Author’s note: I really enjoyed two posts from fellow SABR Baseball Cards Committee writer Jon Leonoudakis (jongree). His “Death Comes for Active Baseball Players” and “Death & Baseball Cards” inspired me to attempt a catalog of all 20th century baseball cards honoring the fallen. As the boundaries can sometimes be blurry in this work, I limited my scope to cards that came out within a year or two of the player’s death.
Okay, friends, here come the cards that really put the “rip” in ripping wax, the cards that turn requiescat in pace into requiescat in pack, and the cards you should never buy autographed on eBay. Among their numbers you’ll see Hall of Famers and guys you might not have ever heard of. You’ll see some familiar sets, and you’ll see some obscure ones. And you’ll even see some hockey guys. There really is no greater equalizer than death.
1994 Conlon Collection
These cards don’t count in the same way as the others featured in this post as the players honored had retired many decades earlier. Still, I thought they warranted inclusion, if for no other reason than to show how blessed we were to have these great players still among us not that long ago. Plus, when’s the last time a Charles Conlon photo ruined a page?
1992-1993 Conlon Collection
Similar to the above, the 1993 Conlon set included In Memoriam cards for Joe Sewell and Billy Herman. The 1992 set included an In Memoriam card for Luke Appling, though they got the Latin a bit wrong.
1990 Bart Giamatti cards – various
Topps, Donruss, Score, and O-Pee-Chee all paid tribute to baseball’s poet-commissioner, A. Bartlett Giamatti, who passed away on October 1, 1989. The card fronts make no mention of his passing, though his very inclusion in these sets would have been unusual otherwise. Card backs include his date of death.
1978 Frisz Minnesota Twins Danny Thompson
Danny Thompson died from leukemia on December 10, 1976. While he did not appear in any 1977 sets, he was given card 46 in a regional Twins release. The card back includes his date of death and changes “bats and throws righthanded” to the past tense.
1977 Topps Danny Thompson
Hat tip to fellow SABR Baseball Cards blogger Keith Olbermann (you may know him from other stuff too) for this one, including the image.
As the Reggie card probably alerted you, these are Topps proof cards. The Thompson card is particularly unique in that he had no card at all when the 1977 set was finalized. Topps essentially acknowledged his passing by erasing him from the set. I’m not sure what stage of grief this suggests Topps was in. Denial?
1972 O-Pee-Chee Gil Hodges
At first glance the 1972 Topps and OPC issues for Gil Hodges look pretty much alike, at least until you read the fine print. “Deceased April 2, 1972.” I have to imagine the card prompted a number of Canadian youngsters to ask their parents what “deceased” meant. Overall a classy move by O-Pee-Chee and one I wish they repeated the following year for Mr. Clemente.
Ken Hubbs died so young that this card’s almost hard to look at. Still, Topps really went the extra mile in modifying their card design to honor the Cubs infielder.
As noted by jongree in both of his posts, Hubbs was not the only baseball death in 1964. Houston pitcher Jim Ulbricht died on April 8 from a malignant melanoma at the age of 33. Topps noted his passing on the bottom of his card back.
1956 Gum Inc. Adventure (R749) Harry Agganis
I type this one with a lump in my throat as I nearly died in 2016 from the same thing that killed Harry Agganis. The 26-year-old Red Sox first baseman died suddenly from a pulmonary embolism on June 27, 1955. A rather oddball trading card set whose subjects ranged from porcupines to sunburns included Agganis, Boston’s Golden Greek, as card 55.
Honorable Mention: 1955 Bowman and 1952 Topps
While there is fortunately no death to report, hence the mere honorable mention status, the 1955 Bowman Eddie Waitkus card back must be one of the most unique in the history of the hobby, right down to his story’s final sentence. His 1952 Topps also makes mention of his near-death experience, which inspired the Bernard Malamud novel “The Natural.”
1949 Leaf Babe Ruth
First off, yeah, I’m one of those annoying guys that refuses to say 1948 Leaf or even 1948-1949 Leaf. The Ruth card in this set makes no mention of his August 16, 1948, death. However, there are reasons to at least view this card as Leaf paying their respects.
Ruth is the only retired player in the set.
The set would have been planned right around the time of his passing.
Leaf even gave him card number 3, his famous uniform number with the Yankees.
Now read the back. It’s hard not to read it as an epitaph. RIP Sultan.
1941 Harry Hartman set
Following a late season slump, Reds backstop Willard Hershberger took his own life on August 3, 1940 and to this day remains the last active player to have committed suicide. His card back is rather unique in that it relays to us the emotional impact of his death on his Cincinnati teammates. (Thank you to Chuck Ailsworth for alerting me to this card that was 100% off my radar!)
1937-1938 World Wide Gum V356 Hockey
I know, I know…this is the BASEBALL card blog. But shoot, this one was too good to not include. And the card design is a complete clone of the V355 baseball release so what the heck. The first thing to know is that a Montreal Canadiens player named Howie Morenz died on March 8, 1937. His card back acknowledges as much.
If that was all the World Wide Gum set did, I wouldn’t have included it. However, the set took a particularly unique move that I think gives it an important place in any write-up of in memoriam cards.
The first time I saw this card while digging through a mixed baseball/hockey stack at a card show I assumed it was just a baby-faced player from back in the day. I had no idea it was a nine-year-old kid until I flipped it over. If I wrote blog posts back then I would have written about it, so here you go!
1911 T205 Gold Border Addie Joss
Addie Joss had the shortest life of any MLB Hall of Famer, dying from meningitis at the age of 31. Though he pitched in a very different era, his 1.89 ERA is nothing to shake a stick at. And if you did try that, you’d probably miss anyhow.
