On Saturday, September 20, 1997 the Cubs held Ryne Sandberg Day in honor of the future Hall of Famer’s official—and this time permanent—retirement as a player. [You may recall he had walked away from the game following the 1994 season and did not play in 1995. Ryno returned to play in 1996 and 1997.] The Cubs produced a special commemorative program for the occasion that included “The Sandberg Collection” on the inside back cover—an eclectic mix of baseball cards representing each of the seasons he played in Chicago.
Sunday, September 21 was the Cubs’ final home game of the year and a merciful end to an abysmal season on Chicago’s north side. In the first inning, Sandberg put the Cubs up 1-0 with a ringing double off Phillies’ starter Curt Schilling. After he singled off Schilling in the fifth, Sandberg was lifted for a pinch runner. As he jogged off the playing surface at Wrigley Field for a final time, Ryno paused and tipped his helmet to the crowd. A raucous, goosebumps-inducing standing ovation followed. The Cubs went on to win the game 11-3.
To mark the occasion of Ryne Sandberg’s final home game, the Cubs issued a single commemorative baseball card for the September 21 contest. Sponsored by LaSalle Bank, the card was produced in a standard 2½ x 3½ size, and included a list of career accomplishments on the back, along with Sandberg’s Major League and Cubs career statistics, up-to-date through September 14, 1997. (The slight discrepancies attributable to six plate appearances for the 1981 Phillies.)
Jim Thome (2007)
On September 16, 2007, White Sox DH Jim Thome appeared in his 2000th MLB game at U.S. Cellular Field. Thome broke a 7-7 tie in the bottom of the ninth inning by smacking his 500th career home run off of Angels twirler Dustin Moseley, becoming the 23rd member of the 500 home run club and the first ever to do so in walk-off fashion. The Sox won 9-7.
After Thome’s historic blast, ballpark ushers came down the aisles to hand out large (4 x 6) cards in celebration of accomplishment. I was not there for this game, but my neighbor was—and she knew I collected cards. She saved hers especially for me.
Fittingly, the man voted nicest player in baseball used the back of the card to thank the fans, endorsed with a large facsimile signature.
The White Sox later commemorated a pair of Thome blasts hit in 2008 with a bronze plaque—but not cards—highlighting the first two baseballs ever to reach the Fan Deck at the ballpark, hit on June 4 and September 30, the latter of which accounting for the only run scored in game 163 against the Twins, giving the White Sox the 2008 Central Division championship.
Throughout the years, team-produced card sets were staple giveaway items. These Sandberg and Thome cards, however, were one-offs specially commissioned by the Cubs and White Sox to celebrate a retirement and momentous career milestone, respectively.
No reliable information regarding the quantity of each card produced has been found, and because the cards were simply handed to fans in an unprotected state, the number of cards that survived in top condition is presumably limited. Further, because these cards do not really have an official name, searching for them on eBay or otherwise proves problematic.
What Other Cards Are Out There?
Are you aware of any other occasions on which teams issued similar one-off baseball cards to celebrate a single player’s retirement, accomplishment, or otherwise?
The bronze plaques of the Hall of Famers that hang in the gallery in Cooperstown could be considered the ultimate baseball cards, though obviously no collector (not even Keith Olbermann) can collect them. The closest we can come is by collecting the classic Hall of Fame plaque postcards – a living set (predating the Topps Living Set by several decades) that is augmented each year by the annual class of new Hall of Famers.
A subset of the Hall of Fame plaque postcards that I’ve enjoyed collecting over the years is the variations created when one of the original bronze plaques is replaced by a new, altered plaque (and that new plaque is then reproduced on a postcard).
By my count, at least 13 (UPDATE: 14!) original plaques have been replaced over the years by altered versions (with changes to the likeness, name or text), including two that have been changed at least twice. This is only an informal survey, based on my examinations of the plaques currently on display in the Hall, photographs from induction ceremonies and my collection of Hall of Fame plaque postcards. I inquired at the Hall of Fame library about (1) any sort of official list of changed plaques and (2) any archived correspondence regarding the when and why of the changes made, but was told (1) that there was no such official list and (2) that any such internal correspondence was not available for public view.
Here’s what I’ve got as of January 2020:
Even given the limited space on the plaques for describing an inductee’s achievements, the Hall has made some curious editorial choices over the years when composing the text (Barry Larkin’s plaque fails to mention his 1995 NL MVP award, for example), but no omission was more glaring than the fact that Jackie Robinson’s original plaque made no mention of his integration of the major leagues. His 1962 plaque (left) was replaced in 2008 with an altered version of the text (right) that remedied that situation. There’s a discussion of the change on the Hall’s website.
