The Oddest of the Oddball: 1988 Starting Lineup Talking Baseball

The best baseball cards are evocative—tangible reminders of a particular period of life, memories of rooting for a favorite player, or the circumstances in which one came to acquire a prized possession. In 1988, I was 16 years old and deep in the throes of collecting every single baseball card I could get my hands on, especially oddball releases of my favorite players. At that time, nearly every store, food manufacturer, restaurant, and dozens of other companies were anxious to cash in on the baseball card craze and contributed myriad releases to the Golden Age of Oddball.

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1988 Starting Lineup figures, Tony Gwynn and Don Mattingly

Kenner debuted its Starting Lineup figures and cards in 1988 with a set of 124 baseball players. Sister company, Parker Brothers, released Starting Lineup Talking Baseball, an electronic baseball game that was packaged with a set of 40 baseball cards featuring the biggest stars of the day. With an initial retail price between $89.99 and $99.99 (approximately $200 today) this set of cards was essentially the Holy Grail of oddball sets.

The game was amazingly sophisticated and unlike the ubiquitous Mattel, Coleco and Entex baseball games of the 1980s, the Parker Brothers version featured programmable lineups, real players, and an announcer who would offer play-by-play accounts of the action on the field. Unfortunately, it was often difficult to find willing opponents due to the complicated nature of game play.

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Sample of All-Star cards included with game

Each of the players on the American and National League All-Star teams packaged with the game contained a photo on the front and statistics on the back. The cards are an odd size (2 5/8″x 3″), however, and are almost too wide to fit in a standard baseball card album page. Licensed only by the MLBPA, none of the cards included team logos. The cards are not numbered in the traditional sense and only have a “Player Number” that corresponds to programming the lineup to include that particular player.

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Odd sized cards – with 1988 Fleer Dwight Gooden behind for scale

This alphabetical listing of the set includes the Player Number in parentheses and the * indicates that player is in the starting lineup:

  1. Bell, Buddy (15)                              21. Puckett, Kirby (21)
  2. Bell, George (22)*                           22. Quisenberry, Dan (30)
  3. Boggs, Wade (18)*                          23. Raines, Tim (23)*
  4. Brett, George (19)                           24. Randolph, Willie (15)*
  5. Carter, Gary (11)*                           25. Righetti, Dave (29)
  6. Clark, Jack (13)*                              26. Ripken, Cal (16)*
  7. Clemens, Roger (27)*                     27. Ryan, Nolan (30)
  8. Davis, Eric (20)*                              28. Saberhagen, Bret (28)
  9. Davis, Jody (26)                               29. Sandberg, Ryne (16)*
  10. Dawson, Andre (24)                       30. Sax, Steve (12)
  11. Fisk, Carlton (12)                            31. Schmidt, Mike (19)*
  12. Gooden, Dwight (29)                      32. Scott, Mike (25)*
  13. Gwynn, Tony (21)                           33. Smith, Ozzie (17)*
  14. Henderson, Rickey (23)*               34. Strawberry, Darryl (22)*
  15. Hernandez, Keith (14)                   35. Trammell, Alan (20)*
  16. Kennedy, Terry (11)*                     36. Valenzuela, Fernando (28)
  17. Mattingly, Don (14)*                      37. Whitaker, Lou (17)
  18. Morris, Jack (25)                             38. Winfield, Dave (24)*
  19. Murphy, Dale (18)*                        39. Worrell, Todd (27)
  20. Murray, Eddie (13)                        40. Yount, Robin (26)

These All-Star players were pre-programmed into the game. A cartridge was also included that featured legendary Hall of Famers, so right out of the box a game could be played pitting Don Mattingly, Wade Boggs, Kirby Puckett and the American League All-Stars against Babe Ruth, Honus Wagner, Walter Johnson and the Hall of Fame team.