All the cards in the Gold Border set are works of art, but Addie’s takes on a special poignancy given the tragedy of his recent passing, noted in the lead sentence of the card’s reverse. The final paragraph of the bio is worth a read as well.
“He was a faithful player, liked by the team mates and respected by the public, many thousands of whom attended his funeral.”
1910 Doc Powers Day postcard
From the “Standard Catalog of Vintage Baseball Cards…”
“To announce to fans the forthcoming Doc Powers Day benefit game, the Philadelphia A’s produced this standard sized (5-1/2″ x 3-1/2″) black-and-white postcard. Front has a photo of the late A’s catcher and information about the special events to be held June 30. On back is a message over the facsimile autograph of Connie Mack asking fans to remember the widow and children of their fallen star.”
Quick aside: The great-granddaughter of Doc Powers is hoping to nab this card on the extremely slim chance you have doubles.
This article is dedicated to young Simon Tocher. Cause of death: Collecting. Source: Boston Globe, August 25, 1910. RIP, young lad. You’re among friends here. I promise.
Still can’t get enough?
If the real cards profiled in this post leave you wanting more, the “When Topps Had (Base) Balls blog has you covered. Click here to visit its “In Memoriam” gallery, which features a mix of custom cards in the style of the ones here along with other tributes to baseball personalities who have passed away over the years.
A tip of the hat to you, Gio, for all the great work you do keeping this hobby fun and filling in the essential holes in our collections!
The first Topps World Series card I pulled from a pack was bittersweet. On one hand it was Reggie, the biggest star in the game; on the other hand, it memorialized his merciless dismantling, five homers and all, of my hometown Dodgers. Though I wasn’t yet enough of a fan in 1977 to have watched the Series, I remember the gloominess and despair that took over the faces of my classmates. Tears were shed.
Most collectors already know that 1978 was just one of many years that Topps included a postseason subset. For a complete catalog from 1958-1981, see this excellent post from Adam Hughes of Wax Pack Gods.
My goal here is to connect these Topps World Series cards to their long ancestry across the hobby’s history. Rather than jump straight in to the years before 1958, I’ll set the table by beginning at 1960, the year of the first true Topps World Series subset.
Though Topps would include single cards connected to the World Series in each of the prior years, the 1960 release marked the first year of an actual multi-card subset. The subset spanned cards 385-391, including the only Maury Wills card Topps would issue before 1967.
There was no World Series subset in the 1959 Topps issue. However, the Hank Aaron card in its “Baseball Thrills” subset was dedicated to the Hammer’s game 4 home run and overall awesome performance in the 1957 Fall Classic.
As we consider the ancestry of the World Series subsets, this card presents us with two “mutations” from the classic subsets that would follow.
It is the only postseason card in the set (and in fact from an entirely different subset)
It does not feature the prior year’s Fall Classic, instead reaching two seasons back.
As we go further back in time, most of the cards we look at will share these or other departures from the classic Topps World Series subsets of later decades. As usual, were we not to bend the rules a bit, there would be very little article to write!
1959 Fleer Ted Williams
I have featured this set in every one of my prehistory articles to date with the exception of Traded Cards. (And who the hell would even think of trading Ted Williams, right?) Sadly, it is impossible to tell the story of the Splendid Splinter without bringing up the heartbreak of the 1946 World Series, memorialized by card 31 in the set.
As an aside, the 1959 Fleer Ted Williams set comes across largely as a (justified) hagiography of the greatest freaking hitter who ever lived. It is odd then that their “Sox Lose the Series” card makes no mention of the fact that Williams played the series injured and instead attributes the Kid’s disappointing performance to a slump.
It is the Hammer once again in the 1958 Topps set, and this time he brought a friend. Okay, a foe! (As an aside, it would be fun to trace the use of the word “foe” on baseball cards over the years. We used to see it a lot more, and I worry we are lesser today for its absence.)
Oddly the card’s reverse makes no reference to the World Series but simply finds (quite easily) nice things to say about each of the featured players.
1948 Topps Magic Photos
Though off the radar (and out of the price range) of casual collectors, the very first Topps baseball cards came four years before the iconic 1952 set. The majority of the set’s baseball checklist was devoted to all-time greats such as Ruth, Cobb, and Wagner. However, 5 of the 19 cards were dedicated to the 1948 World Champion Cleveland Indians. These cards are light on detail, but the two cards known as “Cleveland Indians 4-1” and “Cleveland Indians 4-3” reference games 2 and 7 respectively.
1948 Swell “Sport Thrills”
Sorry, Dodger fans. Here comes another heart breaker. Mickey Owen’s dropped third strike from the 1941 Fall Classic was one of eight cards in this 20-card set to feature World Series highlights.
The Sport Thrills set wasn’t the only baseball set that Swell issued in 1948. They also issued a 28-card “Babe Ruth Story” set to go along with the movie of the same name. While the Bambino did appear on some of the cards, he was more often portrayed by William Bendix, the actor who starred in the film. Card 15 features Babe Ruth’s (okay, William Bendix’s) “called shot” home run from the 1932 World Series.
1940 Play Ball
For a brief stretch from 1939-1941 Play Ball cards sat atop the cardboard universe. The 1940 Play Ball release is known mostly for the cardboard return of Shoeless Joe. A less ballyhooed aspect of the set was the pennant flags adorning the cards of the Yankees and Reds players. (Oddly, the managers and coaches received no such decoration.)
Unlike the majority of the cards discussed so far, these “Pennant” cards also doubled as the main (only) card of each player in the set. An interesting comparison will be the 1933 Goudey set, where this is true for some but not all of the players.
