Butch Wax

 

Mid-twentieth century men wore their hair short with some type of hair dressing. A tube of Brylcreem or a bottle of Vitalis could be found in medicine cabinets all over America. Those who wanted a real “clean” look opted for the crew, butch or flattop cuts. These extra-short styles often required a thick pomade–oddly pinkish in color–known as “Butch Wax” to make the short hair in front stand up. I know this first hand due to childhood trauma resulting from forced crew and flattop cuts in an era of increasingly longer hair styles.

The well chronicled emergence of the counter-culture in the late 1960s sparked a revolution in personal appearance with men sporting long, undressed hair, beards and mustaches. This movement toward the “Age of Aquarius” didn’t sit well with my parents and it certainly didn’t jive with the hidebound traditions of baseball.

Players were expected to be clean shaven with short-cropped hair. 1970 baseball cards started to show players with lengthening sideburns which served as a harbinger of the “hairy” poses we are familiar with as the ‘70s progressed. However even after the zeitgeist overtook baseball in the ‘70s–starting with the hirsute “-Swingin’ Oakland A’s–some teams, like the Cincinnati Reds, remained adamant when it came to “old school” grooming. A vestige of this school of thought still remains with the Yankees prohibition of facial hair.

But the “far out” and “groovy” new looks on display during the ’67 “summer of love” in San Francisco or at “Woodstock” in ’69 were nowhere to be seen in baseball card photos at this time. It was still “squaresville” as far as Topps was concerned. The players’ boycott of Topps in ’68, expansion in ’69 and many trades led to the use of older photos and many bare-headed shots. As a result, decidedly “un-cool” hair styles would greet the “tie-dyed” clad kid when he laid down some “bread” for a “stash” of wax packs.

Here’s a look at some “squares” you can really “dig.”

This ’68 Pete Richert shows off a great flattop. It appears that Pete was wearing cap before the photo was taken which resulted in a slightly “mussed” look. There had to be some Butch Wax in use since the hair still stands up in front. Pete would be a valuable lefty out of the Orioles bullpen during their ’69-’71 run as AL and World Series (’70) champs.

“Fat Jack” Fisher shares a similarly disheveled flattop look in his ’68 photo. The “level headed” look came in handy for Jack, since he could find barbers in all the cities he ventured to in his journeymen career who could “top him off and wax him up.” He served up Ted Williams’ final home run in ’60 and Roger Maris’ 60th homer in ’61.

Eddie Fisher’s ’68 card bares a striking resemblance to my high school baseball coach who we knick-named “Bristle Bob.” Eddie floated his “knuckler” for 15 seasons.

Another well-traveled hurler with Butch Wax in his locker was Stan Williams. The ’68 and ’69 cards show the freshly barbered hurler in all his “buzz cut” glory.

Perhaps this classic flattop in ‘68 kept Tony LaRussa’s head cool, allowing his brain to absorb all the nuisances of baseball in preparation for his Hall-of-Fame managerial career.

This ’68 Astros had a pair of “close cropped” relievers in Fred Gladding and Dave Giusti. Fred pieced together a decent career with Houston and Detroit. Giusti would go on to be a “palm ball” tossing bullpen ace for the Pirates.

In this ’67 Danny Cater shows off an impressive flattop. He was second in the AL in batting in ’68-“The Year of the Pitcher”- hitting .290 behind Yaz’s .301.

Hall-of-Famer to be Jim Bunning shows his adherence to the conservative baseball culture with this flattop in ’69, foreshadowing the conservative positions he would espouse as a two-term US Senator from Kentucky.

This ’70 card shows Jim Bouton’s foil in Ball Four, Fred Talbot, with his signature “waxed up” flattop. The conservative southerner took exception to the “mod perm” style worn by Pilots catcher Merritt Ranew in a memorable exchange in Ball Four.

Lou Piniella styles this “sweet,” “bristle cut” on a ’70 Topps Super.

“Tough-as-nails,” ex-Marine Hank Bauer has a “military ready” cut in this “sweaty” ’69 manager card.

Although he grew some sideburn during his time with the short-lived Pilots, Wayne Comer’s ’69 card still has a nice “burr” cut from his days as Senators property.