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Note the copyright (L) is KPT (Kenner Parker Toys) and (R) Parker Bros.
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Rickey Henderson cards for comparison

Starting Lineup Talking Baseball was customizable with the rosters of each of the 26 Major League Baseball teams at the time, available on eight cartridges that initially retailed for about $19.99 each:

  • No. 4001 – Tigers/Blue Jays/Indians/Brewers
  • No. 4002 – Yankees/Red Sox/Orioles
  • No. 4003 – Royals/White Sox/Rangers/Twins
  • No. 4004 – Angels/A’s/Mariners
  • No. 4005 – Cubs/Expos/Cardinals
  • No. 4006 – Pirates/Phillies/Mets
  • No. 4007 – Giants/Padres/Dodgers
  • No. 4008 – Reds/Astros/Braves
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Game cartridges included team sets of cards

Each of these packages included a separate set of cards for the teams on each cartridge.  In total, there were 546 of these cards issued – 20 players and a checklist card for each team. These cards are the same odd size as those included with the game; however, the team set cards feature illustrations of the players on the front, not photographs. Here is a link to the complete checklist:

Starting Lineup Talking Baseball Teams Checklist

The cards included with the game cartridges are somewhat representative of each of the teams but the fact checkers for this game made some glaring mistakes! The first sign that the product might be prone to errors was evident on the game’s playing surface. The designer was apparently unfamiliar with the layout of the bases and (maddeningly) positioned second base parallel with the front edge of home plate.

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Playing surface of game

This massive oddball set features several players who appear on cards for two different teams. One of those players, Lee Smith, is actually included in the Cubs team set with Calvin Schiraldi – one of the players he was traded for! Elsewhere, Billy Ripken’s last name is spelled wrong, even though he was listed alphabetically right next to brother, Cal, whose name was spelled correctly.

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Some of the players who appear twice in the set

Here are players who appear on cards for two different teams:

  1. Bradley, Phil (Mariners/Phillies)
  2. Butler, Brett (Giants/Indians)
  3. Clark, Jack (Cardinals/Yankees)
  4. Davis, Chili (Giants/Angels)
  5. Davis, Mike (Dodgers/A’s)
  6. Dernier, Bob (Cubs/Phillies)
  7. Gibson, Kirk (Dodgers/Tigers)
  8. Knight, Ray (Tigers/Orioles)
  9. Moreland, Keith (Cubs/Padres)
  10. Parker, Dave (Reds/A’s)
  11. Slaught, Don (Yankees/Rangers)
  12. Smith, Lee (Cubs/Red Sox)
  13. Wilson, Glenn (Mariners/Phillies)

Taken as a whole, this is one unusual set – numbering nearly 600 – replete with oddly-sized cards, curious player selection, and a strange distribution method. Regardless, the Starting Lineup Talking Baseball cards evoke pleasant memories of playing the game with the precious few who were patient enough to play, driving all over the Chicagoland area with my card collecting buddies trying to track down missing cartridges/cards, and generally, that halcyon time of my life when I was less burdened with adult responsibilities. I still like to flip through these cards and reminisce. But if only I could find someone to play to play the game with…

Sources:

Collector’s Paradise (My Coolio Weekend in Cooperstown)

Yes, Shoebox Treasures, the new baseball card exhibit at the National Baseball Hall of Fame and Museum, is extraordinary. Yes, I had a lovely talk with Doug McWilliams, the legendary Topps photographer, at Doubleday Field during the Hall of Fame classic. Yes, I’m given special things on the plaque for Shoebox Treasures (and, being named in the Hall of Fame is, in some respects, the same as being in the Hall of Fame, which, taken a step further, is like being a Hall of Famer), but this, and the other things, are not what made this past weekend great.

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Starting on Thursday, when my friend Jimmy arrived from Chicago, the weekend was filled with gatherings of friends/collectors. In my living room, or on my front porch, and at Yastrzemski Sports and Baseball Nostalgia, Jimmy, Mark Armour (the new SABR President and co-founder of the SABR Baseball Cards Committee, Mark Hoyle (Red Sox collector extraordinaire) and Jason Schwartz (one of the new co-chairs of the committee) talked baseball, baseball cards, and our collections. It was incredibly fun, incredibly enlightening, and somewhat rare to be surrounded by so many like-minded people.

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(L to R, Mark A, Tom, Jimmy, me, Mark H. Jason took the pic.)

