As a baseball fan/researcher, one thing I believe is that every player in MLB history is the answer to at least one trivia question. It’s my goal (however unachievable it is) to find that piece of trivia for every player. As a card collector, I dream of having at least one card of every player ever.
Certainly, I’ll most likely never own a card of George Noftsker of the 1884 Altoona Mountain City club of the Union Association, and it’s equally doubtful that a cardboard issue of 1876 Chicago White Stocking rightfielder Oscar Bielaski will ever end up in my possession. Regardless, it would be great to fill that never ending binder as much as possible.
It’s that dream that compelled me one night to enter the name Louis Sockalexis into the search field on eBay. I don’t know why. Perhaps I was reading a book on him at the time; I do own a biography on him and have read it a few times. Maybe that’s it. Maybe not. But regardless, I stumbled across a 2010 Obak Tristar Sockalexis card! Naturally, after looking at the names in the set I was intrigued enough to purchase the set right away.
This set is an homage to the original Obak sets from 1909-11. Those originals were inserted into Obak cigarette packages. They feature players primarily from the Pacific Coast League and were 1 ½” by 2 5/8” in size, much like the infamous t206 set. These were later classified as T212. If you ever were curious about where those Letter-Number classifications originated, look no further than card 66 in the 2010 Tristar Obak set! Because that card is of Jefferson Burdick, the man who created the American Card Catalog.
In any event, the 2010 Tristar Obak set is the more traditional card size (although there are mini parallel inserts), and as an unlicensed product there are no logos or team names on them. These cards are very quirky and are probably an acquired taste. But I love them for two main reasons.
They’re very simple. White border with blue letters at the bottom. Last name in larger print followed by a brief description in smaller print. And by description, it varies. Some descriptions are teams, some are a brief reason why the depicted person is in the set in the first place.
Most of the images used of the people on the cards are black & white (as many of them are from the 19th century and early 20th century). And those backgrounds! Bright, colorful scenery! Tommie Aaron stretching to receive a throw over a bright yellow sunset? Absolutely. David Clyde going into his windup over a cloudy purple backdrop? Yes, please! Maurice Van Robays in front of a barn? I wouldn’t have it any other way. Yes, they’re a bit gaudy, but I think they’re damn charming… and fun!
What I like perhaps the most about this set is that it makes me flip over the cards to figure out why they’re in the set! And in some cases, to find out exactly who these people are.
The set is divided up into several subsets: History in the Making (top minor league prospects), History’s Greatest Legends (baseball greats), Heroes and Legends (players known for various feats or tall tales), #1 Overall Draft Picks, Minor Leagues Best, MiLB Players of the Year, Can You Believe (players with amazing stories), Game Changers (innovators in baseball and beyond), Future Stars, Multi-Sport, Pop Icons, Historic Names, Pacific Coast League, and U.S. Presidents.
Highlighting the Historic Names subset are two cards of Sherry Magee of T206 Rushmore fame, though the Obak set’s Magie variation brings much less today on the open market than its predecessor from a century earlier.
The cards at the end of the set are all over the place. Card number 106, for example, is pro wrestler Hulk Hogan.
What steals the show for me is the Game Changers subset. By far the largest chunk of the set. Where else can the founders of Coke & Pepsi be on the same team?
I had mentioned Heinz, and since I’m from Chicago I make sure his card is nowhere near Harry Stevens’ card, as he’s widely known as the catering wizard who introduced hot dogs to baseball games.
There’s a card of John Sherman, whose Act does not apply to baseball. (Editor’s note: stay tuned.) And Frederick Thayer, who is largely given credit for inventing the catcher’s mask.
Jim Bouton has a card, but neither his MLB career with the Yankees nor Ball Four is mentioned on the back of the card. Instead, he shares this card with Robert Nelson, his teammate with the Portland Mavericks of the Northwest League because they created Big League Chew bubble gum!
That’s just a sampling of 2010 Tristar Obak. I have yet to get my hands on the 2009 or 2011 editions. Those 2011s are particularly enticing; I love collecting cards of 19th century players, and since I can’t afford those 1887 Allen & Ginters, these will have to do.
Old Hoss Radbourn, Lee Richmond, Joe Start, Doug Allison, Ross Barnes (even if the image on the card isn’t Barnes) and even Bob Addy (!?!) make the 2011 checklist, but that one will be particularly pricey.
In the world of sports and pop culture there are stars, heroes, and models—and then there are superstars, superheroes, and supermodels. Similarly, the baseball card collecting world has both collectors and super collectors.
I used to think I had a pretty sweet collection of Wade Boggs cards, but oh how does my Boggs binder pale in comparison to the astonishing collections of Richard Davis and John Reichard, undisputed Olympians of Wade Boggs super collectors. In the spirit of fake Bill Murray’s sentimentality above, I shall be your Cavia porcellus, here merely for reference.
Richard Davis (45) is a physician assistant from the Joliet, Illinois area and was introduced to the Chicago Cubs as a young boy. Some of his earliest childhood memories include watching Bill Buckner and the 1982 Cubs on WGN with his 82-year-old great-grandmother. Not unlike the author, his love affair with the Cubs—and first broken heart—began with the 1984 team. Davis has been hooked on baseball ever since.
On Christmas morning 1985, Davis received a card collector’s kit containing an unopened 1983 Donruss pack, in which a Wade Boggs rookie card was fortuitously found. He knew it was a “hot” card and was thrilled to have it, despite not really knowing much about Boggs at that point. He began to follow Boggs’ career and collected all the Boggs items he could find. In fact, Davis has now accumulated over 200 copies of that Donruss rookie and is closing in on a staggering 600 copies of Boggs’ 1983 Topps rookie card.
John Reichard (47) is a loan officer from central Pennsylvania whose love affair with baseball coincided with the launch of his Little League career in 1978. Despite growing up far from Fenway Park, he rooted for the Red Sox because his mom was originally from Massachusetts. He was first turned on to card collecting when hunting for the infamous 1979 Topps Bump Wills (Blue Jays) error card became a bit of a sensation. His first collecting focus was on building sets, but as new manufacturers inundated the industry, trying to piece together all the issues simply became too daunting.
Because Reichard was already a Red Sox fan, Wade Boggs was an easy choice when he shifted his focus to collecting cards of a certain player. Not only was Boggs a phenomenal player, but there was already a good variety of different cards to collect. Reichard picked up a 1998 Topps Gold Label Class 2 One to One Red 1/1 card and was off to the races. Enamored (rightly so) with the 1984 Topps Boggs, Reichard has now amassed over 1000 copies of the card.
As for me—if anyone is still interested in my tale of mundane—the 1980s Cubs and Red Sox had such parallel, curse-hardened fandoms such that I was naturally drawn to Boston baseball as I sought an American League team to follow. Wade Boggs was a lefty batter (like me!) who hammered balls off the Green Monster (just like I dreamed of doing!). When Topps first italicized the league leaders on the backs of its 1986 base cards, Boggs’ incredible 1985 campaign (240 hits and a .368 batting average) just came to life. It was impossible not to idolize him.
