too late. At one point I identified Joe Randa as the best MLB player to attend Indian River Community College (which is now Indian River State College), so I started a Randa collection, though I don’t remember much about his IRCC career.
The more prominent players (Ankiel, Johnson, and Randa) have some game-used and autographed cards; most have parallel cards in one product or another. Okay, Ankiel has over 100 different autographed cards and over 50 memorabilia cards according to Beckett; he was a hot prospect at a time when there were multiple fully-licensed producers. He’s also popular enough that he has autographed cards in recent Topps issues, well after his retirement from baseball. Hearn, McGriff, Monds, and Klassen only have a handful (or what I would call a handful – less than 75) of cards. It’s usually easier to find the rarer cards of the bigger names because sellers will list them, with the cards of the less popular players coming up occasionally.
While the cards of these players aren’t going to set records at an auction or allow me to buy an island, the collection provides a tie to my formative baseball playing and baseball card collecting years. For me, those types of connections are why I collect.
As a baseball card collector and enthusiast, I feel that I am living through the Renaissance era of baseball card art. My Twitter feed is filled daily with spectacular images of cards from many artists that are working with a variety of mediums to produce their own interpretations of what cards of past and present players should look like. A number of these artists are also using their artwork to support charitable causes.
There was certainly an undercurrent of fine baseball card artwork being produced long before 2020, but the Topps Project 2020 brought to the surface a tidal wave of beautiful cards from a wide variety of artists.
Was Project 2020 an original idea or was it a variation on a project from the Junk Wax era? A case can be made that Project 2020 can be linked back to the All Star FanFest Cards from 1994 to 2000.
The two projects are similar in that they have multiple artists and designers coming up with unique cards of a single player and they also share some common player subjects – Roberto Clemente (1994 – Pittsburgh FanFest), Nolan Ryan (1995 – Dallas FanFest), and Jackie Robinson (1997- Cleveland FanFest).
Ray Schulte was responsible for the All Star FanFest cards from 1994 to 2000. At the time he was working as an event consultant for MLB Properties, and cajoled some of the major baseball card producers of the 90’s to design and distribute unique cards of an iconic player from the city that was hosting the All Star Game. To obtain the cards a fan had to redeem 5 pack wrappers of any baseball product of the manufacturer at their FanFest booth.
I was introduced to the cards when I attended the All Star FanFest event held at the Hynes Convention Center in Boston in 1999. I attended the event with my family and upon learning about the cards from a Fleer representative sent my two kids on a mission to purchase 5 packs of cards produced by each of the four manufacturers from dealers at the event so we could exchange the wrappers for the Carl Yastrzemski cards designed just for the 1999 FanFest.
Now let’s take a closer look at the All Star FanFest sets which feature players that overlap with the Topps 2020 Project.
1994 All Star FanFest Set – Roberto Clemente
1994 was the first year that FanFest cards were issued and with Pittsburgh hosting the All Star Game the player subject was Roberto Clemente. Topps, Fleer, Upper Deck, Donruss, and Pinnacle issued cards for the event.
Fleer and Topps decided not to mess with perfection and produced cards that were essentially reprints of Clemente’s 1955 Topps rookie card and his 1963 Fleer card with 1994 All Star logos. Upper Deck issued a metallic looking card of Clemente that contains career stats and accomplishments on the front. Upper Deck would utilize the “metallic look” design for player subjects for the next 6 years. As you would expect, an image of a Dick Perez painting of Clemente is on the front of the Donruss Diamond King card.
1995 All Star FanFest Set – Nolan Ryan
With the 1995 All Star Game being held in the home park of the Texas Rangers the logical choice for the player subject for the FanFest cards was Nolan Ryan who retired in 1993.
The 5 card manufacturers who designed cards for the 1994 All Star FanFest also produced cards for 1995 All Star FanFest event held in Dallas.
Topps produced a re-imagined 1967 Rookie card of by eliminating the Jerry Koosman photo and enlarging the Nolan Ryan image to fill the front of the card. In microscopic print, Nolan’s complete major league pitching record is on the back of the card. Steve Carlton got the same treatment a year later when Topps enlarged his airbrushed 1965 photo to produce a new version of his Rookie card. Fleer issued an Ultra Gold Medallion version of a Ryan card. Upper Deck continued with its metallic design for a Ryan card. The Pinnacle card featured a Nolan Ryan painting and Donruss produced a Tribute card.
1997 All Star FanFest Set – Jackie Robinson
With the All Star Game 1997 marking the 50th year of his major league debut, Jackie Robinson was the correct selection for the player subject for the 1997 set.
Topps released a reprint of his 1952 card with a All Star logo on the front and his complete major league batting record on the back. Leaf distributed a reprint of Jackie’s 1948 “rookie” card with small All Star Game logo in the upper right-hand corner. Fleer choose a nice posed photo of Jackie looking like he is going to tag out the runner for its Ultra card. On the back of its Tribute card, Pinnacle included a great action shot of Robinson coming in head-first at home plate with the catcher about to make a tag. The photo leaves you wondering – Which way did the call go? Upper Deck once again used a metallic design for its Jackie Robinson FanFest card.
Other All Star FanFest Cards
1997 All Star FanFest Larry Doby Cards
Depending on your definition of a complete set, collectors should be aware that Fleer and Pinnacle released Larry Doby cards to coincide with the All Star game being held in Cleveland. Included below are photos of the Fleer Ultra card and the Pinnacle 3-D Denny’s card.
2000 Henry Aaron FanFest Error Card
For some reason Topps decided not to make a reprint of Aaron’s 1954 Rookie card part of the official 2000 All Star FanFest set. Instead, Topps designed a unique card that featured a spectacular color photo of Aaron in a posed batting stance. Topps did however print some of the 1954 Rookie reprints with an All Star Game logo. These Aaron Rookie reprints are considered “error” cards.
Almost all the All Star FanFest sets can be purchased for under $12 on eBay. The exception is the 1994 Roberto Clemente All Star FanFest set. Each manufacturer produced 15,000 cards for the event. Less than 10,000 of each card were distributed at FanFest. The rest of the cards were destroyed. A Clemente set will set you back about $60.