Phil Roof displays a really “high and tight roof” in this ’70 card. Alas, Phil would take his well-barbered noggin to Milwaukee.

The Yankees only got Charlie Smith and his “crew cut” in exchange for Roger Maris.

1969 World Series hero Al Weis is as “square” as it gets in this ’68 card.

Chuck Cottier’s look in ’69 would have made “Sergeant Carter” proud.

It’s time to stop “waxing nostalgic” and cut this “follicle farce” short. But no late ‘60s “short hair styles in sports” retrospective could be complete without showing the quintessential “flat-topped” athlete: Johnny U.!

“Skipped Parts”

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A couple of years ago I was watching the 1966 movie “Penelope,” starring (peak) Natalie Wood, when I came upon a brief scene in which Wood casually opens a pack of 1966 baseball cards. Here, read this.

One of the best minutes in movie history.

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So last night I watched the 2000 film “Skipped Parts,” with an ensemble cast led by Jennifer Jason Leigh. Its kind of a coming-of-age story, set in 1963, in which Leigh plays the unwed mother of a 14-year-old boy. Leigh’s father is a wealthy citizen considering a run for governor in some unnamed southern state, who exiles his daughter and grandson to a house in Wyoming so that they don’t embarrass him during his campaign. Leigh is a bit “wild”, even with a son. She also has never worked a day in her life, so she pretty much has to do whatever her father says.

65962There is a scene near the start of the film where grand-dad summons the boy into a room and makes him toss a stack of baseball cards into a raging fire. Something about “setting aside all childish things.” Prior to the summons, we see the kid (who knows what is coming) palm a 1958 Don Drysdale and slip it into his back pocket. When he tosses in the stack, we see (with a bit of freeze framing, several rewinds, and several minutes of Google image searches) that the top card is a 1962 Felix Mantilla, and below that is a 1961 Alvin Dark managers card. For the rest of the stack we can just see the backs in the fire, and they include a 1961 Willie Mays. The cards looked to be in good shape, though deteriorating by the second.

All of this is soon forgotten, and lots of interesting stuff happens for the next 90 minutes. It is sort of a proto-Juno, except the teenagers (Bug Hall and Mischa Barton) are 14, rather than the 17-18 year olds in the later film.

In the final scene, which takes place a year or so later, the boy is sitting on the front porch of the Wyoming house, next to (SPOILER) a baby in a bassinet. Above the baby is a mobile constructed out of baseball cards. (How did I not have one of those, or make one for my kids?)

54f5c4680cdc4_66095nThese are also 1961 and 1962 cards. I can make out a 1962 George Alusik (took me a while to figure this out, as the cards were literally spinning in a light breeze), a 1961 Gary Geiger (I think), and, still surviving, the 1958 Drysdale.

The movie was made in 2000, and the cards were obviously meant as a period device. We never saw the kid actually do anything with his cards other than near the start when he has a stack on the table that grandpa makes him destroy. I appreciate that the movie makers made the effort to get the correct vintage, even though very few people likely took the time to notice.

I am likely going to buy this DVD so that I can make clips out of these two scenes to add to my “collection.”

Oh, and the movie’s not bad. (I had no idea about the cards when choosing it.) Its not Casablanca, but the characters are interesting and Leigh, typically brilliant, is worth a couple of stars just by herself.

Please let me know if you run across any other baseball card scenes in movies, or if you have any insight into this one.

17684

Orlando Cepeda Made Me a Criminal

Does one crime make you a criminal? Does a momentary act of desperation make you a bad person?

There’s the literary case of Jean Valjean, stealing bread to feed his sister’s children. The theft marked him for life, first with imprisonment, then with non-stop running from the grasp of the relentless Javert. A lifetime of suffering for satisfying an urgent need.

If you’ve ever tried to complete a set from packs, you know how horrible it feels as you get towards the end. Pack after pack, dollar after dollar, wading through card after card looking for that final one. In 1973, I was Valjean and Orlando Cepeda was my full loaf.