For measuring stick purposes, my collection includes a lone Donruss rookie card, two 1983 Topps copies (one signed), a handful of 1984 Topps, and over nine copies of his 1985 Topps!
Author’s Boggs rookie cards
Look at all of those 1985 Topps Boggs cards
If we must count, however, John Reichard has nearly 10,000 total Wade Boggs cards, including 4900 different cards—enough to stuff a monster box. He has 165 1/1s and over 500 serial numbered cards numbered between 2 and 10, along with over 700 autographed cards.
Among his favorite cards are a 2014 Topps Triple Threads handprint jumbo relic and autograph card (numbered 6/10), a 1992 Donruss Super Diamond Kings, and a 2012 Topps Tier One Bat Knob 1/1 card. His memorabilia collection includes a game-used Red Sox bat from the early 1990s, a pair of game-used Yankees batting gloves, a game-used Red Sox batting glove, and a pair of game-used Yankees cleats, along with a number of signed jerseys and bats.
2014 Topps handprint jumbo relic 6/10
1992 Donruss Super Diamond Kings
Reichard’s loaded bat rack
Richard Davis’s collection is so massive, he can only estimate the number of Boggs cards he has—knowing that it runs well into the thousands. At his last count he had over 550 autographed items. He recently added his 30th copy of Boggs’ 1981 TCMA Pawtucket Red Sox issue. Showing about 75% of his collection in his very own “Boggs Tavern,” Davis has another seven storage bins full of items that he has not yet displayed.
His favorite item is probably a three-foot tall bobblehead autographed by Wade Boggs. Only 26 were made and Boggs, himself, confirmed that this was the only one he had ever signed. The strangest items Davis owns are pairs of shower shoes—both Red Sox and Yankees’ versions—used and autographed. Davis’s mission is simple, “If Wade’s likeness or image is on it then I want it.”
Behind the bar
At the bottom of the stairs
You may think that these mega collectors are bitter rivals, locked in an eternal struggle to outbid each other. Turns out, however, that John and Richard have become great friends who work together to help find items for each other. In fact, Reichard and Davis run joint Twitter and Facebook accounts to showcase their collections. On the Twitter account, they post a new Boggs card every day—chronologically by year of issue. Having missed only a day or two since November 2014, the Twitter posts are only up to 1996. Reichard expects that they can continue unabated for “another eight years without having to post a duplicate.”
I met Wade Boggs at a card show in the late 1980s and I have no recollection, whatsoever, of the encounter other than being starstruck as he signed by 8×10. That photo and a signed ball I later received a gift comprise the Wade Boggs items on display in my basement mancave:
The museum-quality displays constructed by Davis and Reichard, on the other hand, are simply mind boggling.
Davis and Reichard have each met Boggs several times and he now knows them by name. Wade Boggs even knows Davis’s son by name, “the little kid collector and fan inside cannot help but get giddy over this fact.” Boggs follows both their personal and joint Twitter accounts. For Davis, this is the pinnacle of super collecting.
Whether serious or not, Boggs has told Davis he would like to see Boggs Tavern for himself. “The bar fridge will be stocked with Miller Lites if he does.” Reichard invited Boggs to his wedding, but Wade politely declined—despite a stuffed chicken breast entrée—since he was going to be in Alaska celebrating his birthday at the time.
Both Reichard and Davis average two to three Boggs “mail days” per week. Reichard suffers “withdrawal if he goes more than three days without something” new arriving. Davis is still looking for a game used fielder’s glove. Reichard is on the lookout for a home Red Sox jersey and game worn cap. Luckily, their wives are supportive—if not fully understanding of the passion.
Richard Davis’s pipe dream is for the Baseball Hall of Fame in Cooperstown to open a wing dedicated to baseball super collectors, where perhaps he could get a plaque in the “Hall of Collectors” alongside John Reichard and other Boggs super collectors Kevin McInnis, David Boggs (no relation), John Hall, Jeremy Weikel, Robert Howell, Nathan Flemming, James Miles and Chris Thrane.
While my pedestrian Wade Boggs collection will never measure up to those of super collectors Richard Davis or John Reichard, at least I have two items I know they do not have!
Author’s c. 1987 freshman English class poem
Author’s c. 1988 drawing, complete with snazzy 1980s graphics
*Footnote: I cannot draw feet.
Interviews with John Reichard and Richard Davis.
Photos courtesy of John Reichard, Richard Davis and author.
If you hear the name ‘Brien Taylor’ today, it’s probably in the way of some kind of cautionary tale. A lesson against getting too caught up in the hype surrounding amateur or minor league super-duper stars. A lesson that top draft picks, no matter how much of a sure thing, are never really a sure thing. For collectors, it’s a similar lesson, but one directed less at the athlete than at all the ephemera that athlete inspires. But while Taylor was never able to leave his mark on baseball, he certainly left a mark on the hobby. Brien Taylor made the hobby rethink its concept of rookie cards. He became the face of the hobby’s most venerable brand. His presence (or lack thereof) dictated when products were released and how they were (somewhat unscrupulously) dated. He revived a market for pre-Major League cards and store-branded specialty sets. He starred in what was, at the time, the most expensive factory set ever issued and was featured on what was, at the time, perhaps the most sought-after certified autograph ever released.
And within three years, it was all over.
There are still those who swear Brien Taylor was the greatest amateur pitcher who ever lived. He was born in Beaufort, NC, the son of a stone mason and a crab-picker. Tall, lanky, and with a whip-fast left arm, he dominated as a high school pitcher. As a senior in 1991, the threw back-to-back no-hitters, struck out an obscene 213 batters in just 88 innings (nearly 2.5 Ks per inning) and posted a 0.61 ERA. He had a fastball in the high-90s, a dependable change-up, and a knee-buckling curveball.
Taylor had been nearly as good the year before, but had yet to break through into the baseball mainstream. Don Mattingly, however, was as mainstream as an athlete got in 1990. His break-out campaign in 1984, followed up by an MVP season in 1985, had both made put him in line to be the Next Great Yankee and helped to ramp up the rookie card craze among baseball card collectors and investors. Mattingly’s 1984 rookie issues stoked the fires of a building craze. People with money to spend on cards wanted Mattinglys, but even more so they wanted the next Mattinglys… the cards that could be picked up cheap, stocked away, and then sold for a profit. Mattingly was still a star in 1990 and the rookie card craze his sweet, lefty swing had inspired was still very much in bloom. But for the 1990 season, Mattingly stunk. He batted just .256 – 67 points below his career average entering the season – and his Yankees finished in dead-last place, losing 95 games. It was the worst Yankees team in 77 years.
By the summer of 1991, these three stars had aligned themselves: a once-in-a-generation talent, a booming baseball card marketplace, and an unprecedented bottoming-out of the most famed pro sports franchise that ever existed. In June 1991, the Yankees drafted Brien Taylor first overall in the amateur draft and card collectors saw nothing but dollar signs.