Feller’s plaque has been changed at least twice. His original plaque from 1962 was later replaced by a plaque with two changes: a different likeness, and his career years listed as “1936-1956.” Subsequently, that replacement plaque was itself replaced with a new plaque that shows (as his original plaque did) his career years as “1936-1941” and “1945-1956” (reflecting the gap in his baseball career due to his military service).
It appears that, as with Feller, Teddy Ballgame’s plaque has been changed at least twice. The original plaque that was displayed at his 1966 induction ceremony was subsequently replaced by a plaque bearing a slightly different likeness. That replacement plaque was itself later replaced by a new plaque with a drastically different likeness. As to why the changes were made, I note the following from Thomas Boswell in The Washington Post on August 9, 1977: “Ted Williams was so incensed by his nonlikeness that he demanded a new plaque.”
A picture of Williams posing (at his 1966 induction ceremony) with his original plaque can be seen accompanying an article on the Hall’s website.
Author’s question: Was a Hall of Fame postcard produced depicting the original 1966 Ted Williams plaque?
Musial’s original 1969 plaque was replaced by one with a slightly changed text, including the replacement of “SLUGGING PERCENTAGE 6 YEARS” with “AND WON SEVEN N.L. BATTING TITLES.”
Clemente’s original 1973 plaque was replaced in 2000 in order to reflect the traditional Latin American presentation of his full name (whereby his given last name is followed by his mother’s maiden name). Juan Marichal’s original plaque was replaced to make a similar change (see below). The original Clemente plaque is on display in the kids’ section of the Museum (in the original Hall of Fame library building) – as far as I know, it is the only one of the replaced plaques on public display anywhere (though the Hall’s website says the original Jackie Robinson plaque remains “a part of the Museum’s collections and will be used for educational purposes”).
Spahn’s original 1973 plaque was replaced by one showing a corrected career strikeout total of 2,583 in the next-to-last line of the text.
I’m curious as to the “why” on this one. Instead of a slight emendation to correct the erroneous reference on Roberts’s original 1976 plaque to his having led the league in shutouts twice (he actually led the league once), the replacement plaque bears a wholesale change to the text, including a new and mysterious reference to his having been “MAJOR LEAGUE PLAYER OF THE YEAR, 1952 AND 1955.” Assuming the award being referred to is The Sporting News Major League Player of the Year Award, the information on the replacement plaque is incorrect – Roberts did win that award in 1952, but Duke Snider won it in 1955 (Roberts did win The Sporting News Pitcher of the Year Award in 1952 and 1955).
Editor’s Note:Mr. James Roberts, the youngest son of the Hall of Fame pitcher, reached out to us to explain the reason for the plaque’s update:
“You say it is curious as to ‘why’ on Roberts. On the original it said ‘while usually playing for second division teams.’ He did not like that, he felt his teammates were being disparaged. He requested the change. Now you know why.
As with Clemente’s plaque (see above), Marichal’s original plaque was replaced to reflect the traditional Latin American presentation of his full name.
The original 1998 plaque for Davis was later replaced to correct the years he served as player manager in the last line of the text, from “1898, 1900 and 1901” to “1895, 1900 and 1901.” The replacement plaque has not been reproduced on a postcard yet – possibly because they still haven’t sold through the original July 1998 print run! Based on how many “Date of Printing July 1998” Davis postcards were available on the rack during my most recent visit to the Hall’s gift shop in October 2019, we may be many years away from a new printing of his postcard (which would presumably show the replacement plaque).
Fisk’s original 2000 plaque was replaced to change his number of games caught (in the second line of the text) from 2,229 to 2,226 (many thanks to Wayne McElreavy for this information!).
Hill’s original 2006 plaque was replaced to correct his first name: “JOSEPH” was changed to “JOHN.”
Sutter’s original 2006 plaque was replaced to correct a typographical error: in the sixth line of the text, “LEAD” was changed to “LED.”
Alomar’s original 2011 plaque was replaced by a new one with a slightly different likeness.
Santo’s original 2012 plaque was replaced by a new one with a slightly different likeness.
Bullet Rogan – possible future change
The 2019 Hall of Fame Almanac correctly lists Rogan’s full name as “Charles Wilber ‘Joe’ Rogan,” but, as of the time of this writing, his plaque (as well as the Hall of Fame’s website) shows his full name incorrectly as “Wilber Joe Rogan.” I’ve got my eye on this one…
As mentioned above, this list reflects only my personal, informal survey and is quite possibly incomplete — additional information from readers would be most welcome!