I needed a few cards to finish my set, the first set I’d assembled only from packs. I know I needed Dave Lemonds, probably a couple of others from the dreaded last series, but, really, the now rare high numbered cards were plentiful and available. (Not like the third series of 1972 Topps football, which I don’t think ever made it to Suffolk County. If they had, I would have bought them and I don’t have any!).

Orlando Cepeda was impossible to find. Orland friggin’ Cepeda, on the final leg of his career, was more sought after by an almost 11-year old kid than he was by any big league team when his card was made. By the end of ’73, when the last series emerged, “The Baby Bull” was finishing up a big comeback season as a Red Sox DH in Year One of the experiment. His Topps card though had him as an Oakland A. Did I know that yet? No.1973toppsbox

I bought pack after pack, scouring the front of cello packs – the one and three window varieties – looking at the fronts and backs in a mad search for “Cha Cha.” No luck.

73-a_zps9koebwo0

Living in Lake Grove in the early 1970’s was interesting for a boy from Brooklyn. It felt like the 1950’s still, except for the Smith Haven Mall. The mall was uber modern, very exciting in its own way. Less exciting was McCrory’s, a pretty nondescript budget department store, but McCrory’s had cards and I bought a lot of them there. Near the candy section was a three-tiered rotating wire rack of dangling three-pack cellos. On yet another trip to kill suburban time, I headed to the mall with a friend to hang out and stopped to continue my card quest.

rack pack

Spinning, spinning, top section, second section, third section, nothing – wait! Spinning in reverse to focus my eyes on what I’d seen and missed in my first go around, there he was! Cepeda, right in the front, right in the middle.

“What if I want it more than the person who has it?” Rocket Raccoon was still a few years from his debut but he summed up my situation best. I wanted, I needed, that card. I can’t remember if I had any money on me, probably not, because if I had I wouldn’t have stolen it.

I’d never stolen anything before, and didn’t quite know how it worked. I positioned my friend in front of me as I got to work. Now I didn’t take the whole three-pack, which would have been easier. Why? Because I didn’t need the three-pack, I needed the middle pack. See, I wasn’t really a thief, because I only was going to take what I needed. I tore the bottom pack off, tossed it under the display, and tore off the middle and skedaddled. Fast.

Whenever I see that Cepeda card I cringe a bit.  I have a few now, even one listed on eBay, but it’s not that one. That one is safely tucked between Von Joshua and Jim York in my set. Still, it hurts a little to know what I did, and confession is good for the soul, but only slightly. The 1973 Topps Orlando Cepeda card, number 545, is my bread and my conscience is my Javert.

1973 Cepeda front020

 

More bunting, please

“Boys, bunting is like ******* ***. Once you learn how, you never forget.” Joe Schultz from Ball Four (Since this is a “PG” forum, you can look up the missing words.)

85 butler

All too frequently baseball broadcasters will comment on “modern” players’ inability to bunt. Supposedly, every player used to spend hours “catching” the ball with the bat and placing perfect bunts at will. The exact time players stopped trying to perfect their bunting technique is never articulated; however, it had to be after Brett Butler retired since his name is synonymous with the art of bunting.

Of course much has been written about the lack of correlation between bunting and run production. Earl Weaver, the Orioles Hall-of-Fame manager, recognized the folly of excessive bunting prior to advanced metrics and famously eschewed the bunt in favor of the three-run homer. Dan Levitt presents a good case against frequent bunting in this analysis: http://baseballanalysts.com/archives/2006/07/empirical_analy_1.php

No matter what side you come down on in the bunt debate, it is true that teams did bunt more frequently in the past. All this bunting “back in the day” is reflected in the numerous “bunting cards” found in the ‘60s and ’70s. The bunter pose was usually reserved for light hitting, middle infielders with slight builds or Whippet like outfielders. These frail but speedy types could “lay down” a sacrifice bunt or “drag” one for a single in their sleep. They constantly put the opposition on guard for a “safety” or “suicide squeeze.” Occasionally, a slugger would strike the pose as well. Now, let’s look toward the third base coach, get the “sign” and “roll one down” memory lane.