On Saturday night, Tom Shieber, senior curator at the Hall and key cog in the cards exhibit, joined us and tossed some 1982 Topps packs our way, resulting in a new, exclusive, club of stickered phones.

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As Jimmy and I were walking to Main Street on Sunday to meet the guys for some group baseball card buying, which was enormous fun, with everyone now knowing each other’s interests and pointing out their finds, he asked me for my Mission Statement. He loved that Mark Hoyle had a very specific mission – he collects Red Sox cards. Which kind of Red Sox cards? All of them.

I thought I had a pretty good answer. “I collect complete sets and build sets that are of interest to me.”  Jimmy wasn’t having it.

“But that doesn’t tell an outsider anything in detail about what you collect.”

“I don’t care what someone outside of me thinks about my collection,” said I.

Still, the question refined and reaffirmed where my head has been at lately. I am a collector of complete sets and I do like to build complete sets. Could be a baseball, other sports, non-sports, whatever. I like the sense and order of completion. In fact, that day I managed to put together a complete 10 card set of 1993 Kellogg’s College Greats from the cheapo bins at Yaz Sports, and bought two cards for the 1971 Kellogg’s Football set I’m working on. I was true to my mission statement. (I did buy one baseball thing – a signed index card and TCMA 1960’s card of Juan Pizarro).

Further, my toe-dipping into selling my pre-war cards has gone full blown. Why? They don’t really fit what I collect and have no emotional ties. They’re cool, some way cool, but that’s doesn’t feel like quite enough. Yesterday I began listing them.

Here are some of the ones I’m moving out:

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They’re sweet, and maybe I’ll miss them, but I know if someone wanted to trade a complete 1966 Topps set for a handful of pre-war beauties, I’d make that deal in a heartbeat. A full set that has a direct connection to my early pack buying days for a bunch of random cards?

That’s me, completely.

Reflections on “Shoebox Treasures”

Author’s note: Along with other members of the SABR Baseball Cards Research Committee, I was in Cooperstown this past weekend for the opening of the Hall of Fame’s “Shoebox Treasures” exhibit. Like a great song or poem, a successful exhibit leaves room for each visitor to develop his own meaning. Here is mine. I encourage each of you to visit and find your own.

When you’re a kid a shoebox can be a lot of things but mostly a safe. In the closet, under the bed, or in some nook a kid imagines a secret, there is a box of his best things. It might start out with some plastic army men or a G.I. Joe, some bottle caps, a few pieces of Halloween candy pilfered from his sister’s trick or treat bag, and some stamps and coins, but as the collection grows all these things give way to the consummate currency of cool: cardboard.

My favorite photograph from the exhibit

The baseball card collection, guarded more closely than eggs to a hen, was all things at once: encyclopedia of all that matters, marker of status, builder of friendships, beginning of plans and dreams, blank canvas, constant muse, and drawbridge to the bigger and better.

Not sure why “improved” is in quotes here!

The luckiest kids were born into cardboard royalty through an older brother or cousin, or–if they really hit the jackpot–their dad. I was not. Though my dad grew up during the Golden Age of Baseball and could have acquired countless cards of of Mays, Aaron, and Mantle, he had neither the interest nor the change to spare. His interests as a young boy were astronomy and dinosaurs. He told me why once. They were the things he could think of as far away as possible, in distance and in time.

Upper portion of “Collector’s Corner” area of exhibit

He had no cards for me, just a similar desire to escape. We both grew up in (and ultimately recreated) houses full of conflict: arguments, yelling, fighting, and ultimately divorce. I expected things to improve when my dad moved out, but my mom’s anger never went away. It only found the closest targets. From the outside our house looked solid. It survived earthquakes and a fire. On the inside it was fragile and falling apart, its only stronghold my growing house of cards.

More than 40 pull-out drawers, organized by era, offer a tremendous visual timeline of the Hobby.

The kids I grew up with, I think most of them collected to be closer to their heroes. Far fewer collected to be farther from everything else. As adults, however long our hiatus from the Hobby, I suspect the proportion is greater. Our cards help us start over, feel young again, and shield us from what ails us.

The exhibit included the work of Baseball Card Vandals, Gummy Arts, Tim Carroll, and other artists.