Of course, by 1991 collectors no longer had the patience to wait for a player to be wearing a big league uniform for start stockpiling cardboard. Trying to entice collectors with the hottest rookies as soon as possible, Fleer, Donruss, Score and the upstart Upper Deck had begun to include players in their base sets before their Big League debut. When one of those players, Ken Griffey Jr., became a hobby sensation, it was clear that the rookie card game had changed. Topps missed out on including Griffey in their 1989 flagship set, but did start a new trend that year with the inclusion of a ten card subset of “#1 Draft Picks,” players from the 1988 draft who were just making their pro debuts. When Jim Abbott jumped from the ’88 draft class to Major League stardom that year, the other cardmarkers had been scooped. Topps had him first and it was their card collectors were chasing. In 1990, Score followed suit and issued a 22-card draft pick subset and the revived Bowman brand issued a slew of recently drafted talent. The hobby hype was now following players into A ball instead of the Big Leagues.
Card collectors weren’t the only ones with money on the mind after the Yankees tabbed Taylor with the top pick in June. Taylor and his family had hired Scott Boras to represent the young man and felt insulted at the Yankees’ initial offer of a $300,000 contract. The top pitcher of the previous year’s draft, Todd Van Poppel, had gotten $1.3 million in guaranteed money from the Oakland A’s and the Taylors wanted nothing less.
It took until late August for the Yankees and Taylor to agree on a $1.55 million pact, with Taylor signing the deal the day before he was set to begin junior college, and be lost to the Yankees. His professional status now meant that he was open to the cardmakers. Topps, Fleer, and Donruss had all hoped to include a Taylor card in their 1991 update sets, but had been stymied by his holdout. And when finally became fair game, it was The Scoreboard – maker of the Classic brand of board game cards and draft sets – that swooped in to the ink the super-prospect. Scoreboard paid Taylor $250,000 for his exclusive cardboard rights through the end of 1991 and his exclusive rights on minor league cards for a calendar year. Just months later, Classic released its 1991 Baseball Draft set, with Taylor at card #1. The company boasted that the entire run of the set sold out in six days and it was reported that the sets that included Taylor were expected to gross the company $30 million… thirty times what they’d made off their 1990 draft products.
That fall, Taylor reported to the Yankees’ fall instructional league team in Florida, where his stardom preceded him. He was featured in a 60 Minutes segment and signed autographs for members of the Green Bay Packers when they stayed at the same hotel that housed his team. He signed a lot of other autographs, too. Classic had cards of him in both the English and French language versions their four-sport draft picks set, including over 5,000 hand-signed cards inserted randomly into packs.
The media followed Taylor to Florida. Their reporting was complimentary. They noted his humble nature, that he mostly stayed in at night, always addressed his elders as “sir” or “ma’am” and that he did his own laundry. They talked about the Mustang he’d purchased with his bonus money, but also that he bought the car from the dealership where his bother worked as a detailer and that he had gotten a nice discount on the purchase. His biggest purchase, the papers noted, was a house for his parents, allowing them to move out of the trailer where Taylor had grown up. But there was a theme to the stories that made it clear that these were older, white reporters looking for a young, black athlete that didn’t push challenge any of their notions about how a ballplayer should act. They never said it, but it was clear that they wanted to hold Taylor up as an antidote to the Deions and Rickeys of the sporting world. Case in point: several articles mentioned with flattering intent that Taylor wore no gold chains. Neither did Todd Van Poppel, but no one was waiting to judge him by his neckware.
Near the end of 1991, Topps pulled a major coup and signed Taylor to another exclusive contract, making them the only cardmaker permitted to produce his Major League cards until he reached the Bigs, at which time he would, under the player’s union contract, be available to all companies with an MLBPA license. The deal scooped Upper Deck, who had been so optimistic about their chances of landing Taylor that they actually included his name in the preliminary checklists for their 1992 flagship set. As Topps promoted their upcoming set as the only one that feature Taylor in pinstripes, Upper Deck quietly remade their checklist.
With Classic’s deal still in effect until December 31, Topps seems to have actually pushed back the release of their 1992 set in order to include Taylor. But the result was a minor masterpiece. Finding their brand getting lost in the flood of newer and shinier released in the early 1990s, Topps had responded with a classic re-tooling for its 1991 flagship release and the introduction of its premium Stadium Club brand. Stadium Club was a smash and the company’s 1992 flagship reflected the changing tastes in the marketplace. Using beaming white stock for the first time in decades and featuring a clean, modern design, the set put Taylor front and center. In what might have been an homage to the 1989 Upper Deck Ken Griffey Jr. #1 that had already become that company’s trademark card, Topps gave Taylor #6 in 1992 set, the first regular player card after the traditional Record Breaker opening subset. The card featured Taylor in Yankee pinstripes, the first time Topps had shown a draft pick in their Major League uniform. The kid is just into delivery: left arm ready to cock, right foot dangling over the red box containing his name, eyes trained at whatever lay ahead of him.
1992 was also the year Topps introduced the first true parallel set with ToppsGold. The concept was stunning for its time – an alternate version of the classic flagship set, outfit with an etched gold foil nameplate. The cards would be found roughly one per wax box, making it an unimaginable task to complete a full set. But in the midst of the hype over this idea, Topps offered an alternative: a Gold Factory set, complete with a stunning card #793 – an exclusive Brien Taylor card, done in the standard veteran design, gold-plated and hand-signed by the young Phenom. The set, which retailed for around $250, was quickly selling on the secondary market for $4-500. The signed card itself was moving quickly for $100 and up. Taylor’s gold rookie – found one per 28,500 packs – was bringing $40-80 and his regular base card was a mover at $5.
But… were these really rookie cards?
As they had in 1990 with uber-prospects Chipper Jones and Todd Van Poppel, Classic had gotten the jump on the more mainstream brands by including Taylor in their Draft Picks set in the same calendar year in which he was drafted. The big companies had always waited until the year after the draft to debut these players. Topps and others had tried to produce a true Taylor RC – a 1991 release featuring him in his Big League dress, but were scooped by his holdout and then his deal with Classic. So, Topps decided to turn back the clock.
The result was the 1991 Stadium Club Dome set. Or was it 1992? Well, the set used the 1991 Stadium Club design and was issued inside a plastic reproduction of Skydome, home of the 1991 MLB All-Star Game. Each card featured a 1991 copyright line. Which made it outwardly appear as a 1991 release and its handsome card of Taylor (along with dozens of other 1991 draft choices) as a stunning “true rookie” of the biggest name in the hobby. Not so fast, said collectors. It was clear that Topps was back-dating the set to try to force a 1991 Taylor card. The set was not released until the spring of 1992 and it seems highly unlikely that Topps would have gone ahead with printing the set in ’91 while Taylor was under exclusive contract with another brand and then waited several months into 1992 before finally releasing it. Even if collectors didn’t fall for Topps’ scheme, they fell all over themselves for the set, which was going for $75 and the Taylor for $15 before the 1992 season had even opened.