As noted previously, I can barely keep up with, much less collect, all the post-career cards of my favorite players. I can’t even say I window shop. However, there are occasions where certain cards unexpectedly but decidedly grab me. Such was the case when I ran across this gem from the 2010 Topps Heritage set.
See, here’s the thing. The 1961 Topps “Baseball Thrills” cards on which this Robinson is based is one of my favorite Topps subsets ever. Flip through this ten-card collection and you’re not just treated to some gorgeous cardboard; you’re also reminded of some of the most amazing feats in baseball history. (Okay, small quibble. I wouldn’t have gone with “GEHRIG BENCHED…” as my headline for his amazing consecutive games streak.)
As for the Topps reboot nearly 40 years later (or nearly 60 years later if I go by when I learned about it), I have to say I am 100% impressed.
Let’s start with the five cards that are more or less clones of the originals, give or take a Heritage watermark and the need to rebrand the National League as N.L.TM on the Hornsby card.
At first I was disappointed to see these spots on the checklist wasted. However, that was before I realized that most pack-openers in 2010 would not have had the originals in their collections and very likely wouldn’t have even seen them before. If we’re looking to tell the story of baseball, circa 1900-1960, it’s hard to imagine doing so without Ruth, Hornsby, Gehrig, Mathewson, and Johnson. Besides, the new versions are a helluva lot cheaper than the old ones, and let’s just acknowledge here that cheap thrills are sure better than none at all!
With three of the other cards in the set, Topps simply filled in other highlights of that time period that would have been right at home in the original set, at least mostly so. I say “mostly” due to the sabermetrically pleasing but nonetheless anachronistic hit total on the Cobb card.
The Mantle card in the 2010 set warrants a special look alongside its 1961 predecessor.
On one hand, one of Mantle’s least satisfying cards (or if you prefer, Griffith Stadium’s best card) is replaced with a Mickey Mantle card that among other things includes a picture of Mickey Mantle. On the other hand, the “new and improved” clashes artistically with the rest of the cards, making it the one card in the 2010 edition I wish Topps had a do-over on.
But the Jackie card? This is utter perfection in my book, so much so that I’ll gladly show it again!
Note: It’s NOT your imagination if that image looks familiar to you. Here it is 60 years earlier.
Of course, beyond being a great looking card, the Robinson also sets the record straight. A listing of baseball’s greatest achievements (1900-1960 or so) that omits the breaking of the color barrier is an incomplete list indeed. I’m not sure what prompted Topps to omit it in 1961, but my Jackie Robinson collection thanks Topps for at least getting it right in 2010.
That said, neither the original set nor the reboot included what I grew up believing (from books and broadcasts less than independent thought) to be the greatest feat of them all. Rather than send this article on a massive detour, I’ll save that topic for a Part Two.
Topps changed the face of baseball card collecting in the early 1950s and became the standard bearer for the hobby. By the early 1960s, they had expanded the size of the “base set” to more than 500 cards to include nearly all the players, and not just the stars.
Before the proliferation of baseball magazines in the later 1970s, cable television in the 1980s, and the internet explosion in the 1990s, these cards became the primary window for a young fan falling in love with the game to tie a player’s name to a recognizable face, and maybe even get a glimpse into their personality.
The reason it worked so well was in large part due the photography style. The photos looked so personal, so intimate, as though they were taken for your own family album. Each spring into summer, you got a fresh take (or maybe two or three, for stars and league leaders) on what a player looked like, adding dimension to your perception of that player. With time you got to see a player mature, from baby-faced rookie all the way to aging veteran.
My interest in cards was resurrected in 1985 as a re-capturing of my baseball fandom youth as it has done with countless others. For a whole new generation of players, even unrecognizable ones, I was provided with a recognizable face. I jumped back into the hobby with great enthusiasm. Four years earlier, Fleer and Donruss had broken up the Topps stranglehold, which ultimately led to a flood of manufacturer and set options that would follow for more than two decades. But I remained loyal to the Topps base set as the stable rock of the hobby, with its rich history and continuity.
Within a few years, something changed in the nature of the Topps base set, the cornerstone of the hobby. For many of the players, the intimate photo where I could see into a player’s eyes (and his soul?) was replaced by a photo of him turning a double play, or straining to throw a fastball. These “in game action” photos actually appeared on some cards as far back as the early 1970s, but they were the rare exception. During the 1980s they became commonplace. By the early 1990s they became the rule. In 2020, they’re essentially all you get in the Topps base set.
I did a little research to gain some insight into this evolution. I turned to my Red Sox card collection to get a sample of cards over several decades and classified the photos into a five different categories based on photo style:
Game Action: As described above, a photo taken during an actual game, usually with the player in motion swinging, pitching, fielding, etc., most often from a distance where the player’s entire body is in the photo
Candid Portrait: A photo of a player from the shoulders up that is not taken during a formal photo shoot, often taken when the player is in the dugout or on the field outside of actual game action.