1936 R312 National Chicle Pastels
My favorite thing about writing these articles is discovering cards I didn’t know about originally. In this case, the prize goes to these beautiful premiums from National Chicle. The full set contains 50 unnumbered cards with significant star power, including (arguably) a Joe DiMaggio rookie card. There are also a large number of multi-player cards, such as this one of Arky Vaughan receiving playing tips from the great Honus Wagner.
Most relevant to our topic, however, are several cards that explicitly reference the 1935 World Series between the Tigers and the Cubs.
First, here is Gabby Hartnett after his World Series home run in game 4.
Next, here is Schoolboy Rowe drawing a crowd, even in enemy territory. No wonder they call it the “Friendly Confines!”
And finally, although Tommy Bridges pitched the Tigers to a 4-3 complete game victory in the clincher, here is Alvin Crowder looking very much like he just won it all for the Tigers. In fact, the “General” is shown here following his own complete game to take game 4.
Finally, there are four other cards, a disproportionate number for the set, that include multiple Cubs or Tigers. The photo sleuths among us might let me know if these photos are from the World Series or just “random” shots from during the season.
1936 R313 National Chicle Fine Pen Premiums
Collectors had choices when it came to the 1935 Fall Classic. Among the 120 cards included in this 1936 release was at least one World Series card, #120, showing the throw from Lon Warneke to Phil Cavaretta arriving ahead of Goose Goslin.
As with R312, there are also some multi-player cards that may or may not be connected to the World Series. Card 116, showcasing the “Fence Busters” on the Chicago squad, is one of a few examples.
1934 Gold Medal Foods (R313A)
First a tip of the hat to Net54 member PowderedH2O for alerting me to these cards.
The parent company of Wheaties, Minneapolis-based Gold Medal Foods, issued a set of postcard-sized cards to commemorate the 1934 World Series between the Detroit Tigers and the “Gas House Gang” St. Louis Cardinals.
The “Standard Catalog” lists only 12 players while PSA lists 19 while indicating the set has 22. This suggests to me there may yet to be cards discovered here, either to the delight or chagrin of Hank Greenberg supercollectors.
Forgive Goudey for its numbering antics, but sure enough cards 107-114, 121-127, and 232-240 were created specifically to highlight the participants in the 1933 World Series. Those not as familiar with the set might wonder if 1933 was a typo. After all, this is 83 BTN (before “Topps Now”) we’re talking about. “Are you sure you don’t mean THIS World Series?”
Sure enough, the folks at Goudey were hard at work in late 1933 pushing out the tenth and final release of their iconic baseball debut. The sheet featured twelve participants from each of the pennant winners (New York Giants, Washington Senators) and even included records and results from the Series, as evidenced by this card of Master Melvin.
Something important to consider in assessing the place of these cards in our prehistory is that they weren’t merely cards issued late enough in the season to include tidbits about the Series in the bios. Rather, they reflected an explicit World Series issue, and a 24-card one at that! Quite remarkable really.
As a final note, nine of the Giants and nine of the Senators already had “base” cards in the set, meaning the World Series cards could be thought of as dedicated postseason extras for these 18 players. However, for six of the players, the World Series card reflected their only representation in the set.
1928 Fro-Joy Ice Cream Babe Ruth
Among the six cards in this 1928 set entirely devoted to Babe Ruth is this one, highlighting the first of his two home runs in the 1927 World Series against the Pirates.
1919-1920 Cincinnati Reds postcards
Black Sox Scandal completists will want to collect this 24-card set of postcards featuring players from the 1919 World Champion Cincinnati Reds team. There are two variations of each card. Later printings include the caption “World’s Champions” whereas early printings include only “Champions of National League.”
As an aside, Anson Whaley of Pre-War Cards just published an excellent five-part series on the baseball card legacy of the Black Sox Scandal. Part one is here.
1921 Koesters Bread (D383)
Hat tip to Net54 member brianp-beme for this one. This 52-card set uses the same card fronts as the 1921 American Caramel (E121) set but has different backs and restricts its checklist to only Yankees and Giants, the two participants in the first Subway Series.
If you have a minute, you may want to look at the fantastic card of Hall of Fame hurler Waite Hoyt.
1912 Technical Book Publishing postcards
Not for the budget collector, but these postcards were sold at the World Series itself and doubled as scorecards on the back. The card on the left shows the Boston Americans, and the one on the right shows the New York Giants.
1911 Philadelphia Athletics (E104-I and D359)
I’ll take some liberty here and merge what pre-war collectors would normally regard as two or three different sets. Certainly they will look more alike than different to the casual collector. In each case, I am a huge fan of the World Champions designator.
The first card, Frank “Home Run Baker,” comes from the 1910 E104-I (sometimes seen as E104-1) Nadja Caramels issue. Variations abound, including cards without the “World’s Champions 1910” banner. The next two cards, Charles “Chief” Bender and Harry Davis, could be construed as Baker cards as well, in that they come from the 1910 D359 Rochester Baking and Williams Baking issues respectively.
For any of the card displayers or binder folks out there, I have to imagine the variety of background colors would make these cards look incredible arranged as a group.
1910 Tip Top Bread Pittsburgh Pirates
It’s funny how life works sometimes. Just as I’d reached the end of my personal knowledge, augmented by the easier digital searches available to me, I did what I always do: reach for my Standard Catalog of Vintage Baseball Cards. But this time I didn’t even have to open it. Here was the 1910 Tip Top Bread Honus Wagner right on the cover, with the caption “WAGNER, World’s Champions.”
Indeed, this was a 25-card set honoring the 1909 World Champion Pirates team that bested Cobb’s Tigers four games to three. Here is team president Barney Dreyfuss from the same series.