68 Oyler

The weak hitting “poster child” for the bunting pose has to be Ray Oyler. His inability to hit Major League pitching is legendary; best exemplified by his benching in the ’68 World Series to get Kaline’s bat in the lineup. His lifetime average of .175 and a .258 OBP confirms his “weak wand.” Ray peaked with 15 sacrifice bunts in ‘67. My unhealthy obsession with the Seattle Pilots compels me to mention that Ray was the opening day shortstop in ’69.

70 Blair

Being a big Orioles fan in the late ‘60s and early ‘70s explains why the ’70 Paul Blair is my favorite bunter pose card. The Gold Glove centerfielder hit second and frequently used his speed to get on base which allowed the Robinson boys and Boog Powell to “knock him in.” He led the AL in sacrifice bunts in ‘69 and had a career best 17 in ’75.

68 Ruiz71 Ruiz

Giraldo “Chico” Ruiz assumed the bunting stance in both ’68 and ’71. He was a speedy utility infielder who posted 12 sacrifice bunts in ’64 with the Reds. Ruiz is remembered for an infamous incident where he allegedly pulled a gun on Alex Johnson in the Angels clubhouse in 1971.

68 Cardenas

Ruiz’s ’68 teammate, Leo “Chico” Cardenas, had an almost identical photo. The slick-fielding shortstop “moved them over” 95 times in his career.

70 Hermosa

This ’70 Angel “Remy” Hermosa shows him attempting drag bunt. Angel recorded six sacrifice bunts in 91 career games.

72 Boots

Another early Expo shown “squaring around” is Charles “Boots” Day in ’72. Boots’ stats were less than exemplary, but he has to be enshrined in the “Best nick-name Hall-of-Fame.” Since he was primarily a catcher, the bunt pose is unusual but not unprecedented.

69 Satriano

Tom Satriano’s cards in ’67 and ’69 feature the same bunt stance photo. Like Boots, Satriano did occasionally play in the field. He had 14 career sacrifice bunts.

72 Jackie Henzo 76

Shortstops Jackie and Enzo Hernandez very much fit the prototypical bunter stereotype. Here we have Jackie in ’72 and Enzo in ’76. Those of you who attended the Miami SABR Convention in 2016 had the privilege of hearing Jackie reminisce as part of the Cuban player panel.

70 patek

When the Royals dealt Jackie to Pittsburgh in 1970, they received “Little” Freddy Patek. The diminutive shortstop was the perfect player for a bunt shot. His career successful sacrifice rate was 75%.

67 Johnson

Although he would later “muscle up” and slug 43 homers for the Braves in ’73, Davey Johnson modeled his bunting technique in this ’67.

66 Campy72 Campy76-Campyjackson 7071 JacksonJackson 74

Some guys were so associated with the bunt that they were depicted multiple times in the stance. Bert Campaneris shows up three times (’66, ’72, 76). Also Sonny Jackson put down a “bunt triple” in 70, 71 and 74.

68 Fregosi69 Fregosi

Although he had some power and good RBI production, Topps put Jim Fregosi in the pose in ’68 and repeated the picture in ’69. The player boycott of Topps undoubtedly explains the usage of the same photo, but maybe Topps just liked that cool turtle neck undershirt. Jim led the AL in sacrifice bunts in ’65.

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Being the complete player that he was, Joe Morgan undoubtedly mastered the art of bunting. He doesn’t fit the profile of the light hitter, but Topps had him pose bunting nonetheless in ’70.

71 Cardenal

 

Jose Cardenal must have kept a packed suitcase since he was constantly being traded. He is shown bunting in ’71 with the Cardinals.

I could “drag” this bunt theme on longer, but I will close with a few more examples.

72 Theobald69 Quilici70 oliver68 sutherland70 Leon74 rose

As action photos became the norm for cards, actual “in game” bunts show up regularly. This ’74 Pete Rose is a classic shot.

From the ‘90s to the present there are countless examples. As long as mangers continue to “flash the signs” and pitchers bat in the NL, the bunt shot will not be “sacrificed.”

Not Hooked on Heritage

“You realize that our mistrust of the future makes it hard to give up the past.”
― Chuck Palahniuk on Topps Heritage cards

 

What is it about Topps Heritage that leaves me cold? It’s the kind of idea I’m predisposed to love, but I don’t.