Candid Action: A photo of a player “doing something”, but not in-game action. Maybe swinging a warmup bat or playing long toss. The photo is usually taken close enough to see expression in the player’s face.
Posed Portrait: A photo in the style of what you’d see in a high school yearbook, usually from the shoulders up, or just a “head shot”. You get the sense the player knows he’s being photographed, even if he’s not looking into the camera.
Posed Action: A posed photo of player “pretending” to be in action, in a batting stance, mid-swing, winding up to pitch, in a fielding stance, etc. The player knows his picture is being taken. It’s usually taken from close enough to see the player’s expression.
My collection starts in 1965, so I used a sample that ran from then until 1999. Binning it into five-year chunks, the distribution of cards falling into each of the five categories yields the distribution shown below. Even with this relatively small and not-so-random sample, the trend from posed shots to in-game action shots is unmistakable.
I realize many people like action cards. I understand it’s a matter of taste. Me? I get to see action when I watch the games. When it comes to cards, I’m looking for the personal charm.
Take another look at the three Don Sutton cards above, from 1967, to 1976, to 1985. You can see an actual person there. Now let’s take a look back to see how David Ortiz changed over a 10-year span of his illustrious career:
Ugh. David Ortiz is a beloved local hero in Red Sox Nation and loaded with charm. You certainly can’t see it here.
I often hear the retort that Topps provides all this in their Heritage and Archives products. For that, we’ll need a whole other discussion. For now, please Topps, put these classic photo styles back in your signature base set, so that the cards won’t get thrown away as mere nuisances in the lottery chase for rare inserts. Bring the base set back to its rightful prominence. It’s even okay if you include some action cards to keep everybody happy.
I read the post about Stouffer’s pop-up cards with a lot of interest because it’s always fun to find out about new sets and I love gimmicky things like pop-ups. However the assertion that those were the “best engineered baseball cards that have been issued to date” made me pause.
I have no argument with the best-engineered part since the pop-up mechanism is super nifty. It was the to-date that got me thinking. Why? Because there were a lot of similar pop-up cards in the mid-1990s.
Quickly referencing my collection and googling for images that show some of the different mechanisms in action turned up at least four other sets. There’s the 1994 Oscar Mayer Superstar Discs,* and each year from 1993to1995 Kraft issued a set of pop-up cards as well.
Unlike the 5-card Stouffers checklist, all four sets here involve 30-card checklists. Oscar Mayer is cool in that it includes one player per team. Kraft on the other hand is a more generic top-30 players approach. I much prefer the one-per-team checklists. Yes some big names end up missing but there’s so much more to a season than just the names. Plus as a team collector it’s always a downer when a cool-looking set doesn’t offer a logical entry point for my collection.
Anyway, the most-interesting thing for me to find out is that these sets all appear to use slightly different mechanisms for either the pop-up effect or the card manufacturing. Some are folded and glued from one sheet of cardboard. Others look like multiple sheets. The Discs are obviously more complicated than that. The 1995 Kraft set pops up from the end of the card rather than the middle.
Something was obviously going on so I wandered over to the patent library and did a quick search. There are a lot of patents for pop-up cards in the late 80s and early 90s. So many that I can’t figure out which ones correspond to what cards.
A quick sample. US patents 5259133, 5450680, and 5746689 all look superficially the same as the Stouffers, Oscar Mayer, and 1993 Kraft cards (I’ve been unable to find one that looks like the 1995 Kraft cards). They’re mainly just assembled differently. I wish the cards or packaging had a patent number listed.
What’s amazing to me is that many of the patents are explicitly for baseball cards. In two of the images I’ve chosen here the illustration clearly features a baseball player.
Patents are usually written somewhat broadly so that they can apply to multiple applications beyond the original intent of the application. But in the artwork here the inventor’s inspiration comes through. The mid-90s explosion of card-related technologies* resulted in multiple patents about baseball cards and in this case multiple patents to achieve the same effect.
I am currently curating an exhibition at Queens College, in Flushing, which will be on display throughout February and March. While I don’t yet have a title for my little experiment (the show marks the first time I have ever done such a thing), the theme of the event centers on the history of baseball in New York City, from its inception to the present day, told through art and artifacts. I am indebted to a number of individuals who are either loaning me pieces from their private collections, or are submitting original work to help me craft the story I am trying to tell.