1910 American Caramel Pirates (E90-2)
This tough regional release of American Caramel focused exclusively on the 1909 World Champion Pirates team. Unlike the Tip Top set of the same year, the cards themselves do not refer to the championship. (Hat tip to Net 54 member steve B for this one!)
1907 Geo. W. Hull Chicago White Sox postcards
These 16 postcards honor the 1907 World Champion Chicago White Sox, as noted by the “World’s Champions” caption below the player name. You might imagine the “Every One A Pennant Winner” title above the lines of hanging white stockings is another standard feature of the postcards in this set. However, that is just one of many titles used. Others include “A String of World Beaters” and “A String of Game Fish — No Bull Heads,” whatever that means!
1905-06 Lincoln Publishing Am. League Champs
The Philadelphia Athletics lost the 1905 World Series to the New York Giants, but they did not come up empty on the cardboard side of the ledger. All 20 postcards in this set were devoted to the American League champs and featured the achievement prominently in the card design.
1902-1911 Sporting Life Team Composites (W601)
For ten years, Sporting Life offered readers the chance to be individual team cards or the complete set as a bound volume. In addition to these very large poster-cards (13″ x 14″), postcard-size team composites were also offered some years. Pennant winners and World Series winners were specially noted below the team name.
Readers may be puzzled by the “1904 National League Champions” marker here since the Pirates finished the 1904 season in fourth place, 19 games behind the Giants. One thing to note is that the “National League” portion of the marker simply indicates the Pirates were a National League team. This can be seen by comparing the Pirates composite against others in the series. Finally, the “Champions” portion of the marker should be read as “defending champs,” which is how the 1904 Pirates began their season, fresh off the first ever World Series of the modern era.
At this point you might imagine we’re done. You can’t get much earlier than the first World Series, right? Not so fast…if you’ve read my other posts you know I love to go WAY back, even if it means bending the rules a bit, kind of like how a biologist might spend 58 minutes of the lecture talking about man’s descent from apes and the final 2 connecting us to amoebas or something.
1888 H.D. Smith and Company (formerly known as Scrapp’s Tobacco) die-cuts
Some recent detective work has added to our knowledge of this ridiculously old set and its origins. At first, you might just see too old-time ballplayers with caps you wished you owned.
However, these aren’t just any players, though that had been my first guess. Thanks to the 1976 SSPC reboot, I now know these are the participants from the 1887 World Series between the St. Louis Browns and Detroit Wolverines! Here is a look at one of the 1976 cards. Kudos to SSPC for their work on this beautiful reissue, which admittedly is almost harder to track down than the 1888 original!
1887 Tomlinson Studio Cabinets
If 1888 just isn’t old enough for you, you may be in luck. Even the “Standard Catalog” is stumped in terms of the reach of this set and the extent of the checklist, but here is at least one.
1887 Old Judge Browns Champions
And for those of you saying, “Hey, was that even a baseball card?” I’ve got an even better one for you! (Hat tip to Net54 member Gonzo for this one.)
It is at this point in the tour that the bus finally runs out of gas. As always though, I hope the result is an appreciation of some older cards you might not have known about and further reinforcement of the adage that “what’s new is old,” at least when it comes to the baseball card “innovations” of our youth.
As always, additions and corrections are welcome.
Appendix – Ancestry Report
Something I’ve toyed with and was encouraged to dig into more deeply based on a reader comment is an “ancestry report” that evaluates each entry against the key traits of the standard Topps World Series subsets. I won’t belabor the coding scheme or column headers unless asked, other than to acknowledge that blue represents mutations that go beyond the Topps standard. (In this case, I used blue for cards that feature the current-year World Series rather than the prior year.)
Anyone wanting to play with the raw data can find it here. Let me know if it’s useful at all. If so, I can do similar for Record Breakers and other prehistory work I’ve done.
Being part of the Library of Congress means that ephemera like cards are emphasized a lot more than equipment and artifacts. One of the key points this show makes is not only has baseball existed for 150 years years, it’s been recognizable that entire time; the existence of baseball cards—the earliest being a carte de visite from 1865 — is a key feature of this consistency. As long as we’ve had a game, we’ve been making pieces of cardboard featuring players’ pictures and trading and collecting the results.
Does a modern card (well, 1994 Bowman) with 4-color offset lithography, gloss UV, and foilstamping compare at all to a 130-year-old Goodwin & Co single-color uncoated photographic print? Not at all from a production point of view but seeing them next to each other in the same case and even my 6-year-old recognizes them as part and parcel of the same concept. Heck, even some of the poses are exactly the same.
The clear takeaway to me is that while cards have always existed, their role in defining who real ballplayers are cannot be ignored. Seeing who we’ve chosen to make cards of is a powerful statement about who counts and who doesn’t in the sport.* I half-jokingly refer to Topps Flagship as the “card of record” but there’s a kernel of truth in there. Cards chronicle the history of the game and collecting them connects us to that history.
*Note, my takeaway isn’t just a race thing. When we see collectors express concerns about companies only focusing on rookies or stars or large-market teams it’s because of the way that cards function as a record of who matters.
Cards were my entrée into baseball history. They served a similar function for my kids. As much as my eldest hits Wikipedia, Baseball-Reference, and Retrosheet on the iPad, cards are why he knows who he knows and what sustain his interest and connection to the sport.
Later on, a sample of Japanese cards shows how the sport has transcended the United States and become more global. This is exactly right and, while I haven’t gotten into international cards,* I can’t deny that it’s really interesting to see how an American thing goes global and how baseball cards end up fitting into other country’s card-collecting traditions.
*My forays into Spanish-language issues are more of a language-based interest.