Oh, right, the 1992 season. In which Brien Taylor would actually be playing professional baseball. After being the toast of the Yankees’ training camp, Taylor reported to the Fort Lauderdale Yankees of the high-A Florida State League. Just 20 years old, he posted some tantalizing numbers – 10.4 Ks per 9 innings, a 1.159 WHIP, a 2.57 ERA, and just three homers allowed in 161 innings.
His performance was all the more impressive considering all the hype that still surrounded him. He was a shy kid, away from home for the first time, and everyone wanted a piece of him. And everyone wanted his autograph. He had signed more than 12,000 cards for the ToppsGold sets, and another 8,000 for 1992 Classic products and hundreds of baseball for teammate opponents and everyone else with clubhouse access. And he was asked to sign even more each day by fans that stalked him at every turn. “They think you’re supposed to sign everything they throw in your face,” Taylor told a reporter during the 1992 season. He was knocked down by autograph hounds more than once. After a game in Port St. Lucie, so many fans gathered outside the clubhouse doors that the team was briefly trapped inside. “People know the autograph is going to be worth money. That’s the only way I see it,” he said. “As far as dealing with people, life will never be the same. The bigger I get, the harder it will get. I know I’ll probably never be able to sit at a movie and relax.” As for his trading cards, Taylor admitted he didn’t even own one. “They must know something I don’t,” he said of the people shelling out for his latest issues.
And as his debut season wound to a close, there would be many more options for Taylor collectors. With his exclusive non-MLB deal with Classic coming to an end, Upper Deck, Fleer, and Skybox announced plans to get in on the suddenly booming Minor League card market. Upper Deck promoted their set at Minor League parks late in the season, handing out thousands of promo cards of Taylor and Twins prospect Frankie Rodriguez. The Upper Deck set released in September and Fleer Excel dropped in December (oddly branded as 1992-93 Fleer Excel, another example of Taylor forcing cardmakers to get creative with their dating). The Fort Lauderdale Yankees even waited out the Classic contract to release their team-issued set of cards – which remarkably was not available until after the season had ended, as speculation abounded that the team would relocate for the 1993 season (it indeed would move). The market for Taylor was so intense that a franchise delayed the release of its annual team set until after it had played its last-ever game. The set was available by mail order and seemed to sell quite well. That fall, Topps also included Taylor in the company’s first-ever random insert set, a trio of cards featuring #1 overall draft choices found one in every 72 packs of 1992 Stadium Club Series 3. It instantly became a $25 item.
By the end of 1992, Taylor had been featured on (by my count) 48 different licensed trading cards and a handful of oddball, unlicensed, and magazine-issue cards. It was a staggering number for its time, especially for a player who had pitched in just 27 games professionally. By 1993, a bit of Taylor-fatigue began to appear. His card prices stabilized and, while his presence in the hobby held steady, it stopped being news. Searching the hobby columns that used to be regular features in newspapers across the nation, he was a regular item throughout 1991 and 1992. But by 1993, he faded away into the mass of other can’t-miss-kids making hobby news. He was still a Phenom to be sure, but he was a very familiar Phenom.
In 1993, Taylor made steady progress, racking up 150 Ks and a 3.48 ERA for the AA Albany-Colonie Yankees. It was progress, but collectors and the Yankee brass had visions of Taylor dominating the American League in 1993, not holding his own in the Eastern League. And then in December came baseball’s most infamous after-hours brawl since Mickey Mantle, Billy Martin, and company roughed up a boozy bowling team captain at the Copa. Back home in North Carolina, Taylor got into a melee trying to defend his brother and blew out his shoulder in the process. While the team tried to downplay the injury, Dr. Frank Jobe, who performed Taylor’s reconstructive surgery, called it “one of the worst shoulder injuries [he’d] ever seen.”
Collectors began to dump Taylor’s cards and, as Taylor sat out the entire 1994 season, he appeared in just a handful of sets. Many of his 1994 cards mentioned the injury. “He will miss the entire 1994 season and only time will tell whether or not he can regain his top prospect status,” his Ted Williams Card Company release opined. By 1995, time had told.
Demoted to the Yankees’ Rookie League team, Taylor struggled through 40 innings, walking 54 and allowing 37 runs. His fastball stalled and his curve had flattened. With the card market struggling to recover from the strike, companies downsized their releases. In 1995, just a few years removed from being such a force in the marketplace that his mere presence seemed to dictate time itself, he appeared on just one trading card – Bowman #17. He is pictured in a Yankees jersey cap, seating on a picnic table, wearing shorts and sneakers. He’s dressed like a fan or a training camp gofer. The backside mentions an “off the field mishap” and talks about hopes for a return to form that would never happen. Although he would hang around for parts of four more professional seasons, topping out at 27 innings (with an ERA over 14.00) in 1997, he appeared on just two more cards. He’s just 24 years old on his 1996 Best Greensboro Bats card, but he looks older. He looks tired. In 2000, he was featured in a team-issue set for the A-level Columbus Red Stixx. The only evidence the card exists is a listing on tradingcarddb.com. No image of it can be found.
He allowed 11 runs in just 2.2 innings for the Red Stixx that year. It was the last time he pitched. He went back home to North Carolina with his five daughters and worked as a package handler for UPS, then for a beer distributor, and later as a bricklayer with his father. He ran into legal troubles and, in 2012, was arrested on charges of trafficking cocaine. Facing forty years, he pled guilty and served just over three. “Life will never be the same,” Taylor said in 1992. “The only way it would be the same would be if I dropped out today. Then everybody would forget me.”
When I got back into collecting around 2014, my first goal was to finish my Hank Aaron collection, which at that time included just over a dozen of his base cards, a few assorted all-stars and record breakers, and a handful of cards that came out after his playing career. Having been gone from the hobby for more than 20 years I assumed another 10-15 cards would finish the collection, maybe 20-30 if I really needed to have everything.
Of course the true number was in the thousands! At the time I’m typing this Trading Card Database puts the Hammer at 4,255 different cards, and by the time you read this I suspect that number will be even higher.
There’s a stat people love to quote about Hank Aaron. Take away his 755 home runs and he would still have more than 3,000 hits. My guess is you could take away every card from Aaron’s playing career and he’d still have more than four thousand cards!
Though my collector gene at least beckons me to collect them all, the “often needs to blend in as a normal adult” gene in me somehow proves dominant and forces me to restrict my collection’s personal Hammer Time to the years 1954-1976. Still, whether through overly broad eBay searches or through the generosity of fellow collectors who send me stuff I do manage to at least notice if not add at least some of Aaron’s post-career cardboard. In fact, one of my favorite mail days of the year was when fellow collector Matt Malonesent me this gorgeous 2019 Topps Heritage “box loader” card for nothing!
If I had to create a Favorites category it wouldn’t be the shiny stuff, the serial numbered stuff, the relic stuff, or the “anything else” stuff. It would 100% be the regular stuff that looks like all the other regular cards in the set. For example, here is a 2019 Topps Series 1 “Legends” card next to a base card of Clayton Kershaw…
…which finally brings me to the actual subject of this article!