Of course, baseball cards are a part of the event. I have long known that I wanted Jesse Loving, creator of the beautiful Ars Longa cards, to be a part of this. Although he had gone on a bit of a hiatus, he kindly agreed to fire up the engines again and is providing me with roughly 80 cards that cover the game in the Big Apple from William Wheaton and Doc Adams, to Rube Marquard and Casey Stengel, a span of roughly eighty years. I am giddy at the idea of creating a wall of his lush, vibrant images, and eagerly await the arrival of the package.
With one or two exceptions, I was intending for Jesse’s work to be the only cards in the show. There are lots of ways to tell the history of the game that have nothing to do with our favorite hobby and I wanted the beautiful creations of Ars Longa to exist in a vacuum. Then, I learned last week that one of the individuals who was contributing some truly exciting pieces from the 19th Century had decided to withdraw from the exhibition. I had to come up with something to fill the holes on the walls of the gallery left by his exit.
I am not a fine artist, nor do I have a particularly extensive collection of artifacts and memorabilia laying about. So, what to do? While the pieces I lost were from the 19th Century, I actually have some of Jesse’s cards, as well as uniforms and equipment loaned to me by Eric Miklich, that are already assisting me in telling that part of the story. I also have quite a few items that represent the Golden Age of baseball in New York, the halcyon days of Willie, Mickey, and the Duke. What the show was really lacking was a nod to the more modern incarnation of the game. The best way for me to benefit my show, and fill the unexpected void, was to focus on that gap.
That’s when it struck me that, while I don’t really have a lot of personal memorabilia at hand, there was a way I could tackle my problem at very little expense. Any exhibit on the history of New York City, (especially one taking place in the most ethnically diverse borough, on a campus that hears over 110 languages spoken every single day) needs to explore the beautiful multiculturalism that makes this City what it is. That was when I came up with my plan, a work I am calling, “If They Can Make it There.”
In the long history of professional baseball, there have been men who were born in over fifty countries besides the United States that have made the incredible and unlikely journey to the Major Leagues. While the Dominican Republic and Venezuela have provided an outsized portion of these ballplayers, countries as far-flung as Belize, the Czech Republic and Australia have also chipped in. Many of those foreign-born athletes got their professional starts in New York City. In fact, twenty-one different countries, not counting the U.S. and its territories, have generated players who made their Major League debut with the Yankees or the Mets. My plan to fill in my unexpected vacancy is to honor these men, and what better way to do it than through the beauty of baseball cards.
I am putting together a collection of these itinerant dreamers which will feature each of them in the uniform of either the Yankees or the Mets. Why just those teams and not also the Giants, Dodgers, and the multiple early squads? Two reasons. The first I already mentioned. The goal was to try and examine the impact of the game in the present day. By focusing on just the Yankees and Mets, it reinforces that point by design. The other reason is economics. Now, I can complete this set, mostly, with inexpensive cards from the last thirty or forty years.
Beyond the player appearing in a New York uniform, I decided to lay down a few other guidelines to make this creation have a little more form, and not just be a random mishmash of cards thrown up on the wall. First of all, no reprints. While the exhibition will feature some reproductions (uniforms, mostly), I have been trying to limit their influence all along. No need to further water down this project by including “fake” versions of the cards. Besides, very few of the cards I needed were particularly valuable, so why resort to knock-offs? I also wanted, if at all possible, for the card to have been issued at the time the player was employed by that team.
This is not always feasible. A number of players who fit this criteria, including cups of coffee like Jim Cockman (born in Canada) and Harry Kingman (China), both of whom made brief appearances with the Yankees years before Jacob Ruppert signed Babe Ruth, never had any card issued, nonetheless one of them wearing the proper uniform. There are even holes for more durable players from recent years, like Stan Javier (Dominican Republic), who enjoyed a seventeen-year career that ended in 2001. During his first big league season, in 1984, he appeared in seven early-season games for the Yankees before being shipped back to Nashville and Columbus for more seasoning. He would later appear on the roster of seven other major league teams, but he never played another game for the Yankees. The Trading Card Database claims he has 289 cards out there, but none of them were issued in 1984 or ’85 featuring Javier in pinstripes.
There are missing pieces of the puzzle for the Mets, too. Utility man José Moreno (Dominican Republic) and shortstop Brian Ostrosser (Canada) never got a card of themselves in blue and orange, at least not while actively playing for the team. I have decided that in their cases, as well as that of Javier, to bend the rules and use one of the cards that came with the sets issued by the NYC-based appliance retailer, The Wiz, in the early nineties. While most of the hundreds who appear in this ubiquitous set were no longer active members of the roster at the time the cards were issued, at least they are dressed properly. I am also considering getting an Aceo Art card of Frank Estrada (Mexico), whose two lifetime plate appearances were insufficient to ever make Topps take notice.