Plus there’s so much more that could be here. I would’ve loved to see a comparison of backs drawing a line from T205’s slashline of G/AVG/Fielding to the traditional slash lines of the 1960s, the whole range of proto-SABRmetric backs in the 1990s, and finally today’s inclusion of stats like WAR that I can’t even explain to my kids how to calculate. It’s not just that stats exist, it’s what stats we care about and how that impacts our understanding of the game.
Predictably and understandably, many collectors were appalled and outraged at this. We, as a group, tend to treat our cards as items whose aging must be arrested. We lock them away inside increasingly-secure plastic holders and handle them with kid gloves on the rare occasions that we look at them.* The idea of modifying a card by accident—let alone on purpose—is anathema to the collecting ethos and immediately makes people suspect malicious intent or ignorance.
*One of the things I’ve enjoyed about this SABR group is how frequently it champions the use of cards. Sorting and re-resorting things. Changing the contest in which they’re displayed, etc. etc.
So there were lots of reactions about how this is destroying the card. Or how it was no longer worth anything. Or how it was setting up the opportunity for someone to defraud an unsuspecting buyer.
My reaction though was one of excitement as this represents one of those occasions when baseball cards cross over into the art world. The issue of art restorations is one that’s fascinated me for a long time; the first thing I did was re-read Rebecca Mead’s wonderful New Yorker piece, remind myself of all the different ways that we’ve both “preserved” and “restored” items in the past, and think about what it means for us to have invested so much money and/or emotional weight in small pieces of printed cardboard.
“People always ask, ‘Who do you feel responsible to?’ If a collector comes in and says, ‘I want to have a piece fixed this way,’ do you do it as the collector wants it, or as the artist wants it? I always say we are responsible to the art work, not to the artist or to the collector.”
Centering the discussion on the card itself allows me to really think about what restoring does and what it means to restore a card. I proceeded to jump down a rabbit hole and read posts about when museums have chosen to restore objects.* When they haven’t.** Plus discussions about how restoration is really a commitment to having to maintain the artwork over the course of its lifetime.***
*MoMA’s restoration of a Jackson Pollock is interesting in how it addresses previous restoration efforts as well as emphasizing the fact that the restoration is not intended to make the painting new but rather let it show its age while taking care of it and stabilizing the artwork.
In everything I read it was clear that restoring artwork is about balancing the immediate health of the item with its long-term prospects while keeping it “true” to itself. Restoring an old item so it looks brand new is not the point. It should appear old and reflect its history without looking like it’s going to fall apart.
Interventions should also be obvious without being distracting. The goal is to make it clear that things have been mended yet foreground the original piece. This is a delicate balance and is the reason why the restoration cannot be thought of as one-off fix. The item will continue to age along with the restoration and there’s no way for anyone to know for sure how their relationship will work in another 50 years.
All this makes a lot of sense for me when it comes to trying to preserve an item that’s been kept in reasonably good condition. It’s less relevant for items which are heavily damaged—such as the T206 Wagner in question. Sure, the question of being true to the item still remains. But which truth? The item as it was originally or the item as it’s become today?
Comic books have already ventured into this territory with restoration companies bragging about the level of restoration they can accomplish. The restored Wagner is very much in a similar vein. As much as I appreciate that it wasn’t restored to look pack-fresh and instead still looks like the century-old card that it is, something about doing that much addition just doesn’t sit right with me. The damage is part of the history of the card and obscuring that feels dishonest.
I found myself returning to a post The Getty made about how to display a collection of vase fragments since it points at a middle way of restoring a piece. While representing a much more extreme example of damage, the final restoration suggests the finished original while also being clear about what’s original and what’s new.
This approach is one that I feel would work great for damaged baseball cards where instead of rebuilding the trimmed areas and missing pigment so things look perfect, the restored areas were called out by using neutral pigments or a slightly-differently-toned paper. We would still be able to appreciate the card in its complete state while also being able to see how the original was altered over the years.
On the other hand, all the cleaning and soaking to remove dirt and accreted material—specifically the paper glued to the back—is something I’m still struggling with. Much of that material contains a lot of information about how the card has been used over the years and I hate to get rid of it. It’s good to know how it had been displayed before (in this case, pasted into an album) and be reminded that every generation’s best practices will likely give a subsequent generation hives.
There’s also always the risk of removing too much material. There’s a long history of over-cleaning objects in art world.* Even in sportsland the Hall of Fame just recently underwent a massive restoration project on its Conlon photos which, while it cleans up the photos, completely obliterated the history of how those photos had been used in print.
Do I know how I’d want to restore a damaged card like the Wagner? Of course not. Nor do I fully trust anyone with a single concrete answer as to the best solution. The discussion and thought experiment about how different approaches could help or hurt our understanding though is one which I’ve enjoyed and hope to see continue in the comments here.
A sequel to my first Lifers post featuring guys I missed the first time around. Most of these were mentioned in the comments so a big thank you goes out to everyone who participated. Also I did finally find an image of Dusty Baker’s 2016 Allen&Ginter Mini so I’m including it above.
I don’t know how I missed Mack the first time around as he’s the definition of a baseball lifer. I love his Old Judge card with the posed hanging baseball. And that strip card is TINY. Mack also has a 1940 Play Ball card as a more-traditional last card which still makes him a 54-year baseball lifer. It’s also nice to have one guy on this list where both cards look nothing like modern cards.
1955 Bowman–2005 Topps All Time Fan Favorites
I’m still waffling on whether or not to include Zim. Not because he’s not a lifer but because the All Time Fan Favorites set doesn’t feel like a real set to me. It’s a checklist full of players (and other figures) from baseball’s past which, while a lot of fun, isn’t the kind of thing which reflects on the current state of the game.