While the modern and welcome tradition of mixing retired greats in with current players is new compared to the heyday of my collecting (very extended) youth (roughly 1978-1992), just as most things cardboard and in life it’s not something truly new.
“Ahem,” you say! “There were tons of retired greats in the sets of your youth, Jason,” thinking I can somehow hear you right now, so let me explain. I’m not talking about cards like this…
…even if they came in the same packs as these.
I’m talking strictly about the cards that blend right in with the rest of the set. Otherwise I’m afraid this article would practically go on forever. (Editor’s note: It already has!) What follows is hardly a comprehensive list, so as always I invite readers to add their favorites to the Comments.
The first instance of these “legends in disguise” that I became aware of as a collector was the 1949 Leaf card of the (at the time) very recently deceased Babe Ruth, even if 1) I thought of it as 1948 at the time, 2) it’s pretty hard to disguise Babe Ruth, and 3) even if many of the “current players” are legends themselves by now.
Beyond the Bambino it’s worth noting that Honus Wagner also had a card in this same set. Though you’ll see soon enough how inconsistent my criteria are, I won’t quite count Wagner since he’s in the set as a coach and not a retired great. (You could easily dispute this and probably win in that Wagner is the only coach/manager in the set, a fact that strongly suggests Wagner was in the set as Wagner vs coach.)
Of course the tradition didn’t originate with the Leaf set. Just months before a tiny entrant into the gum card market showed up with a large set of cards, not all baseball, that mixed the likes of Ruth, Hornsby, Mathewson, Wagner, and Cobb with Lou Boudreau!
By the way, these cards are known as 1948 Topps Magic Photos. While I don’t dispute the date it’s worth noting that the non-legend portion of the baseball set focuses on the 1948 World Series, hence the Boudreau, which of course didn’t occur until October. As such, it wouldn’t shock me if much like the Leaf set this particular set did not arrive on the scene until early 1949.
Speaking of 1949, readers of my earlier article on the 1949 M.P. & Company baseball issue may recall that the set included a Jimmie Foxx card, recycled from six years earlier, alongside active players like Mel Ott Alvin Dark.
Evidently nostalgia ran large in the 1948-1949 as there was yet a third issue that mixed the old with the new. The 1948 Blue Tint (R346) checklist made room for Lou Gehrig whose last game was in 1939 while mainly consisting of modern stars such as Ted Williams, Jackie Robinson, and Joe DiMaggio.
One could place the R346 Hank Greenberg card in either category. On one hand he played a full season in 1947 with the Pirates so a card in 1948 wouldn’t be completely unusual (though more so back then than now). On the other hand the lack of a team designation followed the design of the Gehrig in the set as opposed to the active players. (The set also includes a Mel Ott manager card with no team noted. However, this was later corrected to indicate “N.Y. Giants.”)
Lest you imagine this kind of thing could only happen in America, I’ll highlight the Cuban 1946-1947 Propagandas Montiel issue as yet another set from the era open to all comers.
At any rate, the battle for first place involves none of these late 1940s issues. After all, the most sought after card from the start of the decade is one of many “Former Major League Stars” that Play Ball camouflaged into its 1940 set.
Did I mention my criteria were pretty inconsistent? Oh, good, because otherwise I’d have no place taking us into the 1933 Goudey set where not one, not two, but two-and-a-half retired legends make an appearance. The first of these is Shoeless Joe’s 1919 White Sox teammate, Eddie Collins, who technically cracks the set as a vice president and business manager, two categories so far fetched that it’s safe to say he simply cracks the set as Eddie Collins.
Next up is the part-owner of the Kansas City Blues because of course every set needs a card of a part-owner!
And batting third is the set’s Holy Grail, Napoleon Lajoie, who is 100% retired great, 0% owner, vice president, business manager, or otherwise.
In fact, old Larry was so far removed from the business of baseball by then as to be the Lloyd Dobler of his time. (“I don’t want to sell anything, buy anything, or process anything as a career. I don’t want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don’t want to do that.”)
Still, while Lajoie’s status as pure “retired great” is uncontaminated there are a few reasons to assign his card only partial credit in meeting the criteria for this article.
One, his card couldn’t really be said to blend in with the rest of the set seeing as it wasn’t even released with the rest of the set. As is well known, Goudey didn’t issue the card until 1934 and only then to the relatively small number of collectors who sent them hate mail about their missing card 106.
Two, the card’s design doesn’t even match the rest of the 1933 (or 1934) set, instead reflecting a hybrid of the two designs.
While we’re on the subject, there is yet another retired baseball legend who cracks a 1933-1934 Goudey checklist, but this time it’s with the “Sports Kings” issue, where Ty Cobb slides in alongside two active players, Babe Ruth and Carl Hubbell.
My approach so far has been to start with 1949 and work my way backward. As I’m not aware of any examples (aside from coaches/managers) before 1933, I’ll close the article with a few post-1949 honorable mentions.
The 1960 Fleer Baseball Greats set technically qualifies as a set that mixed old and new. The checklist consists of 78 retired stars and exactly one active player, Ted Williams.
The 1967 Venezuelan Topps set includes a “RETIRADO” subset that doesn’t at all blend in with the set’s other cards. However, the design of the retired players reflects at least some attempt to match the base cards of active players.
The next honorable mention comes in 1982 from both Topps and Fleer.
I’m sure there was no intent to include the great J.R. Richard as a retired legend. Nonetheless, with J.R.’s final trip to the mound coming in 1980, his spot in the 1982 sets proved unusual. Naturally, Topps and Fleer were banking on a successful comeback that unfortunately never materialized.
Overall I’m a big fan of packing retired legends into modern sets. I can only imagine how much I would have loved it to open packs of 1978 or 1979 Topps and pull cards like these!
Of course, if the kids opening packs today are like the players I coached in Little League a few years ago, they may not have the same reverence for yesteryear that we once did. To quote one of kids on the squad, “Hank Aaron? Is he from the 1900s or something?”
Starting in the late 1980s, I can no longer remember the year of Topps base card sets from simply eyeballing the design. For the most part, I can only give you a ballpark estimation of the year based on the player. This stems from buying the factory sets, sorting, putting them in binders, and immediately archiving them in the card closet.
Contributing to this “one and done” approach to collecting
modern cards is my curmudgeonly insistence that current designs are either lame
or too similar from one year to the next.
To try and break from my “old school” mindset, I took a fresh look at
each of the sets from the first decade of the 2000s. What follows is one old curmudgeon’s ranking
of the cards based solely on design.
Bringing up the rear of the decade rankings is 2007. This one falls in my pet peeve wheelhouse by using foil lettering. The letters are very difficult to read, due to insufficient contrast, which renders the whole purpose of identifying players and teams moot. Also, what is with the corner dots? They remind me of the test pattern from the field of vision test I routinely take as part of my glaucoma treatment. The black borders are acceptable but not the “day-glow” green statistics box on the back. The entirety of design is a complete “excrement show.”