God knows I’ve tried to dig them. In fact, I collected/bought, a full 2007 Heritage master set, with a smattering of inserts. I don’t even like the original cards that much but there I was, scrambling for 1958 manqués (I love that word!), short prints and all. It’s perhaps in the misery of going after that set that my disdain for Heritage began.

I do love the 1959 design and was all prepared to go at it again in 2008, but there’s something missing in the faux-retro cards. I can’t quite put my finger on it but the new cards don’t seem to put in the effort, pictorially, of the old ones. Compare the two:

s-l22565174

There’s something in Heritage that is fuzzy, fake, quasi-painterly, but not well-painted and not interesting. The hook is all in the design but, as this blog pointed out recently in its poll on favorite 1970’s cards, the attraction of a card goes beyond its mere design and Heritage, for me, points out that design alone doesn’t cut it. The photos need to be dynamic and appealing. It’s why cards like the 1953 Bowman set are so wonderful. There isn’t even a design to speak of; it’s simply a series of incredible pictures.

1953-Bowman-Yogi-Berra

I dutifully bought two jumbo packs of the new Heritage. Eh. First of all, the 1968’s do nothing for me. Second, the photos left me flat. I ended up giving all the cards to my 21-year old who first wanted the Cubs, then took them all for the bus ride back to college.

2017-Topps-Heritage-Baseball-Base-SP-409-Eric-Hosmer-216x300

The thing is he totally loved the cards! They were new to him, old in a non-defined way because he’s not bringing any old man baggage to a 49-year old design, but fresh. They may be enough to restart his interest in the hobby.

I think freshness is the key. An old design with mediocre photography doesn’t feel fresh to me, it feels tired. Maybe I’d feel different if the gimmick didn’t extend over a full set. I kind of like Topps Archive – several different old designs, with old players in new looks and new players in old looks. That works for me; Heritage most emphatically does not.

 

A Card Too Far

The vast majority of my collection consists of either (a) complete sets, or (b) sets I am working on. I completed 1968 through 1971 in the 1980s, and in the past 30 years I have managed to push it all the way back to … 1964.

I do not work on one set a time — I work (slowly and randomly) on a bunch of things, which gives me more flexibility when I see an affordable lot. I might go months without buying anything, and then see some 1954 Topps commons that look great. I have no timetable. I would be content not finishing another set. We shall see.

Here is where I stand at the moment on my 1952-63 Topps sets.

Year Total Have Need %
1952 407 33 374 8%
1953 274 42 232 15%
1954 250 56 194 22%
1955 206 46 160 22%
1956 340 207 133 61%
1957 407 243 164 60%
1958 495 300 195 61%
1959 572 360 212 63%
1960 572 348 224 61%
1961 587 472 115 80%
1962 598 508 90 85%
1963 576 543 33 94%

I have 23 1952 cards, and I have 543 1963 cards.

Logically, 1963 seems like the next set that I should finish — look how close I am! But it’s just not gonna happen.

One of the cards I need is #537.

169887

I have nothing against Pete Rose. Or, for that matter, Ken McMullen, Al Weis, and Pedro Gonzalez. Heck, I liked Pete Rose as a player, and I wish we had a player like him around today. He gambled a bit? Zzzzz.

But I consider this a rather ordinary card, perhaps even a bit ugly. I like the 1963 base design quite a bit, but I gotta be blunt here: the rookies and leaders subsets, both of which employ the “floating heads” technique, are pretty lame. (Do people disagree? Anyone?)

If I am patient enough, and compromise a bit on condition, I might be able to find this card for $500. We all have our budgets, but I just can’t see myself spending $500 for this. Its probably worth $5-10 to me as a card, and perhaps as much as $50 as a “I must complete this set!” card.

But if I have $500 laying around (spoiler: I really don’t), I could instead buy all of these 1955 cards (also “needed”) in the same condition.

Oh, and I’d have about $250 left over. Not really a difficult call for me.

I first heard of the concept of the “rookie card” almost 40 years ago, when a dealer explained to me why some of his cards seemed to be oddly priced. I thought, and still think, the whole thing is contrived. There was no increased demand for a Rose rookie card until dealers jacked the price up.