Still, Zim’s in the set as a current Bench Coach and since he was the successor to Jimmie Reese as baseball’s lifer mascot of sorts I’m going to put him here.
A super obvious one to miss even though I did kind of forget about his time with the Dodgers. The weird thing about Topps Heritage here is how with the design reuse results the last card having a design which predates the rookie card design. So in this case it kind of looks like Torre’s first card was in 1962 and then he travelled back through time to manage in 1960.
While I’m sort of skeptical about Heritage in terms of design reuse, it’s doing a lot other things I wish Flagship were still doing. In this case that it’s the only place where manager cards can be found now is a point in its favor. Still it’s no surprise that many of the guys I missed all have manager cards which aren’t part of Flagship.
Anyway Davey Johnson is one of those guys who’s been a manager as long as I can remember that I had kind of forgotten that he used to be a player. That his name did not some up in the SABR comments either suggests that he’s slipped a lot of our minds. As with Torre I appreciate that he’s travelled a year back in time from 1965.
Another manager in the 2010 Heritage set. Another time traveler, this time from 1964 to 1960. And the one lifer I’m most embarrassed to have missed in my original post even though I actively try and forget about “The Genius” and his school of overmanagement.
The funny thing about this list is that everyone I missed feels like someone I should’ve thought of originally. Since these are all lifers they’re all baseball names and as such, people who I recognize immediately.
As with the first Lifers post I’d love to see more guys I missed in the comments. I arbitrarily set the cut-off at 45 years (counting inclusively). While moving to 40 years wouldn’t change things much, there’s a distinct challenge in finding guys who stay around for 45.
Much like the Baltimore Unions, Boston’s Union Association entry was one of the league’s more stable. Of the five Union Association clubs that completed their full schedule, only Cincinnati and St. Louis used fewer players than Boston’s 25. The Boston Unions (not the Reds as the history books say) officially joined the Union Association in March 1884, making them the last of the original eight clubs to join the UA. This makes it all the more remarkable that the club finished with a 58-51 record. For comparison, Altoona joined in February and finished a disastrous 6-17 before folding at the end of May.
The efforts to bring Union Association baseball to Boston were led by a triumvirate of Boston baseball legends, George Wright, pitcher Tommy Bond, and first baseman Tim Murnane. Wright’s involvement with the Unions has more or less been forgotten, but it is clear from contemporary accounts that Wright was the driving force behind the Boston Unions. The 33-year-old Murnane, a National Association and National League vet, who last played major league baseball in 1878, was slated to be the club’s first baseman and manager. The veteran pitcher Bond, once the best young pitcher in baseball, but now 4 years removed from his last injury free season. Amazingly pitching 3359 innings by the age of 24 is not good for the arm. Bond is the patron saint of gifted twirlers felled by crippling arm troubles.
Unlike most of the Union Association, Boston fielded its club with promising young players, rather than trying to poach players from established clubs. Thanks to Wright and Murnane’s scouting and a strong amateur baseball scene in the Boston area, the club was filled with young talent. Murnane was the club’s only regular above aged 26, while Bond was the only member of the pitching staff over 25. (As an aside, 19-game-winner James Burke’s birth date remains unknown). Among the talent, future major league regulars included 17-year-old outfielder Mike Slattery, 20-year-old pitcher/outfielder and future Hall of Famer Tommy McCarthy, 22-year-old third baseman John Irwin, and 22-year-old outfielder/pitcher Ed “Cannonball” Crane.
Despite raves from the Boston press, the Unions were not able to overtake the National League’s Red Stockings in the hearts and minds of the Boston faithful and drew poorly. After an opening day crowd of 3000 on April 30, just a few days later on May 5, they drew a crowd reported to be under 100. For a league whose admission prices were 25 cents and who promised a $75 guarantee to the road team, showings like these were a death knell. It seems apparent that George Wright was footing the bill for the team’s expenses. Indeed, Wright’s sporting goods empire, Wright & Ditson, published the official Union Association guide, so he was clearly a booster of the rebel league.
After a promising start, the 28-year-old Bond faltered as the club’s ace earning his release in June. The club landed disgruntled Detroit lefthander Dupee Shaw in mid-July, a coup for the Union Association, which was desperate to pluck major league talent from the rival National League and American Association. Shaw was dominant for the Boston, striking out a staggering 309 batters in 315.2 innings, while posting a 1.77 ERA (good for a 170 ERA+). His 451 strikeouts for the year (including 144 with Detroit) are the fourth best mark of all time.
Despite a dominant hitting season by catcher/outfielder “Cannonball” Ed Crane, the team’s offense was a weak point and prevented them from challenging for a higher position in the standings. Crane batted .285/.308/.451 with 12 home runs (good for second place in the league) and a 152 OPS+ (good for fifth in the league).
The club was dragged down by the poor hitting of Mike Slattery, 23 year old Kid Butler, and Tommy McCarthy. The teenaged Slattery hit just .208/.216/.232 good for a 51 OPS+. Of the 28 UA regulars who qualified for the batting title, Slattery was 28th. Butler, Boston’s left fielder and utility man was even worse, hitting just .169/.206/.227 for a 46 OPS+ in 71 games. Future Baseball Hall of Famer, McCarthy, hit just .215/.237/.244 good for a 62 OPS+ in 53 games. He totalled a -1.0 offensive WAR, -0.3 defensive WAR and put up an 0-7 record in the pitcher’s box, with a 4.82 ERA and a 63 OPS+. This was good for a -1.4 WAR on the mound. So in 53 games, he put up a -2.7 total WAR. All this in what is almost universally regarded as the lowest quality major league in history. (I am not going to comment on the major league credentials of the National Association). McCarthy’s 1884 season has a reasonable case as the worst season by anyone ever. His transformation from unfathomably bad to Hall of Famer has to be one of the most remarkable metamorphoses in baseball history.