Most of the collection, though, will be the real deal. There are cards from almost all of the big name publishers of the modern era, including Topps, Bowman, Fleer and Donruss. There will be plenty of Junk Era wax, as well as the slick chromes that have come to represent the current state of the industry. The bulk of the exhibit will include roughly 130 cards (purchased via COMC or already in my collection) that cost me a combined total of $45.76. Most exciting to me, however, is that there will be a small handful of pre-war cards thrown in there, too. I decided to reward my clever thriftiness by investing in some slightly pricier goodies.
I’ve already picked up a 1934 Goudey Arndt Jorgens (Norway), a 1934-36 Diamond Stars George Selkirk (Canada), and a 1911 T205 Jimmy Austin (United Kingdom). I also have my eye on two T206s, a Jack Quinn (Slovakia) and a Russ Ford (Canada). Assuming the Ebay gods favor me and I get the latter two, they will represent the first cards I’ve owned from that hobby-defining set. These bits of old paper not only give the exhibit a little more gravitas as a whole, but when it’s all over I will have some gems to add to my personal collection.
The exhibit also gives me a chance to show off a little bit of my beloved collection of Cubans who made the leap to the majors. There have been eight Cubans who began their major league career as Yankees, most recently Amauri Sanit in 2011. The Mets have birthed the careers of four citizens of the forbidden island, the most notable of which was Rey Ordoñez. While Ordoñez was famously weak at the plate, rarely hitting more than a single home run in a season, he was a defensive mastermind at shortstop in the late ‘90s and early ‘00s, when the Amazin’s had one of the most exciting infields in baseball history. His partner in the middle of the diamond, Edgardo Alfonzo (Venezuela), will also be featured.
The players mentioned here really are just the tip of the iceberg. The exhibit will also include some of the brightest stars of today, including Gleyber Torres (Venezuela) and Miguel Andujar (Dominican Republic). Ron Gardenhire (Germany) makes an appearance, as do the Mastuis (Japan), Hideki and the less-successful Kazuo. There is even one Hall of Famer who is featured, buried in the dozens of other more obscure names. The quickest among you will figure out who that is almost instantly. The rest of you, well, I guess you’ll just have to stop by the college and find out. My currently unnamed exhibition opens February 18. I hope to see you there.
My vote for the best baseball cards that came with a food product are the Stouffer’s cards from the overlooked Legends of Baseball set from 1995.
When my kids were in grade school in the 1990’s we tried every frozen pizza product available before settling on the Stouffer’s offering as the best of the bunch.
In 1995 we increased our consumption Stouffer’s pizza due to the inclusion of one of 5 different baseball cards in each package. It is worth noting that every card is a hall of famer. The checklist is as follows:
These cleverly designed and well manufactured cards were just about the same size as a standard card, but with much thicker cardboard. Just about every surface of these cards contains either a photo and / or information about the ball player.
The front of the card has an action photo of the player. The caps and the uniforms have been airbrushed so the team logos and names are not visible.
The back contains a head shot with biographical information and airbrushed caps.
By slightly bending the card to loosen up the die cut of the player and then pulling the tab the front image of the player pops up and also revels the players career major league stats and a Legendary Moments write up.
There have been other cards with unique designs such as the 1955 Topps Double Headers and the 1964 Topps Stand-Ups, but the 1995 Stouffer’s cards with multiple moving parts are the best engineered baseball cards that have been issued to date.
The most amazing thing about this set was that by sending in a number of proof-of-purchase seals (can’t remember how many) from the box packaging you could get an autographed card of one of the hall of famers in the set.
When I sent in my proof-of-purchase seals, Stouffer’s sent me back an autographed Yogi Berra card along with a Certificate of Authenticity.
By doing a little searching on eBay you can put together an entire set of these cards for under $20.
I’m a sucker for 3-D cards. Not all (except when it comes to Kellogg’s), but most. I have, in addition to Kellogg’s, a smattering of Sportflics, Topps inserts and other oddballs. Sometimes the effect works, usually through some weird angle – under an armpit, between a bat and a head. You’ve got to pick your spots.
The 1995 Topps DIII set, 59 cards featuring “infinite depth perception,” held great promise, but, like Everlasting Gobstoppers and The Neverending Story, only delivered the falsest of false advertising. The 59 cards, uber thick with heavy laminate, are a blurry mess with no discernible movement.
I was going to post a video of the cards in motion, but there’s really no point. Unlike even the worst Sportflics cards, the DIIIs don’t budge.