As I made the drive from Cooperstown to Albany for my 6 o’clock flight home, I reflected on the unbelievably great time I had all weekend but also how fantastic it would be to get home, to be back with my fiancee, my son, and our dog. (And yes, to add a few new cards to my binders from the local card shops!)

Getting ready to hit the card shops (L-R): Mark Armour, Harry Hoyle, and Andrew Aronstein

For most of my collecting life, I needed to collect. I don’t anymore. Life is that good finally. But here’s the kicker, brought home 100% at “Shoebox Treasures.” I still love the cards just as much. My shoeboxes are still safes, but now only the cards need protecting. Thanks to the heroes, cardboard and otherwise, who got me here.

Several players were on hand all weekend for the Hall of Fame Classic

I know some of you are a little bummed to reach the end of this post without seeing a bunch of great cards, especially if you missed the Mantle rookie in one of the pics. In fact the exhibit is loaded with great cards, including what’s probably the nicest T206 Wagner in the world. (Before you go checking some pop report, this one has never been graded!) I have too many pictures to share, and I’d rather you just go see the cards for yourself, but I will leave you with this great pairing.

Topps All-Star Rookie trophy supplied by the great Johnny Bench himself!

UNCOMMON COMMON: Ernie Barnes

Author’s note: This is the second post in a series highlighting “common players” with stories far richer than the value of their trading cards. The first post in the series profiled Dave Hoskins and can be found here.

The common understanding of the term “Renaissance Man” is of someone with many talents or areas of knowledge. Ernie Barnes fits this description. Less correct but truer to the origin of the word renaissance would be a man reborn. Ernie Barnes fits this description too.

“Song of Myself”

Raised in segregated Durham, North Carolina, Barnes was chubby, nonathletic, and bullied by his Hillside High School classmates. He mainly kept to himself and drew in his sketchbook to pass the time. Tommy Tucker, a teacher at the school, noticed the drawings and took an interest in Barnes. A bodybuilder, Tucker sold Barnes on the positive impact weightlifting could have on his life. By the time he graduated, Barnes was state champion in the shotput and captain of the football team. He also had scholarship offers to 26 colleges.

“Sunday’s Hero”

At North Carolina College, Ernie Barnes played tackle and center on the football team while majoring in art. As a kid, despite his interest, Barnes was never able to visit the North Carolina Museum of Art. Blacks were not allowed. In college, however, Barnes made a trip to the recently desegregated museum with one of his art classes. The answer when Barnes asked where he could find paintings by Negro artists? “Your people don’t express themselves that way.”

“Friendly Friendship Baptist Church”

Twenty-three years the work of Ernie Barnes would fill this same museum, and today his work hangs in Halls of Fame, top galleries, art museums, and the homes of the art world’s top collectors. If you love Motown and grew before everything was digital, there’s a good chance you even have an Ernie Barnes sitting in your music collection.

“Sugar Shack” painting used for Marvin Gaye’s “I Want You” album cover

You might even have several!

That’s great, Jason, but what does all this have to do with baseball cards? Well, let me at least bring it back to sports.

“Fast Break”

Barnes was selected in the 8th round of the NFL draft by the Washington Redskins, but his Redskins career lasted only a few minutes. Then the team found out Barnes was black. Two rounds later, the Baltimore Colts called his name but ultimately cut Barnes at the end of training camp. In 1960 Barnes played five games with the Titans of New York, who later became the Jets.

“Football Pileup”

Barnes spent the 1961 and 1962 seasons as a San Diego Charger and the following two seasons with the Denver Broncos. Barnes never approached All-Pro status or even started a game, though he picked up the nickname “Big Rembrandt” for the sketches he did during games, including in huddles.

I suspect when you think of football players turned actors, Barnes is not the first to come to mind.

“O.J. Simpson” (1984)

Nonetheless, Barnes acted in numerous television shows and movies, highlighted by his portrayal of Josh Gibson in the 1981 Satchel Paige biopic “Don’t Look Back.”

There is another connection Ernie Barnes has to baseball, one shared with me by Lawrence “Dan” D’Antignan, owner of Chicago’s historic Woodshop, longtime institution and early commercial epicenter of African American art.