2001 falls into awful category as well. First off, this is the 50th Anniversary year for Topps. A design that paid homage to Topps past glories seems like a logical approach. Instead we get teal borders and gold foil lettering! Teal? You’ve got to be kidding me! Sy Berger would have turned over in his grave had he been dead at the time.
At number eight I present 2002 in all its “puke” gold glory. This is not an attractive color. It reminds me of the color of my first car, a 1972 four-door Plymouth Valiant with a black vinyl top. Also, are the ribbons supposed to be “gonfalons” floating in the stadium breeze? Well, the gonfalon bubble burst, and the design is weighty with nothing but trouble. “Stinky (Davis)-to-Stanky-to-Sauer”
2000 and 2006 both suffer from the foil legibility issue,
but 2006 gets props for including a cartoon on the back instead of a
photo. Do we really need photos on the
back? This generally means fewer
statistics and limited or no biographical information. How are kids supposed to who led the Sally
League in triples in 1998?
Topps stepped up its game in 2005 by introducing white borders and team names, utilizing team word marks. But, why did they put only the player’s last name in bold letters at the top? The vertical placement of the players position is weird as well. Kudos for having lengthy biographical material.
2009 has some positive elements such white borders and logo placement, but the hard to read foil “foils” the overall aesthetic.
Because it harkens back to past sets, I like the 2003 set
with the picture-in-picture look. If
only Topps had used black and white photos with poorly airbrushed logos like
1963, it would be the winner. The back
has most of the good elements, apart from a cartoon.
I must admit that 2004 is a great look. The team name in foil is very visible against
the white background. I love the drawing
of a player representing the position of the person on the card.
As nice as the design is in 2004, it must take runner up status to the “Curmudgeon Cup” winning 2008 design. The alternating color balls at the top-forming the team name-is simultaneously innovative and retro. The white borders help draw the eye to the team name as well. Also, the facsimile signature warms the soil of the vintage collector. The biggest downside is the lack of the player’s position on the front.
Before you fill up the comments section with vitriol and torch me on Twitter, there is a strong “tongue-in-check” element to this post. I am not inclined to defend my choices, since I have no strong attachment to this era’s cards. I will leave you with this though: “Get off my lawn, Topps, and bring back burlap and wood paneled borders!”
There are a lot of sets that I’ve bought that I’ve forgotten about. Some bring back memories; others I can’t believe actually exist (or that I have).
The 2002 Donruss Originals set came as a complete surprise to me when I saw it written on the end of a storage box. I pulled it out of the pile to investigate, had no idea what lurked within, and ended up surprised at how much fun it was.
The gimmick is simple, and now done ad nauseum – bring back old designs with contemporary players. Donruss went back into their 20+ year history and came up with four looks they felt worthy of tribute – 1982, 1984, 1986 and 1988. Classic cardboard? Not for me to decide, but the set does work.
The 400 card issue is not evenly divided between the four years: 1982-1986 get 115 cards each, 1988 gets 55. Perhaps Donruss themselves knew that 1988 was pushing it in terms of historic sets.
What’s weirdly interesting about this set is the repetition. Donruss chose to feature many of the same players in all four designs, so the checklist isn’t 400 individual people. Let’s ask Miguel Tejada, as 2002 a guy as I can think of, to demonstrate:
Odd, but compelling, almost hypnotic, but nothing’s wrong with having a set that’s .75% Corey Pattersons?
I like autographs. During the 1970’s, I wrote a lot of letters, to athletes, movie stars, politicians, everyone I liked.
I love cards. No need to explain that at this point.
Autographed cards? I more than like, less than love. I have hundreds and hundreds, but I don’t pursue them with any kind of passion or goal, except…..
From 1997-1999, Fleer partnered with Sports Illustrated for base sets and inserts. Of course, signed cards were key. The 1997 set had a 6-card “autographed mini-cover” insert set with a stellar checklist – ARod, Ripken, Puckett, Mays, Frank Robinson, Aaron – but it’s the 1999 Greats of the Game autographed cards that piqued my interest.
The 80 card GOTG is a great smattering if superstars, stars, and cult heroes, and they’re wonderful. Actually, not all of them stand out. The basic look does nothing for me:
The cards that feature Sports Illustrated covers do it all. The white signature strip on the bottom, part of all the GOTG cards, stands out against the cover photo above. I went after this type hard, ending up with all of them (though there is one variation – Reggie has a “Mr. October” and an “HOF 93”). From Mays to McDowell, Ryan to Wynn, the players that constitute this smaller group tell the story, through SI, of the game from the 50’s through the 80’s.
For the autographed cards, the backs doubled as certificates of authenticity.
Prices are as wide ranging as the player quality, and, as some guys have died, formerly cheaper cards have popped. “The Bird” was once less than $10. Not anymore. However, the Campaneris, under the 1973 World Series cover, is out there for less than $10.
I do have some of the full bleed covers, as you can see here, but they don’t tug at me as much, though arguably aesthetically more pleasing. Some are from 1997, some from other years. All have an embossed stamp of authenticity, which adds to the overall look.
I loved these so much that I went after the football issue as well. I still need a few of those – Starr, Bradshaw and Montana – but they’re a bit pricey. If they were baseball, I‘d grab them, but I don’t care much about Joe Montana and never quite have the urge to pay $150-200 for the pleasure of having his autograph.
This post will look at a sampling of players whose brothers played a different professional sport simultaneously. Furthermore, I am focusing only on siblings that had cards issued in the same year. Therefore, there may be a numerous sporting brothers, but they had to have simultaneous cards to fit the parameters of this post. Finally, this is not a definitive list. Think of this as a discussion opener, in which your examples will add to the body of knowledge.
The impetus for this post was the recent death of Pumpsie Green. I was unaware until reading his obituary that Pumpsie’s brother-Cornell-played for the Dallas Cowboys. The siblings only overlapped with cards in 1964.
Another set of baseball/football playing brothers were the Kellys-Pat and Leroy. Leroy Kelly was a star running back for the Cleveland Browns in the last 1960s and early 1970s. His younger brother, Pat, was an original Kansas City Royal in 1969 and forged a nice career as a journeyman. The Kelly boys have seven years of dual cards (‘69-’74). Note that a similar cartoon appears on the backs of each brother’s card in 1970.
Contemporary with Pat and Leroy were the athletic duo of Alex Johnson and Ron Johnson. The enigmatic Alex won the AL batting title in 1970, while Ron was an elite running back- twice topping the 1000 yard mark. for the Browns and Giants in the early 1970s.
Mark and Dan McGwire were another set of ‘balling” siblings. The Seattle Seahawks took Dan in the first-round of the 1991 draft out of San Diego State. Unfortunately for Seahawks fans, he was a total bust. Of course, Mark’s supernova stardom quickly shrank into a brown dwarf-much like his post-PED physique.