Still, I like them. They’re heavy to hold, and, though ineffective, kind of nice.
The backs are a cube design, though Star Wars scrolls come to mind,
and the checklist is firmly mid-1990’s, when Orlando Merced and Mike Piazza could make the same set of name players.
DIIIs are not as terrible as the pit of man’s fears, and they may not represent the summit of his knowledge, but you can get a set for around $15, which is a pretty nice zone.
In January 1998, the Cubs hosted their 13th annual fan convention. The 1997 season ended with the Cubs in NL Central basement—16 games back of the Houston Astros—resulting in an appreciably thin retrospective “highlight” reel. As of 1998, Cubs fans canonized the 1969 team (a talented and personable team that had suffered a heinous September collapse), along with the 1984 and 1989 NL East championships. That was as much success as the franchise had enjoyed in over half a century. Outfielder Andy Pafko represented the 1945 squad at the 1998 convention, the last Cubs team to have appeared in a World Series at the time.
Each fan who attended the 1998 Cubs Convention was given a set of baseball cards packaged in a boxy envelope, sealed with a plain white sticker. Unlike the beautiful cards produced for the 11th Cubs Convention, this set incorporated a much less appealing design. At 30 cards, the set was three more than its 1996 counterpart; however, the card size shrunk to 3” x 4” and only 14 individuals were given a card of their own. The remaining 16 cards featured two players/broadcasters, with frustratingly tiny photos. Each card also incorporated a wholly unnecessary tan border on either vertical side.
Primarily designed for gathering autographs at the convention, the card backs included biographical information, lifetime statistics, career highlights, and the uniform number for active players. Nearly every Cubs celebrity appearing at the 1998 convention was represented in the set, save pitcher Scott Sanderson and general manager Ed Lynch, who had also pitched for the Cubs from 1986-87.
The fact checkers for this set were less then stellar. Glenn Beckert and Geremi Gonzalez had their names spelled incorrectly, and Jody Davis apparently enjoyed a Methuselah-like big league career spanning from 1081-1990. The designer also lazily used the same photo from 1996 for both Beckert and Randy Hundley. The Gary Matthews card features a slightly different photo from the same at-bat depicted in the 1996 set.
New acquisitions Jeff Blauser and Mickey Morandini shared a card sporting the caps of their former teams, conjuring the legitimate longing for a Topps airbrush artist of yore.
A perfectly wonderful card set for Cubs and individual player collectors, the set includes Hall of Famers Ernie Banks, Ron Santo, Billy Williams and Andre Dawson. Ford Frick award winners Harry Caray and Jack Brickhouse were given cards of their own—Caray would pass away less a month after the convention and Brickhouse in August. Almost fittingly, this was the final Cubs Convention card set produced by the Cubs.
The 1998 Cubs would capture their first wildcard berth in 1998, only to fall unceremoniously to the Braves in the NLDS. A certain Cubs slugger featured in the set would go on to have an historic 1998 season at the plate, and a rookie pitcher would fan 20 Astros in a single contest on May 6. Cubs fans would celebrate the 1998 team at the 1999 convention and enjoy a much more robust highlight reel, despite the familiar disappointing end of the season.
Here is the checklist for the set (numbers included are for reference only):
1. Ernie Banks
2. Ron Santo
3. Billy Williams
4. Mark Grace
5. Sammy Sosa
6. Terry Adams
7. Harry Caray
8. Scott Servais
9. Andre Dawson
10. Steve Trachsel
11. Jack Brickhouse
12. Kevin Orie
13. Jim Riggleman
14. Rick Sutcliffe
15. 89er’s – Mike Bielecki/Vance Law
16. Flame-Throwers – Kevin Foster/Mark Pisciotta
17. 1969 Infield – Glen (sic) Beckert/Don Kessinger
18. Booth Banter – Pat Hughes/Josh Lewis
19. Behind the Plate – Randy Hundley/Jody Davis
20. Mound Mates – Mark Clark/Jeremi (sic) Gonzalez
21. Outfield Greats – Andy Pafko/Gary Matthews
22. 1969 CUBS – Dick Selma/Willie Smith
23. Catching Corps – Mike Hubbard/Tyler Houston
24. Future Stars – Kerry Wood/Pat Cline
25. Hot Prospects – Robin Jennings/Rodney Myers
26. NEW CUBS – Jeff Blauser/Mickey Morandini
27. Alumni Club – Oscar Gamble/Larry Bowa
28. Alumni Club – Carmen Fanzone/Paul Reuschel
29. No-hit Hurlers – Milt Pappas/Don Cardwell
30. VETERAN HURLERS – Bob Patterson/Kevin Tapani
With the festive frivolity of the holiday season upon us, I bring you a post even more frivolous than my usual lightweight offerings. Before reading, I suggest adding a pint of rum to the eggnog-which will ensure that you forget that this blog is connected to an august body like SABR. So, toss on another yule (Blackwell) log on the fire, grab a plate of cookies (Rojas and Lavagetto) and contemplate this ancient carol (Clay) within your decked-out halls (Jimmy and Tom).