The Boston Unions representation in the Old Judge set consists of four players: McCarthy, Slattery, Crane and third baseman John Irwin.
1. Tommy McCarthy
I wrote about McCarthy in the first blog in this series. There are 13 different poses capturing McCarthy’s transformation from struggling youth with the Philadelphia Phillies in 1887 to his burgeoning stardom with the St. Louis Brown Stockings. These 13 poses also include at least 30 variations and are illustrative of how complicated and unwieldy the Old Judge (N172) set is. (As an aside, all images are sourced from the Metropolitan Museum of Art’s collection, which despite its vastness is still incomplete, hence the lack of inclusion of every pose for each player I discuss).
Goodwin & Company Tommy McCarthy, Center Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes, 1887–89 American, Albumen photograph; sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm) The Metropolitan Museum of Art, New York, The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.322.214.171.1249) http://www.metmuseum.org/Collections/search-the-collections/403838
Goodwin & Company Tommy McCarthy, Center Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes, 1889 American, Albumen photograph; sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm) The Metropolitan Museum of Art, New York, The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.3126.96.36.1998) http://www.metmuseum.org/Collections/search-the-collections/403837
Goodwin & Company Tommy McCarthy, Center Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes, 1888 American, Albumen photograph; sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm) The Metropolitan Museum of Art, New York, The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.3188.8.131.522) http://www.metmuseum.org/Collections/search-the-collections/403841
Goodwin & Company Tommy McCarthy, Center Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes, 1887–89 American, Albumen photograph; sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm) The Metropolitan Museum of Art, New York, The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.3184.108.40.2060) http://www.metmuseum.org/Collections/search-the-collections/403839
Goodwin & Company Tommy McCarthy, Center Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes, 1888 American, Albumen photograph; sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm) The Metropolitan Museum of Art, New York, The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.3220.127.116.111) http://www.metmuseum.org/Collections/search-the-collections/403840
2. Mike “Kangaroo” Slattery
Mike “Kangaroo” Slattery was just 17 years old when he debuted for the Boston Unions in their first ever game on April 17, 1884. He is the youngest major league regular in baseball history, appearing in 106 games for the Unions. At 6 foot 2 and 210 pounds, he was one of the biggest players in the major leagues throughout his career. Unfortunately his athletic never translated into much hitting ability. After his teenage debut, Slattery spent the next few seasons in the minor leagues, before reappearing with the New York Gothams in 1888. He jumped the Players League Giants in 1890 and wrapped up his major league career with stints in Cincinnati and Washington in 1891. His post playing career including surviving a stabbing while trying to stop a shoplifter and a premature death at age 37 in 1904 due to stomach trouble.
Slattery is pictured in six poses with at least 12 known variations.
3. Ed “Cannonball” Crane
Ed “Cannonball” Crane had a very unusual and memorable career as the rare player to appear regularly both at catcher and pitcher. A powerfully built 5’9 and 215 pounds, Crane’s 1884 season was easily his best. Crane’s rookie season was split between catching, where he made a staggering 64 errors in 42 games, and the outfield. He also appeared at first base and on the mound. While his defense was dreadful, he showed tremendous power, hitting 12 home runs and 23 doubles. He also set the record for the longest throw, when he threw a baseball an estimated 405 feet (he did this on several occasions in October of that year), breaking former Cincinnati Red Stocking John Hatfield’s record of 400-402 feet. Crane hit well in limited time with Buffalo and Providence in 1885. A dreadful 1886 season with Washington in which he hit just .171, while also putting up a 1 and 7 record with a 7.20 ERA prompted a return to the minors. Pitching for the International League champion Toronto Maple Leafs, he hit .428 while winning 33 games. He returned to the majors with the New York Giants in 1888, where he pitched 12 games including the first no-hitter in New York Giants’ history, a seven inning affair on September 27 against Washington. The following week, he became the first player ever to strike out four batters in one inning. He made two starts for the Giants in that year’s World Series, going 1 and 1, helping the Giants to a 6 games to 4 win over the St. Louis Brown Stockings.
Crane joined the Giants as they toured the world with the Chicago White Stockings that off-season. Crane, who reportedly was not a drinker, quickly shifted into the life of the party on the tour. Crane dressed in fine clothes and regaling teammates and reporters alike with outlandish stories and song. He consumed wine and liquor at the seemingly endless banquets held for the touring baseballists. He missed several games due to drunkenness and hangovers. His throwing arm remained intact however, as he set an Australian record by throwing a cricket ball 384 feet and 10.5 inches in Melbourne. Somewhere along the way, he was provided with a Japanese monkey by an American sailor. The monkey terrorized passengers on-board, which Crane kept hidden in his coat pocket. At the end of the trip, Crane brought the monkey to New York, where he christened it the Giants’ new mascot.
Despite missing time due to injuries, Crane compiled a 14-11 record in 1889. The Giants won the pennant again. Crane showed flashes of his tremendous potential when he won 4 games for the Giants as they defeated the American Association’s Brooklyn Bridegrooms in that year’s World Series. Crane like most of his Giants’ teammates jumped the Players’ League in 1890. It was this season that Crane’s drinking started to takeover. His weight ballooned and in August he was arrested at a Harlem watering hole under charges of resisting arrest. He finished with a 16-19 record as the Giants’ finished a disappointing third. Crane walked a stunning 208 batters against just 116 strikeouts in 330 innings. Crane’s poor personal habits were singled out as the main cause of the club’s struggles.