As Dan tells it, his wife had made a trip to Los Angeles to meet with Ernie Barnes and discuss the selling of his work when the meeting was interrupted by a woman hoping to show off the work of her teenage son who 100% lived up to the hype.

Perhaps you’ve tasted the back of some of his artwork…

Or been greeted by it at the Negro Leagues Baseball Museum in Kansas City…

“Safe at Home” (2005)

There’s also a very good chance you’ve run across his book.

Of course, you didn’t come here to read about Kadir Nelson or even art! You want CARDS! Well, luckily I aim to please.

While an Ernie Barnes painting would easily set you back five figures if not six, it turns out any motivated collector can add an Ernie Barnes to his or her collection for the price of a bad ham sandwich.

As the title to this post suggests, Ernie Barnes, one of the great artists of the 20th century and an absolute icon in the African American art world, is a mere “common player, starting at around $2 on COMC and eBay.

1964 Topps Football card #48

Common though he is in the price guides, Ernie Barnes is the only man on the set’s 176-card checklist certain to remain relevant not just decades but centuries from now. Somewhere in a museum a young visitor will ask the docent where the works by African Americans are kept. And then, long, long after all 11 Hall of Famers in the 1964 Topps set have faded from memory, the visitor will happen upon an Ernie Barnes and neglect the rest of the day’s plans for a brush with greatness.

“Hook Shot” (1971)

Of Life, Death and Dave Ricketts

I began collecting cards in 1968, which was the year Topps featured the 33-card, game insert set.  Our “Founding Father,” Mark Armour, detailed this wonderful set in a past post.  My older brother and I played the game using our regular issue cards to represent the lineup.  We would position the cards in the proper positions on defense and have the card of the batter next to the catcher.  If the player registered a hit when the game card was turned over, his card was moved to the correct base.  Of course, this movement damaged the cards, which is why I have replaced most of them over the years.

For my brother’s 30th birthday in 1987, I had a photo mat cut to represent the nine positions.  I had the frame shop insert the Cardinals’ starting line up using 1968 cards. This set up was like the card arrangement we used as kids. I even included manager Red Schoendienst, as if he were in the dugout directing his charges.

In side note, my brother could never get Tim McCarver in a pack, and Lou Brock was in the seventh series-which never made it to our small town.  Thus, his lineup always featured Dave Ricketts at catcher and Bobby Tolan in left field.

My brother was a lifelong Cardinals fan, probably the result of my family hailing from Missouri.  Of course, St. Louis beat Boston in the World Series in ’67 and won the NL pennant in ’68, losing to the Tigers in the fall classic.  The card collection represented two of my brother’s favorite Cardinals teams.

68 Celebrate

Honestly, I have always been disappointed in the appearance of the framed cards.  There is too much green space and the shortstop would have looked better not angled.  In any event, my brother liked and appreciated the gift.  Over the years, he added a team picture and the World Series celebration cards by taping them to the glass in hard sleeves.  (Pilot sighting! Joe Schultz’s bald head and smiling face is clearly visible on the “Cardinals Celebrate!” card.)

Picture 1

After my brother’s death in 2015, I inherited his vast memorabilia collection-including the framed ’68 Cardinals cards. Unfortunately, the glass broke during shipping, but the rest remained intact.  Since I have a curator’s soul and a hoarder’s mindset, I was compelled to fill in the unused green space.  Using mostly the original cards from ’68 and ’69, I added most the players who appeared on the ’67 World Championship team.  A $0.79 Larry Jaster card was the only one I had to acquire.

Picture 2

Also, note that the two Cardinals from the game insert are included as well.  Orlando Cepeda is from the deck we used to play the game, back in the day.

Picture 3

Since I have maxed out the available wall space in my memorabilia room, I do not have a place for this piece. It sits in the card closet and serves as a frequent reminder of my brother.  We didn’t connect on many levels, but we could always find common ground with sports, memorabilia and most importantly, cards.