A Partridge in a Pear Tree: Jay Partridge was the starting second baseman for Brooklyn in 1927. I could not locate a card from the time, but an auction site did have a small newsprint photo described as a panel. Fortunately, Mr. Partridge has a card in the 1990 Target Dodgers set. If you insist on a card issued while the player was active, this 1977 TCMA of Glenn Partridge falls into that “family.”
Apparently, no players with the surname Pear or Tree ever appeared in a professional game. But Matt Pare shows up on the 2017 San Jose Giants. I had to go the minor league route as well to find a “tree.” Mitch Trees was a catcher for the Billings Mustangs in 2017.
Two Turtle Doves: Spokane Indians assistant coach “Turtle” Thomas has a 2017 card, but I’m going with 1909-11 T206 “Scoops” Carry of the Memphis Turtles. As for Doves, Dennis Dove has several prospect cards, including this 2003 Upper Deck Prospect Premiere. However, this 1909-11 American Caramel card of “Buster” Brown on the Boston Doves wins out. After all, Buster lived in a shoe, and his dog Tike lived in there too.
Three French Hens: For this one, I must go with Jeff Katz’s acquaintance Jim French. The diminutive backstop toiled for the Senators and Rangers. Dave “Hendu” Henderson was the best hen option, outside of any Toledo Mud Hen.
Four Calling Birds: This 1982 Larry Fritsch card of Keith Call on the Madison Muskies certainly “answers the call” for this word. Although, Callix Crabbe is in contention based solely on the awesomeness of his name. For the bird, I heard the call of the “royal parrotfinch” and went with longtime Royals pitcher Doug Bird.
Five Golden Rings: It would be a cardinal sin if I didn’t go with the Cardinals’ Roy Golden on this 1912 T-207 “brown background” card. Phillies pitcher, Jimmy Ring, gets the nod with this 1921 National Carmel issue.
Six Geese a Laying: Since Christmas is coming and the goose is getting fat, Rich Gossage would have been a logical choice. But I can’t pass up making Seattle Pilot Greg Goossen my fowl choice. His 1970 card is so amazing that all I can do is “gander” at it. This 2019 card of Jose Layer on the Augusta Greenjackets is the best fit that I could lay my hands on.
Seven Swans a Swimming: After answering a personal ad in a weekly newspaper, I met my future wife for a drink at the Mirabeau Room atop the SeaFirst Building in Seattle on June 9, 1990. That evening, Russ Swan of the Mariners carried a no-hitter into the 8th inning against Detroit. Viewing this mound mastery sealed our lifelong bond, for which the “swan song” is yet to be sung.
I must “take a dive” into the Classic Best 1991 minor league set to find someone who fits “swimmingly.” I ended up somewhere near Salinas and found the Spurs’ Greg Swim.
Eight Maids a Milking: Since no Maids are found on “Baseball Reference” and the players named Maiden don’t have cards, I was “made” to go with Hector Made and his 2004 Bowman Heritage.
This may qualify as “milking” it, but the best fit I could find was the all-time winningest general manager in Seattle Pilots history, Marvin Milkes. This DYI card uses a Pilots team issued photo, which shows off the high-quality wood paneling in Marvin’s Sicks’ Stadium office.
Nine Ladies Dancing: The 1887-90, N172 “Old Judge” card of “Lady” Baldwin and the 1996 Fritsch AAGPBL card of Faye Dancer are a perfect fit.
Ten Lords a Leaping: This wonderful 1911 T205 Bris Lord card coupled with a 1986 Dave Leeper doesn’t require much of a leap to work.
Eleven Pipers Piping: Former Negro Leaguer Piper Davis has a beautiful 1953 Mother’s Cookies card on the PCL Oakland Oaks. In fact, the card is “piping” hot.
Twelve Drummers Drumming: You can’t get much better than this 1911 Obak T212 card of Drummond Brown on the PCL Vernon Tigers. Or, you could “bang the drum slowly” with this specialty card of Brian Pearson (Robert De Niro) from the movie “Bang the Drum Slowly.”
I realize that Santa will fill my stocking with coal and “Krampus” will punish me for having written this, but the spirit of the season will endure. I wish you and all those you hold dear a wonderful holiday season and a prosperous new year.