Dealers: “This card is scarce and desirable.”

Collectors: “OK, I must buy this card.”

Dealers: “Cool, its now actually a bit scarce.”

Its a not a card anyone would otherwise care about.

wpeE2

But even if there is additional demand for the first Pete Rose card, wouldn’t this be a better choice? For my money, this is actually Pete Rose’s first real card. Isn’t this, objectively, 10 times the card of the 1963 … thing? This is one heck of nice card, to be honest. And it is less than 20% of the price.

I like the multi-person rookie cards that came along later in the decade. They are a fun subset, like the World Series cards or the league leaders cards. But the “demand” for them is way overblown and makes set collecting unnecessarily expensive.

The Nolan Ryan rookie card is a cute little addition to the 1968 set. But the Bob Gibson (the best player in baseball at the time) is absolute magic.

 

 

 

Its Miller Times Two

There are many players in baseball history who shared the same name. Not quite as common are identically named men being active at the same time. Here is look at some of the “same name” players who, for at least one year, had cards in the same set.

Bob L miller 1Bob G miller 2

Perhaps the most famous example are the two Bob Millers who played for the original ’62 Mets. Bob L. Miller (on the left) was the Mets #1 expansion draft pick from St. Louis. He would play for 10 different teams in a career that stretched into the ‘70s. Bob G. Miller was on the way out when he joined the first year Mets. His stint at the Polo Grounds would mark the end of his mediocre career. Using Retrosheet I was able to find at least three instances where they both pitched in the same game. Incidentally, Bob G. came over from the Reds in a May ‘62 deal for Don Zimmer. This resulted in Don Zimmer’s ’62 card having him pictured as a Met but on the Reds.

geo H Burns 22 BosGeo J Burns 22 Cin

The oldest two-name examples I found were ’22 Exhibit Supply Co. cards for the two George Burns. Both Georges were excellent players in the early 20th Century. First baseman George H. Burns had a stellar 16 year career highlighted by winning the 1926 AL MVP for Cleveland. I found out after reading Joseph Wancho’s SABR BioProject piece that his post-baseball career was sheriff’s deputy for King Country, Washington where I live. George J. Burns played outfield for John McGraw’s Giants from ’11-’16 before being traded to the Reds after the ’22 season. His solid 15 year career included leading the NL in runs scored five times and stolen bases twice. R. J. Lesch’s BioProject entry is very informative. As far as I can determine, neither man had a wife named Gracie Allen.

hal W smith piretshal R smith 1

The fact that both Hal Smiths played catcher undoubtedly led to some confusion. Hal W. Smith played for five teams in a career lasting 10 years. His home run in the 8th inning of the 1960 Worlds Series put the Pirates ahead, only to see the Yankees tie it in the top of the ninth. Hal could have been the hero instead of Mazeroski. Hal R. Smith was mainstay with the Cardinals from ’56-’61. He resurfaced for a few games with the Giants in ’65.

58 Bob G SMith Pit58 Bob W Smith Bos

If that pair of Smiths wasn’t confusing enough, there were two pitchers named Bob Smith in the late ‘50s. Bob G. had a six year career with five teams. Bob W. Smith played for three clubs in the span of his two years in the “bigs.” Coincidently, both broke in with the Red Sox.

Frank Baker Jr.Frank W Baker

1971 saw cards for two Frank Bakers. Outfielder Frank Baker Jr. played for Cleveland in total of 125 games in ’69 and ’71. Infielder Frank W. Baker came up with the Yankees in ’70 and finished up with Baltimore in ’74 having played a total of 146 games.

Dave W. RobertsDave A Roberts

In ‘72 the Padres selected Dave W. Roberts, from the University of Oregon, #1 overall in the amateur draft. He replaced Dave A. Roberts who they traded to Houston after the ’71 season. Dave W. never came close to living up to his lofty draft position. He never developed into a major league catcher and struggled to find a position with three teams. Dave A. Roberts was a decent pitcher for eight teams from ’69-’81. His best year was ‘73 when he won 17 games as an Astro.