Like Dan and Mike, I’m sure that Wayne and Terry Kirby tossed spirals and curve balls in the backyard growing up. Both had cards in the early 1990s.
A more recent pigskin and cowhide familial pairing is Matt and Jack Cassel. A 2007 rookie combo card features Patriots quarterback Matt, while Jack’s brief major league career is depicted on a Padres rookie card.
Of course, brother athletes are not confined to baseball and football. Jim Bibby was an excellent starting pitcher for several teams in the 1970s, while brother Henry was plying the hardwood for the Knicks.
As recently as 2017, Golden State Warriors star, Klay Thompson, had a brother-Trayce-pitching for the Dodgers. The other Thompson brother, Mychel, plays in the NBA as well.
To keep you from dozing off, I will mix it up by closing with a brother and sister combination. In 1977 Giants pitcher Randy Moffitt and his superstar sister, Billie Jean King, were featured on cards. Billie Jean shows up in the large format “Sportscaster” card set.
Undoubtedly, there are glaring omissions in this brotherly love-fest. Just remember, the siblings must have cards from the same year. Tim and Dale Berra were not brothers at the same time. (Attempted “Yogism!”)
A very long time ago I saw a comedian who found it funny to give people lotto tickets as gifts. Because the chance of winning was so remote, he quipped that the gesture was akin to giving someone “nothing.”
From 2003 through 2008, the Chicago Cubs held promotional dates in which prizes were given to a select few fans at several ballgames, typically no more than 100-500 of each. Although the chances of winning the prizes—autographed baseballs, jerseys, gloves, bats, and other sweet items—were slim, the Cubs did offer a bit of a consolation prize, at least for baseball card collectors, which was certainly better than nothing.
In 2003, the Cubs promotional schedule included 11 dates in which the giveaway was an official Rawlings baseball autographed by one of several players, such as Sammy Sosa, Ernie Banks, Billy Williams or Corey Patterson. The giveaway, however, was limited to 500 and given only to winners of a scratch-off game. All fans were given a game card, which was essentially a cool, though oddly sized, card for the player whose prize was being awarded that day. These cards measure 2” x 4” and are all set in a horizontal format.
On June 5, 2003, the Tampa Bay Devil Rays faced the Cubs at Wrigley Field for the rubber match of the three-game series. Paid attendance for the game was 28,713 and the Cubs were giving away 500 baseballs autographed by Ryne Sandberg that afternoon. Fans were given cards that featured a photo of Ryno superimposed on a sun swept Wrigley day; to the right was a shimmering golden scratch-off circle. The back of the card listed Sandberg’s career statistics and the sweepstakes’ entry rules. By my math, the chance of winning that day one was roughly 1.7%, without accounting for unused tickets and others who may have taken advantage of the “no purchase necessary” entry method, and assuming the game cards were distributed to all who attended. Not surprisingly, I was not a winner.
The Cubs ramped up the promotion in 2004, issuing a total of 21 cards and offering both autographed baseballs and Mitchell & Ness Cooperstown Authentic Collection jerseys of players such as Andy Pafko (1945), Ernie Banks (1958), Bill Buckner (1978) and Greg Maddux (2002). On September 29, the Cubs lost the Reds in twelve innings. I did not win a baseball autographed by Ron Santo.
In 2005, the Cubs issued the largest set yet, ballooning to 27 cards and peppering the giveaways with Wilson A2000 gloves, signed photos and Mitchell & Ness jerseys for Cubs legends Hack Wilson (1930), Gabby Hartnett (1938) and Bruce Sutter (1979).
The Cubs scaled back slightly in 2006 with 25 cards, but continued to offer fantastic prizes, which included catcher’s mitts signed by Michael Barrett, official bases signed by Ernie Banks and Ron Santo, and a helmet signed by Aramis Ramirez. They also offered jerseys of Babe Ruth, Jackie Robinson and Roberto Clemente. (Unfortunately, it appears as though the game cards for these non-Cub legends may have featured only a photo of the jersey, not the person.) Some of the game cards in 2006 went full postcard size at 4” x 6.” On May 27 the Braves beat the Cubs 2-1. I did not win a Derrick Lee autographed baseball.
The Cubs cut the giveaway promotion by over half in 2007, issuing only 12 cards and scaling back the prizes. They also did not bother providing any statistics on the flipside. On June 29 the Cubs beat the Brewers but, not shockingly, I did not leave with a photo signed by Alfonso Soriano.
The last hurrah for the promotion was in 2008, when the Cubs held just five giveaway dates. Perhaps the Cubs learned that giving away prizes to so few was not a great way to attract fans. Or maybe the players were simply fed up with having to sign so many things.
Through the years, it was not uncommon to see the losing cards folded on the ground or tossed in the garbage bins. Although there were presumably 30,000 to 35,000 of each of these cards manufactured, the number that survive at this point is appreciably thin, especially in good condition.
Overall, the Cubs issued 101 player cards, including one for the 1908 Cubs infield featuring the famous trio of Frank Chance, Johnny Evers and Joe Tinker, along with oft-forgotten third baseman Harry Steinfeldt. By my count, Derrick Lee and Ron Santo appeared on the most cards with eight. The winning cards were hole punched and returned to the winner with the prize. Accordingly, there are at least two versions (winner/loser) for each card, if you are into variations!
Completing the entire six-year run of these cards would be a daunting task. The cards are not numbered, apart from the serial number on the face of the card, and there is no hobby consensus as to what to call them. Some sellers label these card as a stadium giveaway (“SGA”), which is appropriate—though not fully accurate—in that these were not the giveaway, just a means to randomly distribute the giveaway. It does not appear that these cards are terribly plentiful—either scanned or for sale.
A full checklist can be found here, showing the date of each card giveaway and the prize offered. A second list shows the number of cards for each individual.
Author’s note: I originally planned this article in two parts, the first of which was published earlier in the week. I’ve since decided it works better combined into a single article, so here it is all in once place. – J.A.S.
In the nearly 120 years of the great Dodger-Giant rivalry, more than 200 players have suited up for both sides, either as a player or manager, including 22 Hall of Famers. For most of these men it is an easy undertaking to find cards of them as Dodgers and as Giants.
Most often their Dodger and Giant cards come from different years or different sets, as in the case of the two Frank Robinson cards pictured, eleven years apart. However, it is sometimes possible to find these Dodger-Giant pairings within a single set.
When this happens, the player (or manager) achieves true “double agent” status, turns from hero to villain (or vice versa) among the team faithful, earns the double-takes of many a collector, and most importantly attains immortality with a spot in this article.
In the sections that follow, I will present a chronological list of the nearly two dozen Dodger-Giant double agents I could track down in my research. Please let me know in the comments if I missed anyone.
On December 12, 1903, the Brooklyn Superbas sent Bill Dahlen to New York for Charlie Babb and Jack Cronin. As a result, Dahlen can be found with both squads in the 1903-04 Breisch-Williams (E107) set and has the honor of being the first ever Dodger-Giant double agent.