Crane joined the King Kelly’s Cincinnati entry in the American Association for 1891. In doing so, he became one of the few players to appear in four different major leagues. Crane pitched well, leading the league with a 2.45 ERA with a 14-14 record, but he was criticized for his poor condition and lack of effort. The club disbanded in August and Crane jumped to the crosstown Red Stockings in the National League, as a replacement for Hall of Famer Old Hoss Radbourn. Crane went 4-8 in 15 starts.
Crane returned to the Giants in 1892, going 16-24 with 189 walks and a 3.80 ERA. His arm was faltering and his major league career ended in 1893 with dismal stints for the Giants and Brooklyn. Crane tried without success to find work as an umpire, appearing as a substitute umpire in five National League games over the next couple of seasons. He bounced around the minor leagues, drinking heavily at every stop. He reportedly committed suicide on September 19, 1896 by overdosing on a chloral hydrate prescription in Rochester, New York. He was just 34. Credit to Brian McKenna for the great SABR biography on Crane.
Crane appears in six different poses in the Old Judge set, capturing his time with both the National League and Players’ League versions of the Giants.
4. John Irwin
John Irwin lived in the shadow of his older brother Arthur Irwin. The elder Irwin was a star infielder for the Providence Grays, who in 1884 were rampaging towards the National League pennant. The previous year, Irwin was credited with inventing the fielder’s glove. John Irwin had made his major league debut in 1882 playing a single game alongside his older brother for the Worcester Grays. He spent 1883 with Bay City of the Northwestern League and from there joined the Boston Unions as their starting third baseman. Manning the hot corner, the 22 year old Irwin had a respectable rookie season. He was light hitter, but his .234/.260/.319 batting line was good for a 94 OPS+. In the field, his .780 fielding percentage was remarkably .003 points better than the UA league average for third baseman. No word on whether he used his brother’s glove. Despite his strong blood lines, youth and promise, Irwin returned to the minors for most of the next three seasons, making brief stints in the majors with the Philadelphia Athletics in 1886 and Washington Nationals in 1887. Irwin earned modest playing time for the last-place Nationals in both 1888 and 1889 and then jumped to the Buffalo Bisons of the Players’ League in 1890. The Bisons finished in a distant last place with a record of 36-96. Irwin joined the eventual American Association pennant winning Boston Reds in 1891. The Reds were manager by his older brother Arthur. John played 19 games, but was released in July. I would hate to hear that conversation…Sorry bro, you suck.
From there, John joined the last place Louisville Colonels closing out his major league career with 14 games before being released in August. Irwin appeared for 5 different last place clubs in his major league career. Quite a record considering his career lasted just 322 games. He bounced around numerous minor league clubs until the turn of the century. He passed away at age 72 in 1934 in Boston.
Despite Irwin’s role as a part-timer on a last place club, he is featured in five different poses in the Old Judge set.
Irwin looks into his crystal ball to see what the future holds (last place probably):
One of the things I enjoy most about collecting cards is putting together checklists of things that interest me. Sometimes these become projects like the action cards or photographer cards that I try and collect. Other times just the exercise of figuring out the checklist and thinking about the theme is enough.
One such checklist I’ve been working on is about baseball lifers and trying to find cards that reflect the longest periods of time in organized baseball. Many of the cards on this list are unobtainable for various reasons but it’s been a fun project to research. I’ve limited to 45 or more years in the game but moving to 40+ would only add a few more guys like Clay Bryant. Also, before anyone questions my math, I’m counting inclusively.
It’s fitting that Jimmie Reese’s first and last cards are both regional issues from the West Coast. I remember fascinated by him as the ancient Angels coach in the late 1980s and he was one of the few (if not the only) coaches who occasionally showed up in regular sets as well (he has cards in both 1991 Leaf Studio and 1991 Bowman).
Stengel was the obvious standout in this department. He benefits from the sheer number of card releases in the pre-World War 1 era. When I was researching this checklist there were a decent number of guys who debuted in pro ball between the wars but who didn’t get cards until after World War 2.
As with Reese, I really enjoy the difference between his first card and his last card. All the pre-war cards just feel like they’re from a completely different world.
The first pair on this checklist that I can conceivably acquire. While a Frank Robinson rookie is also something that I could get, it’ll always be out of my price range. But these two, as a Giants collector, are pretty much already on my wantlist as it is.
As with the Robinsons, these both feel familiar although I appreciate how both of them are so of their time while also sharing the common Topps DNA.
1971 Topps–2016 Topps Allen & Ginter Skippers minis
Dusty was actually the first name I thought of when the topic of baseball lifers came up. Sadly Topps doesn’t make manager cards in Flagship anymore. Nor do they appear to be in Heritage either. So Dusty’s last card as a manager is part of an Allen & Ginter mini set which is either so rare or so boring that the only images I can find online are the Topps promotional ones.
I miss manager cards and wish Topps would bring them back. Dusty also hasn’t retired yet so there’s a possibility he could move up this list if he gets another gig and Topps produces manager cards again.
1964 Topps–2009 Topps
Because of Ball Four I always associate Piniella as being a rookie in 1969. But as has been pointed out before, he was one of those multi-year rookie stars and his first rookie card from 1964 gets him into this checklist.
I’m glad I found one lifer whose last card is in the 1970s. As I mentioned earlier, the hardest part here is finding rookie cards in the 1920s and 30s. Which is too bad since the way that Topps includes coaches in 1973 and 1974 means that there was a possibility for more lifers to have last cards.
Anyway I’m sure I’ve missed some guys. I don’t have anyone whose last card was in the 1980s. Nor do I have anyone whose career started in the 30s or 40s. So I look forward to being corrected in the comments here.