The Rogers Hornsby hiding in your 1978 Topps set

The year of hitting dangerously

If you’re my age you remember the season well. It seemed like everywhere you looked there was a 12-10 score, balls were flying out of the park, and entire teams were flirting with .400. No, this wasn’t the steroid era, the early 1930s, or 1894, though it could have been. It was 1978, I was eight years old, and the game was Play Ball, Played by Two—just as often “played by one” in my house.

Well start with the right way to play, even if it wasn’t the way most kids wanted it to work. The rules of the game were printed on 30 of the 726 card backs in the set.

1978 Topps #173 Robin Yount Back

PLAY BALL.” Played by two. PLAYER HAS 50 PLAYER CARDS. TOSS COIN FOR WHO GOES FIRST. FIRST PLAYERS TURNS CARDS OVER ONE AT A TIME, ATTEMPTING TO SCORE RUNS UNTIL 3 OUTS HAVE BEEN MADE. AFTER 3 OUTS, SECOND PLAYER BEGINS GAME. GAME IS PLAYED WITH 9 INNINGS. IN CASE OF TIE, PLAY EXTRA INNINGS.”

As much as my friends and I would have preferred a Dodgers-Yankees World Series rematch, there was of course a problem in abandoning the Topps rules to play the match-up of your choice. It wasn’t just that Steve Garvey would come to bat in the first inning with two on, two out, and end the inning with a ground out. It was Steve Garvey could do nothing but ground out all season long.

1978 Topps #350 Steve Garvey Back

Sure, Steve Garvey, Ron Cey, Dusty Baker, and Reggie Smith had just made history in 1977 by all hitting 30+ home runs. When it came to Play Ball, they would go a combined 0 for 2400 on the year. Topps either hated the Dodgers, or they really wanted you to play the game right.

But what the heck does any of this have to do with Rogers Hornsby?

If you did play the game right, it was a completely different story. Of the 726 cards in the 1978 Topps set, 610 had Play Ball outcomes:

  • 134 SINGLES
  • 29 DOUBLES
  • 13 TRIPLES
  • 39 HOME RUNS
  • 68 BASES ON BALLS
  • 102 GROUND OUTS
  • 135 FLY OUTS
  • 40 FOUL OUTS
  • 49 STRIKEOUTS
  • 1 STRIKE UT 😉

1978 Topps #298 Tony Armas Back

Provided each player’s Play Ball stack is randomly chosen from the Topps set, the result is a lineup where the average hitter’s stat line was quite remarkable. (Phone readers, consider landscape for these stat lines.)

Stat Line

Believe it or not, the typical Play Ball player saw even better offense than this! After all, how many Play Ballers drew their lineups from complete sets of 726? More often, Play Ballers simply grabbed unsorted stacks from their collections or the cards from their last 3-4 packs. As such, the 51 double-printed cards in the 1978 set with Play Ball outcomes exerted twice the normal impact on the Play Ball probability space, leading to this DP-adjusted set of outcomes.

Stat Line with DP

If that .398 average with 43 home runs looks crazy, it should. MLB’s .390/40 club doesn’t have a lot of members. The most recent member is Babe Ruth, whose 1923 season (.393 average, 41 HR) earned him a spot. Of course, the Bambino drew nearly 100 more walks than our Play Ball composite. The .390/40 club has another member though, and he joined the club the year before.

Rogers Hornsby won the National League Triple Crown in 1922 with an eye-popping .401 batting average, 42 home runs, and 152 runs batted in. The Rajah had 148 singles that year. Play Ball had 146. The Rajah had 14 triples that year. So did Play Ball. The home runs of course differed by 1, and none of the four elements of the Rajah’s .401/.459/.722/1.181 slash line differed from Play Ball by more than half a percent. Within just a smidgen of round-off error, Play Ball was 1922 Rogers Hornsby.

Hornsby sketchpad

So yes, Topps really wanted you to follow the rules. Break the rules, and your four best hitters go 0 for 2400. Follow the rules, and your lineup is nine Rajahs!

Hornsby would crack the 1979 Topps checklist in earnest, just as he had in 1961 and 1976, and each of these cards no doubt gave kids a thrill out of the pack. However, 1978 is without a doubt the season that the Rajah most made his presence felt. Even without a card in the set, his 1922 season haunted every living room, bedroom, classroom, and school bus ride where Play Ball was played.