Here is one that really doesn’t count but is interesting enough to include nonetheless. On August 31, 1915, the Brooklyn Robins claimed Hall of Fame hurler Rube Marquard off waivers following his release by the Giants. Look close, however, and you’ll see Marquard’s 1915 card puts him with the other Brooklyn team, the Tip Tops of the Federal League!
I originally thought the fine folks at Cracker Jack had simply erred until Ralph Carhart helped explain things.
As Ralph noted, Rube’s “Tip Top flip flop” may offer us a clue to the Cracker Jack production calendar. I’ll further offer that the NYG still on Marquard’s uniform could signal that “the drama was playing out” after it was too late to change art but not too late to change type.
On June 16, 1933, the Giants traded Sam Leslie to the Dodgers for Watty Clark and Lefty O’Doul. Clark had only a single 1933 Goudey card, which depicted him as a Dodger, while Leslie had no 1933 cards at all. O’Doul, on the other hand, had two cards in the Goudey set: one as a Dodger and one as a Giant.
The first card came early in the year as part of the set’s third sheet while his second card, along with those of numerous other Giants and Senators, was something of a bonus card as part of the set’s World Series (sheet 10) release.
In July 1948 Brooklyn general manager Branch Rickey and New York owner Horace Stoneham came to an agreement that allowed Brooklyn manager Leo Durocher to take over the Giants. The 1948 R346 “Blue Tint” set noted the update and may well have inspired future Topps airbrushers with its treatment of Durocher’s cap.
A part of my childhood was destroyed when Reggie Smith left the Dodgers and signed as a free agent with San Francisco on February 27, 1982. A giant (okay, pun intended) setback in my grieving process came when Topps pushed out its Traded set for the year and documented the move in cardboard. But alas, at least we still had Dusty!
As a side note, the Traded card presents an interesting blend of numbers for the man who formerly wore #8 with the Dodgers and would wear #14 with the Giants. His jersey shows him as #60 while his bat has a 30 on it, which I take to mean it belonged to teammate Chili Davis.
No-o-o-o-o-o-o-o! They got Dusty too?! Sadly it was no April Fools joke when the Giants signed fan favorite Dusty Baker as a free agent on April 1, 1984, and this two Traded/Update sets were there to ratify the trauma.
A rare trade between the Dodgers and Giants on December 11, 1985 produced two more double agents. The first was fan favorite Candy Maldonado, who like Baker before him made both the Topps and Fleer sets.
And on the back end of that same trade…
Oddly, neither Trevino nor Maldonado cracked the 660-card 1986 Donruss checklist despite the set including 21 different Giants and 24 different Dodgers. In Trevino’s case, he was San Francisco’s primary back-up catcher behind Bob Brenley played in 57 games. As for Maldonado, he played in 123 games, leading all reserve players and ranking eighth overall on the team.
Fast forward to 1991 and the number of baseball card sets had reached absurd levels. Therefore, it should be no surprise that when free agent superstar Gary Carter signed with the Dodgers on March 26, 1991, he would set new records for cardboard double agency.
First here’s Topps.
Next up are the Kid’s two Fleer cards. Warning: Sunglasses may be required.
Upper Deck was of course also in the act by now.
And finally, Score put out two Carter cards as well, ridiculously similar to each other to the point of almost seeming impossible.
A similar octet of cards belonged to Brett Butler this same year, with Bugsy landing in Los Angeles via free agency on December 14, 1990.
Dave Anderson signed with the Dodgers as a free agent on January 28, 1992, but this time only one company, Score, seemed to take notice.
It was Fleer and only Fleer on the job when Todd Benzinger headed north to San Francisco as a free agent on January 13, 1993.
Meanwhile, Cory Snyder got three times the cardboard love when he took his talents to L.A. on December 5, 1992. Score Select was particularly ambitious, dropping Snyder out of an airplane for their photo shoot.
On June 19, 1994, following his release from the Dodgers, the Giants signed Darryl Strawberry to a cup of coffee. Little used by both teams in 1994, Darryl hit double agent status with only a single cardmaker, Fleer.
On December 8, 1997, infielder Jose Vizcaino signed with the Dodgers as a free agent after playing the regular season with the Giants. However, the baseball card production process was by this time so fast that nearly all of Vizcaino’s base cards already had him as a Dodger. As a result, his double agency was limited to the 1998 Fleer Tradition set only.
On January 11, 2000, F.P. Santangelo signed with the Dodgers as a free agent. While very few companies even had a single card of the oft abbreviated Frank-Paul, Upper Deck came through with cards on both sides of the cardboard rivalry.
The Giants signed Gold Glove centerfielder Marquis Grissom as a free agency on December 7, 2002, leading to a pair of Fleer Tradition cards based on Fleer’s sharp 1963 design.
Curiously, the Fleer Tradition Update cards (not just Grissom’s) omitted the city from team names. If there’s any story to it, let me know in the comments.
On January 3, 2006, pitcher Brett Tomko signed a free agent deal with the Dodgers. If nothing else, the move gave Topps a chance to show off how far they’d come since their drunken airbrush days. Scary good if you ask me.
Tomko’s Dodger card above came from a Dodger-specific team set, but he also earned a card in the Topps Updates and Highlights set for good measure.
When the Dodgers signed all-star right-hander Jason Schmidt on December 6, 2006, no two companies went the same route. First up, Fleer simply turned back the clock to the days of 1981 Donruss.
Meanwhile Topps ventured back to 1983 and the Fleer Joel Youngblood card or Eddie Murphy movie with this special insert…
…while also going full Tomko across their Pepsi and Opening Day releases.
Upper Deck came through with a nice pair of landscape Schmidt cards, though neither is a true Giants card since both go with Dodgers in the header.
Would I be remiss if I didn’t report that the first of the two Schmidt cards is also available in Gold, Predictor Green, and First Edition? Take your pick I guess!
Brad Penny signed as a free agent with the Giants on August 31, 2009, following half a season with the Red Sox and a longer stint before that with L.A. This landed Penny cards on three teams in 2009, including double agent status with Topps Heritage.
The final player (as of 2019) with a Dodger and Giant card from the same set is Brian Wilson, who signed as a free agent with the Dodgers mid-season on July 30, 2013. Lucky for you, Topps was there to document the before and after in pretty much every possible color!
On one hand, Dodger-Giant double agents reflect an oddball phenomenon of at best passing interest to fans of either of the two teams. However, their distinctly non-random occurrences over the years also point to important changes in the game and the hobby.
Just looking at the graph, it is possible to see all of the following:
Prevalence of multi-year issues in the early days of the hobby
Increased player movement with the advent of free agency
Introduction of Traded/Update sets
Increase in the number of companies issuing sets (1981-2008)
Reduction in the number of companies issuing sets (2009-present)
I will leave it to others to identify the cardboard double-agents of baseball’s other great rivalries (e.g., Yankees-Red Sox), but I’ll hazard a guess already that a graph of the data would look very much like mine.