81 kevin_J brown Mil.81 Kevin D Brown Pit.

Kevin D Brown   Kevin J. Brown

These two 1991 Donruss cards proves the existence of another pitcher named Kevin Brown. Kevin D. Brown pitched for three teams from ’90-92 racking up three victories. Kevin J. Brown was one of the most prominent pitchers of the ‘90s totaling 211 career wins. He was a key part of the ’97 Florida Marlins championship and helped San Diego reach the World Series in ’98.

Greg A Harris Red SoxGreg W Harris Padres

Greg A. Harris and Greg W. Harris are pictured here in ’90. Greg A. had a 15 year stint in the majors with eight teams winning 74 games. Greg W. pitched for eight years primarily with San Diego notching 45 victories.

M. G Brown Red Sox 84M.C Brown Angels 84

Mike G. Brown was part of a trade deadline deal in 1986 between Seattle and Boston which sent Dave Henderson east. Red Sox fans fondly remember “Hendu’s” post-season heroics that year. Mike G. didn’t fare so well in Seattle closing out his career in ’87 with a total of 12 MLB wins. Outfielder Mike C. Brown had a similarly lackluster career with the Pirates and Angels form ’83-’86.

pat kelly o's1980- D Pat Kelly BJ

The two Pat Kelly’s had cards in 1980. Outfielder Pat Kelly had a 15 year career and was an original KC Royal in ‘69. His speed on the base paths made him a valuable asset to the White Sox and Orioles as well. He is the brother of ‘60s-‘70s Cleveland Browns running back Leroy Kelly. Dale Patrick “Pat” Kelly had a “cup of coffee” with the Blue Jays in 1980. He appeared in only three games before becoming a long tenured, minor league manager.

Brian R Hunter Sea.Brian L Hunter

Personally, the two most confusing “same name” players are the Brian Hunters. Both players’ careers spanned roughly the same era and each had a stint the Mariners, my home team, in the ‘90s. Brian R. started with the Braves in ’91 and then bounced around for the better part of a decade playing outfield and first base for six different teams. Brian L. was a speedy outfielder for seven teams between ’94 and ’03.

Penas

The great Pirates catcher Tony Pena’s son Tony F. Pena Jr. was a shortstop for Boston and KC from ’06-’09. He was the Royals starter in ’07 but didn’t see sustained success. Breaking in the same years was Ramon Antonio Pena a pitcher. This Tony started with Arizona and “hung them up” after the’11 season with the White Sox.

Darrell David Carp.david carpenter 1

Darrell David “Dave” Carpenter and Dave L. Carpenter experienced mediocre pitching careers. David L. achieved one win in 4 seasons from ’12-’15 while Darrell “Dave” won 11 times from ’11-‘15.

Chris R Young P 14C B Young Out.

A basketball player at Princeton, 6’10’ Chris R. Young chose baseball and has put together a 12 year career with five teams. He won 12 games twice and has total of 79 from ’04-’16. Chris B. Young has played for five teams as well from ’06-’16. As a starter for Arizona in ‘10, he had 91 RBI. According to Baseball Reference, the two have never faced each other.

bobby J Jonesbobby M. Jones

Bobby J. Jones was a serviceable pitcher from ’93-’02 amassing 97 wins. Bobby M. Jones played from ’97-’05 with middling results.

Pedro A martinezPedro Martinez HOF

To say the career of Pedro (Aquino) Martinez’s career was over-shadowed is a gross understatement. He toiled for 4 teams from ’93-’97 accruing seven wins. Hall-of-Famer Pedro Martinez finished with 219 wins.

Alex Gonzalez Marlins    Alex S. Gon

Playing primarily with the Marlins, shortstop Alex Gonzales was a solid performer for 16 seasons from ’98-’14. He was an All-Star in ’99 and finished with lifetime average of .290. His contemporary, Alex S. Gonzalez played from ’94-’06 with six teams.

MayMaye

ServaisService

I will conclude with players with the same pronunciation of their names but different spellings. Scott Servais and Scott Service played concurrently as did Lee May and Lee Maye.

If you know of other cards, please let us know in the comments or on Twitter.