Hornsby cards.jpg

More on Play Ball

As the Garvey example illustrates, there was no effort on the part of Topps to associate the best outcomes with the best hitters. Of the 39 “Home Run” cards, the most prolific slugger in the bunch was Rick Monday, though Bombo Rivera at least possessed a great slugger name. Other notable home run Play Ballers included Nolan Ryan, Jim Palmer, and a man who caught baseball’s most famous home run.

1978 Topps #643 Tom House Back

Now I know most readers of this site like to play things fair and square, but let’s just say you really, really needed to win at Play Ball. Don’t say I told you, but yes, there are ways to make it happen.

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  • STEP ONE: Grab the Topps Super Sports Card Locker where I know you keep your set.
  • STEP TWO: Say to your friend, “Hey, I know you love the Big Red Machine. How about if you take the Reds and Braves, and I’ll take the Angels and Rangers. (This should be enough to net around 50 cards each, but if your set is short add the Giants or Twins to your friend’s stack, and add the Orioles or Jays to yours.)
  • STEP THREE: Play Ball!

The key to this approach is how unbalanced the Play Ball outcomes are by team. Here is a comparison of the Reds/Braves and Angels/Rangers.

Stats by Team.JPG

A variant on this strategy that’s perhaps less suspicious but still effective is to take American Leaguers over National Leaguers whenever you have a choice. Or you could just play fair and square. That’s fun too.

I could spend all day providing insights and analysis on the Play Ball card backs of 1978 Topps. However, knowing I am in the company of a number of fellow researchers I thought I’d do something different here.

For the first time in the history of the internet, I am publishing full Play Ball data and making it available to all readers of this blog—no paywall or anything. Enjoy, and I look forward to the varied and interesting research that will come from this treasure trove of data.

CLICK HERE FOR COMPLETE 1978 TOPPS PLAY BALL DATA

 

Augmented Reality and the Baseball Card

T-Mobile AR package

On a recent visit to the newly-christened T-Mobile Park, home of the Seattle Mariners, game-day hosts passed out packs of baseball cards.  Only, these cards were unlike anything that we may have seen before.  T-Mobile, flexing their technology muscle, has worked to create augmented reality (AR) baseball cards.  The packaging text tells you to download the T-Mobile Tech Experience app, then you are to scan the cards (there are three in the pack) with the app and see the card come to life through this augmented reality technology.

Moose

The first card is the Mariner Moose, the hometown nine’s venerable mascot.  The card depicts the Moose with one hoof (!) in the air, and the other facing the camera.  Under the AR scan, the Moose is dancing around in what appears to be a several second video, akin to something out of the Harry Potter world.  The reverse side features a rather nice biography of the Moose, describing his origins.

TMP

The second card depicts a night time scene of T-Mobile Park overlooking Edgar Martinez Drive facing north, with the roof open.  Under the AR scan, we are treated to a several second fireworks display, with the phrase, “WELCOME TO T-MOBILE PARK” superimposed on the fireworks display.  The reverse side of the card gives you a bit of information on the ballpark, but mainly indicates some to the T-Mobile features fans will experience.

Truck.jpg

The third and final card shows what must be a T-Mobile fan truck, where according to the back of the card, you are supposed to visit and use a barcode and scan yourself a chance to win a prize.  The Mariners beat the Boston Red Sox that day, so that was prize enough for me!

Anyway, I got a chance to see AR technology at an art museum last year, which was featured as part of the art exhibition and found it an interesting use of technology.  In doing some initial research on AR, I found a simply-put definition from HowStuffWorks.com: “Augmented reality is the blending of interactive digital elements – like dazzling visual overlays, buzzy haptic feedback, or other sensory projections – into our real-world environments.”

So, that is, when using this app (or AR glasses) you can scan something that is coded with AR to see an interactivity come to life.  It’s pretty cool stuff, especially when you start thinking about its applicability to real baseball cards.  Imagine using AR on your next set of Topps cards and see the images of the ballplayers come to life taking a swing, or throwing a pitch or catching a ball!   The possibilities for such use may be boundless.